D 2 Ablan TSM 1802 5 e
D 2 Ablan TSM 1802 5 e
D 2 Ablan TSM 1802 5 e
The International Baccalaureate Organization (known as the IB) offers four high-quality
and challenging educational programmes for a worldwide community of schools, aiming
to create a better, more peaceful world. This publication is one of a range of materials
produced to support these programmes.
The IB may use a variety of sources in its work and checks information to verify accuracy
and authenticity, particularly when using community-based knowledge sources such as
Wikipedia. The IB respects the principles of intellectual property and makes strenuous
efforts to identify and obtain permission before publication from rights holders of all
copyright material used. The IB is grateful for permissions received for material used
in this publication and will be pleased to correct any errors or omissions at the earliest
opportunity.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval
system, or transmitted, in any form or by any means, without the IB’s prior written
permission, or as expressly permitted by the Rules for use of IB Intellectual Property.
IB merchandise and publications can be purchased through the IB Store (email: sales@
ibo.org). Any commercial use of IB publications (whether fee-covered or commercial)
by third parties acting in the IB’s ecosystem without a formal relationship with the IB
(including but not limited to tutoring organizations, professional development providers,
educational publishers and operators of curriculum mapping or teacher resource digital
platforms etc) is prohibited and requires a subsequent written license from the IB. License
requests should be sent to copyright@ibo.org. More information can be obtained on the
IB public website.
To this end the organization works with schools, governments and international organizations to develop
challenging programmes of international education and rigorous assessment.
These programmes encourage students across the world to become active, compassionate and lifelong
learners who understand that other people, with their differences, can also be right.
IB learner profile I
profile IB learner p
arner profile IB lea
ile IB learner profi
IB learner profile I H E IB L E AR
N
ER
er profile IB learne
PROFILE
IB learner profile
The aim of all IB programmes is to develop internationally minded people who, recognizing their common
humanity and shared guardianship of the planet, help to create a better and more peaceful world.
As IB learners we strive to be:
We nurture our curiosity, developing skills for inquiry and We critically appreciate our own cultures and personal histories,
research. We know how to learn independently and with others. as well as the values and traditions of others. We seek and evaluate
We learn with enthusiasm and sustain our love of learning a range of points of view, and we are willing to grow from the
throughout life. experience.
We develop and use conceptual understanding, exploring We show empathy, compassion and respect. We have a
knowledge across a range of disciplines. We engage with issues commitment to service, and we act to make a positive difference
and ideas that have local and global significance. in the lives of others and in the world around us.
We use critical and creative thinking skills to analyse and take We approach uncertainty with forethought and determination;
responsible action on complex problems. We exercise initiative in we work independently and cooperatively to explore new ideas
making reasoned, ethical decisions. and innovative strategies. We are resourceful and resilient in the
face of challenges and change.
We express ourselves confidently and creatively in more than one
language and in many ways. We collaborate effectively, listening We understand the importance of balancing different aspects of
carefully to the perspectives of other individuals and groups. our lives—intellectual, physical, and emotional—to achieve
well-being for ourselves and others. We recognize our interde-
pendence with other people and with the world in which we live.
We act with integrity and honesty, with a strong sense of
fairness and justice, and with respect for the dignity and rights We thoughtfully consider the world and our own ideas and expe-
of people everywhere. We take responsibility for our actions rience. We work to understand our strengths and weaknesses in
and their consequences. order to support our learning and personal development.
The IB learner profile represents 10 attributes valued by IB World Schools. We believe these attributes, and others
like them, can help individuals and groups become responsible members of local, national and global communities.
Introduction1
Purpose of this document 1
Aims2
First teaching 2018 3
Assessment details 12
Appendices28
Frequently asked questions 28
Assessed student work in additional languages 34
The purpose of this teacher support material (TSM) is to help both teachers new to the language B course
and those who are currently teaching the language B course to understand the syllabus. Also included
is guidance in designing the course; in building receptive, productive and interactive skills through
conceptual understandings; and in incorporating such elements as the DP core and approaches to teaching
and learning (ATL).
The intended audience for this document is teachers. However, the information is directly relevant to the
students; teachers are therefore encouraged to share this document with them, as appropriate.
