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The Times - Brass Quintet

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The Times Hiroki Takahashi

Aranż: Tobi
1. Present
             
                     

Allegro = 142 A

  
 
Trąbka 1

     
            
        

              
trąbka 2

                  
     
   
Euphonium

      

 
             
 
 
Puzon

          
            
  
 
Tuba

  
                     
  
6

 
Tr1

   
              
    
   
          
Tr 2


            
           

Euph     

         

P

       
T                   

       
       
          
B

 
  
11



Tr1

     
                   
    

    
         
Tr 2

Euph
    
               
  
         
  

P

       
           
T      

-1-
                
                  
16

Tr1

            
           
     
                   
Tr 2


             
  
Euph

             
    
P      

        
          
T      

                              

   
C


21

  
Tr1

                   
    


    

  
Tr 2

                      
    

 
Euph

  
           
           
 
P

         
    
 

T

     
             
     
26
D


Tr1

               
                

Tr 2

                  
   
       
     
Euph

             
       
    
 
P

    
               
    
 
T

-2-
    
                 
      
to 


31


 
Tr1

   
      
          

      
      
Tr 2


                   
    

              
Euph

     
     

 
P

    
          
  

T

      
                         
E

  
36


Tr1

  
                              
        
  
Tr 2

      
   

Euph

           
       


P

     
T         

    
                    
41


Tr1

        
                        
3

    
   3 
Tr 2

     
      
   
3

Euph

         
     
3 3 3



P

                    
 

T

-3-
        
  
46
F


Tr1

   
          
  
Tr 2


              
   

 
Euph

               
       
      

P

             
T    

           
    
50 D.S.


Tr1

 
              
3

  
3

    
Tr 2

     
       

Euph

             
     
3 3


P

  
            
 

T

               
 coda

            

54

  
 
Tr1

         
        

  
  
     
 
  
Tr 2

         
      

 
Euph

                  
           
    

 
P

           
          
   

T

-4-
2. Past
          
         
 = 110

Adagio


  
Trąbka 1

   
     
           
 

     
trąbka 2

                 
        
  
Euphonium

  
               

  
Puzon

            
 
Tuba

         
     
 

 
       
7
G

 
Tr1


           
   
     
Tr 2

                 
      

Euph

          

P

          


T


                  
       

H


13



Tr1

  
                      

 
Tr 2

      
              

   
      
Euph

       
              
 
P

   
                     
  
 
T

-5-
                         
 
20

 
Tr1

   
                             
 
  
Tr 2

                 
       
 
Euph

           

  
P

     
                   

 
T

                                       
  
I


26


Tr1

                           
      
     
Tr 2

                                   
 
    
          
Euph

    
    

P

    
             

T

                                          
G.P.

 
30 rit. a tempo


Tr1

                                   
        
 
Tr 2

                          
      
      
  
Euph

      
           


P


                      
T   

-6-

          
         
35
J

 
 
Tr1

 
     
           
 
      
 
  
Tr 2

    
      
   
  
Euph

  
         
    

  
P

            
 

T

     
          
K

  
rit.


41

  
Tr1

       
                   
    
Tr 2

                           
  
  
Euph

    

          
       
  
P


           
    
  
T

-7-
3. Future

                                        

Vivace = 156 L

                  
  
Trąbka 1

                   
                                        
     
trąbka 2


             


Euphonium

       
     
 
Puzon

                       
  
Tuba

              
                                 

11

  
   
Tr1

               
                   

     

            
Tr 2

           
              
 
Euph

                          
       
  
P

                  
    

 
T

           

         
              
M

     
21

  
Tr1

     
                        
       
   
  
Tr 2


      

           
    
    
Euph

                 
                 
   
P

             
                       
 
T

-8-
  
          
  
32

Tr1

     
                                       
 
                        

Tr 2

  
          
Euph

 
          
         
P       

  
                      
      
 
 
T

       
                        
        
N

 
41

 
   
Tr1

                
      
         
  
Tr 2

         
         
                   

                
Euph

     
        

  
P

        
        
           


  
T

    

                                        
  
