Hamlet (Level 3)
Hamlet (Level 3)
Hamlet (Level 3)
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WILLIAM SHAKESPEARE
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'Oh, ''''"' C<lll a )?.YCat 111a11 fall so lo111? l'l pri11cc, a stlldl'llt, a soldier, the
j1<1WCY '!f his corm try, the mirr<1r <!f cr,cryom•'s drcmm all ,1/<'111'! lie 1/I(IS
so bml'c, dc,,cr a11d beaut!fit/. Ht• 111as the most pcljcct of me11. He .filled
Ill)' cc1rs with the sweet music of his pro111ist'S. But ll<lfll 11£•./ills them fllitll
the crazy lflords ofa broken mind.'
v
Hamlet decides to fight the wickedness of the world and the
shadows in his heart at the same time. Perhaps he wlll succeed - R eading and acting the play
and perhaps not. But it i\ important that he has tried. He will
become a better person. You can read Hamler silently, like every other story in a book. You
1lmnlct was Shakespeare·~ 25'h play, and it wa~ written between "ill have to imagine the places, the people's clothe~ and their
1598 and 1602. lr is the story of a young Danish prince who \'Olces from the words on the page.
lived 1,700 years ago. The story of Hamlet is found in early Uut Shakespeare did not write Hamlet as literature for reading.
European literature: the first example was in 1250. A play with He wrote it for actors on a theatre stage. You can read the play in
the same story was produced a short time before 1589, and it a group \\;th other people. This is very different from silent
was very popular in London theatres between 1594 and 1596. reading. You can speak the words and bring the people in the
Shakespeare made the story into the beautifully- written play that play to life. They can sound happy or sad, worried or angry. You
we all know today. lt is still acted in theatres all around the world. can add silences and important noises, like the sound of music
People are always discovering something new and interesting or guns. You can also stop and discuss the play. What does this
about it. person mean? Why does he/she say rhat?
There have also been many films of Ha111let. One of the most But you can have more fun if you act the play. Hr~ndet has
successful was made in I 996, with Kenneth Branagh as Hamlet, a lot of exciting scenes. There are also some beautiful speeches.
J ulie Christie as Gertrude and Kate Winslet as Ophelia. Mnny The people in the play have to show a lot of different feelings . If
world-famous actors are in it, even in the smallest pans. For you act the play. you can show these feelings by your words and
example, Robin Williams is Osric and Gerard Depardieu is only a actions.
messenger! The film i~ four hours'long, but it was a great success Most of the story happens inside a large castle. You should
at the cinema. think about the furniture in the rooms - nice tables and chairs,
beautiful curtains. pictures on the walls. You should also think
William Shakespeare (1564-1616) is the most famous writer of about the clothes - a lot of gold and silver for the King and
plays in the English language. He \\·as born in Stratford-upon- Queen, soldier's clothes for the Ghost, simpler clothe~ for Hamlet
Avon, in England. He went to a good school, but did not go to and Ophelia. You will need some special equipment, too, like
university. In 1582, he married Anne Hathaway and had three sword-;. In some scenes, there are only two or three people
children. Uy 1592, he was famous in London as an actor and talking, but in others there are crowds. You will have to think
writer. Over the next twenty years he wrote thirty-seven play~ about where people sit or stand in the large rooms at court. And
and many famow. poems. I k sometimes wrote three plays a year! you will also have to plan the big swordfight at the end.
His plays were very popular, and many of them were acted in Hmuh•t is a wonderfi.1l play. You can read it or act it. Uut have
front of King James I.
fun and enjoy it!
VI vii
The People in the Play Act 1 The Ghost on the Castle Wall
HAMLET, Prince ofDenmark Scene 1 17te lar&est room in the King~~ castle
CLAUDIUS, King of Denmark, Hamlet"s uncle
[There is a platfimu at oue e/1(( of the room , with bemtt{ful chairs for
GERTRUDE, Queen of Denmark, Hamlet's mother
the Kill,(! and Queen. Polo11ius, Laertes, Hamlet, Ophelia, Volte/1/alllf,
POLONlUS, the most important man at the King's court
Come/ius a11d or Iter lords aud ladies are waitiug ar()lmd the plafform.
Orm.iLlA, Polonius's daughter
l'vfusic plays. Cla11dius and Gertrude come in and stand on the
LAERTES, Polonius's son
THE GHOST ofHamlet's father
p/aiforlll in front cif their chairs.]
Vlll 1
POLONIUS: With a heavy heart, I agree. empty. useless place to me! How can things go so wrong
CLAUDIUS [to LaertesJ: You have my permission, too. fwmill,~ ro so quickly? My father's only been dead for C\vo months. He
Hamlet] But now, my nephew Hamlet, and my ~on ... was a wondcrfi.II king, and so loving to my mother. He was
I IAMLET ra11~rily /o flil11se[fj: I am more than a nephew, but Jess everything to her. But less than a month afrcr hi ~ death - oh,
than a son! 1 can't even think of it! Weakness. your name is Woman! Less
CLAUDIUS: Why arc you still so unhappy? than a month after his death, this grief-filled woman married
I IAMLET [with a cold smile]: How can I be unhappy. my Lord, when my uncle! Lt!ss than a month - before the salt of her dishonest
you are so kind to me? tears turned her eyes red! Oh. what a wicked woman, to hurry
GERTRUDE ls<!ftly]: Dear Hamlet, stop wearing those black clothes so quickly to the bed of her dead husband's brother! My heart
and be friendly to our new king. You must stop feeling sad is breaking, [11oticir~~ the arrival ~f I Ioratio, Marcellus and Bamardoj
about your father. We all have to die one day. bur it must break quietly. I must say nothing more.
HANILET [coldly]: Yes, Madam, we do. But my grief is more than HoRATIO: Greetings, my Lord.
just black clothes, sad speeches and eyes fi.ill of rears. My grief HA.'VUET [smili11~]: Horatio! What are you doing in Elsinore?
is real. It is inside me. You cannot see the true sadness in my thought you were in Wittenberg.
heart. H ORATIO: My Lord, I came when I heard about your f:·uhcr's
CLAUDIUS: All men lose their fathers, and a son must feel sadness. death.
But too much sadness is not the grief of a real man. lt is a HAMLI:;l lquirtly]: Yes, that was the worst day of my life.
crime against God, a1,rainst the dead, even a crime against I loRAno: I saw your father once. He was a good king.
reason. So throw away this useles~ grief and think of me a~ HAMT rr: I k was a man. There won't be a man like him again.
your father. After me, you will be the next king. And my love HORATIO fnm,ously] : My Lord. I think I saw him last night.
for you is as great as the love of a father for his son. l know· HAMLH lsurprised]: Saw? Who?
that you want to return to your studies in Wittenberg. Uut I HoRATIO: The King, your father. Three nights ago, these two
want you to stay here with me. Then I can see you every day. good men, JVlarcellus and Uarnardo, saw your father's ghost
You are the most important person at my court. while they \'I.-ere on guard on the castle wall. They saw him
GERTRUDE: Stay here with us, Hamlet. Don't go to Wittenberg. again the next night. Dressed like a soldier, he walked past
HAMU.!T lto Gerrmde]: I will do what you ask, Madam. them ~lowly. He then disappeared into the shadows as they
CLAUDIUS ls111ili11g nt Cerrrude]: Come, Madam. Hamlet~~ sensible watched. Last night, I joined them on guard and I saw him
words have pleased my heart. Let's open the wine and drink to too. It was exactly as they described it. It fllas your father.
our happine~s and to the health of Denmark! Hru\tLET: I)Jd you speak to him?
[.Husic plays. I:J't'rybotfy leavrs except /lamlct.J HORA1IO: We did. my Lord, but he didn't reply.
HMn rr: Did he look angry?
HAJVII ET la11~rily rmd til/happily]: Why i~ it against God\ law for HORJ\1 10: More ~ad than angry.
a man to kill himself? Oh God, the world seems a tired, llAMLH: What colour was his beard?
2 3
HORATIO: The same as when he was alive - black mixed with OPHEUA l11nllappilyj: All right, my Lord.
silver.
lTiley leave. J
HAMLer lexcitedlyl: I' ll join you on guard tonight. Perhaps he'll
come again. If it is my father, I'll speak to him. But please,
Scene 3 The castle umff at ll('<,ht
don't teU a11yone about this. It must be our secret. l'llmeet you
on the castle wall just before midnight. Until then, goodbye. ['11wre is a full 1110011 a11d tile .~rormd is covered with Sl/0111. Hamlet,
!Horatio, Marcellus a11d Bamardo leave. J My father's ghost! Horatio and i\llarcellr~s arrive.]
Dressed like a soldier! AU is not well. No good will come of
HAMuT: It's cold out here. What rime is it?
this. Something bad's going to happen - and nothing in the
MARCELLUS: Twelve o'clock.
world will stop it. lHe leaves.]