The strategies, ideas, course outlines and resources included in this document are provided as examples
only. These materials are neither exhaustive nor prescriptive. Teachers are encouraged to create and adapt
these to their school, community and environment, addressing the needs of their own students while
keeping in mind the curriculum presented in the subject guide.
Aims
Below is an overview of certain items that are included in the language B curriculum for first teaching
2018. The full description of each item can be found in the Language B guide (first assessment 2020).
Developments that may occur during the life cycle of this curriculum will be announced in the Diploma
Programme Coordinator’s notes and posted on the programme resource centre.
Writing will be externally assessed as a productive skill in paper 1. Teachers should ensure that students
have ample opportunity to practise writing different types of texts and receive appropriate and constructive
feedback on their writing. In their writing, students should take into consideration the conceptual
understandings of audience, context, purpose, meaning and variation.
Listening comprehension and reading comprehension will both be externally assessed as distinct
receptive skills in the two separate parts of paper 2.
The course is structured around the five prescribed themes of identities, experiences, human ingenuity,
social organization and sharing the planet. Recommended topics within these themes are offered in the
Language B guide, but the topics suggested are neither prescriptive nor exhaustive.
Attention should be paid to the assessment criteria for both language B standard level (SL) and language B
higher level (HL). The criteria are written with a view to cohesion within and across the three modern
language acquisition courses. Teachers who teach more than one course will notice consistency in the
terminology used in the descriptors. All teachers are reminded that a “best-fit” model is used to evaluate
student work on the assessments.
The transition to on-screen assessment for all language acquisition courses is anticipated to be complete
by 2025. In order that their practice may be informed by the developments in methods of assessing student
work, teachers will be informed well in advance of updates in the assessment practices. Developments
regarding this transition will be published and announced via the official channels (for example, programme
resource centre news items, DP Coordinator’s notes, and so on).
Course preparation
When designing a language B course, the teacher must take into account the context of the school, diversity,
student interests, access to the target language, languages of instruction, as well as languages used by the
students and any local or national additional requirements. These may well dictate the pace of instruction,
the breadth of the course and, to a certain extent, the course content.
There are features, however, that are common to all language B courses.
Course features
Teachers must keep in mind the following features of DP language acquisition courses, each of which is
discussed in further detail in the sections that follow.
Language B SL is designed for students with some previous experience in the target language who already
have the ability to communicate in the language in familiar contexts; during the course, they will further
develop this ability. Students will explore the conceptual understandings that underlie language acquisition
and begin to use higher-level thinking in the development of receptive, productive and interactive skills.
Language B HL is designed for students with previous experience in the target language who have the
ability to communicate in that language in a variety of contexts and for a variety of purposes. As the study
of two literary works originally written in the target language is compulsory in language B HL, entering the
course with these communication skills would allow the student to begin the study of works of literature
originally written in the target language. During the course, students are expected to use higher-order
thinking skills in the development of their receptive, productive and interactive skills.
More information on placement of students into the appropriate language acquisition course can be found
in the “Frequently asked questions” section of this TSM, as well as in the document DP language courses:
overview and placement guidance.
Assessment objectives
The assessment objectives are detailed in the Language B guide (first assessment 2020). Students will be
assessed on their ability to:
1. communicate clearly and effectively in a range of contexts and for a variety of purposes
2. understand and use language appropriate to a range of interpersonal and/or intercultural contexts
and audiences
3. understand and use language to express and respond to a range of ideas with fluency and accuracy
4. identify, organize and present ideas on a range of topics
5. understand, analyse and reflect upon a range of written, audio, visual and audio-visual texts.
In planning the course, the means to achieve these objectives should be clearly identified and integrated
into the syllabus content.
3. Understand and use Paper 1—writing Students respond to written tasks using
language to express appropriate language, register and
and respond to a range format.
of ideas with fluency
and accuracy. Paper 2—listening and Students demonstrate an
reading understanding of written and audio
texts.
Syllabus content
The language B syllabus comprises three interconnected areas: language, themes and texts (which include,
at HL, literary texts).
Language
Teachers must ensure that students have the opportunity to develop the ability to communicate successfully
in the target language. Communication is evidenced through receptive, productive and interactive
communicative skills across a range of contexts and purposes.
Themes
There are five prescribed themes that are to be addressed equally over the two years of the language B
course. The table below suggests topics that may be explored in each of the five themes.
