[PoemAnalysis]

About Alfred Lord Tennyson

Alfred Lord Tennyson was born in 1809 in Somersby, Lincolnshire, England. He was
one of twelve children and had, by the age of twelve, written his first epic poem that
consisted of 6,000 lines.

In 1827 Tennyson left his home to attend Trinity College, Cambridge. It was there he
and his brother, Charles, co-published a book of poems titled, Poems by Two
Brothers. This book put Tennyson on the radar of other prolific college writers and he
made friends with another student, Arthur Hallam. After a brief but intense friendship,
Hallam died, leaving a bereft Tennyson to devoted a number of poems to his
memory.

From 1830 to 1832, Tennyson published two more books of poetry. These were not
met with outstanding reviews and the poet was greatly disappointed. His naturally shy
disposition would keep him from publishing again for another nine years. Tennyson
finally met with some success in 1842 after the publication of this book, Poems in two
volumes. When Tennyson published In Memoriam, one of the pieces dedicated to his
college friend, Hallam, his reputation was solidified throughout Britain. That same
year he married Emily Sellwood, with whom he would have two sons.

Tennyson’s popularity and success allowed him to continue writing full time and
purchase a home for his family in the country. Tennyson died in 1892 and remains
one of the most popular Victorian poets.

The Lotos-eaters
By Alfred Lord Tennyson

‘The Lotos-eaters’ by Alfred Lord Tennyson is a famous poem of the Victorian period.
The poet found inspiration from Homer’s Odyssey and wrote this poem. The poem is
based on an episode of the hero’s wanderings into the troublesome world. It depicts
the sufferings as well as their mental state standing between hopelessness and death.
However, Tennyson visited the Pyrenees mountains and the scenic beauty might have
compelled him to look back to the story of Odysseus again. He tried to revisit
Odysseus’ world through his poetic imagination in this poem.
Summary

Tennyson’s ‘The Lotos-eaters’ is based on a portion of Homer’s Odyssey in which

While the men are looking at their surrounding the “Lotos-eaters” appear and deliver
to the men branches covered in lotos flowers and fruits. The men who eat these fruits,
all but Odysseus, fall under the empty spell of the land. They believe that they no
longer want to continue their quest homeward and would rather stay there where they
do not have to worry about making their way back to the “Fatherland.”

The second half of the poem is made up of a “Choric Song” in which the men
describe all the reasons that they want to remain on the island. They do not think that
it is fair that they should have to labor their whole lives while no other being is forced
into the same fate. As humans, this is what their lives consist of and they no longer
want to take part. They confess that what they want most is a life in which they relax
until their death. They want to live as a leaf does, simply existing and then dying
when it is their time. Instead, the men state, they are head towards death through a life
that is nothing but misery. They would rather die now than have to work their whole
lives.

The men do make sure to mention their wives and the homes they are abandoning.
But they believe that their families will be better off without them by this point. Life
has moved on and their return would only cause more problems. They are content to
live as they believe the Gods do. They will lay in their fields of lotos, as the Gods do
in their valleys of asphodel, and look out on human misery. They will make no effort
to intervene or help. The poem concludes with the men stating once more, reassuring
one another, that their wanders are truly finished.

Structure

The first and second halves of The Lotos-eaters are formed differently. The first half
is divided into five stanzas of nine lines. These nine-line stanzas are referred to
as Spenserian stanzas due to their use by Spenser in The Faerie Queen. The rhyme
scheme remains consistent throughout, following the pattern of ABABBCBCC.
Additionally, each line follows the same pattern of meter, except for the final, ninth
line, of each stanza. The first eight are written in iambic pentameter while the ninth is
composed of six iambic feet, also known as an “alexandrine.”

The second half of the poem is structured much more loosely. There is no
defined rhyme scheme. Just as each section has its own theme, so too does it have its
own rhyme scheme.

