b/g Se

ga Yer 4S 778 603

COMIG: Alaa
OF THE SUMMER!

~ brings yous |
BODYSfarring Megan |
Fox as a demonie
possessed: fSereader |
with a taste for killing
teenage boys! .In this |
- original graphic novel.
that ties into the movie |
and expands on its
- universe, BLACK-METAL’ |
Rick Spears brings you |
even more hellish Jennifer
‘Stories with art by-HACK/
SLASH’s Tim Seeley,
-KICK DRUM COMIX’ Jim|
Mahfood, DMZ’s Nikki |
‘Cook, POPGUN’s Ming.
Doyle, and TERMINATOR:'
SALVATION MOVIE — |
PREQUEL’s Alan Robinson.
Nae *%
ey h;
”
“ROSSRICHIE is
chief executive officer =

~ ANDREW COSBY :
chief creative officer

_ MARK WAID —
editoy-in-ch let. Bae

INN 620).40\) Sa
vice president, |
, Pyalishing. | e
ede 2
CHIP MOSHER =
marketing director
pk ey
:MATTGAGNON
| mig 1g, editor’ Seige

eo ey ae
e: pace ae
sr

JENNIFER’S BODY — August 2009 published by BOOM! Studios. Jennifer's Body and
the Fox logo are trademarks c
Twentieth. Century Fox Film Corporation. © 2009 Twentieth Century Fox Film Corporation. All ale]
al oamactsiclaV{e\efals{@1@)\V,
Studios™ and the BOOM! logo are trademarks of Boom Entertainment, Inc.,
registered in various countries and categories
All rights rese The characters and events depicted herein are fictional. Any similarity to
actual persons, demons, anti
Christs, aliens, vampires, face-suckers or political figures, whether living,
dead or WiaTol=r-To Patolmn
olla var-(e1UT] MolmecyUTof-taay-l(Ule=
events iscoincidental and unintentional. So don’t come whining to us. Office
ofpublication: 6310 San Vicente Blvd, Ste 404
Los Angeles, CA 90048-5457. Printed in Canada. sna’ ei “a lh
 WRITTEN BY RICK SPEARS.
BASED ON THE MOVIE INNS iO) f
SCREENPLAY BY DIABLO CODY

PROLOGUE AND EPILOGUE -TIM SEELEY

Ke):<emsD)(G11, €@)'4 a STUDIOS
(ee)

CHAPTER ONE
ART AND LETTERING - JIM MAHFOOD
coLors - JUSTIN STEWART

CHAPTER TWO
‘7 ge NIKKL COOK. ;
. : (qo) Ke) tsa D)(@)| CO) doa ODIO)

CHAPTER THREE
~art- MING DOYLE
coLors - DEAN TRIPPE

CHAPTER FOUR
NA NNN NO) INNO) |
coors - STEPHEN DOWNER,
DIGIKORE STUDIOS

LETTERS -TROY PETERI

DIRECT MARKET COVER - ERIK JONES

MASS MARKET COVER BY - FRANK CHO
: COLORS / CRIS PETER:

-DESIGN- ERIKA TERRIQUEZ :

EDITED BY -
IAN BRILL, MATT GAGNON AND BRYCE CARLSON -

SPECIAL. THANKS TO R. ERIC LIEB OF 20TH CENTURY FOX ~

ee
 =o DEVIL'S
<1 KETTLE, USA.

WHAT
ARE YOU,
OVLILATING?
YOU LOOK ALL
SHIMMERY.

St iE wll Wi } KNOW BUT I

iM } / FEEL JUST...
iNet j :

7 WHAT'S THE
HAPPS, SUGAR
SMACKS?

LIKE I
GOT A DEVIL IN
ME, DYING TO
GET OUT.
 And ifs not just this
1 amazing body. Ihey See in
| me what they want fo See...

OF Savior,
whatever.

But ais of PRE SCS

) the truth. None of them |
See the real me.

weevos

PPMnens
<SPAN?
 SO GWE ME
SOMETHIN’
BETTER To Low
AT, KATIE
CAT!

Se *
DONAS KeZELLE,
HAT ARE You LOOKIN¢ SToP THAT
AT, NERD!
 RELAX, PoLKA peoT. we'RE JvST
BAHAVIN’ SeME FUN ISN'T THAT RIGHT,
NERD? ’

EAUSE, YEAH,YouMay AUST You WAIT AND SEE, You're

GONNA GET OLD, ANp GET PAT.
You ARE CURSED, DOOMED, Aur
- €OOL
pi ; Se al IN |] Youu IMPREGNATE SOME chienP ALL ‘Yeu Wilt EVER HAVE IS
fe “REAL WORLD Youre TART AND GET STUck AT SOME YouR. PATHETIC WELL- WORN
NOTHING MENIAL JOB <Avse You'Re Tho
MémoRies OF HIGH S &HaolL
W\R. KOZELLE,
STUPID FOR ANYTHING BETTER.
m GLORY DAYS. gf

EAT IT, OLD MAN,

I'M GONNA BE
Z AIN'T NEVER GONNA
GET OLD.
AWESOME
FOREVER.
VALLY J DON'T HAVE TROUBLE wiTH THINKIN STVFE BUT
CAN'T GET POLKA DOT's Wakps ovVT oF MY HEAD

\\° OCT DAM IT, WHY <AN'T 5 HAVE NORMAL, <00L THougHts? | /-
S<REW THIS, 'M GomNA TRY suPER HARD TP THINK
Apovr BOOBS Now. peel 7| ] 4

a "
ty
4
qy 2.
° é ° jl
Ph i \ 2 x Thon /

i ‘BO O38 60 OBIES.,..