[The Ghost arrives.l
Scene 2 Ophelia~~ room in the castle
HoRATIO [excitedlyl: Look, my Lord, it's here.
fTn the room are a bed, a chair and a table with a mrrror on it. Htu\1l.ET [seeing the Ghost]: God help us! Are you from He;wen or
Ophl'lia is sittill,f!. at the mirror, tidyi11g her hair. Polonirts comes i11.] from Hell? King, Father, speak to me! Why has your dead
body left your grave? Why do you walk around in the
PotaNlUS langrilyj: I've heard that you and Hamlet are spending a
moonlight in soldiers' clothes?
lot of time together. If it's true, T' m not happy. Be honest with
me. What's happening bet\veen you and Hamlet? ["1111.' Ghost makes a sij!11 with It is ji1 ~\!er for Hamlet to jollou1. J
OPHELIA rsqftlyl: He's shown many signs oflove for me.
HoRAno: lt's calling you . lt has a secret to tell you.
POT.ONlUS lprtlling Ophelia to her feet and sltaking her rottgltly by tire
MARcnuus: It wants you to follow it. Uut don't go.
atmsJ: Signs oflove?You speak like a child. You're too young to
HAMLET: If it refuses to speak to m e here, T must follo'<v it.
understand the real meaning of these things. Do you believe
HoRATIO lnerllollslyj: No, my Lord!
these 'signs', as you call them?
HAMLET [calmly]: Why not ? I'm not afraid of it.
0PHFUA [shaking her head and crying] : I don't know, my Lord.
MARCELLUS [holding Hamlet's arm]: You mustn't go !
PoLONlUS: These 'signs' of love are not the real thing. You must
HAMT.ET [angrilyl: Take your hands off me! f'll make a ghost of
be more careful, or you'll get into trouble.
anyone vvho tries to stop me!
OPnnuA: My Lord, he's always acted well towards me. When he
speaks oflove, he seems to mean it. [Nfarcellrts takes /tis hands away. The Ghost leaves a11d Hamlet
POLONJUS: I'm sure he does. When a young man's blood bums follows.]
with love, his tongue easily finds fine words. Dut believe me,
HoRATIO:He's listening too much to his imagination.
these words have no meaning. T order you to stay away fi·om
MARCELLUS: We must follow him. We have to protect him.
him. [tumi11g away rmd pulli11g her by the armJ Now, come with
me. [They leave.]
4 5
Sce11e 4 A dark, snowy forest
6
IHoratio a11d Marcellus arrir1r.] Act 2 The Mad Prince
I lORA! tO llll()rricd]: Heaven protect him! What news, my Lord? Sceuc 1 Poloui11s~~ room iu the castle
HAMJ LT [smili11g stmllgd)']: Oh, wonderflrl!
rIll tile T(l(l/11 <lTC tl bed, c1 desk with bo,>ks, pCIIS and paper Oil if, mul
HORATIO: That's good, my Lord. "kll us.
c1 simple ll'llt>dw chair. Polonius is sutil~l! al 1hc desk. Opltclia CO/lit'S
IIAMLur: No, because you 'II tell othcrs about it.
i11, lookit~l! .fr(l!fltened. j
Hon..<\'1'10 [surprised aud l111rt l: We won't, my Lord!
II AMLbl' lwildly]: No one will ever believe what the ghost has Pmo:-.IuS [standin,l! 11p, worriedl: Ophelia, what's the matter?
just told me. There's no one more wicked in all Denmark. OrnnrA: Oh, my Lord, I'm so frightened. While I was sitting in
But let's go our different ways - you to your business. I to my room, Lord Hamlet came in \Vith a crazy look in his eyes.
mine. PoLONIL.S: What did he say to you?
HORATIO: These are wild words, my Lord. 0PHt:LIA: He took me by the wrist and looked at me strangely
HAMT.f:T: I'm sorry if you feel bad. for a long time. Then. without a word, he walked out of the
HORATIO: There's no reason fc)r us to feel bad, my Lord. room. looking at me over his shoulder.
HAMLET: Oh, there is, Horatio! L3ut, good friends, will you do one PoLONlUS: This seems to be the madness of love. Have you been
last thing for me? Tell no one what you've seen tonight. unkind to him since I last saw you?
ll<mATro and MARCELLUS: We promise. OrHn lA: I only did what you told me. I sent back all his letters
HAMT.l'T Jtakill,~ <>U I his sword]: Promise on my sword. and refused to see him.
HOIUI'J 10 fcoldly]: We've already promised. my Lord. Powl\IUS: I'm \Orry. Ophelia. Perhaps I was wrong about him. I
G IIOS'J 's VOICE [.from below the sta~e]: Promise on his sword! was <lttaid that he was just playing with you. I didn't want him
IIAMLLil' [laughi11g]: Ha, ha. Did you hear that voice from under to hurt you. We must tell the King about this irruuediately.
the ground?
[ '/ 11ey leave.l
HORATIO [Jn;~htened J: Oh, this is very strange.
HAMLET: There are more things in Heaven and Earth than you've
Scene 2 A larJ?e roo111 in the castle
ever dreamt of, Horatio. After this, you'll think I'm strange coo,
even crazy. But it will be an act- it won't be real. You'll know flu tile room are a large fireplace, a lo11~ 1able and many con!forlnble
my secret, but you mustn't tell. Now promise. dwirs. Piclrtres, swords and mirrors are han,~iug on the walls. There are
MARCELLUS and HoRATIO [puffillg their hands 011 Hamlrt:( SJ111>rd]: /11'1> doors: tlte mai11 double doors, tmd a small door a/ the bark C?(
We promise. tire r01>111. Claudius and Gmrude tlrt' stcmdill,l! i11 1lle 111iddle '!f 1llr
1-lAMII:T: So, dear friends, let\ go back to the castle together. rMm. "111nr srwams are wai1i11,1! bt'hi11d tll£'111. RI>Se/lcrallt:: c111d
Remember, not a word to anyone. Tht•se are strange wnes. Cuild!'llstml rome i11 thror~l!ll 1lu· 11111i11 d,l()rs.J
Uut the unhappiest time of all wa~ the day that I was born. CtAL.Oil;s: Welcome, dear RmerH:rant;r and Cuildenstern. It is
always good to see you. But I called you here for an urgenl
I'/ 1u'y lenve.l
8 9
reason. You have heard about the change in Prince Hamlet? dear lAdy,for lo11g as tlris body is mitre. Hamlet. lloc>ki11g rtp from tire
He is acting very strangely. I cannot understand the reason for letterj My daughter showed me this letter immediately, and all
it, but perhaps it is still sadness at his f:1ther's death. You are two the others that he has sent.
of h is oldest fi·iends. Spend some time with him. He will feel CLAUDIUS: I low has she received these words of love?
comfortable in your company. If you can discover the reasons Pot.ONJUS: I told her to lock hcN:lf in her room and to receive
for his strangeness, it will help us all. no messengers or gifts. She wisely followed my orders. As a
GERTRUDE: There is nobody that my son likes more than you. If result, the Prince fell into sadness. He stopped caring and
you can help us, we shall both be very grateful. sleeping. In the end, he became the madman that we all pity
Gu rLDENSTTIRN: We arc proud to help. today.
GERTRUDE: Could you visit my poor son inunediately? [to two <if CLAUUlUS [to Gertrude]: Do you think this is true?
the servantsl Take these two men to Hamlet. GERTRUUE lsadlyl: It seems possible.
PoLONTUS: I will prove that I am right.
[Rosencranfz and G11ildenstem leave with the servants. Voltemand
CLAUDIUS: How?
aud Comelir4s corne i11 wit/: Poloni11s.l
Pot.o:-:ws: You know that he likes to walk alone around this
CLAUDIUS: Welcome, my dear friends. What news from Norway? castle -sometimes for many hours?
VoLTEMAI'ID: T he old King was very sad and angry when he read GERTRUDt: Yes, I have noticed.
your letter. li e told his nephew to stop his plans for war PotONJUS: I will send my daughter to him during one of these
against us immediately. Fortinbras agreed, and this pleased the walks. We can hide in the shadows and watch them. If I am
King. So he gave his nephew permission to take his soldiers \.Yrong about his love for my daughter, I will become a farmer.
into Poland. L~ir,illg Cla11dirrs a feflerl He requests permission CLAUDIUS: All right. Let's see what happens.
for For tinbras and his soldiers to pass quiedy through our
[Hamlet conres ;, through the open main doors, reading a book.]
country.
