KOZMİKYUMURTA
KOZMİKYUMURTA
KOZMİKYUMURTA
CAC Publishing
Center for Action and Contemplation
cac.org
“Oneing” is an old English word that was used by
Lady Julian of Norwich (1342–1416) to describe the
encounter between God and the soul. The Center for Action
and Contemplation proudly borrows the word to express
the divine unity that stands behind all of the divisions,
dichotomies, and dualisms in the world. We pray and
publish with Jesus’ words, “that all may be one” ( John 17:21).
editor:
Vanessa Guerin
a ssoci at e editor:
Shirin McArthur
publisher:
The Center for Action and Contemplation
a dv isory boa r d:
David Benner
James Danaher
Ilia Delio, OSF
Sheryl Fullerton
Stephen Gaertner, OPraem
Ruth Patterson
The biannual literary journal of the Center for Action and Contemplation.
R ICHAR D ROH R
Introduction 15
D R E W E . JAC K S O N
A Rude Awakening 19
PA U L S WA N S O N
The Ecotones of the Cosmic Egg
of Meaning 21
A L I S O N K I R K PAT R I C K
Honoring All Four Domes of Meaning 29
DA N O ’ C O N N O R
My Story 35
M A R K LO N G H U R S T
From My Jesus to the Universal Christ
and Back 47
L E S LY E C O LV I N
Learning to See Beyond the Normative 55
CI N DY K ROLL
Touching Butterflies 63
LI SA E. P OWE LL
From the Conceptual to the Contextual 67
FELICIA MURRELL
Gateway to Knowing 77
M ICHAE L P ETROW
Mything the Point of My Story 85
B R I E S TO N E R
There’s a Crack in Everything 93
C Y N T H I A B O U R G E A U LT
No Story 103
RECOMMENDED READING
Crisis Contemplation: Healing the Wounded Village
A Book Recommendation by Lee Staman 111
NOTE S 115
EDITOR’S NOTE
A
s R ich a r d Rohr notes in his Introduction to this edition
of Oneing, it was approximately thirty years ago that he first
discovered the image of several ovals or “domes” of meaning,
which for him came to form what he calls the Cosmic Egg: “My Story,”
“Our Story,” “Other Stories,” and “The Story.” Like a silver thread,
Rohr’s teaching is woven through many of his recordings, books, con-
ferences, and most recently the curriculum of the Center for Action
and Contemplation’s Living School.
When this edition of Oneing was being planned and contributors
considered, it made most sense to focus primarily on CAC’s Living
School participants. Many of these students have spent significant
time with Rohr’s teaching on the Cosmic Egg. In addition, included
are a powerful poem by CAC board member Drew Jackson and
an article by emerita core faculty member Cynthia Bourgeault that
essentially moves beyond everything written before it. (Do save her
article for last!)
I strongly recommend that the articles be read in the order in
which they appear, because careful consideration has gone into their
placement. Some of the stories are emotionally provocative and others
are more intellectual in their approach, but they all address the mean-
ing of the Cosmic Egg in brilliant, unique ways.
I am truly honored to call these gifted contributors my friends
and colleagues!
Vanessa Guerin
Editor, Oneing
Oneing
10
com/), and is a passionate fan of contemporary art. He lives in Williamstown,
Massachusetts with his wife, Faith, and two young boys.
Lisa E. Powell earned her bachelor’s and master’s degrees from the
University of New Mexico and is a sendee of the CAC’s Living School. An
online teaching facilitator for the CAC, Lisa is also the founder of Fulcrum-8,
a nonprofit organization and online ministry supporting subtle saints,
momentary mystics, and spiritual seekers who are committed to evolutionary
change in a revolutionary time. She lives in Albuquerque with her two rescue
dogs, Nito and L.G., who teach her daily about unconditional love. You may
contact Lisa Powell at fulcrum8www@gmail.com.
Felicia Murrell is a certified master life coach with over twenty years
of church leadership experience. She also serves the publishing industry as
a freelance copy editor and proofreader and is the author of Truth Encounters.
A student of the CAC’s Living School in the 2022 cohort, Felicia resides in
Albuquerque, New Mexico with her husband, Doug. Together, they have
four adult children. You can connect with Felicia on Instagram @hellofelicia_
murrell or read more of her writing at http://feliciamurrell.blogspot.com/.
The Rev. Dr. Michael Petrow, a CAC staff member, holds degrees in
religious studies, mythology, and psychology. He has worked as a teacher,
spiritual director, theater chaplain, and counselor with at-risk youth.
Michael is a graduate of the Guild for Spiritual Guidance and a sendee of
the CAC’s Living School. He started his education at Moravian College and
received his doctorate from Pacifica Graduate Institute. After exploring how
transformation occurs within sacred traditions the world over, Michael’s
dissertation focused on the complementary theories of C.G. Jung and Origen
of Alexandria, which teach us to read sacred texts mythically and mystically.
Brie Stoner is the founder and host of Unknowing, a podcast and online
learning community platform exploring the spiritual path of creative
possibility. She is also a recording artist, musician, and composer. Her music
has been featured in national and international campaigns, including the
NOOMA series, featuring Rob Bell. Brie’s previous projects include being
co-host for the CAC podcast Another Name for Every Thing with Richard Rohr,
and the Chief Spiritual Officer to UNITE, an initiative at the intersection of
spirituality, society, and politics in Washington, DC. A sendee of the CAC’s
Living School, she currently lives in Michigan with her two boys, splitting
her time between her podcast and music and painting. To learn more about
Brie Stoner, visit http://briestoner.com/.
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12
honored as one of the 100 most spiritually influential living people in 2021.To
learn more about Cynthia Bourgeault, visit https://cynthiabourgeault.org/.
Lee Staman, MLIS is the Library Director at the CAC. His work focuses
on cataloging, preserving, and making accessible all Fr. Richard Rohr’s
work. Lee earned degrees in philosophy and theology before studying
library science at the University of Washington. While there, his in-depth
study of a nineteenth-century Torah from the Arabian Peninsula ignited a
passion for the further study of Judaism along with the beliefs and practices
of smaller religious communities. His interests include Wendell Berry, the
Premier League, biblical studies, and books about books. Lee resides in
Seattle, Washington with his wife and children, to whom he still reads the
Patristics to put them to sleep. Lee Staman may be contacted at lstaman@
cac.org.
I
t wa s proba bly thirty years ago that I first discovered a rather
plain image of several ovals or “domes” of meaning, which for me
form the Cosmic Egg: “My Story,” “Our Story,” “Other Stories”
(which I recently added), and “The Story.” The image has proven
helpful through many years of teaching. There were certain retreats
or conferences where I could tell that people, perhaps visual learn-
ers, “got” my message and direction only after seeing this diagram. It
became a geometric imprint which helped the viewer comprehend the
general shape of all wholeness, mental and emotional health, and good
philosophy and theology too. One advantage of the image is that we
do not have to be highly educated to understand it. Some academic
types might consider it even too simplistic, but I do not think it is.
the cosmic egg
15
Medieval Franciscan William of Ockham (c. 1287–1347) coined a
principle that other philosophers either loved or hated: “Do not multiply
entities that are not necessary.” Because it amounted to a shaving-down
process, it has long been referred to as Ockham’s Razor! My simple
paraphrase of his formal Scholastic philosophical principle is this:
Always trust and move forward with the simpler answer. This diagram is a
clever result of Ockham’s Razor at work — and I might simplify it even
a bit more in my “clean shave” explanation here!
Very few periods of history and a small minority of cultures and
individuals have ever honored all four domes of meaning at the same
time. Usually one was dominant, while a second, third, and fourth
were neglected. Some, at least, got two, but missed out on the whole-
ness that would have been offered by the others. Here are some exam-
ples of the different honoring of all four domes of meaning, always
remembering that each must include the others!
In most ancient religions and medieval Catholicism too, The Story
and its “spiritual speak” were so dominant that Other Stories, Our
Story, and My Story were largely deemed unreal or of little regard.
The Jewish people did have the honesty to include much of their his-
tory (Our Story) in Sacred Scripture, and many stories of individuals
like Abraham and David (My Story), but always as a part of the larger
tribal story. There was not yet much appreciation for Other Stories,
which is the gift of our modern age.
For most eras, My Story was completely lost as irrelevant or
meaningless. The concept of the substantial human individual had
not yet been developed (Buddhism would influence that shift toward
individual recognition for Hinduism and Protestantism would do the
same for Catholicism). My Story was largely of no concern — a few
biblical characters and Augustine’s Confessions being early exceptions.
There were some few individuals — those we would often call
“great” or “Blessed” in every age — who could represent and somehow
hold together all four domes of meaning at the same time. However,
they still did so at their own cultural level of development, which
explains perhaps how some saints could still be anti-Semitic, believe
in fables, or, like St. Joan of Arc (d. 1431), lead her country of France
in a violent war against the English.
Then there are those who have no real understanding of Other
Stories, The Story, or My Story and live entirely inside the world of
the comparisons, competitions, and violent rivalries which result from
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16
living only in Our Story. Much of Chinese history, most of Feudal
Europe, and tribal Africa might be included here. “My group and its
leaders, its ‘god,’ and its needs,” are their limited and limiting frame
of reference.
O
nly r ecen t ly h av e I felt it necessary to add a fourth
dome of meaning to the Cosmic Egg, which shows, I believe,
an evolution in human consciousness. The term Other Sto-
ries illustrates the painful recognition that my frame is not the only
frame, not likely the most important frame, and maybe even a frame
with a lot of shadow and blind spots when compared to other stories.
This is the great advantage of studying history, literature beyond our
own language, anthropology, world cultures, and, frankly, experienc-
ing some world travel, if one is so privileged.
This expansion of perspective has only become widely possible in
the last hundred years or so and reaction is showing itself in the world-
wide “identity politics” which is leading people — with no evidence — to
declare that Our Story is the measure of all things, and all Other Stories
are evil, pagan, inferior, ignorant, or superstitious. As we encounter
more and more of the world’s Other Stories, many are broadening their
wisdom while others are broadening their fear. It looks like it will take
us some time (centuries?) to resolve this drive to exclude, to scapegoat,
to judge, and to dismiss other peoples’ stories. There is only one thing more
dangerous than the individual ego and that is the group ego. Only non-dual,
“second tier” folks, mystics, and not even all saints seem capable of such
universal capacity. Yet this viewpoint is increasing quite rapidly world-
wide, moved ahead by things like the United Nations, Doctors without
Borders, many lifelong missionaries, emerging Christianity, and seekers
and philosophers of universal truth.
Still, only a minority will venture into a universal and inclu-
sive frame of reference (The Story), while others limit themselves to
journeys into their own private soul and woundedness (My Story).
These cannot give us any liberation from or even understanding of
the tyrannies of tribe, family, and culture (Our Story). With no deep
experience of actual transcendence, and with little self-knowledge,
Our Story folks are highly open to massification, groupthink, and
conformity passing for real knowledge. They generally use entertain-
ment, sporting events, consumerism, or war itself as a substitute for
true worship and true community or friendships. I personally believe
— Richard Rohr
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18
A Rude Awakening
Luke 4:24–27
— Drew E. Jackson1
Die and Become. Until you have learned this, you are but a dull
guest on this dark planet.1
— Johann Wolfgang von Goethe
I
liv e inside a Western culture that roars at the sight of mythic,
self-made men rocketing into orbit. While these rocketmen were
on their recent space excursions, the blue planet they left behind
reached record high temperatures and the ocean rolled her dead onto
the shores. A person can only take the myth of Western individualism
seriously for so long before its excesses reveal its shadow.
I
n service to this grand metanoia, I am suggesting an experimen-
tal approach to the myths, religions, and stories that shape us. I am
advocating that we play in their craggy reef edges, that we swim
out beyond the blurry boundaries, where seas of meaning meet, in full
expectation that the “oceanic oneness”3 will turn us over and bring us
to new shores of being. It is time for humanity to risk a radically new
embodied relationship with one another and the stories that shape us.