 \\\
\\*

THAT 5RIGHT,
BRING IT ON!

if
a I
eee
Sean Faas
CRE LTO
I,
| eee ;
| ae

HIM SoMEe Al. SON, CAN

You HEAR Mm? Do You 5
KNOW WHERE You ARE &
a
Wes OK. Hes eK. XS
SPORTS WHEN = WAS <oMING
But, LeT’s SIT You : es i ; aS :
ON THe BENCH, SON.

FITZPATRICK, Youre
IN FoR KozELLe!!

wha

f
 JONAS! THOSE DORKS FROM RIVERDALE Ar
IN THE PARKING LOT RIGHT NOW EGGiN,

rt Neaes Gg
THEY JUST <vT AND RUN, WHAT
A BUNCH OF,,,
NE. BRE You
ERET piv You
VICTIM
 I'M A GRIEF COUNSELOR, THIS IS WHATS 6
You DON'T HAVE To BE TOUGH WITH ME. You
SAFE HERE. You <AN LET IT ALL OUT,

ALL OF THE PRESSURES, ALL You LOVED <RAIe DIDN'T

OF THE PENT uP FEELINGS, You? ITs OK To SAY IT.
ALL THE THINGS You <AN'T IT DOESN'T MAKE You GPA
SAY, ALL OF YouR SECRETS. He was YOMR FRIEND AND
Nou CAN SET THEM FREE You CARED FoR HIM AND
NOW HES &eNE, LET IT
LET IT ovT,
 — 4

OUR LOVED ONES. c. \Pes.

4

i ~ . a “\y

why
 OH.
HEY,
JENNIFER .

\\
\\
\; ¥

You KNOW, <RA\e SAID HE ALWAYS —

| ————
THOUGHT You AND ME WoULbd MAKE fF |
MPN TOTALLY BANGIN’ couple. Isn'T A= —=—
HE Was MY | | THAT So WEIRD?
VERY BEST é
FRIEND,
 COME WITH ME. JVST FoR
A LitTLe WHILE, we'u HELP
EACH oTHER GET THROVGH
THIS NIGHTMARE. IT's WHAT
CRAIG WOULD HAVE WANTED.

KNOW WHERE WE'RE GOING, T KNOW WHAT'S VP, KIDS Go To ANP YEAH, I'\L GivE HER EXACTLY WHAT
E WOODS TD MaAKE-oVT AND Hook VP. IT KNeW WHAT CRAIG WOULD HAVE WaNTED AND RIGHT WHERE
= KNOW SHE WaNTs IT.
 é
Ye \\ y
i¢ f Wf:
‘ yA 4 /
i ae A). PAW Nees
r A

ANT | 2
4 i Bi
[

I
CHAPTER
— TWO-

COLIN»
 we Ser,
However it seems irs
fate has given him a
another chance fo §
get it right. Pe

Actual, Lolin and | have

some history but he’s never |
been able to capitalize on if.
c a

| don't think he’s totaly

| 'farded, just frickin’ mute \#
or something.
 GOD, I’M SUCH
A ODWEEB.
WHAT’S WRONG
WITH ME? I
KNOW HOW TO
TALK. I DO IT
ALL THE TIME.

TALK/
TALK! TALK/
he! TALK! SEE/ I'M
mi TALKING RIGHT

I’M NOT
CRAZY!

THERE’S JUST
SOMETHING ABOUT
JENNIFER CHECK. I
CAN’T TALK TO HER.
IT’S ALWAYS BEEN
THERE, EVEN WHEN
WE WERE KIDS.
 sans

WE “MET”
ONE SUMMER | —
AT CAMP. |

Bn A Veo \'F
OWS I SAY “MET” BECAUSE
'~ 7T COULD NEVER
MANAGE THE GUTS
TO ACTUALLY, YOU
KNOW, TALK TO HER,

IT WAS FROM
AFAR THAT I
FELL IN LOVE
ibe JENNIFER
K, MY
FIRST LOVE.

THE ADVANTAGE |
| OF BEING ABLE
TO, YOU KNOW,
SPEAK ACTUAL
WORDS TO HER.
 ie

WAS IN THE MIDST |,

NM OOF THIS TRAGIC,
| UNREQUITED YOUN
LOVE THAT THE
DARKNESS FIRST
CALLED To ME.

JUST STAY
INSIDE ALL DAY
LISTENING TO ,
MUSIC.

