Where's My Love

SYML

    
   
Softly, but anxiously (c.  = 105)


        
                           
                
  




    



5

                        

                 
      
        
   
simile

  
               
9

 

 


Cold bones, Yeah, that's my love
Cold sheets Oh, where's my love

              
I got ta fear, Oh, in my blood

       
           
        
      
 


  
               
To Coda

13

 




She hides a way, like a ghost
I am search ing high, I'm search ing low In the night Ooh

            
She was car ried up in to the clouds high a bove

                      
        
      
  
     
        
2

  
17




          
 
                      
Does she know that we bleed the same? Ooh

        
      


  

            

    



21

                    
           
Don't wan na cry but I break that way

   
         
      
  

     
    
1.


25 rall.

          
      
     
              
  
      
    
    
 

     
 

  2.              

29





                          
Did she run a way? Did she run a way, I don't know

      
              


   

              
3

         
 
33 rall. rubato D.C. al Coda




     
If she ran a way, if she ran a way, come back home Just come home

    
                     

             
 


  


     
      


       
37





                    
       
Ooh If you've bled, I bleed the same Ooh

   
      

        
 


          
   
 


41

                    
          
If you're scared, I'm on my way

   
         
      
 

              
 
45




 
Did you run a way? Did you run a way, I don't need to know

              
                    
              
  



 

   
          
4

       
 
49 rall. rubato



If you ran a way, if you ran a way, come back home Just come home

         
                     

            


    
   

      
53 a tempo


                

            
        
        
      


   
simile

      
57 rit.


                          
                
         
      


 


  
Voice Where's My Love


SYML

   
          
Softly, but anxiously (c.  = 105)

        

 
Cold bones, Yeah, that's my love

 
Cold sheets Oh, where's my love


                
I got ta fear, Oh, in my blood

   
13 To Coda




She hides a way, like a ghost

   
night Ooh

             
I am search ing high, I'm search ing low In the

 
 
She was car ried up in to the clouds high a bove

 
17

    
       
Does she know that we bleed the same? Ooh Don't wan na cry but I

       
22 1. 2.

                   
break that way Did she run a way? Did she

 

30


run a way, I don't know If she ran a way, if she ran a way, come back

     
          
     

  
rall. rubato D.C. al Coda


35

  

            
     
home Just come home Ooh If you've bled, I


    
38

bleed the same Ooh If you're scared, I'm on my way

               
  
45



Did you run a way? Did you run a way, I don't need to know
   
                
2

 
49 rall. rubato

 
If you ran a way, if you ran a way, come back home Just come home

 
 
a tempo
53 rit.
Piano Where's My Love


                          
SYML


Softly, but anxiously (c.  = 105)

         
       
          
  



               
                     
5

            
       
   


                             
simile

             
10

                   
  


                                 
        
15 To Coda

   
              
   



                 
                                 
20

     
             
   


                 
                
  
1.

    
25 rall. 2.

              
 
 
 
  

    


             
2

                     
       
30

                  
  


 
  
                      
D.C. al Coda 
      
35 rall.


             
  

 

   



              
                        
39

                  

   


    
                                  
       
44

             
     
   
 



              
 
                
49 rall. a tempo

               
 
 

    
   


simile


                                        
           
54

   
              
   


             
3

    

59 rit.

        
  


 