Together we can breathe new understandings into old myths.
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22
The elasticity of Fr. Richard Rohr’s Cosmic Egg of Meaning pro-
vides a starting space for this playful exploration. In healthy tension
with the myths that have guided us thus far, he upends the fallacy of
Western individualism through the celebration of layers that inhabit
the framework. This visual framework simplifies the curvy multivo-
cality of the interconnected narrative of being. To put it plainly, it can
be difficult to hold the vastness of meanings in one’s psyche, so the
Cosmic Egg breaks it down neatly. There are four major “Stories” of
the Cosmic Egg: My Story, Our Story, Other Stories, and The Story.
They are presented separately but operate in relationship with one
another.4 Their interdependence is a subtle concomitance. A spirit of
energetic exchange takes place across the interstitial Stories, converg-
ing to create a textured whole. The beauty, truth, and goodness of the
Cosmic Egg is felt and found in the exchanges at the edges. This is a
spirited exploration of those textured exchanges.
L
ifegiving exch ange h appens when physical bodies with
porous boundaries mingle. This is called an ecotone.6 An ecotone
is “the transition from one ecosystem to another,”7 a place of
tension and integration, a point of exchange. There is a sensuality
to this ecological term, for an ecotone occurs “at edges and physical
boundaries, where fresh water meets salt water and water meets land,
where tides roll up and down coasts, where woodlands become pas-
tures and the fir trees of taiga forests give way to the lichen and grass
of tundra.”8 Even the etymological roots of ecotone are instructive for
this exploration of the Cosmic Egg of Meaning. An ecotone is the
combination of “house/dwelling” and “tension.”
The ecotones that form across the four Stories of the Cosmic Egg
have the potential to transform stagnant myths in new, communally
edifying directions. When My Story hobnobs with Other Stories,
Our Story is impacted, which enhances my understanding of The
Story. Now, my entire relationship to reality must expand. This ener-
getic exchange is more than a ripple effect that pulsates out to its natu-
ral dissipation. Healthy exchange between two or more Stories builds
respect for, and responsibility to, one another, while each changes
M
y ow n e x pedi tions across the ecotones of the Cosmic
Egg of Meaning have been paramount for my evolving par-
ticipation in the Mystical Body of Christ. Having defined
the terms of exploration, I now want to introduce four contemplative
movements that have aided this conscious participation in the eco-
tones of the Cosmic Egg of Meaning: gratitude, humility, ignorance,
and inquiry. Playing at the edges of boundaries does not need to be
without thoughtful preparation.
Life is a miracle and Mystery has a gratuitous nature.10 Before any
existential walkabout, one should rest under the shade of gratitude.
Gratitude is a posture of acceptance toward the givenness of life. Even
in small doses, gratitude alters the relationship between the explorer,
the map, and uncharted terrain. It gives the explorer breathing room,
space to humble themself before all that they have not yet encountered.
Humility is exposure to the elements. Humility sleeps out under
the infinite stars to feel the tingle of the distant intimacy of night. It
does not build walls to keep out the unknown or unforeseen. Humility
embraces the hospitality of strangers. It becomes one continual bow
before Mystery.
Humility leads to the undefended way of ignorance. This type of
ignorance is not a frozen weakness of immovable views, but a kenotic
movement toward a ready and curious position. It transforms the
explorer into a pilgrim.
This ignorance readies the pilgrim for respectful inquiry. Unspo-
ken questions rest on the pilgrim’s tongue as they now see that “the
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Before any existential walkabout,
one should rest under the
shade of gratitude.
true contemplative is not the one who prepares his mind for a particu-
lar message that he wants or expects to hear, but who remains empty
because he knows that he can never expect or anticipate the word that
will transform his darkness into light.”11
These four contemplative movements are practices on the pilgrim-
age across the ecotones in the Cosmic Egg, practices in becoming and
discerning the vectors of possibilities in Stories unknown. Authentic
exchange occurs in these partially defined places, in the rub of tension
without the pursuit of dominion. When you meet these courageous
pilgrims, greet them with a kiss, for your salvation may be in that
exchange.
T
her e is a risk to this pilgrimage. A pilgrim does not begin
this journey as a blank slate. The Stories they received in child-
hood might be dated or lead to destructive ends. What was
once mapped out as safe passage may now be speckled with barbwire
trappings. Those who received their Stories from a position of domi-
nance are often unable to question the stories’ prevalence in their for-
mation. They are not able to explore in the spirit of exchange. Instead,
ecotones are seen as spaces to seize or conquer.
Those who have found their My Story and Our Story to be mar-
ginalized and muted by Other Stories (experienced as Dominant
Stories) are not always able to meet in an ecotone. The boundaries of
mutual exchange have been violated too many times. The continual
breach and invasion from dominant Other Stories harms both sides,
T
he gi v enne ss of my life belongs to The Story. I received
My Story without question and lived into the pressing ques-
tions of Our Story. As curiosity grew, I began to feel for the
edges of these Stories. The versions of the Stories I was living sud-
denly burst. Mystery overflowed and its allurement beckoned me. I
rebelled, stretched, deconstructed, and ultimately made amends with
the Stories that shaped me. Slowly, I learned that the way is not for-
ward or backward, but awkward.15 The Stories that once comforted
me no longer did. My explorations veered off center. Contemplative
movements became my practice as I ventured out into the unknown. I
can still hear the pleas of the risk-averse know-it-alls demanding that
I come back to the center this very second.
As I explore the ecotones, silence is my preferred language. It
helps me keep my ears open. In the ecotones of Other Stories, I dis-
cover my own foreign assumptions. I hear songs of the heart ring out
in dialects untranslatable. My eyes bear witness to wounds that can-
not be dressed by individual efforts. I double over in laughter at jokes
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26
supposedly at my expense. I am a vagabond of the ecotones with no
place to lay my head. I ain’t lost; look, I just found a dropped pack of
Mary Oliver’s cigarettes. I must be on the right path.
My center has shifted to the edges of My Story, Our Story, and
Other Stories. I now wonder if the center of The Story is nowhere
and everywhere. I have come to see the Mystical Body of Christ as the
exchanges between the material and the mystical. To lose sight of these
vivified exchanges—these ecotones—is to lessen the whole body, the
individual part, and emergences in between.
In the exchange between miracle and membership, I am reminded
that “Life is a presence which always precedes us.” There is a salty
texture to that line that remains on my lips. It reminds me of words
Athanasius gave me. I recite them to myself. I set up camp in a nearby
ecotone. My pockets are empty, and I am holding on to nothing but a
frayed thread to guide the way. I believe it to be a tether of The Story.
My hunch is that it runs across the fabric of all our Stories. It con-
nects me to you, us to them—them and those beyond, and then back
to us all over again. We are knitted together in a cosmic membership
that breathes anew into the myths that shape us. The Story glimmers
through the brush of this exchange.
·
I
n his r eflection on the Cosmic Egg, Fr. Richard Rohr laments
that few people or places “have ever honored all four domes of
meaning at the same time.” I feel fortunate to be one of the lucky
few exposed to such a worldview. I was raised in a Franciscan parish
in the early 1970s, just after the Second Vatican Council. The brown-
robed friars, with their Birkenstocks and beards, embraced the spirit of
the Council wholeheartedly. Where a crucified Jesus normally hung
behind the altar, we had a risen Christ — holding his cross in one hand
and making a sign of peace with the other. If I had to sum it up, The
Story told through the Franciscan lens was Christ is risen. We shall too.
Alleluia. The message didn’t negate the existence of suffering or diminish
the importance of morality or justice, but it did put them in context with
the mercy, forgiveness, love, and ultimate triumph of God and goodness.
In that Franciscan parish, I sensed the domes of meaning nested
together. I was God’s beloved (My Story), and I was part of a beloved
µ ¬µ
W
hen I wa s nineteen, I got pregnant by a man I hardly
knew and would not marry. Although my upbringing was
progressive in many ways, every story I had heard grow-
ing up from family, church, and culture communicated quite clearly that
I was “damaged goods,” unworthy and possibly even unlovable. I had
two choices — abortion or adoption. While the former offered me some
immediate relief and protection, I chose the latter, trusting that it had
a greater chance of bringing “new life” in a literal and figurative way. I
wanted to love my child as best as I could, and I believed that meant let-
ting her go to be raised in a two-parent home with everything I wanted
for her and could not give her myself. Beyond that, whether my parents’
love for me would be diminished in some permanent way, or whether
I would ever be loved by anyone else, I trusted that God loved me and
that I could still love myself. I believed that this “other story,” told in
faith and love, belonged to The Story.
I wasn’t wrong. Although I moved away to “protect” my and
my family’s reputations, I met my husband in that new town when I
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was seven months pregnant. The story I wanted to hide became the
love story of my life. He was there when I went into labor and when
I signed the adoption papers forty-eight hours later. Along with my
parents and siblings, he was there for the weeks and months of over-
whelming grief, trusting that I did the right thing while also healing
from it. He has been there every day since and we have raised three
children of our own who are young adults now. The daughter I gave
up for adoption turns thirty this fall, and I feel privileged to be a part
of her story, though it is not mine to tell.
For a while after my daughter’s adoption, I felt some frustration
toward my parents and the church for the story they told me about a
woman’s value, particularly as it related to her sexuality, but by the
time I had teenagers of my own, I had fallen into the same trap. While
I had jettisoned certain stories, I was guilty of repeating other well-
worn tropes of church and culture that were in many ways just as
damaging. As Richard Rohr often says, I had confused the container
with the contents.
I wanted my children to find their True Selves, health, happiness,
and an open-hearted love for themselves, others, and the world. What
I communicated to them was a prescribed set of expectations that I
thought would get them those things, which included church atten-
dance, serious academics, athletics, work, and appropriate friendships.
It worked well enough when they were young, but by the time they
became teenagers it was costing all of us something precious — authen-
tic and open relationships. Even with the best of intentions and my
own experience of loss, I had succumbed to the overwhelming pres-
sure to let Our Story stand in for The Story.
With the help of a transformative book, The Conscious Parent, and
a good therapist, I set about trying to make it right by making space
for our children’s individual stories to flourish. I started listening
instead of suggesting, affirming instead of critiquing, trusting instead
of hovering, hugging instead of pushing, being instead of doing. It was
a contemplative practice all day, every day to release what I thought
I knew and to trust that Love would do the rest.
Like most contemplative practices, it felt simultaneously like doing
nothing and like the hardest thing in the world to “be still and know”1
I was not in control. And like any consistent contemplative practice,
it eventually gave birth to greater compassion for everyone, including
myself. In the words of Thomas Merton (1915–1968), “The beginning
of this love is the will to let those we love be perfectly themselves, the
resolution not to twist them to fit our own image.” 2 I had loved my
children to the best of my ability, which is to say, not nearly enough.
I surrendered my desire to perfect their stories, and I came to know
on a deeper level that each and every story is lovingly held in The
Story. Everyone participates in the cosmic pattern of life, death, and
resurrection; it is simply my privilege to witness the journey and to
mirror the beauty of their story back to them. The listening practice
that began at my kitchen table turned out to be the training ground
for my future work as a spiritual director.
µ ¬µ
T
her e is one more story I’d like to tell. Our oldest daughter
came out when she was sixteen years old. I’d like to think she
wasn’t afraid of how we would react, but I don’t think that is
entirely true. While we had been attending a welcoming church for
a few years already, I cringed at how many sermons she had heard
growing up that railed against gay marriage and promoted homopho-
bia. I wept when I thought of any insensitive or ignorant comments
we might have made. We immediately affirmed her in the fullness of
her identity, and she has rewarded us over the last eight years by trust-
ing us with more of her story. Even more significantly, she’s invited her
friends to our home to share their lives and stories with us.