SKIP STONES. IT
SHOULD BE
_ SUPER FUN.
= &
x
oh

% ~

OK, SUIT
YOURSELF.
Y

THE DARKNESS |
PROVIDED A SAFE
PLACETO HIDE
AND WEEP.
 I REMEMBER WHEN YO
COULD GET RECORDS
ALL OVER. THERE WAS
| STONEHENGE, THE
FACTORY, RAT FINKS, BUT
THEY'RE ALL GONE.

NOW THE ONLY

PLACE IN TOWN
THAT CARRIES
DECENT MUSIC
IS SKINNIES.

IT’S ALL THE WAY ON

THE SOUTH SIDE BUT
I'D DRIVE To THE
ENDS OF THEEARTH
FOR THE NEW
DWARVES ALBUM.

ANOTHER
VICTIM OF
ONLINE MUSIC
DOWNLOADS.

IT TOTALLY
SUCKS BEING
A BLUE KID IN
A RED TOWN.

NOW THE
| INTERNET MAKES
| ALL THAT AS
EASY ASA
DOUBLE CLICK.
 FASHION, STYLE, IDEAS, OA pewioe
THEY’RE ALL INSTANTLY DIFFERENT
CO-OPTED, CODIFIED AND ya ANY MORE?
COMMERCIALIZED NOW. =

OO SGA RETA _—___= 7 ae ne

AND WHAT IS IT TO BE I REFUSE TO CONCEDE MY

DIFFERENT WHEN FINELY CRAFTED
FFERENT” IS 50 EASILY | ALTER-IDENTITY TO A BUNCH
i
OUGHT AT THE MALL? | | OF LAZY WANNABES COMING §
§ THIS IS A TRAVESTY
f 8 6SLATHERE
TUN
AN ma I’M SCARED I

I DON’T WANT A RECEIP

FROM THIS DAMN STORE.
COULDN’T STAND FOR THE
TO EXIST ANY EVIDENCE
WAS EVER HERE.

SKINNIES
CLOSED
DOWN.
=
\

Ss {
j = 4 2 f ..
|
—— ‘2
‘
I DON’T KNOW WHAT
I’M GONNA DO, MAYBE
MAIL ORDER IT FROM
THE LABEL, BUT I WHATEVER!
KNOW TI HAVE TO RUN. HAPPENED
 Looe
THE NEXT
DAY,

V5 THAT THEY
DWARVES? YOU LIKE THE
DWARVES?

OH HELL
YEAH. THE
DPWARVES ARE
YOUNG AND
GOOD LOOKING
IS ONE OF THE
| \ SES7 RECORDS &
\ OF ALL TIME.
—f

"I WILL DENY”... I cou

YOU GOTTA BURN”... IT. WITH COMMON
IT’S HOW PLINK |S GROUND
SUPPOSED TO BE ESTABLISHED, WE
DONE. HAD AN ACTUAL
CONVERSATION.
 IT’S TOTALLY SICK. IT’S CALLED, —

IT WAS IN THE LIBRARY THEY | F

DT7 2EALLY Ke HER
06 You? I MEAN
WOULD TOTALLY BAN IT. 7 —\ (T'S A PUT-ON,
“V_ IT’S ALL ABOUT DEMONS AND See RIGHT? ALBIS
“| DEMONIC TRANSFERENCE WITH, > JOKE? _a
| LIKE, ANCIENT DRAWINGS AND EVEN
A REAL EXORCISM VADE MECUM.
IT’S AWESOME!

'( YOU NEED SOMEONE You \

DON’T EVEN HAVE To
TALK TO.
STEPFORD AND
YOU CAN'T |
EVEN TALK To |
HER.

a; bal Si
YOU NEED
SOMEONE
YOU CAN
DIE WITH.

AND
HAVE YOU SEEN
HIM LATELY? HE
TOTALLY LOOKS
NN : y f JUST LIKE
4 \ 4 : VINCENT PRICE.
eae &@ a DYLAN KNOWS
— y a . WHAT'S UP. TF
 BUT
SERIOUSLY
YOU GOTTA
BE CAREFUL
WITH A
\ CHICK LIKE
THAT.

— $ >. NO, FOR REAL, I SAW ON,

EVES BEING Be LIKE, 20/20, WHERE JOCKS AND
STABBED OUT f GIRLS LIKE HER WOULD LURE PUNK KIDS
BY HER OUT UNDER THE FALSE PRETENCE
OF FRIENDSHIP OR FOR LIKE SEX ONLY
TO BEAT THEIR ASSES AND LIKE
BUTT RAPE ‘EM WITH BROOM HANDLES.

FEEL IT. I
SEE HER.

FAR. I DON’T
BUY IT. YOU'RE
4 JUST
SCREWING
\ WITH US.

DON’T FOOL =
ME “f T’MNOT ©
KIDDING. I’m |
GONNA ASK
HER OUT.

THERE’S
NO WAY You \ , ee
CHEEK AND LIKE, | a 1 | Geeta ~
WELL, I’LL
“ale 4 BELIEVE IT
BABIES AND / : , fe WHEN TI SEE IT,
STUFF. " 7%
 THE DAYS PASSED
AND OUR BIO LAB
CONVERSATIONS
| MOVED FROM MUSIC
TO MOVIES AND
BEYOND.