Identities The guiding principle of this theme is to explore the nature of the self
and what it is to be human.
Students could investigate the theme through a range of optional
recommended topics such as: lifestyles, health and well-being, beliefs
and values, subcultures, language and identity.
Experiences The guiding principle of this theme is to explore and tell the stories of
the events, experiences and journeys that shape our lives.
Students could investigate the theme through a range of optional
recommended topics such as: leisure activities, holidays and travel, life
stories, rites of passage, customs and traditions, migration.
Human ingenuity The guiding principle of this theme is to explore the ways in which
human creativity and innovation affect our world.
Students could investigate the theme through a range of optional
recommended topics such as: entertainment, artistic expressions,
communication and media, technology, scientific innovation.
Social organization The guiding principle of this theme is to explore the ways in which
groups of people organize themselves, or are organized, through
common systems or interests.
Students could investigate the theme through a range of optional
recommended topics such as: social relationships, community, social
engagement, education, the working world, law and order.
Sharing the planet The guiding principle of this theme is to explore the challenges and
opportunities faced by individuals and communities in the modern
world.
Students could investigate the theme through a range of optional
recommended topics such as: the environment, human rights,
peace and conflict, equality, globalization, ethics, urban and rural
environment.
When planning the language B course, these prescribed themes provide a framework for language
acquisition. While all themes are compulsory, the manner in which they are addressed will vary according to
the needs and interests of the students.
An example of how the topic of “the environment” as part of the theme of “sharing the planet” might be
explored would be for the students to:
Texts
Students must be able to understand and produce a variety of text types. The following list of text types can
also be found in the Language B guide (first assessment 2020). The text types shown are neither prescriptive
nor exhaustive. Language-specific lists of the texts that may feature on the paper 1 writing assessment are
available in Text types for Paper 1 task options (first assessment 2020), which can be found in the “Assessment”
section on the “Language B” page of the programme resource centre.
* Teachers are reminded that the study of at least two literary texts (originally written in the target language)
is compulsory for language B at HL, and that one of the literary texts studied during the course must serve as
the stimulus for the individual oral assessment at HL.
The following are examples of how a “set of instructions” text or texts might be used in skill development.
• The student can hear instructions for the use of a certain product or procedure in the target language
and follow those instructions to successful completion (receptive).
• The student could create a set of instructions for a product or procedure of his/her own choosing and
deliver the instructions in written or oral form (productive).
• A pair, or small group, of students could be given incomplete instructions (with certain steps missing)
and, using the target language, develop the missing steps—relying on input from the partner or
group (receptive, productive, interactive).
• A pair, or small group, of students could be given the steps from a series of instructions—not in
order—and work together to organize them into a logical sequence to be able to use the product/
complete the procedure (interactive).
International-mindedness
A goal of IB language acquisition courses is to foster intercultural understanding and global engagement.
The flexibility of course design allows the teacher to incorporate ideas and resources that encourage
the development of international-mindedness. Students should be encouraged to build upon their
development of the learner profile traits as they encounter aspects of the target language and culture. The
design of the course should foster the ability to make non-judgmental comparisons and allow students to
see that there are multiple perspectives from which issues may be viewed.
Conceptual understanding
Conceptual understanding is interwoven throughout the DP language acquisition curriculum. These
understandings tie language acquisition to ATL, the DP core and international-mindedness. More specifically
within the language acquisition courses, conceptual understandings (audience, context, purpose, meaning
and variation) are manifested as students develop into effective and knowledgeable communicators.
Theory of knowledge
TOK is critical in the development of metacognitive skills and helps students to see the interrelatedness of
languages, the other subject areas and the DP core.
• Use the aims and objectives of the course and of the assessments to guide course design.
• Incorporate the five themes equally into the two-year course.
• Build in opportunities for students to become autonomous learners.
Practicalities
Because teaching conditions vary greatly, both locally and globally, the course unit examples included in
this document are not offered as anything other than suggestions of how the course may be planned. The
length of class periods, the number of weeks in a school term, class sizes and teaching contact hours per
week must all be taken into consideration.
At SL, the recommended number of teaching hours is 150 hours over the two years of the course. At HL, the
recommended number of teaching hours is 240 hours over the two years of the course.