Cuumus [looking quickly at the letterl: This is good news, but [ GERTRUDE lq11ietly]: Look. There's the poor boy.
will think about it later. Thank you for your excellent work. PoLOl:-.'lUS: Forgive me, my Lord and Lady, but you must go
Go and rest. Tonight we shall eat together and have a party! quickly. Leave me ro speak to him alone. [ Clartdius and
Gertntde leave through the small door at the back qf the room.] How
l Vc>ltemand and Come/ius go out, leavitr,<? tire mai11 doors open.]
are you, my Lord H amJet?
PoLONIUS: I have more good news for you, my Lord and Lady. HAMLFT: Well, thank God.
I have discovered why Prince I iamlet is acting strangely. He PoLOJSJUS: Do you know who I am?
is mad with low for my daughter. lholdirr~ up 11 /mer) Sht• has HAMLET: I know you very well. You're a fish-seller.
given me this. Listen, and you will understand. freadi~rg] To POLONJUs: No, l'm not.
bl'tlrttijul Oplrefia, I have little skill 111itlr words. l do 110t lrc~ve tire Hru\olu: r: That's a pity, because fish-sellers are very honest men.
lmrguage to desrribe Ill)' pair:. Brrt I lc)!IC you. I am ycmrs for ever, Ill)' Have you got a daughter?
10 11
Por.ONJUS: 1 have, my Lord.
HAMr.r:·l: She must stay out of the sun. It's dangerous for her
health.
POTON I LoS rquietly /(l himsc!fl: 1-k s completely mad. Uur when I
was young, I also suffered for love. 1 \\,IS almost as mad as he 1s
now. I'll speak to him again. Ito Hamlet] What arc you reading.
my Lord?
HAMLbl: Words, words, wonk
12
HAMLeT: So why did you laugh when I said, 'Men can't please me'? play will make my uncle nervous. Yes, the play's the key to
RosENCHANTZ: Because we passed a group of actors on our way the secrets of his heart. [He leaves.]
co thl.' castle. They're coming here to act for you. If men can't
please you, you won't enjoy their play wry much.
HAMLET lsuddenly interested]: But I like plays. Who are the actors? Act 3 Dark Secrets
f'I1u·re is tl1e so1md <?f music (lltlside.]
See/It' I Tlte same large room ill tlte castle
Gun.nnNSTERN: They're arriving now.
[Claudius> Gcrtmde, Polo11ius, Ophelia, Rosencmntz nnd
H AMLET fshouting loudly into the air towards tile windo111j: My good
Guildenstem come in.l
men, welcome to Elsinore! l muse politely shake your hands,
because you'll see me acting strangely later. My actions will CLAUDIUS fro Rosencrantz and Guildenstem]: So you have no idea
seem funnier than you r play. [quietly to Rosencrantz and why he is so crazy?
Guildemtemj You see, I've played a joke on my uncle- father RoSENCRANTZ: He says that he feels worried. llut he didn't tell us
and aunt-mother. why.
GUJLDJ.:NSTERN: A joke, my Lord? GutLOhNSTF.RN: When we ask him questions, he acts strangely.
I-lAMT.nT: They think that I'm crazy. l3ut I'm only crazy some of GERTRUDE: Did he welcome you warmly?
the time. Now, my good friends, I'II see you later tonight. RoswcRAN Lt:: Very politely.
Welcome to Elsinore. GutLOF.KSTtRN: But it wa\ difficult for him.
RoscNCTlANTZ and Gun.nnNSTI.inN: Thank you, my Lord. GER !'RUDE: Did you try to make him happy?
Goodbye. fThey h•nve.j RosENCR.AN'IZ:Madam, we passed a group of actors on our way
HAMLt:l: Now I'm aJone, a prisoner of my thoughts. Oh, what a here. When we told him about them, he seemed very pleased.
useless man I am! I'm the least brave of men. If I'm so brave. They are going to act a play for him tonight.
why haven't I taken my revenge? Why haven't I killed my PoLONlUS Lfo Claudius and Gertrude]: That's true. And he asked me
father's murderer and fed his body to the birds? lu,ildly] Oh, to invite you both to see the play.
my uncle is a wicked man, with my father's blood on his CLAUDIUS: This is good news. [co Rose/lCTaiiiZ and CuildenstemJ
hands! W icked, heartless man! I must have revenge! fsuddenly Go to him and interest him in the play as much as you can.
calmj But it's possible tl1at I'm wrong. How can I be sure chat tt We will, my Lord.
ROSF.NCRANIL.:
was an honest ghost? In my grief, perhaps I madt• a mistake.
IRt>smcrant:: and Cuildcnstcm lem,e.J
Pcrh:lps it wasn't really tht: ghost of my f.·nher. No, I must be
completely sun:. I lllust think of a plan ... [t!tinkill,!?ll'vc heard CLAUDIUS: Sweet Gertrude, leave us too. Polonius and I have sent
that a good play can sometimes sho" the wicked '\ecrets in a for Hamlet to come here:. He will haw an 'acCitkntal' mecciug
bad man's heart. f'll ask the: actors for a story whtch is sinular wtth Ophelta, and we will listen to their conversation from the
to tht: murdc:r of my father. If the Ghost's words arc true, thl.' next room. Then we can judge the real reason for his madness.
15
GERTRUDE: I shnll do whnt you ask. [to Ophelia] I hope that my HAMLE't: Are you an honest woman?
son's wildness is a result of his love for you. Then, with 0PHFTL... : I don't understand.
sweerness and kindne~s. you can mah· him well agam. lShe !-IA.\1LEJ: An honest woman must forget that she's pretty.
lrmJ('S thro11~hth£· mai11 doors.l Prettiness can make an hone~t woman bad, bur honesty cannot
J>OLONIUS ltakill,l/ Ophelia to a cltairl: Ophehn, sit here. L~il'il~l? her c1 make a prett} woman good. In the p.m. I found that hard lo
l3iblcl Read this. Hamlet will understand why you're alone. bdiew. Now I know that it's true. I was in love with you.
Now I can hear him coming. !1o ClaHclius] Let's hide. my Lord. 0PHFI lA: I believed you.
IIAMLt"': You were wrong to believe: me. I didn't love you.
lPolo11i11s mul Clmtdi11s hide beltitul rite small door at tlte be~ck of 1/u· 0PHELLA lsadly]: Then I was wrong.
room. Hamlet come$ i11 rhro11~h tlte main doors.]
HA.\1J.FT [s~fi/y]: Give your life to God. You mustn't mix with
H AJVlLFT lto himseljl To be, o r not to be? That's the question . Is it men or be the mother of their children. Men lie. B elieve none
better to suffer bad luck in silence? Or is it better to fight it? of us. Give your life to God and work for the C hurch. [He
N either of them matter. When we die, we sleep - nothing hears a noise behind 1he small door a11d looks at Ophelia angrily.]
more. Sleep will end the heartache and the pai n of life. It's Wherc's your f.1thcr?
the best way to end our suffering. To die, to sleep, perhaps OPHELIA: At home. my Lord.
to dream - ah, that\ the problem. Who knows what terrible HAMlet laugrily]: Lock him in. Then no one w ill see how stupid
dreams wait for us after death? Some of us arc unhappy with he is. Goodbye.
the pain of Iif<:. But we're afraid that the pain of death will be OvaET IA [lifiiug her hands to the sky and rryi1~11J: Oh, help him, dear,
even worse. Death is au undiscovered country. It frightens us. sweet I leaven!
No traveller ever returns. We prefer to suffer the known HAMLLJ [a11grilyl: Go to a church! Go now! Or if you have to
problems of life than to escape to the unknown problems of marry, marry a stupid man. W ise men und<.·rstand too vvell
death. 13ut it's bad to think too much about this. We become how women can lie to them. To the church- go now!
weak, and all our thoughts of action disappear. [He notices OPHELIA: Please, God, make hjm well!