WE WERE
FRIENDS. IT WAS
SO WEIRD AND
EXCITING AND
TINGLY.

| THEN ONE
SHE GAVE
A LOOK.
MY GOD, 17
LOOK. |
SI NEARLYKil

lon, HERE
GOES
NOTHIN’.

OK, THIS |S IT. THIS IS THE

DAY. ROCKY HORROR |S
PLAYING AT THE BIJOu
AND AFTER WE CAN HIT I THINK I’M
THE COFFEE HOUSE AND GONNA
SMOKE MENTHOLS AND... | | THROW UP.
 I WAS S50 NERVOUS
AND HER FRIEND
NEEDY WAS
EAVESDROPPING
ON US AND
FREAKING ME IT WAS
NOTHING LIKE
HOW I HAD
PRACTICED
HORRIBLY WRONG IN THE
RIGHT FROM BATHROOM
THE START. MIRROR.

. I WAS SO Eee,
DASHING IN THE
BATHROOM AND
MY FANTASY
| JENNIFER WAS
VERY RECEPTIVE
TO MY CHARMS.

LERARTOIS
BUT HERE IN
THE HALL SHE I WAS $0
WAS SO TERSE Cane AGS
AND PUNCHY ae AT
AND REAL. appa:
SHUTTING
uP AND
REVERTING
BACK TO
KNOW IF I’LL | HOW IT HAD |
GO OUT WITH ALWAYS GEEN. FF
YOU. OK WELL, nba
Se LITERS

IJyust §
OPENED MY |)
| MOUTH AND [
-7 pRaveD f
"1 SOMETHING f
j i.
COME OUT.
TE.
 I THINK I SORT IDONT
OF BLACKED LIKE BOXING |
OUT. I DON’T MOVIES.
REMEMBER
SAYING ANY
WORDS. I DON’T
KNOW WHAT
I SAID.

“DETER WHAT
FELT LIKE AN ’ ig SiNOicem
ETERNITY SHE | B SCREW IT.
FINALLY SAID... ee NEVERMIND.

I HAVE NO IDEA WHAT GoD

OR GODS INTERVENED BUT
heal AS I WAS MENTALLY
 I HAVE NO IDEA |
WHAT AQUAMARINE
IS BUT I DON’T
CARE. I SAY “YES”.
AND JUST LIKE
THAT...

I CAN’T BELIEVE
J IT. SHE CALLED
A ME BACK TO ASK |
ME IF I WANTED
TOWATCH NN
| AQUAMARINE ON | *
DVD AT HER

ae TNE GOT A
DATE WITH
JENNIFER
CHECK! I’M SO
» | EXCITED IT
4 ALMOST GIVES
A) ME DIARRHEA.

CORRECTION, IT
DOES GIVE ME
DIARRHEA.
THe Bie ; at al WHERE THE
NIGHT. a HELL IS THIS
ae ; PLACE?
IT CALLS
FOR MY
BEST
BLACKS,
THE ONES I
MAKE MOM
WASH WITH
THE COLOR SEO
SAFE
BLEACH.
et
Oe

_ccosmsoeate

IS THIS IT? THIS

IS THE ADDRESS
SHE TEXTED.

I WOULDN’T HAVE
THOUGHT IT WAS
JENNIFER’S STYLE
TO CRASH A 2 is
CONSTRUCTION SITE. &
I MEAN, IT’S COOL
BUT KINDA WEIRD.

' T I KINDA
QUEASY..._ ent ine
 AN IMAGE
OF CHARLES |
| MANSON
POPS INTO

HE’S NOTA
CHARACTER FROM
SOME 70'S HORROR
FILM. HE’S A REAL
DUDE AND HE’S
REALLY ALIVE, AND
HE pee
HAS AS WAST IKA
TATTOOED BETWEEN |
HIS E YES. :
 LICE AN
Bl WHO oBvious
A, THA . f
SEXCAP T LOOKS
ADE
SPOT.

NO
W
BU
HE LOOKS AT ME
LIKE
BEEN

WHAT’S \_
GOING ON?\
THIS ISN’T f sUuST FOR YOU
REALLY AND ME. WE
your CAN PLAY
HOUSE, IS MOMMY AND
ucla DADDY.

DO YOU--
DO You
EVEN KNOW
MY LAST
NAME?

SILLY, I’VE :
BEEN SENDING You
SIGNALS ALL YEAR.
COULDN’T You
TELL? YOU GIVE
Med SUCH A

ALL YOU CAN.

TAKE!

Thats it, Colin.

J need you fo
give if voice.
Speak and it
becomes a apell.

I NEED You
ML FRIGHTENED!
RES 53 f

It wasn't 60 long ago yu <——— —

couldn't even ee v me. os Now fear, desire,
despair, all your
communication
becomes incantation. a

ATUL PID)
{hay yy
 CHAPTER |
TH REE

AHMET FROM |
A
MY NAME |S AHMET
AND I AM GOING
TO KNOCK THE
WSHNLI OUT OF
THIS BALL.