Sadly, some of the Other Stories that have been largely excluded
by Christian churches, including much of the Roman Catholic Church,
are those of the LGBTQIA+ community. Many of our daughter’s
friends have been rejected by their family and friends. Churches
that once welcomed them and called them beloved children of God
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32
told them in subtle and not-so-subtle ways that The Story no longer
includes them. This is especially true for her trans and nonbinary
friends whom I have been privileged to know. My heart breaks when
their new names and pronouns are ignored by those who are supposed
to love them the most. While I can understand the need to grieve who
we thought our children were (which is true of any child — straight,
gay, or trans), I cannot understand the wholesale rejection of who
our children have discovered themselves to be. This is part of their
story, so, as a family, it is part of Our Story, and it is certainly part of
the evolving Story God is telling in and through creation. Ultimately,
the cross reveals that love is the only story that matters, so I love their stories.
Paula D’Arcy has a succinct line often shared by Richard Rohr:
“God comes to us disguised as our lives.” After twenty-plus years of
Catholic education and a lifetime of seeking, that line pretty much
sums up my operative theology. If it is in my life, then I know that
God is speaking to me through it. I may feel blessed and nourished by
it; I may find it confusing, challenging, and even downright unpleasant
sometimes; but trusting in the Cosmic Egg leads me to greater wisdom
and a more Christ-like love for the world.
·
I
’v e always been a kind, quiet, and gentle soul wandering about.
If there were a wanderer job, I’d be very well suited. My therapist
told me I’d been a warrior in a prior life. That made a lot of sense
and must explain where I find myself now.
Growing up, and as a closeted gay man until my thirties, I’d suc-
cumbed to the conditioned belief that I didn’t belong in this world
and certainly not to the culture of rugged individualism. This cultural
characteristic dramatically sets Americans apart from the rest of the
world and, in my opinion, is our greatest national and cultural weak-
ness. Even today, our LGBTQIA+ youth continue to suffer from
the misunderstanding that everything indeed belongs, since the war
on poor people, the trans community, and BIPOC — well, American
Realism is hardly that!
It seems like so long ago: those days of suffering from the deep
anxiety of not recognizing my authentic self. Looking back, my
upbringing in an Irish Catholic environment was a loving experience,
but also conditioned — as I’ve learned through the CAC’s Race, Equity,
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father had passed. I’d asked my parents if I could return to Tulsa for
the summer and they allowed it! They had placed an enormous trust
in me and for that I’m forever grateful. That summer, my friends and
I hitchhiked to Little Rock, Arkansas to see a Frank Zappa concert.
What a great formative experience that was, sleeping on the side of
the freeway in a ditch until the next morning. I felt excited about the
next stage in life: college.
There were so many conversations I had in my mind, bargaining
with God about having sex with guys in high school, feeling so guilty
about going against the dominant cultural taboos and sadly not real-
izing how I’d been socialized in a deeply unconscious and grossly
unaware society. It was only after entering college that I discovered
I was not alone. There were others just like me! Suddenly, I heard
about Stonewall and then Gay Pride, followed very soon after, of
course, by AIDS.
I
bec a me v ery a ngry with America. It was the Reagan era,
when my parents left the Democratic Party and became card-car-
rying Republicans. The establishment of a perpetual atmosphere
of discrimination angered me, especially when I began working in cor-
porate America. Having to be dependent on the dominant Republican
hierarchy for my paycheck felt like prison. My social justice conscience
was born overnight as conflict was everywhere, which is a very scary
proposition for an Enneagram Nine to confront. Remaining hidden
seemed like a very good idea, a safe place to be — until it was not.
Upon finishing college, my partner and I moved to Miami,
Florida, where he grew up. Wow, what a culture shock that was,
coming from the deep South — but of course, a most welcome one.
It was like going to the New York City of the South, with parties
every night of the week and temptation everywhere. Then the HIV/
AIDS pandemic arrived at my doorstep. My friends became infected
overnight and were suddenly dying. I went to way too many funerals
at such a young age, and I was afraid of getting tested, knowing the
obvious.
Finally, I faced my fears and got tested, and of course I was HIV
positive. I’m not sure why God spared my life; I never got sick. But
just knowing it could be imminent was concern enough, until the
drug cocktail was invented — thank you, Dr. David Ho! We had a
new lease on life. I wake up every day grateful to God and science.
W
atching PBS in Miami late one night, I saw Gangaji,
this beautiful woman in a blue flowing gown with plati-
num hair, extolling the virtues of the Enneagram. That
was the second time I’d heard that word. I immediately searched for it
on the Internet and booked my registration with the Enneagram Insti-
tute. Upon arrival and while meeting people the first day, I learned
of Richard Rohr. That Part One training was so impressive I signed
up for all the other trainings and retreats. Subsequently, I joined a
Fourth Way group in Ft. Lauderdale and two years later I was in
the Living School and doing the Illuman Men’s Rites of Passage. I’m
saying yes to everything while traveling on the superhighway of my
soul’s journey into God, where Bonaventure has become one of my
favorite mystics.
It was revealing to discover my behavioral patterns were that of
an Enneagram Nine. Learning about and socializing with other Nines
and Ones and Twos, etc. — well, to discover I have a pattern which
is the root cause of my craziness was an incredible relief! I’d always
thought I was the lone weirdo, a mystery never to be solved and
doomed to suffer forever. Shortly thereafter, when I began to realize I
was perfectly normal, I subscribed to Richard Rohr’s Daily Meditations.
Here was Richard Rohr, echoing and validating everything I felt to be
true and, even more, providing philosophically sound, common-sense
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stories and examples illuminating the rich religious history that I never
heard growing up in Catholic school.
Yet another scourge to be processed, and what an involutionary
process this has been! The Living School resolved a lot of that trauma
by delving deeply into the gold mine of the Christian mystical tradi-
tion. This was a priceless journey, being properly guided by wisdom
masters who know deeply the value of a good education. Learning
what is mine to do continues to feed my desire for unity with others
in peaceful exchange. I’ve been learning the language of nonviolence,
facilitating Monday night discussions on Richard Rohr’s Daily Medita-
tions at the Trinity House Catholic Worker, as we all gather to inquire
in the tradition of Socrates, who has been known to have said, “know
thyself.” It’s such a joy to participate in the weaving of my story into
the collective our story with great humility.
Jesus, the Buddha, Richard Rohr, St. Bonaventure, the scientific
method, and Ken Wilber have been the greatest influences on my
understanding and the redefining of my notion of God. I’m not sure
I ever really believed God was a gray-bearded man in the sky but,
being a product of Western culture, I wasn’t entirely free of that image
either. My inquiry into other religious traditions, along with my vipas-
sana training and then centering prayer, provided a solid foundation
for releasing old beliefs while making room for a cosmic non-dual
understanding of Reality.
This understanding of God has always been supported by my
life’s experiences of the cultural diversity encountered in working
abroad and my advanced education in international relations, prov-
ing that everything belongs because it’s already here. Richard Rohr’s
further elucidation of the nature of God as relationship and exchange;
the trinitarian flow endlessly giving Itself away to further Creation’s
purpose; and that belonging and purpose are the existential nature
of God, along with the penultimate concept of mercy being the true
nature of God — for me finally close any gap.
B e l o n g i n g a n d p u r p o s e a re t h e
existential nature
of God.
the cosmic egg
39
I have seen my own healing in reconciling my Enneagram Nine
childhood message that I didn’t matter. It happened because, as the
child, objectively speaking, I was in control, in the sparking of reac-
tions by my parents, and this resulted in their not knowing what to
do with me. The message they sent was that I did matter, but the cor-
ruption of that message, in alignment with the Divine Plan, formed
my personality and the subsequent Cosmic Egg journey of coming full
circle, back to my soul’s intended lesson, of my destiny that personal
responsibility is the God-given healing that I am fortunately able to
receive in this incarnation. It’s been hard learning how to un-identify
with the narcissistic images of myself — not only letting go of, but also
being with and facing my attachments and stinking thinking head on.
The ability and the opportunity to share the hard-earned, God-
given wisdom of the perennial tradition has nourished my soul pro-
foundly and gives me that inner strength, that deep faith, that all shall
be well — but not before having been tested and failing, then falling
into that deep inner knowing, that Holy Faith, Holy Strength. The
knowledge gained from the wisdom masters along my path, com-
bined with the contemplative practices coalescing my being, keep me
grounded and bring my attention back to myself. This prodigal son is
forever grateful for all the suffering and delusions put in the path of
my soul’s journey into a metanoia of cosmic union with God.
·
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Giving Freely and
Receiving Graciously
By Barbara C. Otero-López
T
he m yst er ious a nd beautiful work of nature has been a
great teacher for me this past year. The time that I have spent
at home during the pandemic has blessed me with a chance
to slow down: go on more hikes, work in my backyard, and relish
the beauty and wonder of the natural world. The wise words and
stories in Robin Wall Kimmerer’s Braiding Sweetgrass have also given
me scientific language and perspective that is beautifully intertwined
with the indigenous ways that my own Native American ancestors
shared.
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42
U
ndoubt edly, my story is strongly influenced by the sto-
ries of the communities that shaped me. I am a product of my
strong Roman Catholic background. My identity is inter-
twined with my New Mexican history. All these containers have
given me shared meaning, a sense of belonging to tradition, and a
generosity of spirit that was modeled through my family and cultural
values. However, coming to terms with my genealogical and cultural
history, of both my oppressed Native American ancestors and those
who were their Spanish oppressors, is more complicated than I ever
thought to imagine. Facing and forgiving the atrocities that have been
allowed to occur and continue in the Roman Catholic Church is close
to home and, at the moment, seemingly impossible to reconcile. It is a
lifetime of work to understand both how my containers are far from
perfect and, all the while, that waking up to how all these stories have
explicitly and inexplicitly shaped me is vital for me not only to have
compassion for myself but also to recognize and stand in solidarity
with all who come from complicated histories.
Acknowledging how my lighter Latina skin has given and con-
tinues to give me privileges in life and how my darker-skinned sis-
ters and brothers are forced to struggle in ways that I could never
understand is important work that I strive to continue with diligence.
There are cycles of pain in the stories of my culture that need to be
brought to light and awakened in my heart so that I can accept those
parts that may be out of my control but have shaped me just the same.
More importantly, I must also recognize those parts that are within my
control so that I do what I can to foster healing and stop any further
transmission of that pain. It is in these instances that I am so grateful
for community, both those communities that exist within my own
containers and those outside of them. Through shared experiences
with family and friends, I am able to process and recognize beauties
and shortcomings of my expanded sense of self. Through relationship
with those whose stories I do not share, I am able to see beyond and
into a greater story of what is.
There’s so much in my own story and the stories of all my con-
tainers that I could easily get stuck in a vortex of evaluating and
re-evaluating the good and bad of it all. Yet I’ve come to realize that
it is through my curiosity and respect for others that I experience a
reprieve from my own navel gazing by wanting to enter reverently
into stories outside of my own. From a very young age, I have found
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traumas that we cannot share and somehow discover ways in which
we can all flourish.
In today’s landscape, I find it incredibly challenging to come to
terms with the many differing political and ecological viewpoints that
so often feel irreconcilable. The racial and social inequities that are
deeply rooted in our psyches and systems are in dire need of restitu-
tion and healing. These challenges are so immense that sometimes they
can all feel quite overwhelming. It can be very difficult to know what
is mine to do for the better good.
And yet, I am so inspired by nature’s great but silent acts of pho-
tosynthesis and respiration because I know that it is in the unique gifts
that God gives each individual species, and each one of us, that we
are all called to be conduits for God’s action in the world. It doesn’t
matter that I fall short. It doesn’t matter that my small self is flawed
and that my containers are flawed. God uses my unique gifts and
shortcomings for the greater good. As Fr. Rohr writes, “God always
uses very unworthy instruments so we can never think that it is we
who are accomplishing the work.”4 In their humble existence, plants
give us life-giving breath while never asking for anything in return.
But then, graciously, they accept our breath to repeat the life-giving
cycle once again. For this I am grateful, and when I open my eyes with
a desire to truly see and appreciate the many unique gifts and blessings
that all God’s creation has to offer, I am flooded with a great need to
honor and protect it.