Ophelia.] But here's my fair Ophelia! Beautifi1l child. Ht\J'v1lE'J: I've heard about the way that you women paint your
remember me when you speak to God. faces. God has given you one face, but you paint another face
O PHELIA: M y good Lord, bo\v are you today? on yourselves. You dance when you walk. You sing when you
HA..'\1LET [with great politcl/essJ: Very well, thank you. speak. You \\Jnt men to believe that you know nothing. I've
OPHELIA: I have more letters fi·om you. I've wanted to remrn had enough of ir. Tt's made me crazy. No more talk about
them to you for a long time. llwldiu,~ <l llf the leltm] Please take marriage.Join a church! [He leaves thro11,~lt the mai11 doors. !
them. OPHELIA: Oh, how can a great man f.1ll so low? A prince, a
II AM I ET !slwki11,~ his head ]: I never sent you any letters. student, a soldier, the Rower of his country, the mirror of
0Pilhl lA !111wblc lo 1111dt>rsfc111dJ: My Lord. you knO\\ very well that c\·cryone's dn.·;mlS - .111 gone! He was so brave, clL'ver and
they're yours. Please take: them. beauuful. He was the most perfect of men. I It: filled my ears
16 17
with the sweet music of his promises. But now he ftlls them HAMLET: I have something to tell you. There's a play tonight in
with the crazy words of a broken mind. Oh, why did this front of the King. I've chosen one with a scene that shows
terrible thing have to happen? something very similar to my f.1thcr's death. When the actors
arc doing that scene, watch my uncle carefu lly. If th<.: Ghost
I CIC~Hdius a11d Polo11ius rome in thmtl,l?h the small door.J
was honest, the wicked secret in my uncle's heart will show
CtAUOIUS: Love? I do not think so. His words were a bit wild, on his f.1ce. I'll watch him carefully, too. After the play, we'll
but not completely crazy. His sadness sics on something secret compare JUdgements. I3ut quick! They're coming. I must seem
in his heart, in the same '>vay that a bird sics on its eggs. I am calm. Go to your place.
worried, because there is something dangerous inside those
eggs. I must do something quickly before they open. 1 shall ['To tile sc>uud of m11sic, Claudius, Gertmde, Poloni11s, Ophelia,
send him immediately to England. The journey and the Rosencmut::, Guildenstem, all({ mauy lords atrd ladies come in and
change of scene will help him. H e will soon forget about his sit down arouud the stage.]
problems and return a happy man. What do you think?
CLAUDiUS: How is everything, dear Hamlet?
PowNIUS: A good idea. But I stiiJ believe that love is the reason
HAMLET: The food is good. l am eating the promise-filled air.
for his madness. [to Opheliaj Are you all right, Ophelia? You
You cannot feed chickens with that.
don't have to tell us what Lord Hamlet said. We heard it all. [to
CLAUDIUS: I understand nothing of your answer.
Claudius] My Lord, with your permission, could the Queen HAM.Lt:J Itc> Rc>srncrautzl: Arc the actors ready?
talk to her son in private after the play? She can speak to him Rosr::-oCRAi' tL:: Yes, my Lord. They arc waiting for permission to
honestly, and perhaps discover the true reason for his gncf. I
begin.
will hide behind a curtain and listen to their conversation. If GERTRtmt~: Come, Hamlet, sit next to rue.
she fails to discover the secret of his unhappiness, you can send HAMLEr: No thank you, Mother. l'd prefer to sit here. fHe sits
him to England.
11ext to Opltelia.J [playfitl/y to Ophelia] Lady, can I lie across
CLAumus: I agree. It is dangerous when in1portant people lose your knees?
their minds. We must watch them carefully. OPHELIA [lter.face goiug red]: You are joking. my Lord.
fThey leave.] HA.\UEI: What can a man do in this company if he can't joke?
Look at my mother. She's happy. and my father's only been
dead for two hours.
Scc11c 2 Another /a~{!C room i11 the castle OPHEliA: He died four months ago.
l Therr
is a sttW<' at c>ttc Clld of the rMtll {ciCill,ll, empty chairs. lf<llnlct IIA.I\IILCT: As long ago as that? So I can put away my black clothes
cmd Horatio cc>tm· i11 frc>m dfffrrcm sult•s <!f the Slfl.f!C.] and wear colourful stuts .1g.un?
IIAMLt:l' lllappily1: llonHio! I'm glad to sec you. ptusic plays. 7it>o aaars Cc>tllc 011ta tltr stage drrsscd rts a kill}? a11d
HORATio: My Lord. q/1('('1/. J
18 19
FIRST AC'JOR [as the Ki11,11]: lHe goes down 011 his knecs next to the •Kin.R '.]
My love, I have to say goodbye The palace, the country and Queen will be min e
AJld sail to foreign lands. With one drop of poison in his sleeping car.
Don't be \ad ifi d!L'. lHe poms tile poisan 1111<' tile rar <!f the 'Kit~</'.]
Marry .1nother man. ll.-\\.11 rr rIll C/,wdiusj: You'll \t'l' now ho\\ he wins the low of the
Sr.coND ACToa las the Q~tccn]: dead King's wrtc.
A second marriage? Ob, my dear,
Don't speak to me like this.
l Claudi11s stcwds up an.~rily. His body is slwkil~{! and his.fil((• is pale.J
I will never want to feel
IIA~tLIT
[smilin,<!J: What? Frightened by a play?
A second h usband's kiss! GERTRUDE [nen'OIIsly to Claudius]: What's the matter, my Lord?
F tRST A CTOn las the Ki11g]: POLONHJS [(() the actorsl: Stop the play!
But stranger things have happen ed.
CLAumus: Give me some light. Away fi·om here!
When a much-loved husband dies,
PmoNTus [slzoutit~{!]: Lights! Lights! Lights!
A second love soon fills
A woman 's heart and eyes. rl:tiCf)'OIIC /cartes except Hamlet 111/d Horatio. !
N ow I'll sleep h ere by the flowers.
TlA\11 H fcxcitcdly]: Oh, good H oratio. did you see?
Sr.coNuA<.T<>I~ las the Quecn]:
Death will never kill a lon~ like our\. HOIV\110: r saw everything, my Lord.
H A.\1Ltr: So the King docsn 't enjoy plays. What a pity! ]loudly]
l T!Je 'Kin,R' sleeps. T he 'Q11een' lear1es the stage. ] Come, let's have some music!
H AMLET lto Gertrude]: How do you like the play? [Rose11cmut.;: and Guildcnstem come in.l
GERTRUJ>F.: I think rhat the lady makes too many promises.
HAMLET: Oh, but she'll keep them all. GUILDENSTER:->: My Lord, the King ...
C LAUJ>Tu s: W h at is this p lay about? HAMT.ET [coldly polite] : Yes, sir, what's the matter?
I I AMLET: It's about the murder of a king in Vienna. It's a GulLDENSTERl': He's in his room and h e's sick. The Queen 's very
frightening story. But honest men likt- us have nothing to worried and has sent me to you.
worry about. Only people with \vicked secrets in their hear~ IIAMLET: You're very welcome.
will feel afraid. [A third actor comes 011to the stagr rl'iflt a small Gun DENSTT:RN: No, sir. You don't understand. I need a st•nsible
/Jottle in his hand.] This is Lucianus, the King's nephew. answer.
TI-IIRD Ac 10n [as Lucimmsl: IIM1LLl: Sir, I cannot give you a \t:nsiblc amwer because I'm ill
The garden is empty. tht· bottk J\ full. m the head. Uur l'IJ give }'Oll the best amwcr that I can. What
No om: can sec, no one can hear. does my mother want?
20 21
ROSENCRANrz: She wants to speak to you in her room before you PotONlLS: Yes, very like a horse.
go to bed. HA.\1l!T [tumiug away from the 111i11dow sadly]: I'll go to my mother
H AMIH: I will go. [very mldlyl Do you have any more bminess soon.
with me? PoLONtus: I will tell her. fHe leaves.J
RosENCHANTZ: Why arc you so unfi·iendly to us? You lock the HAMT rr (to Rosmcramz aud Cuildenstcm ]: Lt.:avc me, friends.j171£'}'
door Oil your own happiness if you can't talk freely to your lem,e. J Now is the darkest time of the night. The ground opens
friend. wide and llell sends its sickness o ut into the world. I'm thirsty
I IAMun: Sir, I sec no future. for blood. I'm ready for the business th:lt I have to do. Away,
RosnNCHA.NTZ: But you will be the next king of D enmark! now, to my mother. But I must stay calm. The sharpness of
HAMLET: Yes, but while the grass grows. the hungry horse dies. knive~ will be in my words, not in my hands. [He leaves.l
[Atl actor comes in carryiu~ some musical pipes.] Ah. pipes! [to
the actor] Give one to me. [He takes a pipe and o_ffers ir ro Scene 3 Claudius's room
Guildenstem.] Will you play on this for me?
[In the room are a laiJ?e bed, a table attd a lot of other expe11sive
Gu!LDF.NSTEHN: My Lord, [ cannot. I don't know how to play.
jim1itme. Claudius, Rosencramz a11d Guildenstem come in.J
HAMLJ:::T: It's as easy as lying. Cover these holes with your fingers
and thumb, and send air through it from your mouth. You 'll Cuumus: You will go to England with a secret letter for the
hear the most beautiful music. King. You will sail tomorrow morning, and take Hamlet with
Gultnr:NsnmN: But I don't have the skill. you. He is becoming more and more dangerous. My position
IIAMLh"l [.wdde11ly angryl: 13m you have the skill to play me! Make as king is not safe while he is h~.:re.
the right moves aud you'll discover the secret music of my GutLD!il\SH:R.N: We ·will do it. A man rnmt protect his king.
heart? Am T really easier to play than this pipe?You can try, but Cuumus: Prepare for your journey immediately. We have to end
you'll never get music from me! this danger quickly.
