0475 Intro OTG Marking Feedback
0475 Intro OTG Marking Feedback
0475 Intro OTG Marking Feedback
Paper 1
Script A
For higher:
• some points could be further elaborated, such as the assertion
about the ‘inverted sentence’ that ends the middle paragraph on
page 3
• more detailed probing of specific effects on the final page of the
response would have lifted the response even higher.
1
Mark
Question Commentary
awarded
8 Kambili describes Aunty Ifeoma as ‘fearless’. Explore two 22/25
moments when Adichie makes this fearlessness very clear.
For higher:
• more detail might have been provided for the second moment
selected
• closer analysis of the effects of language, structure or form would
have lifted the response.
2
Paper 2
Script B
The first paragraph links the extract clearly to the wider context of
the play: ‘it is the time of realization for Parris and the others that
the tolerance for the executions had run out’. In the second
paragraph, the candidate develops a response to the dramatic
nature of the extract, with a focus on what they term ‘a shocking
statement’ and the effect of the ‘single word “vanished”’. The
response focuses on both key words ‘dramatic’ and ‘revealing’. On
the second page of the response, points could be further
developed, such as the idea of Danforth showing alarm because
‘he cares for the girls’. The assertion that ‘we see cracking and
crumbling of an unjust regime’ also needs further development
and support from the text.
3
Mark
Question Commentary
awarded
4(b) How far does Shakespeare’s portrayal of Malvolio make you 12/25
feel that he deserves to be tricked?
4
Paper 4
Script C
5
Script D
6
Component 5
Script E
7
Mark
Question Commentary
awarded
2nd How does Shakespeare present the character of Juliet in 18/25
Romeo and Juliet?
The task is very broad. The direction of the response is set out in the
first paragraph, with the candidate making it clear they will focus on
the following aspects of her character: obedience, rebelliousness
and strength. The subsequent paragraphs show a clear
understanding of deeper implications of the text and character, with
relevant direct quotations used to support ideas. In places, the
response is overly assertive: see the final sentence of the third
paragraph which offers a broad awareness of context rather than
close textual analysis. In the penultimate paragraph, too, there is
general reference to the ‘dependent position of daughters in
Shakespeare’s time’. This is followed by comment on the ‘use of a
short list’ which needed more careful elaboration.
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