Analysis of The Lotos-eaters

Part I

First Stanza

The poem begins with Odysseus of Ithaca driving his men onward through “mounting
wave[s].” They are in the midst of their ten-year journey home from the Battle of
Troy. Tennyson’s poem begins after Zeus has swept Odysseus’s’ boat along to the
land of the “Lotos-eaters”(as can be read in Homer’s Odyssey). He adds in, and
embellishes, details that Homer started.

Odysseus is encouraging his men, telling them to have “Courage,” in the face of these
mighty waves that Zeus has sent them. This next one, he tells them, will surely “roll
us shoreward soon.”

His words end up being true and the men are brought to land by that “afternoon.”
The speaker of the poem then gives the reader a number of details regarding the land
to which they have come. It is a place that, no matter the time of day, seems to
perpetually exist in the afternoon. This could be due to the heat or the activities of
those that reside on the island. The air seems to move very slowly around the island, it
is “languid” and “swooning.” These words foreshadow the change that will soon
come over the men as they taste the Lotos fruit.

The air of the land is further compared to “Breathing” as if one is in a dream. Each
breath is long and requires effort. The moon is standing “Full-faced above the valley,”
and from there, a stream weaves its way “Along the cliff” pausing and falling.
Second Stanza

In the second stanza of the poem, the speaker is sharing the amazement he, and
Odysseus’s party feel upon seeing this land. It seems to them to be “A land of
streams!” There are all different kinds around them, some thin, and some lumbering
and powerful. Each of these streams connects to one river that is flowing “seaward.”

Far in the distance, the travelers and the omniscient narrator are able to see “three
mountain-tops” that are like three old monuments of “aged snow.” They are standing
strong in the sunlight, unrelenting to the warmth. There is mention of a “shadowy
pine,” one dominating pine tree that is covered with dew and appears to “up-clomb”
or climb up, the “woven copse,” or a small grouping of trees. This one larger tree is
grander than the rest and it only seems to grow larger as they stare at the scene before
them.

Third Stanza

The sun is setting when they arrive, the afternoon is moving on. But it is not moving
quickly. It has “linger’d low” endowing the “West” with “red.” The speaker and the
travelers can see through or “thro’” the mountains to what is a “dale,” or large valley,
further in the distance. Even though they have just landed and are at sea level, they are
still high enough to see far into the distance. The land seems to be “Border’d” with
palm trees and “many a wandering vale / And meadow.” In these places, and in the
meadow, the speaker is able to see “galingale” a type of sedge found in Europe and
Asia. This land is one in which these things are equally beautiful. They are all a part
of one another and make up the living environment.

The men are still on the boat as the speaker describes them looking down and seeing
that while they have been entranced by the land the “Lotos-eaters” has come. They
are gathered around the “keel,” of the ship and are looking up at them with their
“mild…melancholy” eyes and “pale /Dark faces.”

Fourth Stanza

The speaker continues his narrative by describing the lotos fruit which the “Lotos-
eaters” brought to the sailors. They all had “Branches” that “bore…that enchanted
stem.” The branches were filled with the fruit and flowers of the lotos plant which the
“Lotos-eaters” shared with each man from the ship.
After eating from the plant the men were overcome. What they “tasted” came onto the
men like the “gushing of the wave” and made their problem seem very distant. Each
man became extraordinarily tired and their voices sounded like those of dead men,
coming from the grave. They were all still awake, but only in a semi-conscious state.
It was if they were both asleep and awake at the same time. The fruit had some kind
of magical effect on the men and cast a spell upon their intentions. Each became
consume solely with their own self. The only thing they could hear was the “beating”
of their own hearts.

Fifth Stanza

In the last stanza before the second half of the poem, the men confess to a new desire.

They sat themselves down “upon the yellow sand” at the shore of the land. Their
thoughts were cast to “Fatherland,” their home, and all that was waiting for them there.
They dreamed of “child, and wife, and slave,” and all they left behind, but this desire
for home was now deeply outweighed by their weariness. They no longer felt they
had the energy or need to return to the ship and face the ocean once more. The men
were more than content to remain with the “Lotos-eaters” for the rest of their lives.