51


 
Tr1

            
                           
   
   
 
Tr 2

         
             

  
Euph

     
              

P

                     
 
 
T

-9-
     
          
O

 
60 Cantabile


Tr1

   
            

Tr 2

        
Euph
        

      
    

P

T
          

    
           
P

    
70


Tr1

          
 
   
5

 
Tr 2

             
 

Euph

  
   
        

P

      
  
 

T

   
             
   
80

Tr1

     
             
     
Tr 2

      
     
 
 
      
Euph

     
    
P

           
T   

-10-
         
                                 
90 (Tempo I)

      

Tr1

         
Tr 2                     

              
                

Euph

    
      

P

              
   

T

     
                                     
Q

 
98

  
   
Tr1



                     
     
  
Tr 2

                 
 
                        
        
Euph

             
                    

    
  
P

         
              
    
  
T

     
      
               
 
108



Tr1

                                
             
    
   

Tr 2

      
          
                     
  
Euph


            

P

         
           

T

-11-

                                
R


117

  

Tr1

       
           
  
  
Tr 2

    
              


        
 
Euph

                 
         
 
P

             
      
 
T

   
              
S

  
127

 

Tr1

        
 
                  

     
Tr 2

         
   
 

 
Euph

          
            

P

               
   

T

                    
      
      
T

 

cresc.

    
137


   
Tr1

       
                        
    
              
Tr 2

               

   
Euph

                       
                  

  
P

    
                        
   
  
T

-12-
                    
         
146


Tr1

       
                     

                    
Tr 2

     
      
  
              
Euph

            
     
 

P

                      
        
  

T

-13-
Aranż: Tobi
Tromba in B♭ 1
The Times
Hiroki Takahashi
1. Present

 Allegro  
                            
 = 142

  

    
                            
5
A

 


  
  
12



      
      
                
B

 
13

                      
     
17

                     

     
21

 
     
                              
D

 
25

 
                    

to 

   
31


 
                                 
        
E


36


-1-
Tromba in B♭ 1

         
     
F

     
42

 
      
       
51 D.S.

 3

               
 coda

            
 
54

  
 
2. Past

 Adagio        
     

   
         
 = 110
 
  
                    
  
G

    
8

  
                   
  
H


14

           
          
    
I

 
22

 
                                      
    
27


                                 rit.    
G.P.
a tempo

           
30


-2-
     
Tromba in B♭ 1

        
         
J

 
35

   
    
 
      
     
K

  
rit.


42

  
3. Future

                               
Vivace  = 156

    
 
         
                           
L


9

  
         

                       
18


 
                       

M

          
26

 
     

                                
43
N

 
  
                  
                           
51

 
              
 
Cantabile

     
O

     
59

 
      
P

                

76

-3-
  (Tempo I)      
Tromba in B♭ 1

                               
89

      

    
    
97

      
                            
   
Q


98

  

                                 
     
106

 
    
                     
R

 
114

  

          
    

          
123

 T

                
S

   
       
133 cresc.


 

                
            
  
142


 

           
    
150

-4-
Aranż: Tobi
Tromba in B♭
The Times
Hiroki Takahashi
1. Present

 Allegro    
                       
 = 142



                            
A

     
5


      

12

           
               
B

                
13

 
 C


                                      
19

  
             
    
     
D

        
25

 
     

                  
     
31 to 

 
  

37

                                              
38
E
3

            3

-1-
Tromba in B♭


                            
F


44 3


3
  
   
51

           
 coda

                  
D.S.

     
52

 

2. Past

 Adagio
     
    

                               
 = 110

 
   
     
      
G

            
10

  
 
H 
          
      
       
         

18


  
                                      
I

      
26


                  rit.
G.P.


a tempo

                    
31

 

       
                          
J

 
35

 
    
 
        
             
K

 
42 rit.

  
-2-
Tromba in B♭
3. Future

 = 156               
            
Vivace

 
            
 
                          
L

 
9

 
           
                    
18

  
             
                      
 
M

    
26

  

  
   
                         
N


36


   
   
                                 
47

    
  

       
Cantabile

         
O

            
   
55

 
 
                  
P

    
68 5


         
      
                     
87 (Tempo I)



                              
Q

        
98

   
  
-3-
          
Tromba in B♭


                         
111

    
      
         
R

   
117

  
  

    
    
    
                     
S

 
cresc.

