Extended Aesthetics Art and Artificial I
Extended Aesthetics Art and Artificial I
Extended Aesthetics Art and Artificial I
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Published by
Proceedings of the European Society for Aesthetics
Founded in 2009 by Fabian Dorsch
Internet: http://proceedings.eurosa.org
Email: proceedings@eurosa.org
ISSN: 1664 – 5278
Editors
Connell Vaughan (Technological University Dublin)
Vítor Moura (University of Minho, Guimarães)
Editorial Board
Adam Andrzejewski (University of Warsaw)
Pauline von Bonsdorff (University of Jyväskylä)
Daniel Martine Feige (Stuttgart State Academy of Fine Arts)
Tereza Hadravová (Charles University, Prague)
Regina-Nino Mion (Estonian Academy of Arts, Tallinn)
Francisca Pérez Carreño (University of Murcia)
Karen Simecek (University of Warwick)
Elena Tavani (University of Naples)
Iris Vidmar Jovanović (University of Rijeka)
Publisher
The European Society for Aesthetics
Department of Philosophy
University of Fribourg
Avenue de l’Europe 20
1700 Fribourg
Switzerland
Internet: http://www.eurosa.org
Email: secretary@eurosa.org
Proceedings of the
European Society for Aesthetics
Table of Contents
Darío Loja A Brief Insight into the Musical Role of Non-Tonal Aspects.112
iii
Mojca Puncer Virus as Metaphor: The Art World Under Pandemia .... 161
iv
Emanuele Arielli 1
IUAV University of Venice
ABSTRACT. In this paper 2, I will argue that developments in machine learning and
artificial intelligence (AI) applied to aesthetics have relevant implications for
philosophical aesthetics, in particular concerning the discussions about the nature of
creativity and authorship. The automatic generation of aesthetic artifacts, as well as
the development of software increasingly supporting the work of artists and
designers, call into question the uniqueness of individual creativity and artistic
imagination in an unprecedented way. Moreover, in a scenario in which formal
properties of artifacts seem to be easily replicable by machines, the debate on the
relationship between aesthetics and the nature of art seems also revitalized. Overall,
diverging positions on this issue oscillate between the view of the machine as an
Other competing with human capabilities, and, on the contrary, an interpretation of
technology as an extension of human potentialities through the externalization of
mental processes. AI and machine learning would be in this sense a direct practical
manifestation of an extended aesthetic mind, in which traditional cognitive limits of
the biological mind can be overcome also in areas related to aesthetic creation.
1. Introduction
Since the beginning of the 21st century, computation, data analysis, and artificial intelligence
have gradually entered the aesthetic realm. We see this first in what we could call consumer
aesthetics, where algorithms are increasingly able to predict what we like and recommend in
accordance with our taste, like in music streaming services such as Spotify, or video platforms
1
Email: arielli@iuav.it.
2
Parts of this contribution anticipate an in-depth investigation of the relationship between computation and
aesthetics with the provisional title Artificial Aesthetics (forthcoming), by Lev Manovich and Emanuele Arielli.