Mother Nature has inspired me to continually discover what is
mine to give and to give it freely, while seeking to appreciate and
accept the gifts of others. For me, this cycle of giving freely and receiv-
ing graciously is a preface to The Story. By appreciating and accepting
each other’s gifts, we can begin to discover the beauty of what we
all do share. We can save ourselves “from the illusion of we and the
smallness of me”5 and enter a greater realm of the universal meaning
of which we are all a part.
W
e can stitch our stories together to create a tapestry of
Love that grows even more beautiful through the inclu-
sion and participation of all our gifts, shared and received.
I think that our current moment is offering us a choice. We can choose
to live in fear and skepticism of that which exists outside of our own
stories. We can choose to act out of a perception of scarcity to protect
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46
From My Jesus to the
Universal Christ
and Back
By Mark Longhurst
J
e sus a nd I go way back. Admittedly, the terms of our rela-
tionship were constrained. I pledged my six-year-old life to
him, after all, out of terror. The impetus arose when a traveling
youth minister visited my church and told the tragedy of Sodom
and Gomorrah. The youth minister narrated the scene while an artist
drew chalk-based Bible art to illustrate the fire raining down from
heaven. Lot and family fled, while Lot’s wife stole a glance at the
burning city — and God punished her for it, turning her to salt. I
missed the mythic metaphor and believed it literally. The preacher
explained that fire and salt would be my future, too, but that there
was an escape plan if I accepted Jesus into my heart — which, of course,
I did. He died for my sins to save me. I had no idea what it all meant,
but given the conditions, it seemed like the only option.
the cosmic egg
47
As befitting a hero and his rescuee, Jesus and I became close. My
story became part of his story. He had saved me from torment, after all,
so the least I could do was give him my gratitude. But it also became
clear throughout church and youth group socialization that Jesus oper-
ated as more than a protective shield from sulfur or salt. People talked
to Jesus. They asked him for things like a healing for Cousin Ray’s
cancer or for Diane to say yes when Stevie asked her to the prom.
They shared their most vulnerable secrets and yearnings with Jesus
and so I did the same. I mimicked the minister’s prayers of thanking
Jesus for saving my life, but mostly I pleaded with him for Casey to
stop giving me charley-horses in gym class. I confided in Jesus when I
was scared. On good days, I cracked jokes to Jesus when no one was
looking. We were buddies, Jesus and I.
Eventually, Jesus even became my boyfriend — or at least that’s
what my Christian college friends and I called him. We poked fun at
the songs of praise we sang to God and Jesus. The lyrics resembled
pop top-forty love ballads, with nineties bridges and repetitive cho-
ruses expressing lovers’ aching hearts:
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48
of literally — was subversive. Borgman repeatedly pressed us toward
the specifics of the text, which yielded surprising, contradictory, and
jarring details. Some were, admittedly, of the introductory sort that
one immediately encounters in a Divinity School first-year course.
Genesis has two creation stories! Luke is the author of his own Gospel
and the book of Acts! The simple practice of reading the biblical text
and paying attention to its linguistic twists and storytelling signals,
though, changed how I understood not only the Bible, but also the
story of Jesus itself. It refuted the belief I carried that the Bible some-
how dropped wholesale from God to humanity, mediated by a few
furiously typing court stenographers — and it also helped me hear
Luke’s Gospel as if for the first time.
For example, I learned that Jesus taught a specific Way. Not only
does much of the action with Jesus and the disciples take place “on
the way” in Luke’s Gospel (for example, see Luke 10:38), but Jesus
launches and models a Way of justice, peace, and inclusion, especially
for the lowly or marginalized. Mary sings of the Way through which
“he has brought down the mighty from their thrones and exalted the
lowly” (Luke 1:52). In his first sermon, Jesus quotes and claims that
the prophet Isaiah’s words have come true in his own ministry: “The
Spirit of the Lord is on me, because he has anointed me to preach good
news to the poor. He has sent me to proclaim liberty to the captives,
recovery of sight to the blind, to release the oppressed” (Luke 4:18).
Jesus quoting Isaiah echoes a larger tradition of God’s Way of Jubilee
in which debts are forgiven, the enslaved are liberated, and the poor
have what they need (Leviticus 25). Jesus’ arrival is like a great ban-
quet, he says, a time of feasting for everyone — and especially the poor,
broken, and wounded (Luke 14:15–23).
T
he story of the Jesus I initially called “mine,” it turned out,
was not really the story of Jesus. It was the story of me. The
story of Jesus Christ includes me but — to state the spiritually
obvious — is not only for me. To push Luke’s insight into the theologi-
cal realm: Jesus is for others, for all others, especially those made “other”
by oppressive powers. In the midst of the Nazi genocidal “othering” of
Jewish people, the German theologian Dietrich Bonhoeffer (1906–
1945) made “being there for others” the summary of Jesus’ identity.
Jesus is the “man for others,” he wrote in his letters from a Nazi prison
cell. Behind bars, he jotted down notes for a book he intended to write
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50
If he’s only my Jesus, and not everyone
and everything else’s Jesus too, then
Jesus has become far too small
an d o n ly a n a r c i s sist ic
r e f le c ti o n
of me.
is before all things and in him all things hold together” (Colossians
1:17). John’s Gospel (1:1–14) placed the Word, made flesh in Jesus, at
creation’s beginning, with and as God. Other passages, out of which
Christ’s cosmic identity emerged, plain baffled me: What was this
Wisdom about which the writer of Proverbs wrote, “appointed from
eternity, before the world began” (8:23)?
In his humble, clear, and trustworthy way, Fr. Rohr told us in
modern language what these Scriptures pointed toward: The First
Incarnation of Christ takes place not in the birth of Jesus, but at the
origin of the universe. All creation is God’s Beloved Child! From his
book The Universal Christ we read:
J
ust bec ause Je sus Christ is cosmic, however, does not mean
that he is not personal. The Universal Christ is, at the same time,
the particular Jesus of Nazareth. And just because Christ is in all
things does not mean that Christ is any less in me. My story
includes a Jesus that I still call “mine” — God’s intimate and loving
presence available to me, as I learned in my evangelical days — even as
he also belongs to everyone and everything else. I can even hum some
of those pop praise songs again, because my prayer is still to “want to
know you and seek your face.”
Jesus has to be for me if Jesus is to have any meaning. He may
be the Word through whom all things were made and the light that
enlightens the world (John 1), but unless I can experience that ongoing
divine creativity and life in my life, it has no relevancy for me. The
same God who stretched sky and spun planets must mysteriously
also know and care for the unique rhythm of my heartbeat. Otherwise,
what’s the personal point? But if he’s only my Jesus, and not everyone
and everything else’s Jesus too, then Jesus has become far too small and
only a narcissistic reflection of me. The real Jesus likely knows nothing
about the small Jesus that, in truth, mirrors my ego. As Thomas Mer-
ton memorably quipped in New Seeds of Contemplation, to be unknown
of God is altogether too much privacy.8
Jesus and I are still close — closer than ever, in fact — but we’ve
redefined the relationship. There is no longer a distant, angry deity
lingering behind him, seeing and knowing my faults, and ready to
pounce with punishment. Jesus is still my rescuer, but not from
hell — that mythic place of fiery torment evoked more from Dante’s
Inferno than the Bible itself. Rather, Jesus has become the mirror to
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me of God’s love at the heart of reality. Jesus has not so much saved
me from disaster as saved me for life. My Story of Jesus is, at the same
time, Our Story of Jesus, which is simultaneously The Story of Christ
unfolding throughout all reality.
·
R
etur ning to one’s childhood home as a mature adult can
be a special time to ponder the cycles or stories of evolution in
one’s life. The dynamics of remembering our earliest relation-
ships and revisiting significant places may reveal answers to questions
never asked. These are not necessarily articulated questions, but may
be understandings arising from a deeper or expanded perspective. In
a word, it can be lifegiving.
I moved home to be the caregiver for my then-eighty-two-year-
old mother in October 2015. At the time of this writing, she is receiv-
ing palliative care for late-stage dementia.
The small site on the map marking my birthplace is quite ordinary.
Ozark is one of a zillion small towns across the globe. Yet, the location
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56
of freedom during the first half of the last century. Unfortunately, in
this new region, they would find white supremacy to be different, but
still ever-present. It was here that as children my siblings and I were
first called “nigger,” as shouted by a boy in a white body while he was
riding by my aunt’s house on a bicycle.
From the family unit, my identity expanded to understand the
role of faith, community, region, and nation. My parents depended on
several sources to stay abreast of current affairs. They read the local
newspaper and Ebony magazine and watched morning and evening
national news broadcasts to keep informed. I observed my extended
family engaging in the same practices. I remember thinking as a child
that it was a part of being a grownup. Less than 100 miles north of
my home, Rosa Parks had chosen to keep her seat on a public bus. In
doing so, she violated unjust yet normative practices and laws. This
single act was the tipping point for the Montgomery Bus Boycott.
Current events did not unfold exclusively in distant places, but
in our lives. My siblings and I attended, and my parents taught in,
racially segregated schools that were deemed unconstitutional by the
Supreme Court before my birth. Medical examinations required our
using the building’s side door to enter a small, windowless waiting
room, through which we accessed the single exam room reserved for
us. Even so, in the safety of our home, we celebrated the struggle for
Civil Rights and recited the mantra, “I’m Black and I’m proud.”
Some decisions made for or by us provide opportunities to expand
our understandings. Christianity has been the faith tradition of my
family for generations, a belief system supportive of a relationship
with the Divine. The humble birth of a Jewish infant to a family living
under oppression and his execution by the state were parallel to the
challenges in this world for African Americans.
A
s de scenda n ts of kidnapped Africans who survived the
Transatlantic Slave Trade, members of the Black Church feel
a strong connection to the biblical narrative of the Hebrew
people, who had themselves been enslaved in a foreign land. Their
experience of God using Moses to guide them to freedom was a bea-
con of assurance that God would liberate Blacks as well.
This awareness was mine when three generations of my family
entered the Roman Catholic Church in a region where Catholics
were a small minority among Christians identifying as Protestant. My
D
w elling in a racially segregated environment constantly
provides opportunities to question racism for those willing
to see what is happening beyond the normative. For genera-
tions, my family has appreciated education as a way to improve the
odds of advancement, regardless of racist obstacles, and a way to
serve the community. This was more apparent when schools were
segregated racially. What was gained through education—formal or
informal—could never be taken from anyone.
As a high school student, I made my first retreat when the Office
of Youth Ministry for the Archdiocese of Mobile introduced Search
for Christian Maturity. The three-day retreat brought together teens
from across the southern part of the state to Montgomery Catholic
High School. The racially diverse event was a pivotal moment for me,
as I first experienced a spiritual high. This gathering allowed me to
engage with other African American Catholic teens for the first time.
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The enduring
intergenerational trauma
that began with my ancestors on the
African continent and now resides
within my body compels me to
do more now, while breath
is in my body.
I
t wa s du r ing my time in Massachusetts that I learned about
parishes with ethnic identities. It was surprising to learn of cities
that were home to an Irish parish, an Italian parish, a Polish parish,
and a French-Canadian parish. This was new to me. While the eth-
nic identities were not necessarily accurate descriptors of the current
membership, the labels of origin remained. I could never image such
practices in Alabama, where the simple dualism of white supremacy
reigned. In southern cities, African Americans who were denied full
participation in parishes because of white supremacy established their
own faith communities.
Upon my move home, I learned that Fr. Patrick Maher (1927–
2017), the priest who had accompanied my aunt and grandparents
into the Catholic church in Ozark, was in retirement in my hometown
parish. From our conversations, I learned that he had been ordained in
Ireland in 1954 to serve in what was then the Diocese of Mobile. His
first assignment was at St. Jude’s, the parish and school that served
the African American community in Montgomery. In his own words,
he said it was through this assignment that he first came to know and
love Black people and that he would have been a very different priest
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without this lived experience. This was the only assignment in which
he cried when it ended.
