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    YA ZILA 212 Manual

    Uploaded by

    Nando Tavares
    Manual tá Zika 212

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    YA ZILA 212 Manual

    Uploaded by

    Nando Tavares
    98 views2 pages
    Manual tá Zika 212

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

    Did you find this document useful?

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    Manual tá Zika 212

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    98 views2 pages

    YA ZILA 212 Manual

    Uploaded by

    Nando Tavares
    Manual tá Zika 212

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
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    York Audio YA ZILA 212 Manual

    The York Audio ZILA 212 Cab Pack is based on a Zilla Fatboy 2x12 cabinet loaded with
    Celestion™ Vintage 30 and H75 Creamback speakers.

    Here is a brief understanding of the Cab Pack’s layout, file names, and multi-mic mixes.

    File naming

    Each shot was taken on various sweet spots on the speaker. Numbers 1-5 DO NOT
    determine a capture’s brightness, darkness, or speaker position. The numbers only
    determine which capture you’re listening to. Dynamic mics also include off-axis, or “OA”
    shots, and are labeled 1-6, which are also taken from various parts of the speaker. Use
    them on their own, or blend them with your other favorite mics for some truly unique
    tonal textures.

    Mics

    Dynamic:
    57 - based on a Shure™ SM57
    421 - based on a modern Sennheiser MD421
    906 - based on a Sennheiser™ e906
    SM7 - based on a Shure™ SM7b

    Ribbon:
    121- based on a Royer™ R-121
    160 - based on a Beyerdynamic™ M160

    Condenser:
    414 - based on an AKG C414

    Mixes

    Multi-mic mixes are given a number in order to visually simplify the file names. Here is
    a list of the mics used in each mix.

    BLND (V30 and H75 speaker blend) Mixes:


    Mix 01 - H75 57 + V30 121
    Mix 02 - H75 57 + V30 121
    Mix 03 - V30 57 + H75 121
    Mix 04 - V30 57 + H75 121
    Mix 05 - V30 906 OA + H75 160
    Mix 06 - V30 906 OA + H75 57
    Mix 07 - V30 SM7 + H75 SM7
    Mix 08 - V30 57 + V30 160 + H75 57 + H75 121

    V30 Mixes:
    Mix 01 - 57 + 121
    Mix 02 - 57 + 121
    Mix 03 - 421 + 57
    Mix 04 - 906 + 160
    Mix 05 - SM7 + SM7 OA
    Mix 06 - 57 OA + 421
    Mix 07 - 414 + 160
    Mix 08 - 421 OA + 421 OA

    H75 Mixes:
    Mix 01 - 57 + 121
    Mix 02 - 57 + 121
    Mix 03 - 421 + 57
    Mix 04 - SM7 + 121
    Mix 05 - 906 OA + 160
    Mix 06 - 57 OA + 160
    Mix 07 - 160 + 906 + 421
    Mix 08 - 414 + 57

    Which files to use

    MPT (Minimum Phase) and RAW files are provided. For this cab, I recommend using
    the MPT files to get the most “information” from each IR. MPT files are also preferred
    when blending with “factory cabs.” MPT and RAW single mic captures sound identical.
    The difference is found when making your own multi-mic mixes. Raw captures will have
    a different phase relationship than MPT files with mellowed top end and varying degrees
    of shift in the midrange.

    All York Audio products have been tested with Fractal Audio Systems™, Line 6™,
    Kemper™, and various software plugins to ensure seamless integration with your amp
    modeling platform. Hardware units will convert and truncate files to proper length upon
    import. Please refer to your hardware unit’s manual to determine which sample rate is
    right for you and how to load them into your particular unit.

    In brief:
    48k - For use with Fractal™, Line 6™, Boss™, and most modeling units.
    44.1k - For use with Kemper™ units.
    96k - For use with Strymon™ Iridium.

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