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Lesson1 Dance2

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What is a

Dance?
It is a form
art using rhythmic
bodily movements
expressing ideas
and emotions and
accompanied by
music.
As an art form,
it may tell
story, set a
mood or
express an
emotion.
It is also a
form of
recreation
and
socialization.
“to represent
men’s characters as
well as what they
do and suffer”
- Aristotle
“Dancing is an
elegant, and regular
movement,
harmoniously
composed of beautiful
Attitudes, and
contrasted graceful
Posture of the Body,
and parts thereof.” ”
- John Weaver
English Ballet Master
“The crude and
spontaneous
movement of early
man”
- Gaston Vuillier
19th-century French dance historian
“physical
expression of inner
emotion”
- John Martin
20th-century dance critic
A truly universal definition
of dance must, therefore, return
to the fundamental principle
that dance is an art form or
activity that utilizes the body
and the range of movement of
which the body is capable.
Unlike the movements
performed in everyday living,
dance movements are not
directly related to work, travel,
or survival.
The
Elements
of Dance
The renowned dance critic
Walter Terry wrote, "No
paints nor brushes,
marbles nor chisels, pianos
or violins are needed to
make this art, for we are
the stuff that dance is
made of. It is born in our
body, exists in our body
and dies in our body.
Dance, then, is the most
personal of all the arts . . . it
springs from the very breath of
life." the body is the mobile
figure or shape, felt by the
dancer, seen by others. The
body is sometimes relatively
still and sometimes changing as
the dancer moves in place or
travels through the dance area.
Dancers may emphasize specific
parts of their body in a dance
phrase or use their whole body
all at once.
is any human movement
included in the act of dancing—
it can include dance steps, facial
movements, partner lifts,
gestures, and even everyday
movements such as walking.
Dance is made up of streams of
movement and pauses, so action
refers not only to steps and
sequences, but also to pauses
and moments of relative
stillness.
Movement can also be
improvised, meaning that
the dancers make it up "on
the spot" as they
spontaneously dance.
Movement that travels
through space is broadly
called locomotor movement
in contrast to axial
movement, which occurs in
one spot.
Dancers interact with
space in myriad ways.
They may stay in one
place or they may travel
from one place to
another. They may alter
the direction, level, size,
and pathways of their
movements.
The relationships of the dancers
to each other may be based on
geometric designs or rapidly
change as they move close
together, then apart. Even when
a dancer is dancing alone in a
solo, the dancer is dynamically
involved in the space of the
performing area so that space
might almost be considered a
partner in the dance.
Spatial relationships
between dancers or
between dancers and
objects are the basis for
design concepts such as
beside, in front of, over,
through, around, near or
far.
The keyword for the
element of time is when?
Human movement is
naturally rhythmic in the
broad sense that we
alternate activity and rest.
Breath and waves are
examples of rhythms in
nature that repeat, but not
as consistently as in a
metered rhythm.
Rhythmic patterns may
be metered or free
rhythm. Much of
western music uses
repeating patterns (2/4
or 3/4 for example), but
concepts of time and
meter are used very
differently throughout
the world.
Dance movements may
also show different
timing relationships
such as simultaneous or
sequential timing, brief
to long duration, fast to
slow speed, or accents
in predictable or
unpredictable intervals.
is about how the movement
happens. Choices about energy
include variations in movement
flow and the use of force, tension,
and weight. An arm gesture might
be free flowing or easily stopped,
and it may be powerful or gentle,
tight or loose, heavy or light. A
dancer may step into an
arabesque position with a sharp,
percussive attack or with light,
flowing ease.
Saying that a dance "has a
lot of energy" is misleading.
ALL dances use the element
of energy, though in some
instances it may be slow,
supple, indirect energy - not
the punchy, high speed
energy of a fast tempo
dance.

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