They were, weary the oar, / Weary the wandering fields of barren foam,” or the vast
expanses of the ocean.” A sight which once gave them all pleasure and excited their
inner adventurer now means nothing.

They turned to one another and said that they would “return no more.” They did not
want to return to the arduous ten-year journey. They state that their island, Ithaca, is
“far beyond the wave,” it is too far for them to reach or even try to get back to. They
decide they will “no longer roam.”

Part II

First Stanza

The second half of this poem is made up of eight stanzas. These stanzas act as a
“Chroic Song.” In them, Odysseus’s crew describes the safety and comfort of the land
of the “Lotos-eaters” and the lack of desire they feel to return home.

In the first of these stanzas, the men begin by stating that this land is full of music that
falls softly. Its sound resembles the petals of “roses” blowing onto the grass or
perhaps it resembles “night-dews” that softly collect on “still waters.”
They continue piling up metaphors and state that it is gentler than the feeling of
closing one’s eyes when one is tired. It brings joy to them that is like “sweet sleep”
falling down “from the blissful skies.”

They have everything they could want. The earth is made from “cool mosses” and is
wound with “ivies.” This beautiful unity of plants is complemented by “stream[s]”
that hold flowers and the “craggy ledge” which plays host to poppies.

The world around them resembles their own interior feelings. They are seeing their
own inner peace reflected in plants, streams, and one another.

Second Stanza

The second part of the choral song follows a particular theme of discontent.
The narrator, speaking for the men, asks the universe why men have no rest, while all
others do. They state that they are “weigh’d upon with heaviness” while also being
“consumed by sharp distress.” The men do not believe that this is fair as everything
else in the world has “rest.” Why should they be the only creatures to consistently
“toil alone?”

As was found in the first part of this poem the men, after eating the lotos fruits are
only concerned with their own well-being. They no longer feel for those beyond their
reach.

They, the “first of things” are the only ones to “toil” and the only to make “perpetual
moans.” The men are rejecting their previous lives of hard work and struggle in favor
of one in which they will only rest. They no longer want to be thrown from sorrow to
sorrow, “Nor” ever have to stop doing as they please in favor of working.

Third Stanza

The third of these “Choric Song” stanzas speaks on how the men feel that unlike the
rest of creation, they are unable to have a peaceful life that consists of living and then
dying. They want to live as a leaf does. Budding, being blown on its branch, growing
green “and broad,” never having to take care, and then finally after being “dew-fed”
under the moon, turn yellow and float to the ground. They are seeing the life cycle of
the simplest parts of creation as the most appealing to them.
All things, the chorus states, are able to live to an “allotted length of days” and then
be replaced by something else that will eventually ripen and fade. These lives are the
most fulfilling as they have a distinct purpose that does not include toiling.

Fourth Stanza

In the fourth stanza, the speakers are bemoaning the fact that we are all heading
towards death and must “labour” on the way there. They do not believe that life
should be completely made up of “labour.” They want to be left totally alone.
Unbothered by the real world.

Their lives are moving very quickly and death will soon approach. While they are still
alive they want to be left alone and have nothing else taken from them. There is no
point that they can see fighting wars against evil as there is no pleasure in it. Nothing
in the world is going to last, so why waste their time making dreadful memories.

By the end of the stanza, they have come to the conclusion that it is better to just die
now rather than live a life of labour.

Fifth Stanza

The fifth stanza of the chorus describes how sweet a life it would be to lay around in a
“half-dream” all the time. The speakers are seeing all of the good parts of a
completely simple life and none of the bad parts of idleness. The men are dreaming
here of a life in which they can “hear each other’s whisper’d speech” while they are
laying around “Eating the Lotos day by day.” That is the only task which they have to
complete and the more they eat, the more satisfied with their situation they will
become.

