Location via proxy:   [ UP ]  
[Report a bug]   [Manage cookies]                

bcfvv1 007

Download as pdf or txt
Download as pdf or txt
You are on page 1of 21

Csus2 Pt.

1
Visualization
Chart #1: Major Scale Modes
This chart illustrates the spellings of the major scales and their modes.

The "W's" and "1/2's" across the top represent the intervals between
each of the notes - whole steps and half steps.

The Roman numerals represent the degrees of the scales. Directly


above the Roman numerals are the names of the modes.

The two charts at the bottom show the chord qualities (major, minor,
diminished, etc.) that result from building chords on each of the scale
degrees. This is called "diatonic harmony".

Diatonic Triads Diatonic 7th Chords * VIII is the octave


Major: I, IV, V Major 7: Imaj7, IVmaj7
of I
Minor: ii, iii, vi Dominant 7: V7
Diminished: vii° Minor 7: iim7, iiim7, vim7
Minor 7b5: viim7b5
      
          
  

           ! " 


     #"    

 $            %  &


!  $          

 "  !   "  '  () * *
 * +   !       
     &

,,
4&
   % ! 7   4&!0 : &!; 4  < 4 

3 3,E333,2 2393393331
 % 9! 5 6 7 8 
6 7 8!  % 9 5 6
% 9 5 6 7 8  %
7 8  % 9 5 6 7
9 5 6 7 8  % 9
8  % 9 5 6 7 8
5 6 7 8  % 9 5
 % 9 5 6 7 8 
5 6 7! 8!  % 9 5
8!  %! 9! 5 6 7 8!
9! 5 6! 7! 8!  % 9!
7! 8! ! %! 9! 5 6 7!
%! 9! 5! 6! 7! 8!  %!
6! 7! 8!! ! %! 9! 5 6!
! %! 9!! 5! 6! 7! 8! !

%  % 0  12333    3


  
  E'PLQDQW 
 U 0DME,,,PDM
   
   
Chart #6 Octaves and Unisons
*
*
* *

*
*
*

Chart #7 One Fret Windows


E Fb E# F F# Gb G G# Ab A A# Bb B Cb B# C C# Db D D# Eb

B Cb C C# Db D D# Eb E E# F F# Gb G G# Ab A A# Bb

G G# Ab A A# Bb B Cb B# C C# Db D D# Eb E Fb E# F F# Gb

D D# Eb E Fb E# F F# Gb G G# Ab A A# Bb B Cb C C# Db

A A# Bb B Cb B# C C# Db D D# Eb E Fb E# F F# Gb G G# Ab

E Fb E# F F# Gb G G# Ab A A# Bb B Cb B# C C# Db D D# Eb
    
     

               
               
 

!" #$"%&'($" )#*+!


,!- +$%&'("$%#./% #
0!1 .$&'("%$)#.
2!& 2$&'("%$&#* !
.!30$'("%&$'#*45 0!
+!- ,$("%&'$()#*4!
#! 6   $"%&'(7 #

   

!& #$&'("%$ )#


,!3+$&'("%$&# 8 *4!
0!- .$'("%&$')#*.!
2! 6  2$("%&'$(#* !
.!" 0$"%&'($#* 0!
+!- ,$"%&'($"#.*4!
#!1  $%&'("$%#

                   


 9

0  9- "8  

2 9- &  5&   5 6   




+ 9- 84 

# 98: - 5&  ;  <  5"    
  
    








        







      







  E  







       






        







     

 





    
     


           


                

           
           
           
           
           
            
            
            
            
            
           
            
              
              
               

    


    

  


      
    
    
    
    
    
     
    
     
    
    
     
    
    
    
     

  


        
     
     
     
      
      
       
     
      
     
     
     
     
      
     
      
     
     
      
    

 
    
   
!   
!   
!!   
    
   
"   
!   
   
   
    
   
  
      
     
     
     
     
      
       
     
!     
      
      
 !     
      
       
       
 "     
 "      
"     
!"     
 "     
 "     
 !"     
 "     
      
      
 !     
      
     

  


       
     
!     
!     
!!     
"     
      
     
#     
     
#     
     
     
!     
#!     
!     
!     
     
#     
     
     
    

 
     
    
     
     
      
    
     
    
!    
    
    
Chart #17 Locrian Harmonies

(b9) (11) (b13)


Locrian Mode 1 b2 b3 4 b5 b6 b7
Root-5 1 b2 b3 4 b5 b6 b7
Dim Triad 1 b2 b3 4 b5 b6 b7
m7b5 1 b2 b3 4 b5 b6 b7
m7b5/11 1 b2 b3 4 b5 b6 b7

Chart #18 Diminished Scales

b9 9 #9 11 #11 13
b2 b3 b5
Chromatic 1 #1 2 #2 3 4 #4 5 #5 6 b7 7
Dim7 Arp 1 b3 b5 6
Whole-Half 1 2 b3 4 b5 b6 6 7
Diminished
Half-Whole 1 b2 b3 3 b5 5 6 b7
Diminished
     

 
         
        
         
        
         
!"        
##        
$ #       
       
        
       
       
       
       
Chart 20 Major Scale

9, 9,, , ,, ,,, ,9 9 9,

,,, ,9 9 9, 9,, , ,, ,,,

Chart 21 Common Non-Diatonic


Scale Degrees

9, bVII 9,, , ,, bIII ,,, ,9 9 9, 9,

,,, ,9 9 9, 9, bVII 9,, , ,, bIII ,,,

Chart 22 B Dorian Bm7

% & ' ( ) * $ %

Chart 23 Dorian m7

5       5
Chart 24: The Circle of Fifths
Chart #25 Modes of the Minor Pentatonic
Scale

C Min Pent C Eb F G Bb C Eb F G Bb
Mode I 1 b3 4 5 b7
Mode II 1 2 3 5 6
Mode III 1 2 4 5 b7
Mode IV 1 b3 4 #5 b7
Mode V 1 2 4 5 6

Chart #26 Modes of the Blues Scale

C Min Pent C Eb F F# G Bb C Eb F F# G Bb
Mode I 1 b3 4 #4 5 b7
Mode II 1 2 b3 3 5 6
Mode III 1 b2 2 4 5 b7
Mode IV 1 b2 3 #4 6 7
Mode V 1 b3 4 #5 b7 7
Mode VI 1 2 4 5 #5 6
Dia. 1 C Major Dia. 2 C Ionian
( $ ' * % (      

) & )  5 

% ( $   

* & ) ' *  5   

% 

$ ' * & ( $    5  

) 

% ( $ ' %     

& ) * & 5   5

% (  

' * & ) $ '   5   

( $ ' * % (      

) & )  5 

% ( $   

* & ) ' *  5   

% 

$ ' * & ( $    5  

) 

% ( $ ' %     

& ) * & 5   5

% (  

' * & ) $ '   5   

( $ ' * % (      

You might also like