There is no prescribed order in which to teach the components of the course, nor is there a required
text. Although most teachers will use a textbook or manual in instructing the course, the inclusion of
supplementary texts and materials provides for flexibility and currency.
Teachers are encouraged to structure their courses to take advantage of the interrelated nature of the
themes rather than teaching each theme in isolation. For example, a unit can be designed around the
suggested topic of “beliefs and values”. This topic can be related to the theme of “identities” as well as that
of “sharing the planet.”
The approaches below are among those that might be considered in planning the course. The options
described for each one suggest ways in which the course may be structured. The various approaches to
language acquisition course development each have their benefits and limitations. It is up to the teacher,
in collaboration with their language acquisition colleagues or supervisors, to decide upon an approach that
best fits their particular course context.
Cyclical approach
Using the cyclical approach, all five themes are addressed in each year.
• Possible option 1: During the first year of the course, all five required themes are addressed, choosing
topics that are covered in depth. During the second year, different topics within the themes are
covered in depth.
• Possible option 2: During the first year of the course, all five required themes are addressed, choosing
topics that are broadly covered. During the second year, these same topics (or a curated selection from
them) are covered in greater depth.
Linear/sequential approach
Using the linear/sequential approach, the teacher plans the course by deciding in which order the five
themes will be addressed. Topics related to each one are covered in depth.
• Possible option 1: Three themes are visited in year 1 with the remaining two themes in year 2.
• Possible option 2: Three themes are visited in year 1 and one of these same themes is visited again in
year 2, along with the remaining two themes.
Opportunities to develop receptive, productive and interactive skills should be incorporated into each theme
and topic. Likewise, it is important for students to encounter and produce a range of text types. Although
the study of literature is compulsory only for language B HL, the use of literary works is encouraged at all
levels of language acquisition instruction. Teachers should select texts that are appropriate for the level of
the course and ensure that these are authentic and non-simplified. It is important to expose students to
texts from a variety of target language cultural experiences and areas where the target language is used.
Transparency is important, and students should be aware of the aims and objectives of the course and the
assessment. Students should be provided with regular, meaningful and formative feedback, and should
be adequately prepared for the components of the internal and external examinations. This preparation
includes full knowledge of the assessment criteria, familiarity with the instructions for the examination
papers and opportunities to practise the assessed components within the allocated times for each paper.
In planning for the individual oral internal assessment, care should be taken to minimize overlap with
internal assessments in other subject areas. While all teachers want their students to have as much time as
possible to prepare for the internal assessments, additional stress on students as a result of having multiple
subjects’ internal assessments at the same time may prove to be as (or more) detrimental to the students’
performances as having the individual oral internal assessment take place earlier. Horizontal planning by
subject area teachers as part of the regular collaboration process is beneficial as well as required by the IB.
For more information about collaborative planning, please refer to the document Diploma Programme: From
principles into practice.
As it is anticipated that all IB courses will transition to on-screen assessments during the life cycle of this
curriculum, it is important that the students be prepared for this method of testing.
Assessment details
Paper 1 assesses the candidate’s written productive skills. It is designed to determine to what extent the
candidate is able to demonstrate conceptual understanding by responding appropriately in written tasks
using a variety of text types, appropriate language, register and format. The candidate is also assessed on
the ability to develop a coherent and organized response.
SL: The candidate is presented with a choice of three tasks (each based on a different theme from the
syllabus) and selects one of these to which to respond in 250–400 words. The candidate must choose one of
the three text types presented for the selected task as the format of the response.
HL: The candidate is presented with a choice of three tasks (each based on a different theme from the
syllabus) and selects one of these to which to respond in 450–600 words. The candidate must choose one of
the three text types presented for the selected task as the format of the response.
For the listening comprehension part, both SL and HL candidates will be presented with three audio
passages covering topics drawn from the five themes. The length and difficulty of the passages mark the
difference between SL and HL.
For the reading comprehension part, both SL and HL candidates will be presented with three written
passages covering topics drawn from the five themes. The length and complexity of the passages mark the
difference between SL and HL. Likewise, the responses at HL will require the use of more developed higher-
order thinking skills.
Both the listening and reading comprehension parts of paper 2 feature crossover texts—identical texts
accompanied by course- and level-specific questions. The third text for language ab initio is the same as the
first text for language B SL and the third text for language B SL is the same as the first text for language B HL.