Fr. Maher arrived in Montgomery one year before the Rev. Mar-
tin Luther King Jr. (1929–1968) began serving as pastor of Dexter
Avenue Baptist Church. When I asked about his support of the Mont-
gomery Bus Boycott, Fr. Maher said that he had provided transporta-
tion for those boycotting the unjust system, but he wished he had done
more. My regret is not having invited him to share more.
My body experienced a visceral response to the continuing vio-
lence known as white-body supremacy upon the 2020 murders of
Ahmaud Arbery, Breonna Taylor, George Floyd, and others. It led
me to ask, “Am I next?” I had long forgotten the sensation, the angst,
but clearly my body remembered it from my childhood during the
challenges of the Civil Rights Movement. The enduring intergenera-
tional trauma that began with my ancestors on the African continent
and now resides within my body compels me to do more now, while
breath is in my body.
In the southern US, public affirmations of faith by Christians are
commonplace and considered virtuous. From my perspective, they
are interwoven with the illusion of southern hospitality. People from
other parts of the country quickly notice how easily southerners make
eye contact and speak to passersby. “Have a good day,” rolls off our
tongues as effortlessly as our southern accents. We can easily have
polite conversations about blue skies, the need for rain, the intense
heat, the high humidity, and college football.
Being from a rural part of the country, I recognize the value of
manure as fertilizer. However, once it becomes rancid, it is of no value.
Southern hospitality is a form of snow-covered, rancid manure. It is
not how it appears. If it were genuine for the majority of those living
in the region, our history and present would be models for the study
of human dignity. The racial disparities revealing the enshrinement of
white supremacy would be nonexistent.
A few years ago, I was interviewed by a journalist for Vatican
Radio. A member of the African diaspora, she commented that Ala-
bama was known as a place where Black people were famous for
fighting against oppression. I was shocked as a sense of pride swept
over me. Her words were true. How had I not recognized this truth?
Even in societies identifying as Christian, the heart of the Gospel
of the Universal Christ is not normative. It always beats in response
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Touching Butterflies
By Cindy Kroll
O
ne su mmer se v er a l years ago, for a short season, parts
of the natural world inexplicably lost their fear of me. I’d
developed an illness that had not yet been diagnosed, one
that left me feeling like I was living in a smoky fog that was slowly
choking the vitality from my mind and body. It cast me into the thin-
nest of places, where I was quite literally slowed down — my feet were
so painful that stepping onto a hard floor without slippers at times
brought tears to my eyes — but also created a spiritual causeway that
led me to the CAC as a Living School student, and eventually to a
role on staff overseeing finances.
As the illness progressed, I began to spend hours in nature. People
felt foreign: too fast, too unpredictable. And it appeared that the
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my mornings. I watched them closely, fascinated by the organized way
in which they methodically consumed the milkweed, munching along
the edge of a leaf, row by row.
One appeared to stop moving one day, and I wondered if it had
died. It lay motionless for the day. In the morning, it had changed. It
was larger and its markings were subtly but noticeably different. The
dark detritus of a shed skin lay around it. The caterpillar had passed
into a new instar stage, what I soon learned was one of five instars
before it eventually formed into a chrysalis.
Although we all recognize the grand final transformation to a
butterfly, I’ve noticed my own experiences of transformation have
involved much smaller shifts, grounded in stillness. I am often
prompted, as was the caterpillar, to halt and wait, pulled to pause and
surrender (in what often feels like humiliation) something else that I
finally recognize does not serve Love.
O
ne of m y favorite poems is “The Summer Day,”1 the well-
known classic by Mary Oliver. On mugs, posters, and even
tattoos we are reminded of its urgent final question: “Tell me,
what is it you plan to do with your one wild and precious life?” But
my favorite words are much earlier, and only two: “this grasshopper.”
In these two words, she demonstrates how to see. She brings us to
know, as Fr. Richard calls it, “the scandal of the particular”: not any
grasshopper, but this grasshopper. And not only that singular creature,
but the window into the universal story that it reveals as a result of
her willingness to slow down long enough to truly see it.
That grasshopper, that caterpillar, that tree all call me to some-
thing that feels like community. They offer something in themselves
that points me to The Story in which we all participate together. As
I learned in the Living School, we can only recognize what is already
part of us. These ephemeral creatures, in that way, mirror and illumi-
nate our own eternal spark as well as their own.
Often, it seems like what I am experiencing is simply a remem-
bering of what indigenous cultures would consider common knowl-
edge. Notably, my experiences most often occur on the margins, in
moments of unrushed stillness. In The Unsettling of America, Wendell
Berry describes the farmers in the Andes who preserved margins of
untilled soil as a place to nurture diversity, a seedbed of creative evo-
lution that resulted in the proliferation of durable plants in a region
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·
From the Conceptual
to the Contextual
By Lisa E. Powell
I
l ook ed u p t he word “cosmic” in the dictionary. It’s one of
those words where I think I know what it means until I stop to
think about its meaning. According to Merriam-Webster, cosmic
means “of or relating to the cosmos, the extraterrestrial vastness, or
the universe in contrast to the earth alone; of, relating to, or concerned
with abstract spiritual or metaphysical ideas; cosmic wisdom.”1
Ah! It’s likely the “abstract spiritual” wisdom is where I’m get-
ting tripped up. I must examine my own experiences and develop
my own interpretations. Like a flag flapping in the wind, the meta-
physics of it are hard to grasp. Just when I think I’ve captured an
edge, it escapes me.
Still, flags help me go from the conceptual to the contextual. In
My Story, flags have helped me question “my limited and limiting
frame of reference,” “my group, and its leaders.”2 They have also
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Once, when my former husband and I drove down the street
toward my childhood home, he looked out the window and asked, “Is
today a national holiday that I don’t know about?” It wasn’t. Flying
the American flag is a strong tradition in the Midwest, especially in
the summer. Memorial Day celebrations were complete with planting
pansies, decked-out bicycles, and proud, flag-waving parades. Bak-
ing cherry pies and setting off fireworks were essential on the Fourth
of July. That’s the middle-class environment in which I was raised. I
wanted for nothing, and I wanted more.
Shortly after my trip Down Under, I moved to New Mexico.
When asked what I like most about the state, I say it’s the blue skies,
the cultural diversity, and the green and red chiles. Now I need to add
the state flag, despite — or perhaps because of — its cultural appropria-
tion from the Zia Pueblo. The red Zia symbol floats on a bright yel-
low background. It’s simplicity, genius; it’s symbolism, sacred. After
twenty-eight years of living in New Mexico, I can honestly say it
represents My Story, Our Stories, and The Story in my life.
A
s I w r i t e this, flags from all around the world are flying
high and proud at the XXXII Olympiad in Tokyo, Japan.
I admit that I still find something very compelling about
seeing an American — or Americans — standing atop a podium with
gold medals draped from their necks, Stars and Stripes behind them,
and the Star-Spangled Banner playing for all to hear. We see the
flag raised for our silver and bronze medal winners too. The years
of training endured by “our” athletes are a source of pride for most
Americans, even though we had nothing to do with their success or
their sacrifice.
The Olympics are being held amidst a global pandemic caused by
a deadly virus that knows no borders and does not discriminate. My
first Olympic memory was as a four-year-old child, standing in my
grandparents’ living room watching American Peggy Fleming grace-
fully figure skate her way to a gold medal in Grenoble, France. Four
years later, I learned about evil for the first time amidst the televised
tragedy of eleven Israeli athletes killed by the virus of hate during the
Munich Olympics.
·
ground, create common ground. If it does not support our movement
outward, then it is not solid ground at all.4
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Listening to Learn
about Our Own
Stories
By Peter Levenstrong
T
he room wa s full of mostly white, liberal Christian folks,
and I was sitting in the back. The subject of the talk was
ultimate consciousness and how that interacts with the
current social struggles of the world in which we live. The speaker,
who is both white and straight, said that “black people and gay
people often have a harder time ascending to this level of ultimate
consciousness, because they’re so wrapped up in their identity of
being black or gay.” Though the speaker didn’t go so far as to say
that issues of civil rights are unimportant or should be ignored, the
message was clear: Social concerns like justice and equity for people
of various identities are, at best, a “distraction” from the main focus
of a contemplative life.
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We like to think of ourselves as a dark blue region in a blue state.
We have this perception of ourselves as liberal, progressive, tol-
erant, [and] inclusive. And frankly, when it comes to race and
economic status, our perception of ourselves is out of line with
reality. When I think about the kind of things that we tolerate . . .
we should be ashamed of ourselves.1
T
here are plent y of ways to learn about our own particular
stories and the stories of others. One of the best resources I’ve
come across (other than the numerous helpful books written
by BIPOC authors such as Anthea Butler, Austin Channing Brown,
and Teresa Mateus, to name a few) is the program called Sacred Ground,
a free curriculum designed and paid for by the Episcopal Church for
Episcopal congregations (and anyone who chooses to partner with
them) to learn about the intersection of race and faith in our society.
Over the course of ten sessions, participants in Sacred Ground
learn about whiteness, the particular histories and present realities of
various communities of color, and what sort of efforts are working to
change the status quo. In the congregation where I am engaged in min-
istry, St. Gregory’s of Nyssa in San Francisco, we went through this
program in partnership with a neighboring Roman Catholic church.
The program was so profoundly impactful for our congregants that we
decided to do it again, offering it as a repeat for anybody who decided
they want to delve deeper into what they learned, or for anyone else
who wasn’t able to go through it the first time.
There are many ways to get involved in learning about and engag-
ing with the Our Story/Their Story levels of the Cosmic Egg. But
for me, as a Christian, they all boil down to one thing: learning from
others what it means to follow in the steps of Jesus as he leads us in
the great cosmic dance through this life and beyond. Unlike God,
whom “no one has ever seen” (John 1:18), Jesus became incarnate as
a particular human being in a particular place and time in the world;
he “became flesh and lived among us” (John 1:14). It is through getting
to know his context, seeing how he acted and interacted with other
people, as well as how other people responded to him, that we can
come to know God, and know where God is leading us today.
Again, it’s through the particular that we come to know the uni-
versal, and it’s often the people who are most marginalized who have
the sharpest understanding of the way the world works. So, when we
read the story of the Samaritan woman at Jacob’s well (John 4:1–42)
entering into a verbal and theological wrestling match with Jesus, it
makes a huge difference to know the fact that Samaritans and Jews
did not speak with each other, and especially that a woman talking
privately to a man was absolutely taboo. Knowing and understanding
this cultural context (Our Story/Their Story) impacts how we come
to know God’s nature (The Story) as one that prizes the voices of
those whom others deem unworthy or undeserving. And looking for
stories from modern-day women who are marginalized, on a basis of
both gender and race, sheds light on those to whom God is leading us
to pay more attention, such as the women of color who find their own
voices in a toxic work environment, or in an unhealthy community
setting, and begin to speak up for themselves despite the danger it
might pose to them and their careers.
Likewise, if you’ve read the beatitudes in Matthew 5, you’ll be
familiar with the teaching to “love your enemies and pray for those
who persecute you, so that you may be children of your Father in
heaven” (Matthew 5:44–45). Knowing who was persecuting the
Jews of Jesus’ time makes a huge difference to understanding this
teaching. Jesus wasn’t just speaking in a vacuum, about persecution
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in general, but rather to the particular context of Roman imperial rule.
He wasn’t just talking about “enemies” such as other people in your
workplace or church community whom you find to be really annoying.
The type of “enemy” he’s addressing is a Roman soldier who can impel
you to forced labor, impose extractive taxes, and imprison you. I’ve
never had such an enemy in my life, so it’s hard for me to imagine the
depth of love and prayer that Jesus is asking of us, but there are many
people in our society today who have faced very similar situations and
yet are still able to live up to Jesus’ calling. Hearing the stories of single
mothers with children who have been evicted and forced out onto the
street, and yet who find the strength within themselves to show the
sheriff and their landlord respect and even pray for their wellbeing,
profoundly impacts my awareness of what Jesus’ teachings actually
look like when played out in the world.