RosENCRJ\NTZ: We will hurry. [171e}' leave.]
rPolonius comes in.]
HAMLET [suddwly.friendlyJ: Greetings, sir!
rPolo/It/IS comes in.]
POLON!US: My Lord, the Queen would like to sec you POT.ONTUS: My Lord, he is going to his mother's room. I will listen
immediately. to them from behind a c urtain. Then I will report tht.:ir
llAM LCI [loc>king through a wi11do11' at tlw skyJ : D o you see that conversation to you before you go to bed.
cloud? It's shaped like a fish. CtAUDIUS: Thank you. my dear Lord. JPolouius leaves.] Oh, my
PoLONIUS [lookiug through rile fllilldoll']: Yes, it is like a fish. cnme 1s wicked. It is the oldest and worst of crimes - a
II AMIL:r: I think it's a sheep. brother's murder. My hand is covert.:d with my brother's blood.
POI.ON IUS: Lt has a back like a sht.:t.:p. Isn't there rain enough in the swct.:t sky to wash it clean? I
HAMJ.F.T: Or like a horse. want to speak to God, but what can [ say? ' Forgive me for my
22 23
brother's murder'? I can't say that. The murder has given me
my dreams, my country and my Queen. With these things,
[ c<ln buy everything except God's forgiveness. So wh<lt can I
do? How can I a~k for forgiveness if I'm not really sorry? Oh,
my position is impo\\ible! llclp me, God! My heart\ a~ hard
as sronc and my knees n:fuse to touch the ground, bur I mmt
try to speak to you. If I succeed. perhaps everything will be all
right. l He .1!<1£'5 slawly down on /lis knees by his bed and fJIIts !tis
hands to,~?ether: 1
26 27
GERTRUUE [lwlding llis armJ: Stop it, sweet Hamlet! These words inside you, or it will cat your heart. If you say sorry for your
arc like knives in my ears. past mistakes, goodness will return to all our lives.
Ht\MI rT [p11shi11~ her away]: A murderer and a thief. A man who GrRJitUDt: Oh, Hamlet. you've cut my heart in two.
stole the circle of gold from my father\ head. HAMIIIT: Throw away the bad half, and live with the good, clean
GERTRUDI: jcryin.(!j: Stop! half. Don't go to my uncle's bed. He'll soon accept that he
HAMI ET: A king with blood-covered clothes ... ['l11e .(!host '!_[ must spend h1s nights without you. I'll kiss you as your son
Hamlet~ father con1cs i11 am/ sits down in all empty chair.] [IMkill,l? at when you've asked God for forgiveness. [lookill.(! at Polcmius~~
the Gho;t] Save me and protect me, you heavenly guards! body] And 1'II ask God's forgiveness for this. This accident is
GERTRUOE [to herself, 1111able tc> sec the GhostJ: Oh, no. He's really Heaven's way of punishing me. I'll take him away and think of
mad. an excuse for his death. [lookin~ at GercmdeJ You know I have
HAMLET [to the Ghost]: Do not be angry with your son. He still to go ro England?
remembers his promise to you . GERTRUDE: It's decided?
GHOST: Do not forget: be kind to your mother. She does not HAMLeT Rosencrantz and Guildenstern arc going with me, and
understand what is happening. Speak softly to her. they have an unopened letter with the King's secret orders.
HAMLET [softly to Gmrudel: How are you feeling, my Lady? They're working with the King against me, but I'll discover
GERTRUOn [worried J: How are you feeling? Your eyes arc wild and their secret. Then I'll destroy them all together. Pookin~ doum
your hair's standing up on end. Oh, \Wcet son, be less angry ell J>olonius~~
b<>dyJ Now, I'll cake this body into the next room.
and more patient. Tell me, what can you sec? In life, this silly man spoke so many empty words. In death,
HAMtnT [poi11fi11,R at the Ghost]: Do you see nothing there? he looks so quiet and serious. ftaking Polo11ius by tile 1(\gsJ
GERTRUDE: Nothing at all. Come. sir, our conversations are finished. Goodnight, Mother.
HAMLeT: Do you hear nothing either?
GmrmuuE: No, nothing.
fHamlet pulls Polo11i11s away. Gertmdc.fo/lows him o11t qf the room.J
28 29
CLAunrus [anRrilyj: A terrible crime! But of course, he thought Sce11e 3 Claudius's room
that he was killing Ill£'. I have been too kind to him. Because I IClaudius is in the room 111ith two or three senmnts. Roseucm11tz and
tried to hide his madness, a good man has lost his life. Where Guildeustem come in.]
is I lamlct now?
GmrrRuu~:.: He is taking away the body. But even in his madness, CLAuutus: What news?
there is still some good in him. H e is very sorry about R<>SENCRANIL:: He will not tell us where the body ts.
Guildenstcrn! lRosencramz a11d Guildenstem come in.l Good CI.AUDIUS lshoutiugl: Bring him in! [Soldiers briltg Hamlet i11.]
friends, Hamlet has killed Polonius and is trying to hide the Now, Hamlet, where's Polonius?
body. Find him immediately, and take the body into the HAMLET: At supper.
church. [Rosencralllz m1d Guildenstem hurry awayl Come, ClAUDIUS langrily]: At supper? Where?
Gertrude, we shall call our wisest friends and tell them the HA1\ItLET: He isn't eating. Worms are eating him. Worms have the
terrible news. But we must be careful how we tell them. We best food in the world. The f.1t king with his country and
don't want any punishment to fall on us. Come quickly! the thin man with no job are just different dishes in the same
meal. We all feed worms in the end.
fClmuli11s a11d Gertrud<' lfalle. ] CLAuutus [angrily]: Where is Polonius?
HAMLET [smili11g coldly] : In I leaven. Send a messenger to find
Sceue 2 The castle stairs him. Tf he isn't there, you can look for him in Hell. Or, if
lHamlct CO/Ill'S do11111 rhc stairs. Roswcral/tz a11d Guilde11stem meet you wait for a month, you'll smell him somewhere ncar the
him at the botto111.j stairs.
CLAumus [to the soldiers]: Look for him there. [Tile soldiers lem,e.]
RosENCRAN r~: What have you done with the body, my Lord? Hamlet. I must send you away immediately. The ship is ready.
HAMI.ET [coldly]: How does a king's son reply when he's Your friends are waiting to take you to England.
questioned by a dog? 1-:IA.'vtLt::T: To England? Good. [tumi11g away and lauj!lli11g wildly]
RosEl'\CRAKr:.::: Are you calling me a dog, my Lord? Away to England! [to Claudius] Goodbye, dear Mother.
HAMLET: Yes, because you accept the King's smiles and gifts, and CLAuDIUS lcoldly]: Your loving.fill/wr. Hamlet.
follow all his orders. HAMLCT: Father and mother are man and wife. They arc one -
RosENCHA.NTZ: I don't understand you, my Lord. they are the same. And so, ,\!/other, goodbye! IHe lenr,es.]
HAM! ET: Good. Clever words mean nothing to a stupid ear. Ct AvDtUS l11eY11ously ro Roseurm11tz a11d Cllildellstemj: Follow him
RoscNCRANTZ: My Lord, you must tell us where the body i'>. Oil fi>ot. I want rum away tonight. llurry! IRoSC'I/(Yfli/IZ (/1/d
IIAMLUT: You'll haw to catch me first! GuildfiiStertl lcm,e. J lto himscffl Soon I wam to hL·ar news of
[1la11dct I'll/ IS ariNIY. Romtrm11tz a11d Guildenstem flurry qficr l!iw. J Hamlet's death. Until then I cannot be happy. jlle leave's. I
30 31
Sce11e 4 Tlze same lar,~?e room as itt acr 2 scene 2 CLAUOIUS [to Gertmdel: H ow long has she been like this?
0Pirn lA Paug/zi11g and da11ci11,1? wildlyJ: I can't stop crying when
rGertrude is with Horatio. Ophelia (OI/IeS ill Her eyes are wild alid
0
32 33
II
LAER'lt::S:How did it happen? Don't play games with me. You're
the King, but T'm not afraid of you. lt doesn't matter what
happens to me in this world or the next. But I will have
revenge for my f.1ther!
CtAu m us: Good Laertes, in your revenge for your father's death,
will you attack both his fi·iends and enemies?
LAt::UlTS: Only his enemies.