The individual oral assessment assesses the candidate’s interactive skills. It is designed to determine to
what extent the candidate is able to verbally interact in the target language with appropriate language,
structures and register. The candidate is also assessed on the ability to present an organized response to
a stimulus. At both SL and HL, the individual oral assessment comprises four stages: timed preparation;
part 1—presentation; part 2—discussion of the stimulus; part 3—general discussion.
The number of stimuli prepared for the individual oral assessment is dependent upon the number of
candidates sitting the examination; detailed information about the selection and preparation of visual
stimuli can be found in the Language B guide (first assessment 2020). It is imperative that the candidate does
not see the visual stimuli prior to the individual oral assessment.
Management of the individual oral assessment (PDF) contains additional support for the individual oral
assessment and is divided into sections specific to language ab initio, language B SL and language B HL.
The number of extracts prepared for the individual oral assessment is dependent upon the number of
candidates sitting the examination; detailed information about the selection and preparation of the extracts
can be found in the Language B guide (first assessment 2020). Although the candidates will be aware that the
extracts for the individual oral will be taken from the two literary works studied in the course, it is imperative
that the candidates do not know in advance which extracts will be used.
Management of the individual oral assessment (PDF) contains additional support for the individual oral
assessment and is divided into sections specific to language ab initio, language B SL and language B HL.
Overview
In order to meet the expectations of our stakeholders, we have provided examples to illustrate the
assessment components of the language acquisition courses for first assessment in 2020.
The examples included are authentic student work and are presented in their original styles, which may
include spelling, grammatical and any other errors. These examples have been anonymized where necessary
(names may have been changed or deleted) and some may have been retyped to make them easier to read.
Please note that the paper 1 examples are those that were collected prior to first assessment. New examples
will not be available until after the first examination of the paper 1 component.
External assessment—paper 1 SL
External assessment—paper 1 HL
Extended essay
For examples of assessed student work in additional languages, please see the appendices located at the
end of this document.
General
For which DP language course should a student be registered?
The document Guidance for studies in language and literature and language acquisition courses provides
information about DP language courses that can help in placing a student into the appropriate language
course.
Students who are already able to read, analyse and respond to complex literary and non-literary texts in a
given language must be placed in a studies in language and literature course for that language. If a student
can already communicate successfully in the language on a range of topics in a variety of familiar and
unfamiliar contexts, then a DP language A course (studies in language and literature) must be considered
the appropriate placement.
The language ab initio and language B courses are language acquisition courses that are designed
to provide students with the opportunity to develop in a language in addition to their home/personal/
best language(s). They are not designed for students entering the course who already have the ability to
communicate confidently and proficiently in that specific language.
Language ab initio is designed for students with no prior experience of the target language, or for those
students with very limited previous exposure. Students will be introduced to the conceptual understandings
that underlie language acquisition and begin to develop receptive, productive and interactive skills.
Providing a language B student with an appropriate degree of challenge is the primary consideration for
placement into either language B SL or language B HL: however, student and school context may also factor
into the decision for a specific student.
Language B SL is designed for students with some previous experience in the target language who already
have the ability to communicate in the language in familiar contexts; during the course, they will further
develop this ability. Students will explore the conceptual understandings that underlie language acquisition
and begin to use higher-level thinking in the development of receptive, productive and interactive skills.
Language B HL is designed for students with previous experience in the target language who have the
ability to communicate in that language in a variety of contexts and for a variety of purposes. As the study
of two literary works originally written in the target language is compulsory in language B HL, entering the
course with these communication skills would allow the student to begin the study of works of literature
originally written in the target language. During the course, students are expected to use higher-order
thinking skills in the development of their receptive, productive and interactive skills.
How much time should be spent on teaching the themes, and to what depth/level of detail?
Within the prescribed themes, it is up to the teacher to determine both the length of time spent on any
particular topic and the degree of depth. Student interest and familiarity, as well as availability of resources,
are among the factors that may be considered when making these decisions. Teachers are reminded that
the five themes are to be addressed equally over the two years of the course. Some examples of how to
structure the course around these themes are contained in the “Practicalities” section of this document.