The men will “watch crisping ripples” or waves, washing up on the beach and admire
the “curving lines” of the spray which it creates. They will commit their bodies,
“hearts and spirits” to “melancholy” and spend the rest of the time “brooding” over
memories of the past.

They will remember all those that have passed away since they were born and that is
now buried under a “mound of grass” or cremated and shut up in “an urn of brass!”
They will not be bothered by death though ad they will know they are living the best
possible version of their lives here on the island.
Sixth Stanza

The men continue on, saying that they will not forget their past lives. Their “wedded
lives” will remain “dear” to them, as will the last moments they spent with their wives.
They are not going to forget everything that used to matter to them but are accepting
of the fact that there is nothing they can do to get back to how things were. Their
households are probably “cold” they say and their sons, all grown up, having inherited
their father’s “looks.” If they did return they would bring nothing but trouble to the
home. They’ve been gone for so long that they do not believe things would ever go
back to the way they were.

Or, they state, things could not have gone so peacefully at home. While they were
fighting in Troy for ten years, “island princes” could have been “over-bold” and taken
over their homes. The men’s “deeds” could have been forgotten and their names
smeared.

They have no intention of fixing this state of things if it is indeed the case, they are
fine to let it stay broken as it is too hard to regain order once it is lost. Still, they
believe they would only make things worse, even if things have not gone well from
the start.

Seventh Stanza

In the seventh stanza of the “Choric Song” the men once more reiterate what the
alternative to returning home and creating more chaos would be. They could, and
want to, just stay here, “propt on beds of amaranth and moly,” two different types of
European plants, (moly is said to have had magic properties).

They will relax, with “half-dropt eyelids” and spend their days watching the river and
“His” waters from their “purple hill.” The sea will now be to them just sight in the
distance. There will be no more sailing or dangers they have to face. They will be
guaranteed safety and endless days of “gazing” on the rivers of this land.

Eighth Stanza

The final stanza of this section of the poems is longer than the seven that have
preceded it. The speaker begins by describing how the Lotos blooms everywhere that
they look. It survives in the most barren and most wet of places. The wind that gently
“blows” through the island sweeps up the “yellow Lotos-dust,” most likely a
reference to pollen, and carries it from place to place, spreading the plant farther.

The men have had enough of “action” and being blown around on a ship from side to
side. They no longer want to face the monsters of the deep. Instead, they state, they
will swear an oath to ignore the rest of mankind and only exert enough energy to lay
around on the island and eat lotos. They will be as Gods, observing but not interfering
with mankind. This is a misrepresentation of the Gods of Greek mythology as they
were most known for the inability to stop interfering with mankind. They were
constantly changing the course of history.

In the second half of this stanza, the sailors say that they see the Gods as spending all
their time just as the men are now. The only difference being that they recline
alongside “their nectar” while hurling bolts of lighting into the “valleys.” The Gods,
they state, do not care about the impact of “famine, plague, and earthquake” on the
humans below them. They “smile” and listen to music while men suffer.

The speakers describe the music as being created by the God’s indifference consists
of human lamentation and misuse. The maltreatment of humans by the Gods has been
going on forever, it is an “ancient” problem and the Gods have enjoyed all of the
time.

Mankind is forced to “Sow the seed, and reap the harvest with enduring toil.” A
person’s life is made up of nothing but hard work and misery until “they perish and
they suffer…down in hell.” Others, the speaker’s state, are dwelling in “Elysian
valleys,” or paradise. These lucky beings are “Resting weary limbs on beds of
asphodel,” an immortal flower that grows in Elysian.

They conclude the poem by restating that “surely, slumber is sweeter than toil” and by
reassuring one another that they will cease their wanders from now on.

In the myth on which this poem is based Odysseus, having not eaten from the lotos
plants, is forced to carry his men back onto the ship and single-handedly sail away
from the island. The men eventually come to their senses once the magic of the plant
has worn off.