VICTORY IS
A FITTING
SEND OFF.
 SIR,

RANDOMLY SELECTED
FOR A FURTHER
INTERVIEW AND A MORE
THOROUGH SEARCH.
PLEASE FOLLOW
THESE MEN.

YES, OK ’
I AM MORE THAN
“ WILLING TO COMPLY
\ WITH Your any A
)\ SECURITY
deiceeldae

POSSIBLE AGAINST
THOSE THAT WOULD
CHOOSE TO DO US
HARM. ¢
 I DID NOT REALLY
PECT THE
TS TO Bi

WE WILL I DID NO
NEVER FORGET, EXPECT
RAGHEAD/ = THIS.

NEVER/

cea
THEY SAY
AMERICA |S
THE GREAT
MELTING POT.

——se ®~
 YOU JUST THIS IS
SEG GLEEE GEE Ti
REMEMBER, YOU ARE THE
T
(ugh
i f 8ecome Aman
AHMET. LIFE IS
VISITOR. IT 1S UP TO YOU, YOU
CAN CHOOSE TO LET A FEW
/GNORANT PEOPLE STOP YOLI,
OR YOU CAN CHOOSE
TO HAVE A GRAND
ADVENTURE.
\
es
vem
 WHOAS
WHAT THE
HELL IS THAT
THING? IT
LOOKS LIKE
SOME SORT OF
TENTACLE.
 BD [eaeye)
THE coAcH wouLp [ie
- \

p ee 4
Si ‘

((.
( ie

(O
p i
7 5 ‘5 \

22 a =
ES Ea eae

<e a*
T COULD
NOT [Ml I KNEW THEY WERE
PERFORM AT My [im ATTACKING |
BEST WITH THEIR mm| WSUST ATTACKIN oT |
.

oN 2

HECKLING. | MaMe ce or
RR
ao s } TO BE PART OFe
THEI R TEAM
¥ Fa IMBECILES. OF
 ITHREW .. & dF
MYSELF INTO |
MY STUDIES, — YOu MUST SN
NEVER Give \
aS
=H Tt Hl

‘THAT IS WHAT I
CAME HERE FOR
AND THAT IS
WHAT I WILL DO. | |
IWILL GET [4 ARE THERE
THE BEST =m ANY YOUNG
EDUCATION me LADIES?
POSSIBLE. :
rt

I KNOW YOU ARE

STRONG. I KNOW
A YOU CAN Do IT. I
BELIEVE IN YOu. YOu
WILL MAKE US /

THINGS ARE
TOLIGH.

YOu JUST
NEED TO
MAKE SOME
FRIENDS. JUST
ONE, ONE WILL ff
DO ASA
START.

LOW SHOULDER IS
PLAYING TOMORROW
NIGHT. I HAVE HEARD
OF THEM AT SCHOOL.
THEY ARE A VERY
POPULAR BAND.
 THE NEXT
ICT SIE

SHES

YES, THIS FEELS RIGHT.

THE NIGHT AiR TASTES AH, FAMILIAR |
GOOD AND I AM ALIVE FACES. MISS
WITH ANTICIPATION. CHECK IS
SUCH A
BEAUTY.

THIS |S IT. THIS IS

WHAT I CAME FOR.
THIS IS MY CHANCE
TO TALK TO...
RIGHT NOW
 \

THEY ARE XJ
AMAZING! |T
IS LIKE BEING
INSIDE A REAL
LIVE
BOLLYWOOD Jf
MUSICAL.

TANS
ie
a, ‘3)
 : OH,
aa CRAP! THE

oS, _
a4 as eM aD

Mt ie f
 ALL THOSE POOR
PEOPLE. EVEN THE
bh ONES THAT WERE |
Ua MEAN TO Me, NO fF,
©) ONE DESERVES To
WG Die Like THis.
oy

Pp 4

.[ WILL PRAY FOR

THAT THEY WERE

NOT AFRAID.

d I WILL PRAY
THAT THOSE
i> WHO COULD NOT ”
Lae ESCAPE FOUND
~~" DEATH TO BE
SWIET AND ‘
MERCIFUL.
] : EG DES UMP
 HELLO...
HELLO...WERE YOU
IN THE FIRE? ARE
You A
SURVIVOR?
 I’M NOT A
BIG FAN OF
INDIAN FOOD
BUT I’M JUST
50 DAMN
HUNGRY...
CHAPTER

CHP
Back ta Alun Rewdys Photos

THAT’S
THE ONE.
THE ITTY-
BITTY TEENY-
m% WEENY...

Needy Lesniokg

. AELLOW...
POLKA...
 I DION’T :
SEE ANYTHING...
I DION’T SEE
ANYTHING!

EVER HEARD OF
KNOCKING?

DINNER’S
ALMOST
READY...
 Ahoy has
signed on
WOME:

LIVING A
NIGHTMARE,
DUDE
CAUGHT l
ME! SHE BUSTED
ME EVACUATING
THE SEAMEN
FROM THE RED
OCTOBER.
 FO
REAL? LIKE SHE
OF FURY AND
EVERYTHING? _

IT WAS
BRUTAL. I EVEN
GOT THE “TALK”
SHE SAW FROM DAD ABOUT
ENOUGH TO PUBES AND
MAKE HER @ NOCTURNAL
SCREAM. EMISSIONS. THEN
MOM WARNED ME
ABOUT ONLINE
PREDATORS.

