Libertango For Saxophone Quartet SATB

Libertango
Para cuarteto de saxofones
  = 136
                                          
Astor Piazzola
Soprano 
            
      

Alto          
  
   
 
    

 
Tenor      
         
    
 
      

Barítono
                    
 

S.                          
          
             
             
 
6
       

A.                         
      

T.                          
   

  
B.
                         
 

S.             
                                  
12
     

A.                          
     
T.       
   
   
   
  
     
B.
                     
Carl Mikael Blomkvist

         
2 Astor Piazzola - Libertango
S. 
 

17
     
 
A.                   
     
T.                      
                  
                     
B. 
           


           
S.        
22

      
A.                         
      
T.                           
                        

                        
B.    
        
  
S.            
28
    
              
A.
    
T.                
           

      
B.    
   
                  

       

 
                                           
Astor Piazzola - Libertango 3
S. 
          
32

  
      

A. 
 
     
    
T.               
         
B.  
            
 
S.                            
                  
36
        5         
  
A. 

 
   
T.                
    
B.
              
 
S.                
                                  
40
         
    
  

A.
 
     
T.             
     
B.
                     

 
4 Astor Piazzola - Libertango
S.             
     
             
             
45
       

         
   
 
A. 

  

        
T.
        
    
B.
             
           
   
S.         
49
   
          

    
A.
 
  
                             



T.
           
  
B.
      

    
                      

S.          
53
      
   
A.               
       
5
                 
    
T.
  
      
       
  
        
B.

 Piazzola - Libertango
                         
       
Astor 5
S.  
57
         
                     
 
            
    
A.
    

T.                   
    
B.
                
   
S.              
                            
61
        
            
          

       

A.       
   

    
  
    

T.                     
         
 

       
B.
             
  
   
S.                                          
                
66
      
               
A.
               
     
T.              
   
  
     
B.
                  

        
6

Astor Piazzola - Libertango
S.       
     
    

71
                      


A.              
       
     

T.                      
     

B.
                    

                

S.    
76
                           
3 3
  
3
3
      
A.
 
   


T.               
    
B.
             
 
                                     
S.      
80
             


       
A.         

       
     
 
T.              
    
   
     

B.
                    


   
 
                                      
Astor Piazzola - Libertango 7
S.     
  
85
                      
                
 
A.           
     

T.                     
     

B.
                    

  
 
                                      
  
S.      
90
      
                
A.
               
     
T.                       
     
B.
                    
           
                         
S.    
95

                         

         
A.   


     
T.

   
B.
   

Libertango For Saxophone Quartet SATB

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Libertango

Para cuarteto de saxofones

Carl Mikael Blomkvist

                        

Carl Mikael Blomkvist

Carl Mikael Blomkvist

                      

Carl Mikael Blomkvist

Carl Mikael Blomkvist

                      

                

Carl Mikael Blomkvist

Carl Mikael Blomkvist

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