CLAUOJUS [smilill.R and prtshiii.R the sword away from his 11eck]: Now
you speak like a good son and an honest man. My heart is
filled with grief at your father's death. I did not kill him.
l17JC small door opens and Ophelia comes i11. Her clothes are dirty,
her hair is untidy. She walks slowly m·otmd the room, not looki11g at
at1yc>11e. She is talki11g quietly to herself]
37
36
CLAUDIUS: No place, not even a church, can protect a murderer Act 5 Final Acts of Revenge
from his punishment. But, good Laertes, listen to me. Stay
away from I larnlet when he first arrives. I w111 send people to Sceue 1 A snowy field <?fgmves at 11igllc, 111itll trees all arou11d
talk to him about your skill with the sword. He will become
lA 1111111 is sin,(/ill,l/ mulworkinJ? in a ,1/Yal'e. 1-laml£'1 and 1/omtio watch
excited ami want to fight you. Before rhe fight, you can
the lllflll quietly from the trees for a minute•. Then I /am let walks
secretly take the protector off your sword. Then you can rake
towards the man. J
revenge on him for the death of your father.
LAEin ES: I will do it. And I have some poison that I can put on HA.'Vti.ET: How long have you worked here?
the end of my sword. I only have to touch him with it and he WoRK!\.1AN: For thirty years. l started on the same day that young
will die. Hamlet was born. The mad prince - the one they sent to
CLt\UDtus: If our plan £1ils, I have another idea. He will become England.
hot and thirsty during a long, hard fight. I will pm some HAMLET finterested]: And why was he sent to England?
poison in a drink and offer it to him. l The door opens.l Quiet! WORKMAN: Because they're all as mad as he is over there.
What is that noise. l Gertmde comes i11, looki11g pale. Claudius HAMLET [going down on one knee tWX/ w the grar,el: How long will
stands up.l What is it, my sweet Queen? a man lie in the earth before the worms eat him?
GERTIWDE: Oh, there's too much sadness. Your sister is dead, WORKMAN: Some people last longer than others. lHe ,1/ivcs Hamlet
Laertes. a slmll.l This one, for example, has been here for twenty-three
LAEnTES lsta11ding up cmd shaki11g I: Dead? Where? years.
GrmTRuun: She was sitting in a tree by a stream, making circles of HAMLET: Whose was it?
dead flowers for her hair. Suddenly. she fell. She lay on her WoRKMAN: lt belonged to Yorick, the King's joker.
back in the icy water, singing to hersel( Then, slowly, the HAMlET fquietly]: Can I see it? fHe takes the skull and looks i11to its
weight of the water in her clothes pulled her down - and she empty eyes.l PoorYorick. J knew him- a very funny man. He
died. carried me on his back a thousand times. Now where is the
LAER1ES [quietly to Claudiusl: Goodbye, my Lord. I have words face that I kissed so often? Whcre are the jokes that everybody
of fire to speak. But first I have a thousand tears to cry. tHe laughed at? Sho\-v yourself to my Lady, the Queen, now. It
leaves.l doesn't matter how brightly she colours her face. In the end,
CLAUDIUS: Let's follow him, Gertrude. J calmed him, but this she will look the same as you. l There nrc noises, COl/ling closer.
wi ll make him angry again. 1 don't want him to do anything Hamlet looks up.) But quiet. Someone's coming. [Claudius,
silly. Gutmde, I..nertes, a clmrdmran and some lords arrir1e with the body
c~{ Ophrlia. 1/amlet returns the slmll ro till' gror111d, sta11d.~ up cwd
I'J1wy leave.] mor,cs quickly bark to the trees.] lquierly to 1/omtiol Here come
the.: King and Queen. Who arc they carrying so quietly to the
grave? Let's hide in the shadows and watch.
38 39
Put her in the earth, so flowers can grow from her
LAbJtTJ::S:
Sce11e 2 Tile same large room as in act 1 scene 1
beautiful young body.
HAMLer [quil'lly to Horatio]: What! The fair Ophelia? IJlamft•t and Horatio come i11.1
HAM I u: On~ night on the ~h1p. I went to Rosencrantz and
IOp/wlia ~~ body is lowered mr~{rtlly into her grave.]
Glllldensrern 's room. flwldill,{! 11p c1 !mer] I f<>Und this letter
GtmTRUT>H: Sweet Lady, goodbye.jShe drops .flowers into the ~rm,c.] from th~ Kmg and brought 1t back to my room. In it. he gav~
I wanted to put Aowcrs on your wedding bed, not your grave. orders for my death!
LAEH'I'ES frvild with .~ri~fl : Death to the man '"'hose wicked act HORJ\TIO rtillable to belieLJ(! itJ: Is it possible?
took away your mind! Hold back the earth until I have ki\sed IIAMLt:.r L!!illing him the letter]: You can read it. But before you do,
her one last time. lHe jumps i11to the ~rave and kisses Op/u?/ia. j hear the rest of my story. With enemies all around me, 1 had
Now build a mountain of earth above her that will couch the to act fast. I wrote another letter in the King's handwriting
sky. and returned it to Rosencrantz and Guildenstern's room.
HAMLI:.T [walki11g out ~the treesj: Who is this whose grief brings In it, I asked the King of England to put the messengers to
pity even to the eyes of Heaven? sudden death . The ne>..'t day, we were attacked by robbers.
LAI:HTES fclimbing 011t ~tire ~rave a11d nmning at Hamlet]: I'll send You know how the story ends.
you to Hell! lHe puts his hands aror111d Hmnlet's neck.l Horu\nO: So Rosencrantz and Guildcnstern went to the ir de:~th ?
HAMLin [angrily d~fondin,~ lri111sc[fJ: Take your hands off me! HAM LEI: I don't feel bad about it. They were destroyed by their
CI.AUO IUS [pulling Laertes all'ayJ: Stop! own dishonesty.
Gliltmum [pulling Hamlet fiLI'ayl: Hamlet! Hamlet! HoRATIO [mz~rily]: What kind of king is your uncle?
HORATIO lfroldi11g Hamlet's arml: My Lord, calm down. II AMI IT: He killed my father and sleeps with my mother. I Ic's
HAMIEl lslzouti11g mrgrilyj: 1 loved Ophelia too! Forty thomand destroyed my happiness and has tried to take my life. Now he
brothers could not love her as much as I did! has to pay for his crimes.
CLAUDIUS [holding !Aertes by the armJ: He is crazy, Laertes. HORATIO: There isn't much time. He'll soon hear the news from
GllHTHUDE [to l.Aertes] : For the love of God, do not fight him. This England.
is madness, but it will soon pass. HAMLET: I don't need much time. A man's life is no m o re than
1-IAMLH [to Laertesl : You are unfair to me, sir. If you act like a dog, one touch with a sword. 13ut I'm very sorry about Laertes.
I can act like one, too! I lis grief is similar to mine. I'll try to be friends with him
CLAumus [to Horatiol: Please, Horatio, take him away. [Hm11lct again.
a11d Horatio lem,e. Claudius turns c111d speaks quietly t!l Lncrrcs.J
rOsrzc (<IIII('S ill tllld takes o.O"Izis hat.l
Remember our conversation last night. Be patient. [ta t'I'Cr)'t>ll£']
Do not worry. We shall all soon be safe from danger. OsRIC [t!l H11mh•t]: My Lord. I have :1 message for you from the
King. Laertes h:ts just arrived al court. He is a perfect man.
Everybody likes him, and he is excdlent with the sword.
40 41
HAMLET: You describe him very well. But what's the reason for CLAUDIUS [loudlyj: Begin.
your wonderful description of him?
[Hamlet at1d Lllertesfight. Hamlet to11ches Laertcs with his sword.]
OsRIC: The King invites you to a friendly swordfight with
Laertcs. Will you accept the invitation? HAMLJrr: One hit!
HAMLET:And if! say no? LAERTES: No!
OslUC ls~trprised l: My Lord, what will people think if you refuse? HA1\1LTIT lfo Osric]: Your judgement?
HAMT,ET fsmili11gj: This is a good time of day for exercise. Tell the Osruc: A hit - a very clear hit.
King that I'm ready. LAERTES [pointing his SI/Jord at Hamletl: Again.
OSRiC: I am your servant, my Lord. [He leaves.] CLAUDIUS: One minute! Give me a cup of wine. lA servant gives
HORATIO [worried]: You'll lose tills fight, my Lord. him a wp. Cla11dius secretly puts poison in the cup, then holds it
HAMLET: I don't think so. While Laertes was in France, r did a lot up.j Hamlet, here's to your health . fto a servant] Give him the
of practice. fquietly] But I have a bad feeling in my heart about cup.
all this. HAMLET: I'll drink it later. [to Lllertesj Come. l They fight again.
HOR.ATTO:If your heart isn't happy, listen to it. I'll tell the King Hamlet touches Laertes with his sword.] Another hit! What do you
that you're not \lVeJI. say?
HAMLET [proudlyl: Impossible! I refuse to listen to the voice of LAERTcS: He touched me, I agree.
fear. CLAUDIUS [to Gertrude]: Our son will win.