F
ina lly, under sta nding t he context of Jesus’ crucifixion
and death makes all the difference for practicing Christians as
we engage with Our Story/Their Story. Understanding that
Jesus was killed by crucifixion because he manifested a political threat
to the stability of the Roman Empire in the Judean province (as the
“king of the Jews”) transforms our perspective of the pinnacle event
of the Christian story, from both a theological and a social lens. It
also speaks directly to how we interpret such modern-day events as
the lynching of black men by mobs of white men, or by white men
in police uniforms. They are killed because they pose a threat to our
society’s stability and status quo. Christ’s crucifixion and resurrec-
tion is God’s once-for-all judgment upon systems of state-sanctioned
violence or murder, and it’s time that more Christians paid attention
to the details of Our Story/Their Story in the Gospels and recognize
what that says about God’s Story — The Story — and how our current
social structures fit in (or don’t).
As contemplatives living in the modern-day world, we have a
lot of great examples to follow as we learn to engage on the levels
of both Our Story/Their Story and The Story. Many of our great-
est contemplative role models — Teresa of Ávila, Howard Thurman,
Thomas Merton — were deeply involved in the social movements of
their time and laid the groundwork for future nonviolent activism.
For those who came from places of privilege, they first had to learn
from people who were facing the brunt of systemic oppression to get
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Gateway to
Knowing
By Felicia Murrell
I
never questioned the world in which I grew up. I followed
the rhythms set for me by those around me, understanding the
world and how to situate myself in it through the lenses and lives
of those in authority over me. I learned to orient myself to their whims
and flights of fancy. I learned when it was necessary to shrink myself,
to make myself disappear.
In the small rural North Carolina town of my youth, Blacks lived
on one side of the tracks and Whites on the other. The grocery stores,
diners, convenience store, post office, schools, and gas stations were
across the tracks, on the White side of town. On our side of the
tracks, only a small store my great-uncle owned, the candy lady’s home,
and three predominantly Black churches were easily accessible to us.
Even in the late seventies and on into the early eighties, we stepped
off the sidewalk when White people walked past, turning our gaze
downward or to the side, never making direct eye contact. We paused
M
y gr a ndmo t her l ef t the Deep South before I was
born, migrating north to Washington, DC. There, she and
my grandfather carved out a life of joy amid toil. And, in
the summer, my brother and I were fortunate enough to ride the Grey-
hound bus, carrying foil-wrapped ham sandwiches and cold fried
chicken, to join them. Our grandmother was intentional about expo-
sure. Believing idle time to be the devil’s workshop, she structured our
summers with visits to the zoo, museums, the Mint, and the Capitol;
swimming; fountain wading at Union Station; and she introduced us to
the performing arts. Without us ever boarding a plane, my grandmother
made sure we knew the world was bigger than Clayton, North Caro-
lina. There were Other Stories, and while these outings merely served
as introductions, she helped us see the possibility of these stories being
available to us as well. My grandmother’s intentionality gifted me with
points of connection to a larger story beyond my narrow worldview.
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Transcendence is not a denial
or detachment from My Story
or Our Story. It is an arduous
commitment to truth-telling.
other, where there is uniqueness of personhood and space for the ways
in which we vary and are different from one another—is the invitation
into the possibility of the moment.
Intimate, empathetic knowing allows for “sympathetic resonance,”
a melding of hearts forged in the weaving of stories and lives together
until there is only The Story, which is the restoration of all things as
all are oned in the Oneing of Love.
Only Love is finite, and in the bounty of Love, we are held and
we are known.
Within the frame of both/and, Our Story and Other Stories
weave together in the native language of be-ing, which is oneness.
This is not a oneness that spiritually bypasses the beauty of particu-
larity, but one that harmoniously holds the complexity of all things
in their distinct and unique specificity. It doesn’t require people to
become “pure, white light” or a blob of detached personhood to reach
the highest level of homeostasis or enlightenment. Instead, it honors
the colorful spectrum of humanity without trying to erase or deny its
biodiversity. Oneness undergirds distinction, diversity, and multiplic-
ity. In this Oneing that celebrates all difference, we can each live into
our full humanity, embracing our truest, most authentic selves, and
give ourselves to the well-being of others in perichoretic mutuality
without fear of absorption or domination.
The image of Russian nesting dolls, all carved from the same wood,
shaped the same, painted the same, feels fitting when thinking of
where we are in the world today. Fear rises as some rush to erase or
reimagine history. It’s a world where calls for peace and unity feel
weaponized. Colorblindness replaces clear-eyed seeing, lost amid our
need for ease, for sameness. Pressure mounts to decry the harmonious
voices, exclaiming in concert for a chord of sameness. Same feels safe.
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Transcendence is not a denial or detachment from My Story or
Our Story. It is an arduous commitment to truth-telling; to fully see-
ing; to empathetic listening that requires the work of living and be-ing
in the world; of deep, intimate knowing; of moving beyond our theo-
ries and maps into relationship building. This is not a quick work, nor
is it an easy work. The work is rife with tension and discomfort and
necessitates patience, time, humility, and kindness.
Perhaps Love is inviting us to embrace fluidity, to ebb and flow,
to move with the current, to shapeshift in ways that are no longer dis-
jointed, fragmented, or separated into neat, tidy categories. Bodies of
water are always changing. Unimpeded, ocean water spills into gulfs.
Gulfs spill into rivers. Rivers spill into lakes. Lakes spill into tributar-
ies. All are commingling as one, interdependent, interconnected, yet
distinct in their purpose—just as Our Stories are commingled, intercon-
nected, interdependent, spilling over and into one another, back and
forth in the Oneing of Love.
·
C
arl G. Jung (1875–1961), Swiss psychologist and explorer
of the soul par excellence, claimed we find the meaning of our
life in our stories; they function as the true scripture — the
Word of God1 — for us. Origen of Alexandria (c. 184–c. 253), who
heavily influenced Jung, claimed that it is essential to examine our
stories because God “makes the height of spiritual health and blessed-
ness to consist in the knowledge and understanding of oneself.”2
Both men seemed to think that exploring my story deeply would
somehow lead us to know others and God authentically. Jung wrote:
This GPS exists to help us explore the world, to get out and
encounter others, to listen deeply and learn. In theory, knowing My
Story helps me to empathize and meet others in Y/Our Story. Com-
bining our shared experience is my best guess as to whatever The
Story might be. I run into problems when I start to fall in love with
My Story about reality and project it out onto everyone else, mistak-
ing My Story for Y/Our Story and The Story. Then my GPS stops
updating.
But life is often kind enough to steer us off the map, right into
a situation where our GPS fails us, and we crash into the rocks of
irreconcilable paradox, something too big for our schema. Jung went
so far as to say that God orchestrates radical confrontations with
others and reality to get us out of our willfulness and subjectivity.4
While we need this “stripping of the veils of illusion” to encounter
reality, it is very painful and dangerous, and feels like a death.5 Often
our sense of self, understanding of the world, and faith in God/the
gods fall apart.
I’ve lived this. Both my parents, my brother, and I all started out
as pastors. Like so many people, I was deeply let down by the Evan-
gelical Story, church leaders, and who I became in that system. So, I
cast it off and found a better version of The Story, pursuing compara-
tive religious studies and psychology.
By 2008, I was in a doctoral program that I loved and working
in my dream job, leading a progressive spiritual community attached
to a Manhattan theater. Then, in six months’ time, my brother had
taken his own life; my brother’s daughter had been born without a
father; the stock market had crashed, wiping out my dream job; and
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my mother had died with very little warning. The new story that I
thought I was living had fallen apart, externally and internally.
In theory, our stories give us a sense of coherence in the midst
of chaos. “We are all tellers of tales. We each seek to provide our
scattered and often confusing experiences with a sense of coherence
by arranging the episodes of our lives into stories.”6 I believed in
the right to write as a rite, as the primary way that I explored myself
and others, and talked to God/the gods. But in the midst of this
chaos, I found rest only in contemplation. I cherished being invited
to move beyond words and narrative, letting go of faith in any story
of coherence. I ceased journaling, verbal prayer, and looking for
meaning in it all.
As the years have gone by, I’ve found that just because I think I’m
done with My Story doesn’t mean it’s done with me. In fact, my trying
to ignore it has only invited it to wreak havoc in my life, coloring the
present with the past, often without my realizing it. Jung frequently
warned us how often we confuse our unconscious stories with fate.
I’ve used “contemplation” to avoid going back and working with those
moments, letting that story retell itself to me and offer me new layers
of meaning.
But lately, I’ve come to realize contemplation is deep listening, not deep
ignoring.
Interestingly, Jung claimed that just when the GPS we’ve writ-
ten fails, an inner GPS quietly comes online, a “central guidance
system”7 of sorts that begins leading us to the story we didn’t want
to see, or couldn’t see: the shadow story — which is not the false story,
but the unseen reality we meet in radical confrontations with others
and ourselves.
So, I’ve started listening to that inner GPS and letting her re/tell
me stories. I let myself return again to what Origen called “the care
for self-knowledge,”8 which comes of reading and writing “the books
of the soul” and “the pages of our heart”9 and asking the questions
Jung believed are most important: What myth am I living?10 and What
is its meaning?
Myths are multiple. Have you ever playfully argued with family
or friends who remember the same story differently? If you were to
record yourself telling the same story once a week for a month, then
go back and listen, chances are even you tell the same story differ-
ently at different times. We are a collection of different stories that
contradict each other and don’t line up accurately on a timeline.
Jung claimed that in fact these variant stories actually reflect the
“polycentric”11 shape of our souls. Many “little people”12 exist inside
of us, multiple personalities with multiple voices and multiple stories,
and this is natural and healthy. James Hillman (1926–2011) wrote that
“we too are ultimately a composition,” “always constituted of multiple
parts.”13 Learning to listen to them equips us to hear the many stories
of numerous different people outside of us. We are multiple selves at
the same time, always living in the wheel of the samsara of the self.
Embracing the plurality inside of us equips us to embrace the plurality outside
of us.
In fact, Origen told us that this is why scripture is shaped the
way it is — full of contradictions like a human person: “For just as man
consists of body, soul, and spirit, so in the same way does scripture,
which has been prepared by God for man’s salvation.”14 For example,
in exploring how “one” is experienced as “a diversity of persons” in
Mysterium Coniunctionis, Jung in fact cited Origen, who wrote: “See
how he who thinks himself one is not one, but seems to have as many
personalities as he has moods.”15 Why does the Bible offer so many
different versions of the same stories? Quite simply because we do,
every day. Psyche is multiple, and that’s the whole point.
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I ache for how my poor brother could not bring his personal
lifestyle in line with what he thought was expected of him as an evan-
gelical pastor. He ended up living a lie — or, more accurately, lying to
live. His life and death remind me to celebrate my inconsistencies and
multiplicities, to keep telling and living my stories in as many different
ways as I need to, letting them contradict each other and remembering
the vitality is in the variance.
Myths are mutable. Our stories change with each telling; they
grow as we grow. What My Story meant then, might not be what My Story
means now. We all benefit from an outside editor, such as a good friend,
spiritual director, or therapist who can offer us a new telling of an
old story.
Myths are medicinal. Jung claimed that myths evolve over time,
because their natural function was to help the soul heal. Following our
inner “life instinct,”18 what might seem like grievous loss may yet yield
growth. Our wounds may lead to wisdom, our detours to new di-
rection, and our losses to new love. We stay open because we never
quite know where the story is going. Our worst choices can lead to
our best outcomes — “What would have happened if Paul had al-
lowed himself to be talked out of his journey to Damascus?” — so we
have to be willing to companion others and ourselves on a “daring
misadventure.”19
Origen stated that our worst injuries eventually become “health
bestowing wounds”; 20 the worst scandals invite us to the deepest
meaning;21 when we lose sight of God, our search becomes all the
deeper;22 and when we wrestle with “impossibilities,”23 we move
beyond our stories being “absurd fables and silly tales.”24
But, in the end, receiving this healing perspective is a choice
we can only make for ourselves. It is toxic to force it on someone else’s
story. Jung saw the principal human malady as the lack of a myth, a
“healing fiction” which “give(s) meaning and form to the confusion
of (their) neurotic soul.” This is so central to Jung’s psychology that
he defined “psychoneurosis . . . ultimately as the suffering of a soul
which has not discovered its meaning.”25
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Myths move us to meet others. They are how we move in the
real world. I’ve shared snapshots of my story, which connect me to
the stories of others: exvangelicals, those who’ve lost a parent. The
semicolon tattoo emblazoned on my middle finger — draw your own
conclusions — quietly connects my story with my brother’s and con-
nects both of us to others touched by suicide. Even Origen and Jung
offer me a story about how to read my stories, to make my myths
meaningful.