IT’S JUST
A? THIS COCK- NEEDY, MAN.
“@ TALE CALLS FOR
: A COCKTAIL. SHE’S KILLIN’ |
ME. /

I’M GLAD |
YOLI'RE
ENTOYING
YOURSELF.

YOU'RE THE I GOTTA

ONE WITH SPEND HALF THE
THE SELF- DAY PUMMELING MY
ENJOYMENT MEAT JUST TO STAY
» ISSUES. CONVERSATIONAL.
SS \ NO ee

I’M N
SERIOUS. IT’S
STARTING TO |
DRIVE ME
BATTY.
 SEX DRIVE. THAT
LIZARD BRAIN.

I DON’T
KNOW. I
READ /T IN
AN ALAN
MOORE
comic.

REAL. BUWA
T FOR
TCH AGE.
TH
GEAT
T 'SCRAZ
HOY-W ASWES
SERIAL KILLERS.
_ \ORIVE THAT GETS
TWEAKED. _

THE SLIPREME
COMPLILSION AND
GETS SCREWED LIP
DUDES START
KI LL
AND IN G ARFA
WE T CHICKS
ING THE/ R
ASSES FOR
HATS.

“IT RUBS THE YOU CAN

LOTION ON ITS LAUGH. I’M
SK
GEINTSORTHEELSE
JUST
IT SAYIN’
GIVE ME SOME
HOSE |

‘ROUND THE
BEND.
 I’M NOT
TO THE POINT
OF GOING ALL
EDDY GEIN, AT
LEAST I DON’T §&
THINK 50, NOT #
YET.
BUT I MEAN,
I DON’T KNOW, I
DON’T THINK YOU
KNOW YOU'RE CRAZY
WHEN YOU GO
CRAZY.

WHAT THE HELL,

PA Oube?! £ THOUGHT
WE WERE CO-OP.

YOU S000
CRAAAZYA. YOU
BORE ME
ANO I TIRE
EAT LEAD, —— i OF CARRYING
\ ASSWIPE! YOUR ASS.

TRULY,
MACLY
DEEFLY....

MEAN IT.

THAT ‘S
WHAT MAKES
(T FUNNY.
 ALL SEE, STUFF MAY
RIGHT, BEAT
IT, I HAVE To
\ PRACTICE.

THAN A ROCK
STAR,

I'M ALREADY A
DRUMMER IN THE
| MARCHING BAND
BUT I’M NOT
GONNA BE JUST
A DRUMMER
FOREVER,

read

I’M WORKING ON BECOMING A

DRUMMER/SINGER/FRONT MAN
LIKE THE GOD HIMSELF

M PUTTING IN
LIKE 8 HOURS A
DAY ON ROCK BAND
S50 IT’S JUST A
U// Pan \

eae =N of

eS
©AL
TSNL
 es
SHUT UP.
YOU THINK
I DON’T

BUT WHAT?
IT SHOULD BE
PRETTY SELF-
EXPLANATORY.

YEAH,
WE’VE DONE
IT, MAN, BUT
IT’S LIKE A
SUPER RARE oe
THING AND OW I KNOW
THAT MAKES IT WHAT I’M
ALMOST A) MISSING!
 I MEAN
Boome, Peek
THE BIG DANCE YSEX AFTER THE
AND I’M GONNA =: = .
Er ipoce ad mess.WITH BACK,“BRO AWE’RE GONNA \
pacha THAT. me |ARM YOUR ASS WITH SOME
SCIENCE. I KNOW A Guy.
HOLY CRAP, I \ RES YOU KNOW I’M \_
RLING THe BELL, oe 1 NEVER GONNA 7
DU GET THAT IMAGE
IMADEA “Ns ei yy,
CRAP SO LONG Stem NW VN g
1 'T SLAPPED MY
BALLS WHEN IT
m, BROKE FREE!

BELL TOLLS; IT [ae

TOLLS FOR THEE. |
 “WHAT DO 4

I LOOK LIKE, y INFUSED WITH THE No

WHAT |S IT, PHEROMONES FROM V
SOME SORT A WHITE RHINO AND IT’S |-
GUARANTEED TO DRIVE }|
THE LADIES TO HORNY Z|
TOWN. 4

YOU'RE
GONNA HAVE
TO FIGHT
THEM OFF.

SMELLS
LIKE GOAT
BALLS.
 WAIT, WHAT DID
SHE JUST SAY?

PAY ATTENTION, DUDE. I KNOW

1 SHE’S JUST GOING ON AND ON
ABOUT JENNIFER BEING EVIL, OR
| WHO KNOWS WHAT, BUT SOONER
| OR LATER SHE’S GONNA CHECK
IF YOU'RE LISTENING AND You

YOU WERE HYPNOTIZED BY |X HAL Yj Be ea ne

HER GYRATING... | WIN NOT YOUR GUY
ANYMORE?
\

YOU'RE NEXT. I
CAN FEEL IT.