  
131

 

             
   
   
T


141

 

          
          

149

-4-
Euphonium
Aranż: Tobi
The Times
Hiroki Takahashi
1. Present

      
          
  
     
Allegro  = 142

     

                  
  
          
A

 
5


              
            
 
9

                 
         
B


13

  
    
   
C

              
    
21

  
                    
         
26
D

 
             
          
to 

   
32

  
 
 
                       

E


36


   
3 3 3

  
45

-1-
    
Euphonium

              
        
F


46

  

3 3

    
53 D.S.


           
 coda
       
54

 
2. Past
 
 
  

               
        
Adagio  = 110

  
              
G

      
7

  

    
       
         
 
12

 

                                   
I

   
18
H

       
                        
           

27

                           
 
  
G.P.

 
a tempo

     
31 rit.


          
       
   
35
J

    
-2-
     
Euphonium

              
K

 

42 rit.

 

-3-
Euphonium
3. Future

               


         
Vivace  = 156 L


 
  
   
          
                    

17

      
                             
 
26
M

 
             
                   
40
N

  
               
    
     
49

 O Cantabile  
                 
         

59


 P              
       
   
    
73

 
                      
        
90 (Tempo I)


                 
                   
98
Q

  
              
      

107

 
-4-
      
Euphonium

        R
                      
113

 

          

       
     

          

122

 
 
        cresc.
          
S

           
T


133

 
               
 

145

 
  
    
        
    

150

-5-
Trombone
Aranż: Tobi
The Times
Hiroki Takahashi
1. Present


                     
    
 = 142 A


Allegro


 
              
             
B

 
8



                
        
   
15

  
      

     
        
21

 
   
 
26

                         
    
  
27
D

 
    
   

32

      
         

33 to 

 

-1-
    
Trombone

          
        
38 E


              
       
      
46
F


   
  
       
   
50 D.S.


                               
       
 coda

  

54

 
2. Past

          
               
Adagio  = 110

  
        
            
10
G

 
                   
   
H


18

   
              
    
   
26 I

 J

 
       rit.
G.P.

             
        
a tempo

  
32


 
  
-2-
    
            rit.
  
Trombone

      
40
K

  
3. Future

      
     
 = 156
   
Vivace

     
L

  
                     
 
      
15

   

                  
          
26
M


                 
      
           
34

           
  
     
41
N


             
             

48

  

        
         
Cantabile

 
60
O

 
            
     
76 P

-3-
                
Trombone

     
  
(Tempo I)

   
90
Q

 

      
         
     
102

 

                
      
108
R

 

           
                   

125

 

                
        
133
S cresc.

                            
          
T


141

 

        
         
   
149

-4-
Tuba
Aranż: Tobi
The Times
Hiroki Takahashi
1. Present

                
           
  
A

 
Allegro  = 142

 
 
           
                     
7

               
        

      
B


13

            
         
       
 C


19


         
                   
D

   
27




     
                  
to  E


33



               
         
F

 
42

                
         
48 D.S.


                      
 coda

 
54

 

-1-
Tuba
2. Past

      
           
 = 110 G


Adagio

 

            
           
H

   
13

 

     
   
  
         
      
20

 

                                  
    
I


26

 J


G.P.
a tempo

                 
33 rit.

 
 

  
K

       
42 rit.

 
3. Future

                           
Vivace  = 156 L

  

                        
   
13


 

-2-
 
 
                
Tuba

         
  
26
M


     
         
                     
35
N

  

         
     
44


 
                            
 
50

 
   
  
Cantabile

  
O P

  
60


                 
84 (Tempo I)

      
                
94
Q


  
    
                           
105

 
          
R

     
117


               
  
125

 
           

133 S cresc.


-3-
Tuba

    
         
T

   
141

 

                               
145

 

       
       

152

 

-4-

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