My stories — my myths — are not really mine alone. Myths are
mutual. They move me toward encounter with others. Yet I cannot
know anyone or anything without constantly coming up against the
limits of my own subjectivity and facing what cannot be known.
In the end, this reminds me that Myths are mystery. They always
bring us to the limits of what we can know — and as such, are myths
mystical?
In the end, I am reminded that in My Story of The Story, In-
carnation is participation in story, the divine acting out in flesh of
the healing of the world. No matter how contemplative we become,
“stories make us human,” for humanity is a storytelling animal.27 To
lose our stories is to lose touch with our humanity. To ignore My
Story is an all-too-easy shortcut to ignore Y/Our Story, and to by-
pass suffering altogether, and that utterly misses the point.
Contemplation does not erase My Story. It liberates it from the
tyranny of the ego’s singular point of view so that it can lead me to
Y/Our Story and The Story.
·
For each of us as women, there is a dark place within where hidden and
growing our true spirit rises.
— Audre Lorde
I
n t he fina l season of the podcast Another Name for Every Thing
(ANFET), Richard Rohr, Paul Swanson, and I explored the
themes of Richard’s Cosmic Egg of meaning. The conversations
were rich and full of insight, buoyed by the love and deep respect
I have for my co-hosts. But between the stories, profound insights,
laughter, and tears, listeners may have noted my struggle to harmonize
my woman’s experience as a lover, mother, and maker with the Egg
map.
Perhaps it was the pandemic with its embodied articulation of
our fluid permeability, or the necessary rupture of social structures
that dealt this final fissure, but an irreparable fault line has emerged
the cosmic egg
93
in my own adherence to what I believe to be a theologically fragile,
predominantly Euro-American, and patriarchal approach to what it
means to be a “contemplative,” with its corresponding maps, from
these and other tectonic shifts in my own life over the last several
years. A rupture has occurred, and no number of lofty spiritual blue-
prints can account for the organic, wild nature and incarnationally
messy materiality of this change. While I won’t minimize the discom-
fort of the circumstances that led to this opening, I don’t see this break
as problematic. On the contrary, I am beginning to see it as the place
of emergence in me, as the beginning of a new possibility breaking
through, the crack as sacredly vaginal . . . as the wound of the blooming.
Whenever a cosmic map, egg or otherwise, is drawn, there’s a dan-
ger of sealing off what is permeable, abstracting from what is bodily,
filling in what is mysterious, covering over what is alternative, or just
ignoring the inevitable cracks that naturally occur in our attempt to
create clean categories in our chaotic, evolutionary, unfolding universe.
To put a vaginal twist to the oft-quoted Leonard Cohen song, “There’s
a crack in everything, that’s how the life gets in.”
The eggshell boundaries for each level of story-meaning feel too
distinct to match my own experience in feeling the profound porous-
ness of the current cultural categorical confusion and creative collec-
tivity. It’s too easy to disembody and separate “my,” “our,” “others,”
“the” from the messy fluidity and mingling, bodily becoming in joining
and distinction, sweat and secretions, decay and birth of how matter
operates in the beautifully complex ecosystem — certainly, at least, in
relationship to my own experience in my fleshy, permeable, feminine
body.
To speak this way is to join my voice to theologians and thinkers
like Beatrice Bruteau, Joy Bostic, bell hooks, Beverly Lanzetta, Audre
Lorde, and Catherine Keller, all of whom declaratively point out the
predominant discomfort with cracks, darkness, crevices, fluids, rup-
tures, and female bodiliness as part of the misogynistic, oppressive
evil in the shadow of Christian theologies and the societies founded
upon their values.
What follows is my own endeavor, a femininely incarnational spin
on the Cosmic Egg that, instead of focusing on domes, embraces instead
the fissures and cracks in the shells. For me, this is an act of unknow-
ing trust: The inevitable ruptures of this and other maps of meaning
can become the location of a new, emergent way of finding meaning.
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In Brian McLaren language, this effort represents a new stage of
faith after doubt, a way to ride free of the training wheels of approval-
seeking, of falling through the modern and postmodern human instinct
to try to rationalize everything, and as a blessed mystical rest from
needing to restrict reality to the confines of our own impoverished,
tired ideas or exhausted categories. As one of the more than half of
the human population who actually produces eggs and sheds them
monthly, it is one thing to talk about eggs of meaning, and another
thing to bear them in the flesh. The latter experience, as all women
know, is earmarked by an intimate embrace of the unknowing, physi-
cal, fleshy, fluid, permeable, earthly, carnal, and messily intermingled
realities, which is where I believe the emergent meaning actually lies.
Finally, I do not share this essay as a replacement of Richard’s
metaphor but, hopefully, as when a minor fifth is added to a major
fourth, this exploration can be a creative, albeit sonically complicat-
ing, addition and harmonic extension to his articulation; perhaps one
that results (at least for some readers) in a Cohen-like “broken sigh
of Hallelujah.”
T
he cr acks that postmodernit y has made in our grand
stories, or in this cosmic egg, might be seen by some as prob-
lematic. Yes, it is true that the necessary postmodern disruption
of modernity resulted in a predominant culture of cynicism, embodied
perhaps most clearly in the caricature of the gen-ex flannel dystopia
of nirvana-listening cohorts singing their nihilism. The postmodern
movement, however, was valid in its anti-essentialist critiques, disrup-
tions of colonialism, chiseling away at the blind adherence to institu-
tions. Postmodernism had a necessary role to play.
But for some time now, and gaining force in the last twenty years,
a new emerging collective of philosophical voices have been gathering
force in the articulation of what many believe to be a new philosophi-
cal movement. These voices identify what they are expressing as the
vernacular of a “post-postmodern” or metamodern movement — not
in needing to become the largest overarching story, but as referring
to the term metaxy — which is to move between opposite terms and
beyond them.1
A
s m y c r e at i v e interpretation of the famed Humpty story
shows, we can become addicted to our stories, even the good
ones, depending on them to make sense of reality. But philoso-
phers like Bayo Akomolafe are asking whether our addiction to story-
as-all and narrative-logic map is still a useful or constructive practice.
“A world where everything is moored to logic, to power, to syntax
and plot and scheme and expectation and meaning, leaves no place
for magic, for the inextricability and beauty of a glimpsed sunset.”3
Now, remember the metamodern creative combining of construc-
tion and deconstruction, of dancing in the middle? I am not asserting
that there is no longer any role at all for story, or that story is not still,
and always will be, a function of creating culture, claiming agency
and belonging in expressing what is sacredly unique to each experi-
ence, and also providing teaching and wisdom. But perhaps we need
to consider Akomolafe’s admonition to notice our addiction to the
Euro-American colonizing determinism of the metanarrative arc, and
to notice the mechanics of narratives that also, by their nature, place us
on a map where the end is the goal, and the messy middle what needs
to be borne or endured.
In the midst of the middle, the beginning is ever changing as the never-
ending creative unfolding.
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Oneing than we want to see. Many of us would rather find meaning
in abstract maps that, by their dissonance with this material realm,
pull us out of our bodies and out of our present divine incarnational
possibilities.
Consider this admonition by philosopher Jason Ānanda Joseph-
son Storm:
W
h at doe s t his mean for our cosmic egg? For me, the
meaning is in cracking the egg wide open to reveal the
yolk of meaning as embryo, as sticky, creative possibility.
Like Ed Dumpty, we have a chance to create a new form of art out
of “what was,” to make a “what could be,” something new out of the
pieces of what once held our meaning.
And what of the shelled distinctions of my, our, others, the? To
riff off Richard’s Introduction, perhaps it’s best to err on the side of
simplicity and describe each of those lines of meaning as distinct but
inextricable DNA strands of the egg-embryo itself. They are harmonizing
realties that are cocreating each other and cannot be pulled apart
from the sacred relational cord they form, nor can they be extricated
from their movement toward becoming more-than-yolk.
To quote Bayo Akomolafe:
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systems of oppression and anti-material ecological irresponsibility
to exist in our world. Yolk-as-meaning declares the messy middle
potentiality as the sacred opportunity . . . and that perfection only
exists in the embrace of the imperfect process of becoming.
What does all this mean for concepts of a Christian God? Perhaps
we can finally shelve concepts of perfection as being-that-doesn’t-
change and at last breathe life into the dust of our God-concepts and
let them become. The Community Formerly Known as God exists
only in Godding. The relating is in the creative exchange. God does
not exist outside or apart from the unfolding, but is the catalyzing
verb in the happening itself. The messy fluids of the anointing (the
Christ) baptize us whenever we move with that ecstatic flow of
love-making creativity, embodied in a regular practice of conceiv-
ing, carrying, birthing, and releasing (in new life or in surrendered
blood) what “could be.”
And finally, what does this mean for us?
If you are alive, you are a creative. So, for the love of God . . .
make! Create! Have faith — not just in Jesus, but in yourself, to be
able to bring new possibilities into this realm, to breathe life into
dust, and to create something new. Speaking of dust, please come
back to earth, come back to your body, because this world deeply
needs conscious, embodied humans who can sacralize the middling
and care for all bodies and the planetary body in the midst of the
agony and ecstasy of this life. Feel pleasure, joy, sorrow, grief, hope,
and fury, and let all of it become the fuel for your creative contribu-
tion, whatever it may be.
Stop worshiping long-dead mystics or pedestalizing contempla-
tive teachers’ lives. Live your own wild, incarnational piece of this
great unfolding masterpiece. Stop infantilizing yourself as though
you yourself cannot move mountains. Be that which you are becom-
ing, because you are not alone in longing for the largeness in you to
expand beyond every category you’ve been given. This instinct is
the divine community moving in you and in the more-than-human
community of which you are a part on this planet’s precariously
evolving life.
And what about meaning? The meaning is in the making. Make
your practice that of embodied radical presence. Place yourself in the
posture of full willingness to incarnate courageous creativity — every
day. Then and only then can the process become the product, the
·
here, right where you should be: becoming, in the middle of it all.
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No Story
By Cynthia Bourgeault
PE RS PECTIVE
J
e a n Geb ser (1905– 197 3) was a philosopher, linguist, and
poet who described the structures of human consciousness. Gebser
was the primary source for Ken Wilber’s more popular stages of
consciousness.
Gebser’s cultural home base was the world of art. He was a
personal friend of Pablo Picasso and examples culled from art history
dot the landscape of his book The Ever-Present Origin, illustrating
almost every significant point he made. So, it’s not surprising that
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his master interpretive lens, perspective, should itself derive from the
domain of art.
Yes, perspective — just like you likely learned in elementary school
art. When you first began drawing pictures, probably as a preschooler,
Mommy, Daddy, and your big sister were always bigger, no matter
where they appeared in your picture, because, for you, that’s what they
were. Then someone taught you about foreground and background,
and you learned how to make things at the back of the picture smaller
to show that they were farther away. You learned to draw your house
at a slight angle on the page so that you could show two sides of it at
once. You may or may not have consciously realized that you were
learning how to proportion the various bits and pieces in relation
to a hypothetical point on the horizon, but your drawings got more
orderly, and they began to convey a sense of depth.
That’s exactly what we’re talking about here, but now applied as
an organizing principle for the field of consciousness.