BUT WHAT
ABOUT THE

1 ABOUT THE
GODDANGED
DANCE?! J |

JENNIFER. JUS
DON’T COME
NEAR ME.
 OK, I GET IT,
DUDES ARE
GETTING
JONAS, THEN . .
COLIN, AND Kee. : a
| MAYBE EVEN |
| AHMET FROM
INDIA.

ACTUALLY EVEN IF}

SHE IS ACTING LIke &
A TOTAL NUTTER.
SSS = GA |

BUT SHE’S
| GOT NOTHIN’ TO

DOWNED ON fay
THE DEO. |
- SMELL LIKE A
OAT DORK AND
I GOT THIS
AWESOME
CORSAGE.

\\
a.
ee yj ~ (\
if THE DECK IS
STACKED AND
3 I’M READY TO
r DANCE THE
| FORBIDDEN
| DANCE.

I KNOW WE’VE HIT

A ROUGH PATCH
NEEDY LESNICKI
BUT TONIGHT I’LL
SHOW YOU: CHIP
DOVE IS STAND UP
AND TRUE.
 SERIOUSLY, WHY THE
~| HELL AM I WALKING? WHY
|| DIDN’T I TAKE THE CAR
WHEN MOM ASKED?

fF)
Ze

Se

I KNOW IT’S NOT [ae , \\ EEE LLG

SEXY. IT’S NO GAH, ALL
MAKE-OUT MOBILE, I | 7, NEEDY’S
BUT IT’S BETTER Vf Mm CRAZY is
THAN SHOW | \ ° WM SETTING
LEATHER. - VI TO ME,

AND SHORTCUTTING | WHOA, |

f THROUGH THE PARK @& y WAIT, WHAT
WHEN DUDES ARE 3 WAS THAT?
GETTING MASHED ss ; ;
INTO LASAGNA
WITH TEETH...

8OH, crap. ia
8 OH, Cea. fe
f LASAGNA WITH TEETH... F
LASAGNA WITH TEETH... :
5 LASAGNA WITH TEETH...
OH MAN, ‘
jp IT’S ONLY
YOU.
DAMN, YOU “e
NEARLY GAVE
ME A HEART
ATTACK,
JENNIFER.
 JENNIFER WANTS TO TALK SHE TELLS ME NEEDY AND COLIN,
| ABOUT NEEDY AND SHE BEFORE HIS UNTIMELY DEATH, HAD BEEN
TELLS ME THINGS I DON’T & PORKING ON
WANNA HEAR, THINGS I f ay
DON’T WANT TO BELIEVE
AND YET I KNOW THEY
ARE TOTALLY TRUE.

ve oe
fS
k fM
‘ AND SUDDENLY IT
: ALL MAKES
\ | PERFECT SENSE. f
(fe Ya
lb i?
"walla
S

BUT WAIT,
THEN WHY
DID SHE
WAIT TILL
NOW TO
BREAK UP
WITH ME?
I MEAN
WHY PLAY
A GAME?

WAS SHE TOO

py NICE TO DUMP
ME? BUT STILL
CRAPPY
ENOUGH TO
CHEAT ON ME?
ATS ss

GAH, MY BRAIN
HURTS AND THIS
DAMN COLOGNE
IS GIVING ME A
HEADACHE.

AND MAN,
JENNIFER LOOKS
GOOD AND SHE
SMELLS LIKE
HONEY.
 I JUST
CAN’T BELIEVE
SHE WOULD
a MESS WITH YOUR
HEAD LIKE THIS.
I CARE $0 MUCH
ABOUT YOU, £7
CHIP. |

2
SiaBie f/,
THERE’S SOMETHING ABOUT
DRUMMING, THE RHYTHM OF
THE BEATING, THAT WORKS
WITH THE HUMAN HEART,
THE SINUS RHYTHM.

WHEN YOU'VE “GOT THE

BEAT” YOU CAN FEEL IT
TAKE HOLD OF THE
AUDIENCE. LIKE YOU'RE
PUMPING THEIR BLOOD.
I THINK JENNIFER
GETS THIS. I MEAN
I CAN FEEL HER
PULLING ON ME. NEEDY
7 DION’T
DESERVE A
GUY LIKE
you.

YOU SMELL
DELICIOUS!

S
FEELS WEIRD.
CAN WE GO
SOMEWHERE
ELSE?
 THAT PEPPER
SPRAYIN
YOUR POCKET
OR ARE You
JUST GLAD TO Ke
? a hie \
S :
Oh, poor Chip. I \ coms
almost feel sorry (ies
or him. —S

ily boy Still thinks This is a

eduction and not execution. \ Gesist euler ie
Should be running
fh
rom me.

DO THIS TO
NEEDY.
NO, THIS Ve Leet ASSO HF :
ISN’T RIGHT. \\ SO Ae ee COULD CARE
T CANT DO LESS WHAT |

He's saying no, bul I &

know he wants fo see
@ real me. Sap
50 I give him a
better look.

Cale it :

WR
Pt ff(K\
{{

lynt i\
 THAT 80'S SONG MANEATER
RACES THROUGH MY HEAD
TO THE BEAT OF THE BLOOD
PUMPING OUT OF MY BODY.