GuRTRUDE [taking tl1e cup from Claudius and smiling at Hamlet]: The
lMusic plays. Servants come in and prepare a table with cups of rvi11e. Queen drinks to your good luck, Hamlet. [She lifts the cup to
Qfficers come itt carrying swords and k11ives. Claudius, Gertn1de 1 her moulh.J
Laertes, Osric a11d other lords, o_fficers and serva11rs come i11.] CLAUDIUS lnervouslyj: Gertrude, don't drink.
GERTRUDE: I will, my Lord. Forgive me. l She drinks, and walks
HAMLET Lwalking towards Laertes and shaking his hm1d]: I'm sorry,
towards Hamlet with the cup.]
sir, for the bad things that I've done. But believe me, they were
CLAUDIUS (quietly to himse!fl : It is the poisoned cup. It is too late.
not plarmed. It was the illness in my mind that did these
HAIVILEI' lto Certn1dej: Not yet. I'll drink it later.
things. It was not me. I'm not your enemy, but tills madness is
GERTRUDE [taking a white cloth frorn her beltj: Then I shall dry your
mine. So please, sir, forgive Hamlet for ills crimes.
face.
LAJOHTES [seriously]: As a man, I forgive you. But as a son and a
LAERTES lsecretly p11tting poiso11 on his sword and t11min,{! qttietly to
brother, I can't. I must defend the good name of my family.
Claudius]: My Lord, I'll hit him now. But my heart tells me
HAMLET: I understand. Now I'll gladly test your skill with the
Lhat this is wrong.
sword. [to o.~rirl Give us the swords. Hurry!
HAMLET lpoi11ti11g his sword at Laertes]: Let's fight for the third
lOsric takes a n11mber of swords from the o_fficers. Hamlet a11d Laertes time, Laertes. This time, do your best. [mdely] You're fighting
choose their s111ords a11d prepare tofight.] like a child.
42 43
LAF.RTES lpoi11ti11~ his sword a11~rily at Hamlet]: Is that what you
think? Let's see!
44
[Hamlet takes Lacrtes's haud. Laertes dies.] fORTl;>IBRAS: Four officers will carry Hamlet's body away. This
country has lost a great man and a wonderful future king.
HAMLET [to Larrtcs]: I'JJ follow you to Heaven soon.lHe.fal/s to tire Soldiers' music: will play for him as he travel~ to the next
.floor rmd wms 10 Horatio.] I'm dead, Horatio. l3ut you still live. \Vorld. lto his <![ficersl Take away the bodies. This room looks
I IORATlO lfifiin,(/ the wp of poiS(Hll'd 111i11c to Iris 1110111hj: I'm not like a fidd of war. Go, tell the soldiers to shoot their guns.
afraid of death. There's still some wine in this cup.
[E11erybody leaves. Officers carry tire bodies away. There is a short
HAMlET [a11grily b11t 1/ll'akly]: Give me the cup. Drop it.lfyou love
silence, aud tlren tire sowzd of bi,(? J/11115 comes jro111 tire wsrle walls. j
me, Horatio, don't go to Heaven yet. Stay in this heartless
world long enough to tell my story. lS/wufs come from omside. j
What warlike noise is that?
Osruc: Young Fortinbras won his war in Poland and has
returned. [looking our of the wi11dow] He is welcoming the
messenger from the King of England.
HAMT.ET [weakly]: Oh, I'm dying, Horatio! The poison is too
strong. l can't live to hear the news from England. l3ut I
believe that Fortinbras will make an excellent king of
Denmark. Tell him the reasons for all this. The rest is silence.
P/e dies. I
IIOMTlO: A brave heart has broken. Goodnight. sweet Prince.
IThe doors ope11. Forti11bras, Iris soldiers and the Ki11~ of Et~gla11d~~
messet·l,<!er cotue in. J
46 47
ACTIVITIES While you read
5 Who are these people? Draw a line to one of the descriptions on
Act 1 the right.
Before you read a Claudius Hamlet's friend
1 Hamlet is one of Shakespeare's most famous plays. Work with b Fortinbras Laertes's sister
another student. c Polontus Hamlet's mother
a What other Shakespeare plays do you know? Make a list. d Laertes Hamlet's uncle
b What are those plays about? Are they amusing or sad? Write e Gertrude the King of Norway's nephew
one or two sentences about each play. f Horatio the King of Denmark's friend
c Compare your list with the lists of other students. Add plays that g Ophelia Polonius's son
are not on your list. After you read
2 Look at the Word List at the back of the book. 6 Choose the correct answer.
a Which words describe: a The King of Norway
• people? • wants to attack Denmark.
• parts of a play? • lost land to Hamlet's father.
• things that are found in the ground? • disagrees with his nephew's plans.
• things that can kill? b Hamlet thinks that his mother
b Choose two other words from the list and use them in
• did not really love his father.
sentences. • does not really love him.
3 Read the Introduction to the play and answer these questions. • knows about the murder of his father.
a In which country do the people in the play live?
c Polonius
b Who is Hamlet's main enemy? • wants his son to go to France.
c Which of these words does not describe Hamlet? • wants his daughter to become the next queen.
honest ordinary perfect thoughtful brave • does not want his daughter to get into trouble.
d Which of these words does not describe the play? d The Ghost wants Hamlet to
sad famous serious simple special
• punish the King.
e When did the real Hamlet live? • punish the Queen.
f How many plays did Shakespeare write before he wrote
• punish the King and the Queen.
Hamlet? 7 Work with another student. Discuss these questions. What do you
g When was Hamlet written? think?
4 Act 1 is called 'The Ghost on the Castle Wall'. The Ghost is the a Does Claudius really love Gertrude?
ghost of Hamlet's father. How do you think Hamlet will feel when b Why did Gertrude agree to marry Claudius?
he sees the ghost? What will he do? c Is Hamlet right to feel angry with his mother?
d Why does Claudius really want Hamlet to stay in Denmark?
48 49
Act 2 Act3
Before you read Before you read
8 Discuss these questions with another student. What do you think? 12 Discuss these questions with another student.
a Will Hamlet take his revenge immediately? Why (not)? a What is Hamlet's plan? How dangerous is it? Will it work?
b What will happen between Hamlet and Ophelia? Why? b What will happen when Hamlet meets Ophelia again?
50 51
h Claudius doesn't feel safe ... Hamlet is still in the country. After you read
Polonius will report Hamlet's conversation with Gertrude ... 19 One word in each sentence is wrong. Which word is it? What is the
Claudius goes to bed. correct word?
Hamlet waits for revenge ... Claudius finishes talking to God. a Hamlet calls Rosencrantz a worm.
16 Discuss these questions with another student. b Ophelia has gone mad because her brother is dead.
a How does Hamlet feel about these people at the end of Act 3? c An angry crowd wants Hamlet to be king.
Claudius Rosencrantz and Guildenstern Ophelia d Claudius puts flowers on Polonius's grave.
Polonius Gertrude e Robbers freed Hamlet in return for his promise of money.
b How do they feel about Hamlet? f Claudius has not punished Hamlet for three reasons.
c Who do you feel most sorry for? Why? g Laertes is sad that Hamlet has returned.
h Hamlet wants to test Laertes's skill with a gun.
Claudius plans to put poison in Hamlet's food.
Act4
Ophelia jumped out of a tree into an icy stream.
Before you read
20 Put these words into the correct sentences.
17 Discuss these questions with another student. What problems will
afraid fat kind mad patient safe secret
there be if these people meet? Why?
stupid thin thirsty unbelievable
a Hamlet and Claudius?
a Gertrude thinks that Hamlet is ....
b Hamlet and Ophelia?
b Claudius thinks that he has been too ... to Hamlet.
c Claudius and Laertes?
c Polonius is put into a .. . grave.
d Hamlet and Laertes?
d Hamlet thinks that Rosencrantz is ... .
e 'The ... king with his country and the ... man with no job are just
While you read
different dishes in the same meal.'
18 Who is speaking? Who or what are they talking about?
t Claudius does not feel ... with Hamlet in the country.
a 'He isn't eating. Worms are eating
g Laertes does not feel ... of Claudius.
him.'
h Hamlet has ... news tor Horatio.
b 'At his head a piece of grass, at his
Claudius wants Laertes to be ... when Hamlet arrives.
feet, a stone.'
If the fight is long, Hamlet will feel ....
c 'This is worse than a thousand deaths.'
21 Work with another student. Take the parts of Hamlet and the
d 'Her meaningless words shine like
Ghost. Have this conversation.
stars.'
Student A: You are the Ghost. Ask Hamlet why he hasn't taken
e 'They freed me in return for my
revenge yet. Tell him why he mustn't sail to England.
promise of help.'
Student 8: You are Hamlet. Explain why you are going to sail
f 'I cannot openly punish him.'
to England. Why are you waiting before you take
g 'I want to be the one who punishes
revenge? Tell the Ghost.
him.'
h 'She lay on her back in the icy water.'