Regardless of the structure of the course, it should be noted that the prescribed themes, and the topics that
the teacher has selected for each theme, should be addressed within the context of the target culture(s), and
the conceptual understandings that are required for effective communication must be taken into account.
In the event that more than one teacher at a school is teaching the same language B course, the structure
selected should be consistent so that in the event that teachers do not “loop” with the students (teaching
the same group in both years 1 and 2), the students will have studied each theme by the end of year 2.
Can the IB produce a list of suggested literary works that can be studied in the language B HL course?
Because we cannot fully know the school or student or community context, the IB cannot determine
the appropriateness of a given text for any specific student or group of students. Thus it remains the
responsibility of the teacher to take these into consideration along with the requirements and guidance
published in the Language B guide (first exams 2020) in determining the appropriateness of the literary
works used for language B HL. Teachers can join the community of educators on the My IB DP language B
pages to share suggestions of literary works with which they have had success with their students in their
school context.
Can two works of the same literary form (for example, two novels) be used as the literary works
studied for the course?
The literary works studied over the two years of the language B HL course must be different works, but do
not have to be from different literary forms. Two different novels may be studied, two different plays may be
studied, two different collections of poetry may be studied, etc.
If using two different collections of short stories (approximately 7–10 each), it is important that these
be distinct sets and that no short story appears in both sets. If using two different collections of poetry
(approximately 15–20 poems or 600 lines) it is important that these be distinct sets and that no poem
appears in both sets.
Can a work that a student has read in language A (in translation) be chosen for the extended essay in
language B (original version)?
No, the literary work studied in translation in language A cannot be used for the language B extended
essay (EE) in category 3 (literature). Teachers should refer to the “Language acquisition, including classical
languages” section of the Extended essay guide for complete details on the EE in language acquisition
courses.
Can students read a translated literary work in language A and the same book in the original version
in language B?
No, this is not allowed.
Do all poems or short stories have to be by the same author or be linked by theme?
No, this is not necessary. It is up to the teacher to determine which works will be studied, and these do not
have to be linked in any way.
For the reading comprehension part of paper 2, candidates will receive three written passages covering
topics drawn from the five themes. The length and complexity of the passages mark the difference between
SL and HL. Likewise, the responses at HL will require the use of more developed higher-order thinking skills.
Both the listening and reading comprehension parts of paper 2 feature crossover texts—identical texts
accompanied by course- and level-specific questions. The third text for language ab initio is the same as the
first text for language B SL and the third text for language B SL is the same as the first text for language B HL.
Internal assessment: SL
What should be done if a candidate’s presentation in the individual oral is shorter than 3 minutes?
In order to adhere to the overall timing of the activity, ensure that the second part, the discussion, is longer.
What should be done if a candidate’s presentation in the individual oral is longer than 4 minutes?
The teacher must have control of the timing. It is important that the individual oral complies with the timing
stipulated in the guide. Should the candidate begin to exceed 4 minutes in part 1 of the oral, it is up to the
teacher to interrupt and indicate that part 2 must begin.
Does a photograph have to be used as the visual stimulus for the individual oral assessment?
No, the visual stimulus may be a photo, a poster, an illustration or an advertisement providing any text that
appears on the stimulus is minimal and in the target language. The candidate should not have seen the
stimulus prior to the individual oral assessment.
Can more than one candidate use the same visual stimulus?
Yes, this is allowed so long as the student does not know which stimuli will be presented to them. The chart
in the Language B guide (first assessment 2020) illustrates how the teacher may choose to do this.
Internal assessment: HL
What should be done if a candidate’s presentation in the individual oral is shorter than 3 minutes?
In order to adhere to the overall timing of the activity, ensure that the second part, the discussion, is longer.
What should be done if a candidate’s presentation in the individual oral is longer than 4 minutes?
The teacher must have control of the timing. It is important that the individual oral complies with the timing
stipulated in the guide. Should the candidate begin to exceed 4 minutes in part 1 of the oral, it is up to the
teacher to interrupt and indicate that part 2 must begin.
Do the literary extracts selected for the individual oral assessment have to be from the two works
studied during the course?
Yes, the teacher needs to choose the extracts from these two works. Each extract must be up to
approximately 300 words (or character equivalent) long.
Can more than one candidate use the same literary extract?