NEE
SHE CAME TO |
RESCUE ME.
SHE STILL §
LOVES ME! &
WN \ =

BEATS ITS
LAST BEAT
FULL OF
LOVE.
 boltand give them their
oment of boring tragedy.

El J never said Twas a \ i :

| dream girl buf come on, | | Not one of them
those boys were all | Ne saw me for who I
big babies and lars. os 3 am. They only saw
a : his...Jennifer’s
z : Bowy.

| I tried fo show prepfhe real ian : God, I hate this town. Even
me, but screwem if they can't a g the boys Taste lame.
= = hang. Ain't myproblem. eee ee Es
RICK SPEARS
Rick Spears is a Richmond, VA based writer of comics. His
wrap sheet includes TEENAGERS FROM MARS, 1D)END)
_ WEST, FILLER, THE PIRATES OF CONEY ISLAND, REPO
and BLACK METAL. :

_Find out more at | :

www.rickspears.com and www.giganticgraphicnovels.com.

MING. DOYLE
v morn in Boston in the Fall of1984
Ming Doyle was I an
to

Her formative years were spent at feNation’s oldest co-"

educational institution and longest continuously running
boarding school, with a brief layover iin the People’s Republic _
of China. In 2007 she earned her BFA from Cornell University
with a dual concentration in painting and drawing, and has.
since made a careful study, ofdiligently drawing all sorts of
superheroes, clubgoers, cowboys, vampires, lovers, zombies,
iio wizards, Se middleschoolers and ghosts.

UNTO NCO
~

Alan Robinson’s work as an artist can be found in Lost

Squad from Devil’s Due Publish STAR WARS: KNIGHT |
ing,
OF THE OLD REPUBLIC and STAR WARS: LEGACY for
Dark Horse Comics, POPGUN VOL. 2 for Image Comics
PRTC Wa TIND WK@).CnS-WAY/WB(@)\ CO) 20(@7.N be (@) al
PREQUEL for IDW. JENNIFER’S BODY is his first BOOM!
ela @
TIM SEELEY
Tim Seeley grew up in the wilds of central Wisconsin. He is
the writer/creator of HACK/SLASH, and illustrates a variety
e) comics from a number of companies, including Marvel,
Wildstorm, and Devil’s Due Publishing. He resides in Chicago,
- and could really use a massage.

INIA <neete)
Nikki Cook makes comics out of her little apartment in New
York City. She has worked on webcomics, Image anthologies,
made guest appearances, and drew an issue of DMZ for
Vertigo comics. She very rarely gets into. bar-fights.

Jim Mahfood aka Food One is an illustrator/comic book

artist/muralist/painter/live art rocker residing in LA. |
Projects include illustrating Kevin Smith’s CLERKS comics,
his own GRRL SCOUTS books, several SPIDER-MAN books
for Marvel, (and tons of other comics), the ad campaign for
COLT 45 in 2007, the murals in THE SARAH SILVERMAN
PROGRAM, his ongoing artbook series; MIXTAPE, the
KICK DRUM COMIX mini-series (both published by Image
Comics), and more. Jim has worked for every major comic —
book publisher and contributed art and comix to such
magazines as Playboy, URB, BPM, Heavy Metal, Spin, Mad
Magazine and more. His new, ongoing autobio strip, Los
Angeles Ink Stains, can be seen at www.foodoneart.blogspot.
com. a
ee
=

Jim’s website is www.40ozcomics.com.

 LYNNE) GONG)
|(OX GO)\ 10.6)"
COLLECTIBLE CARDS
FRONT

WWW.BOOM-STUDIOS.COM
BOOM! BOLD. BIG.
~
 LYNNE) X@(O RO) VI(6 ee) 00),
/

COLLEC TIBLE CARDS

Z
il

‘'WWW.BOOM-STUDIOS.COM
BOOM! BOLD, BIG.
 Ban] Rs

Copyright © Century Fox Film Corporation. All rights reserved.

PIN UP BY TIM SEELEY / COLORS BY KIERAN Oy ES
BLACK AND WHITE.COVER BY FRANK CH
©
SKETCHES BY MING DOYLE
SKETCHES BY JIM MAHFOOD
SKETCHES BY JIM MAHFOOD |
 JENNIFERY

Seet/ oF

SKETCHES BY TIM SEELEY

SKETCHES BY TIM SEELEY
 me ' z
J ‘ ' & pee ay S ,
e cole ve
iee
¢3+s4wsSNS
p ae RSS > 0 ia eS Tey
i 4 A ‘os 7 3
A 5 y saul We ) a i5
/ \ ee
; of : / / =PENey
a‘7a)
( Ore \
SN f+ 21
F "« -
 Y HROBW 741
5973
S741

JENNIFER'S BODY

ROBINSON-WESTCHASE
12/09
 -RIGK SPEARS
TIM SEELEY
iW Vcizeve)®

“NIKKI COOK
MING DOYLE
"ALAN __
~~~ ROBINSON.
 978-1-60886-501-7
came: AIT wi
aL
ut ma
¥-234