52 53
ActS Writing
Before you read 26 Imagine that you are Hamlet. You are studying away from home, in
22 Work with another student. Discuss a possible happy ending for Wittenberg. Write a love letter to Ophelia.
this story. How can it happen? 27 Imagine that you are Gertrude. Write a letter to Hamlet in
Wittenberg, before this story begins. Explain why you have married
While you read
Claudius. Ask him to accept Claudius as his new father.
23 Who
28 You are Claudius. Write your letter to the King of England. Explain
a is thirty years old?
why you want him to kill Hamlet.
b died twenty-three years ago?
29 Imagine that you are Rosencrantz or Guildenstern. Write a letter to
c puts flowers on Ophelia's grave?
Hamlet from England, before your death, explaining your actions.
d sent Rosencrantz and Guildenstern to their death?
Tell him why he should forgive you.
e brings Hamlet a message from the King?
30 Write a report of the death of the King and Queen of Denmark,
doesn't want Hamlet to fight?
Hamlet and Laertes for your local newspaper.
g kills Gertrude?
31 Write about Hamlet after his death, for a magazine. In what ways
h kills Hamlet?
was he a good man? What were his weaknesses? What can we
does not die?
learn from his story?
does Hamlet want to be the next king of Denmark?
32 Except for Hamlet, who is your favourite person in the play? Who is
After you read your least favourite person? Why? Compare them.
24 Work in small groups. Imagine that you are judges, and discuss 33 Imagine that you are Fortinbras. Write a speech to the Danish
these deaths. people, agreeing to become their king. Explain what has
Hamlet Hamlet's father Gertrude Claudius happened. Tell them why their future will be better.
Rosencrantz and Guildenstern Polonius Laertes 34 Imagine that you are going to make a film of the play in your own
Ophelia language. Who will you invite to play the main characters? Where
a In which order did these people die? will you film it? Explain why.
b Where were they when they died? 35 A student magazine has asked readers to write a modern short
c How did they die? story about revenge. The best one will be in the magazine. Write
d Which deaths were murder? Who was the murderer? your story.
e Is there anybody alive at the end of the play who should go to
prison?
25 Discuss these questions.
a Why does Laertes forgive Hamlet at the end?
b Why does Hamlet finally decide to take his revenge? Why didn't
he do it earlier?
An<wcr< for the ac<ivttle< '" thi< book Jrc avJibblc from the PcUJ:,'lHII R.cJUCI'> wcb, itc:
c What were Hamlet's biggest mistakes? Why? www.per lguil tre~ld ~rs.('OI11
A tree FJct;heet (or thi< book i<ol<o >v>iloblc from thi< wcb<itc.
54
WORD LIST
Hamlet
By William Shakespeare
Many films have been made of the play. The most well- Act 3
known were made in:
1 Put students into small groups to discuss these
• 1948 – with Laurence Olivier as Hamlet. It won 4 Oscars, questions.
including Best Picture and Best Actor.
What does Hamlet think about
• 1969 – with Nicol Williamson as Hamlet and Anthony (a) life and death?
Hopkins as Claudius. (b) women?
(c) Claudius when he is praying?
• 1996 – with Kenneth Branagh as Hamlet and Kate
(d) his mother’s marriage?
Winslet as Ophelia.
(e) Polonius’s death?
Do you agree with him? Why/why not?
Communicative activites 2 Put students into groups of three. Ask them to act out
this imaginary courtroom scene.
The following teacher-led activities cover the same sections Student A: You are Claudius’s lawyer. Tell the judge why
of text as the exercises at the back of the Reader, and Hamlet is guilty of Polonius’s murder. What
supplement those exercises. For supplementary exercises punishment should Hamlet have? Why?
covering shorter sections of the book, see the photocopiable Student B: You are Hamlet’s lawyer. Tell the judge
Student’s Activities pages of this Factsheet. These are why Hamlet should not be punished for
primarily for use with class Readers but, with the exception Polonius’s murder.
of discussion and pair/group work questions, can also be Student C: You are the judge. Listen to the lawyers’
used by students working alone in a self-access centre. arguments. Ask them questions. Make your
decision.
ACTIVITIES BEFORE READING THE BOOK
Act 4
1 Put students into small groups. Ask them
Put students into small groups to discuss these
(a) what Shakespeare plays they know. questions.
(b) what they know about the characters/story/setting
(a) What news does Hamlet have for Horatio, do you
of any of these plays.
think?
(c) what they know about Hamlet.
(b) What is Claudius’s plan for Hamlet? Will it succeed?
Discuss group findings as a class. Why/why not?
2 Write these words on the board: Act 5
castle ghost grave mad poison revenge Put students into groups of three. Ask them to act out
wicked this conversation.
Ask students to write sentences using these words. Ask Student A: You think everything is Hamlet’s fault. Say
students to read out their sentences and write the best why.
ones on the board. Student B: You think everything is Claudius’s fault. Say
why.
ACTIVITIES AFTER READING A SECTION Student C: You think everything is the Ghost’s fault. Say
Act 1 why.
1 Put students into groups to discuss these questions. ACTIVITIES AFTER READING THE BOOK
(a) How do these people feel about each other? Why?
(1) Hamlet and Gertrude Put students into small groups. Ask them to choose one
(2) Hamlet and Claudius scene from the play. Ask them to choose parts and read the
(3) Polonius and Hamlet scene together. When they are ready, they act out the scene
in front of the class.
(b) What does the Ghost want Hamlet to do? Why?
2 Put students into pairs. Ask them to act out this imaginary
conversation. Word list
Student A: You are Hamlet. Tell Ophelia about the
Ghost and your plans for revenge. It will be useful for your students to know the new words
Student B: You are Ophelia. You don’t think Hamlet found on page 56 of the Reader. They are practised in he
should listen to the Ghost. Tell him why. ‘Before You Read’ sections in the back of the book. (The
Act 2 definitions are based on those in the Longman Active Study
Dictionary.)
Put students into small groups to discuss these questions.
(a) What secrets do these people want to know? How
do they plan to find them?
(1) Hamlet
(2) Claudius
(3) Polonius
(b) Will their plans succeed? Why/why not?
Hamlet
By William Shakespeare
These activities can be done alone or with one or more other (b) Polonius feels Hamlet.
students. Pair/group only activities are marked*.
(1) amused by
(2) angry with
ACTIVITIES BEFORE READING THE BOOK
(3) sorry for
1 Look at the pictures in the book. On which pages can
(c) Hamlet tells Rosencrantz and Guildenstern that
you see:
he
(a) a sword?
(1) is bored with life.
(b) a ghost?
(2) loves Ophelia.
(c) a curtain?
(3) does not like plays.
(d) a servant?
(e) a lord? 2 Which of these words describe Hamlet, and why?
(f) poison? angry brave nervous pleased rude
2 Read the introduction on pages v-viii and choose the strange unsure wise
right answer.
Act 3
(a) Hamlet wants to find / forget / punish his uncle.
(b) Hamlet is a story about love / mystery / revenge. 1 Are these sentences about Hamlet right or wrong?
(c) Hamlet was written 200 / 300 / 400 years ago. (a) He is afraid of death.
(d) In the 1996 film, Hamlet is played by (b) He wants to marry Ophelia.
Robin Williams / Gerard Depardieu / Kenneth Branagh. (c) He sits next to Ophelia during the play.
(e) Shakespeare was unknown / unpopular / (d) He is excited after the play.
successful in his lifetime. (e) He is angry with Rosencrantz and Guildenstern.
(f) He decides to forgive Claudius.
ACTIVITIES WHILE READING THE BOOK (g) He kills Polonius by mistake.
Act 1 (h) He tries to kill his mother.
1 Put these people in the order that Hamlet talks to them. 2 Which of these words describe Claudius, and why?
Act 5
Who are these sentences about?
(a) He talks to a skull.
(b) They fight near a grave.
(c) They die in England.
(d) They ask for forgiveness.
(e) She drinks poison.
(f) He kills Hamlet.
(g) He is the next King of Denmark.
ACTIVITIES BEFORE READING THE BOOK 2 (a) No – She wants Hamlet to forgive
her.
1 (a) a sword – pages 7, 25, 35, 45 (b) Yes – Hamlet has killed Polonius.
(b) a ghost – page 7 Claudius thinks that he is
(c) a curtain – pages 13, 35 dangerous.
(d) a servant – page 45 (c) Yes – Hamlet is rude to him.
(e) a lord – page 45 (d) No – She is mad.
(f) poison – page 45 (e) Yes – His father and sister are
2 (a) punish dead because of Hamlet.
(b) revenge Act 5
(c) 400 1 (a) Hamlet
(d) Kenneth Branagh (b) Laertes and Hamlet
(e) successful (c) Rosencrantz and Guildenstern
(d) Hamlet and Laertes
(e) Gertrude
(f) Laertes
(g) Fortinbras