Yes, this is allowed so long as the student does not know which extracts will be presented to them. The chart
in the Language B guide (first assessment 2020) illustrates how the teacher may choose to do this. Because
the students are allowed to annotate the extract, sufficient copies of each extract must be available for use
during the activity.
What is the maximum number of literary extracts that can be used from each literary work studied?
The chart shown in the Language B guide for the HL IA literary extracts indicates the minimum number of
extracts for a given number of students. There is no maximum number of literary extracts. Teachers are free
to select more than three extracts per literary text studied to provide greater variety in the combinations
presented to the students.
Does the literary extract have to be an uninterrupted passage from the literary work or can an
extract that is longer than 300 words be used with part of it replaced by ellipses (…)?
Each literary extract must be an uninterrupted passage from the literary work. Ellipses must not be
used to omit content from within a selected passage. The guidance indicating that each extract be “up
to approximately 300 words” provides for a reasonable allowance over 300 words, given differences in
languages and text content.
Can shorter passages from two different parts of a literary work be combined into one passage in
order to reach, but not exceed 300 words?
Each literary extract must be an uninterrupted passage from the literary work. Separate passages must
not be combined into one extract. The guidance indicating that each extract be “up to approximately
300 words” provides for a reasonable allowance over 300 words, given differences in languages and text
content.
If using a collection of short stories, can candidates know in advance from which short stories the
extracts for the individual oral assessment will be taken?
Teachers should approach a collection of short stories as if it were a single work and can select extracts from
any of the short stories in this collection. Although candidates must know which short stories are included
in the collection and that the collection will be one of the two “works” from which extracts will be taken,
teachers must not disclose in advance from which of the specific short stories the extracts will be taken.
During the individual oral assessment, candidates must be presented with one extract taken from a short
story in this collection, and another extract taken from the other work (or collection of works) studied.
If using a collection of poems, can candidates know in advance which poems the extracts for the
individual oral assessment will be taken?
Teachers should approach a collection of poems as if it were a single work and can select extracts from any
of the poems in this collection. Although candidates must know which poems are included in the collection
and that the collection will be one of the two “works” from which extracts will be taken, teachers must
not disclose in advance from which of the specific poems the extracts will be taken. During the individual
oral assessment, candidates must be presented with one extract taken from a poem in this collection, and
another extract taken from the other work (or collection of works) studied.
When using a graphic novel as one of the literary works of the language B HL course, how should
teachers prepare the extracts?
TIt is important to remember that for graphic novels, both the text and the images create meaning. It is
recommended that text-heavy passages from graphic novels be used when selecting the literary extracts
that will be used in the individual oral assessment.
When preparing extracts from a graphic novel, the pages from the graphic novel must be photocopied
as they naturally occur in the work, complete with images and text (up to approximately 300 words). This
applies only to graphic novels; for all other literary forms (poetry, drama, novel, novella, short story), extracts
are to be copied onto plain paper with only the title and author included as additional information.
External assessment—paper 1 SL
External assessment—paper 1 HL
External assessment—paper 1 SL
External assessment—paper 1 HL
External assessment—paper 1 SL
External assessment—paper 1 HL
External assessment—paper 1 SL
External assessment—paper 1 HL
External assessment—paper 1 SL
External assessment—paper 1 HL
External assessment—paper 1 SL
External assessment—paper 1 HL
External assessment—paper 1 SL
External assessment—paper 1 HL
External assessment—paper 1 SL
External assessment—paper 1 HL
External assessment—paper 1 SL
External assessment—paper 1 HL
External assessment—paper 1 SL
External assessment—paper 1 SL
External assessment—paper 1 HL
External assessment—paper 1 SL
External assessment—paper 1 HL
External assessment—paper 1 SL
External assessment—paper 1 HL
External assessment—paper 1 SL
External assessment—paper 1 HL
External assessment—paper 1 SL
External assessment—paper 1 HL
External assessment—paper 1 SL
External assessment—paper 1 SL
External assessment—paper 1 HL
External assessment—paper 1 SL
External assessment—paper 1 HL
External assessment—paper 1 SL
External assessment—paper 1 HL
External assessment—paper 1 SL
External assessment—paper 1 HL
External assessment—paper 1 SL
External assessment—paper 1 HL
External assessment—paper 1 SL
External assessment—paper 1 HL
External assessment—paper 1 SL