According to Gebser, the five structures of consciousness — archaic,
magic, mythic, mental, and integral — can be grouped into three larger
categories (three worlds, as he called them): unperspectival, perspec-
tival, and aperspectival. While the nomenclature may at first feel
intimidating, it’s actually quite easy to master if you keep your elemen-
tary school art days in mind.
Unperspectival is how you drew before you learned about fore-
ground and background, when everything was all just placed onto the
drawing sheet. Perspectival is the drawing sheet once you’ve learned
to arrange things in relationship to that hypothetical point on the
horizon. Aperspectival is what ensues once you’ve learned to convey
several perspectives simultaneously, as in some of Picasso’s surrealistic
artwork, where he simultaneously shows us the front side and back
side of a person. (For Gebser, the prefix “a” always conveys the mean-
ing of “free from.” Thus, an aperspectival view is one that is free from
captivity to a single central point of reference.)
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Each of these three perspectives is properly called a world because
it comprises an entire gestalt, an entire womb of meaning in which we
live and move and make our connections. Each has its own distinc-
tive fragrance, ambience, and tincture. Each is an authentic pathway
of participation, a genuine mode of encountering the cosmos, God,
and our own selfhood. Each has its brilliant strengths and its glar-
ing weaknesses. Compositely, they evoke “the width and length and
height and depth” (Ephesians 3:18) of our collective human journey
into consciousness.
I am aware that I am walking the razor’s edge as I choose my
words here, seeking to escape the gravitational field of perspectival
consciousness that would lock this all back into the evolutionary time-
line. It is true, of course, that these three worlds broadly demarcate
the three major epochs of Western human cultural history: ancient,
medieval, and modern. But it’s always been a bit dicey to try to hold
these timelines too tightly or to limit structures of consciousness to
specific historical eras.
W
e h av e st unning exemplars of the mental structure
breaking through in ancient Greece and Israel, and the
mythic still lives among us today in much of the Ameri-
can heartlands. Gebser’s model deftly sidesteps these all-too-familiar
cul-de-sacs by reminding us that the “worlds” (and the structures they
encompass) are phenomenological, not developmental. While they
appear to join the flow of linear time at specific entry points, they have
in fact always been present and must continue to be present, for they
are part of the ontology of the Whole.
Gebser’s visually oriented presentation allowed him to make one
additional, very important point. From a visual standpoint, perspec-
tive is really a matter of dimensionality, and dimensionality is in turn
a function of degree of separation. Gebser built on this insight to draw
powerful correlations between the emergence of perspective within the
structures of consciousness and the emergence of the egoic — i.e., indi-
vidual — selfhood so foundational to our modern self-understanding.
In the unperspectival world, everything exists in guileless imme-
diacy (as with preschooler art). There is relatively little separation
between viewer and viewed. The external world mirrors a self-struc-
ture that is still fluid and permeable. This is the world of “original
participation,”1 as philosopher Owen Barfield (1898–1997) once
famously described it, where the cosmos is at its most numinous and
communicative, and the sense of belonging is as oceanic as the sea
itself.
As we enter the perspectival world, the double-edged sword
begins to fall. The same growing capacity for abstraction that makes
possible the perception of proportion and depth also — by the same
measure — increases our sense of separation. We stand more on the
outside, our attention fixed on that hypothetical point on the hori-
zon which organizes our canvas and maintains the illusion of depth
within a flat plane. Order is maintained, but at the cost of a necessary
distancing and a strict adherence to the artifice that makes the illusion
possible in the first place. Deception enters, riding on the back of that
abstractive power, as original participation gives way to a growing
sense of dislocation and exile. That is essentially our modern world:
“oscillating,” writes Jeremy Johnson, “between a powerlessness to con-
trol the forces unleashed by the perspectival world on the one hand,
and a total self-intoxicating power on the other” — in a word, “between
anxiety and delight.”2
It is my own observation here (rather than either Johnson’s or Geb-
ser’s) that the perspectival contains an inherently deceptive aspect since
it is intentionally creating a sleight of hand, the illusion of three-dimen-
sionality within a two-dimensional plane. But if I have not wandered
too far off the mark, the observation gives me some strong additional
leverage for emphasizing why resolutions to the perspectival crisis can
never emerge from within the perspectival structure itself, and why the
much-hyped “integral emergence” cannot simply be a new, improved
version of our old mental habits — not even a vastly increased “paradox
tolerance.” We need to get out of Flatland altogether.
For me, that is what aperspectival is essentially all about. It is
an authentic transposition of consciousness from a two-dimensional
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plane to a sphere. Within that sphere, inner and outer worlds come
back together again, and a sense of authentic belongingness returns.
Numinosity returns as well — the felt sense of a cosmos directly infused
with the vivifying presence of Origin. Selfhood once again becomes
fluid and interpenetrating even as presence becomes more centered
and intensified.
The perspectival is at best a foreshadowing and at worst a men-
tal simulacrum of authentic aperspectival three-dimensionality. The
real deal can indeed be attained; in fact, it is now breaking in upon
us whether we like it or not. But the cost of admission entails the
overhaul not only of our fundamental attitudes, but of our entire neu-
rophysiology of perception.
The most important thing to keep in mind is that, in the Geb-
serian system, perspective is not simply a point of view; it is a completely
different world of seeing, unfolding according to its own protocols — its
own core values and ways of making connections. To truly take in
another’s perspective is not simply to take in another’s “position” and
arrange the pieces dialectically on a mental chessboard. Rather, it is
profoundly to take in another world and allow that world to touch
our hearts and wash over us deeply until it, too, becomes our own. It
is to listen in a whole new dimension. I believe Gebser would argue
that this dimension only truly opens up with the inbreaking of the
aperspectival structure.
TI M E
A
s I ponder this striking visual metaphor, I am struck by
how this same basic configuration seems to apply to that other
organizing convention of the mental structure of conscious-
ness: time. In perspectival time, the “vanishing point” would be that
arbitrary consummatum est (whether you construe that to be your own
death, the Armageddon, the Omega Point, or simply the end of some
process in which you’re currently involved). The line leading back to
it is linear time, and what in a painting takes shape as “background”
and “foreground” finds its temporal equivalent in “past,” “present,” and
“future.” The perspectival world marches to the drumbeat of linear time.
Whether in visual or temporal mode, perspectival consciousness
is always playing against an endpoint — finding itself somewhere on
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where he perceives only one sector of reality. Like Petrarch, who
separated landscape from land, man separates from the whole
only that part which his view or thinking can encompass, and
forgets those sectors that lie adjacent, beyond, or even behind.
. . . Man, himself a part of the world, endows his sector of aware-
ness with primacy; but he is, of course, only able to perceive a
partial view. The sector is given prominence over the circle; the
part outweighs the whole. As the whole cannot be approached
from a perspectival attitude to the world, we merely superim-
pose the character of wholeness onto the sector, the result being
the familiar “totality.”3
T
he tota lizing procli v ities of perspectival seeing form
one of the most insidious and virulent contributors to our
contemporary cultural impasse. For now, perspectival humility
begins with accepting the givens within which we Flatlanders must
abide. Those of us who still mostly inhabit the mental structures of
consciousness can no more wish (or proclaim) ourselves into aper-
spectival consciousness than we can flap our wings and fly. But we
can wield this extraordinary tool responsibly and indeed courteously,
provided we remember that the license to arrange, synthesize, and
assign rank and value is valid only within the sector of consciousness
that has immediately given rise to it. Above all, it must never be used
to colonize or tyrannize another structure of consciousness. To do so
constitutes an unpardonable offense against the Whole.
So how does this excursion into perspectival thinking shed light on
the topic at hand in this issue? The connection is actually quite direct.
Story is the signature artform of perspectival consciousness. Story
is what results when we generate our selfhood — our core sense of
identity — through that perspectival lens. We then become the artist
standing outside the canvas of our life, gazing down on our “self,” in
third person, as from a distance. What emerges from the perspectival
convention is a strong sense of myself as a unique individual with a
story to tell, moving along the timeline which is my life — my “spiritual
journey” — toward that point on the horizon upon which everything
converges. Just as in art, the convention confers an overall coherence
and a simulacrum of depth and dimension. We voraciously draw out
identity from it, unaware that we have just imprisoned ourselves in
a mirage.
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RECOMMENDED READING
Crisis Contemplation:
Healing the Wounded Village
Barbara Holmes
CAC Publishing, 2021
A Book Recommendation by Lee Staman
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112
and connection with ancestral history are just some of the glues that
bind communities. This type of idea of a village or community is
often so foreign to what Wendell Berry calls, “a rootless and placeless
monoculture”4 that frequently pervades modern society. The infor-
mation that modernity tends to prioritize is often antithetical to the
“everyday mysticism, and the spiritual vibrancy of multiple realities”
that are core to a culture and community with deep, deep roots. As
Holmes beautifully puts it,
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notes
A Rude Awakening
1 Drew E. Jackson, “A Rude Awakening,” God Speaks Through Wombs:
Poems on God’s Unexpected Coming (Downers Grove, IL: InterVarsity
Press, 2021), 68. Used by permission of InterVarsity Press. www.
ivpress.com.
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116
5 Richard Rohr, The Universal Christ: How a Forgotten Reality Can Change
Everything We See, Hope For, and Believe (New York: Convergent, 2019),
12–13.
6 Gregory of Nyssa, Catechetical Orations, 25 (PG 45, 65–68) from
Olivier Clément, The Roots of Christian Mysticism (New York: New City
Press, 1995), 39–40.
7 Maximus the Confessor, Ambigua (PG 91, 1288) from Clément,
227–228.
8 Thomas Merton, New Seeds of Contemplation (New York: New Directions,
1961), 34.
Touching Butterflies
1 Mary Oliver, New and Selected Poems (Boston: Beacon, 1992).
Gateway to Knowing
1 Cynthia Bourgeault, The Heart of Centering Prayer: Nondual Christianity
in Theory and Practice (Boulder, CO: Shambhala, 2016), 120.
2 Barbara Holmes, Crisis Contemplation: Healing the Wounded Village
(Albuquerque, NM: CAC Publishing, 2021), 134.
3 Octavia E. Butler, Parable of the Sower (New York: Open Road Integrated
Media, 2012), chap. 1.
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14 Origen, On First Principles: Being Koetschau’s Text of the De Principiis
Translated into English, trans. G. W. Butterworth (Gloucester, MA: Peter
Smith, 1973), 276.
15 Jung, Collected Works 14, para. 6.
16 Jung, Collected Works 9.ii, para. 73.
17 Origen, On First Principles, 78.
18 Jung, Memories, 348.
19 C.G. Jung, Psychology and Religion: West and East (Princeton: Princeton
University Press, 1984), 200, 211.
20 Origen, Song, 199.
2 1 Origen, First Principles, 285.
22 Origen, Song, 280.
2 3 Origen, First Principles, 286–287.
24 Origen, Song, 28–29.
25 Jung, Psychology and Religion, 199.
26 Origen, First Principles, 287.
2 7 Jonathan Gottschall, The Storytelling Animal: How Stories Make Us
Human (New York: Mariner Books, 2012).
No Story
1 Owen Barfield, Saving the Appearances: A Study in Idolatry (Middletown,
CT: Wesleyan University Press, 1988), chap. 6.
2 Jeremy Johnson, Seeing Through the World: Jean Gebser and Integral
Consciousness (Seattle: Revelore, 2019), 58.
Recommended Reading
1 For a deeper look at this movement from the expected to the unexpected
to something else entirely, see Richard Rohr’s The Wisdom Pattern: Order,
Disorder, Reorder (Cincinnati: Franciscan Media, 2020).
2 From one of the many poignant poems, some by Dr. Holmes, scattered
throughout the text.
3 Walter Brueggemann, Reverberations of Faith: A Theological Handbook of
Old Testament Themes (Louisville, KY: Westminster John Knox, 2002),
119.
4 Wendell Berry, Sex, Economy, Freedom & Community (New York:
Random House, 1993), 151.
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Coming Spring 2022!
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