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Extended Aesthetics Art and Artificial I

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Proceedings of the

European Society for Aesthetics

Volume 13, 2021

Edited by Vítor Moura and Connell Vaughan

13

Published by
Proceedings of the European Society for Aesthetics
Founded in 2009 by Fabian Dorsch
Internet: http://proceedings.eurosa.org
Email: proceedings@eurosa.org
ISSN: 1664 – 5278

Editors
Connell Vaughan (Technological University Dublin)
Vítor Moura (University of Minho, Guimarães)

Editorial Board
Adam Andrzejewski (University of Warsaw)
Pauline von Bonsdorff (University of Jyväskylä)
Daniel Martine Feige (Stuttgart State Academy of Fine Arts)
Tereza Hadravová (Charles University, Prague)
Regina-Nino Mion (Estonian Academy of Arts, Tallinn)
Francisca Pérez Carreño (University of Murcia)
Karen Simecek (University of Warwick)
Elena Tavani (University of Naples)
Iris Vidmar Jovanović (University of Rijeka)

Publisher
The European Society for Aesthetics

Department of Philosophy
University of Fribourg
Avenue de l’Europe 20
1700 Fribourg
Switzerland

Internet: http://www.eurosa.org
Email: secretary@eurosa.org
Proceedings of the
European Society for Aesthetics

Volume 13, 2021

Edited by Vítor Moura and Connell Vaughan

Table of Contents

Emanuele Arielli Extended Aesthetics: Art and Artificial Intelligence ..... 1

Alessandro Bertinetto The Aesthetic Paradox of Artistic Improvisation


(and its Solution) .................................................................................. 14

Vanessa Brassey The Pictorial Narrator .................................................. 29

Remei Capdevila-Werning and Sanna Lehtinen A First Approach to


Intergenerational Aesthetics: Theoretical Stakes, Practical Examples,
and Future Research Avenues................................................................ 43

Yi Ding A Brief History of the Reception of Laocoon in China: From the


Perspective of the “poetical picture” .................................................... 59

Rosa María Fernández García Hermeneutic Truth in Contemporary


Opera ........................................................................................................... 69

Jèssica Jacques Pi On Deconstruction and Construction in Picasso’s Las


Meninas: Political Reasons for Death Exorcisms in the 1957 Barcelona
Suite ...................................................................................................... 90

Monika Jovanović Beyond Internalism / Externalism Dispute on Aesthetic


Experience: A Return to Kant ............................................................. 100

Darío Loja A Brief Insight into the Musical Role of Non-Tonal Aspects.112

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Proceedings of the European Society for Aesthetics, vol. 13, 2021


Washington Morales Maciel Literary Cognitive Benefits as Undecidable
Mental Models .................................................................................... 126

Salvador Rubio Marco Novels and Moral Knowledge: Henry James


Evaluating Guy de Maupassant .......................................................... 139

Philip Mills Viral Poetics in Manuel Joseph’s Baisetioles ..................... 148

Mojca Puncer Virus as Metaphor: The Art World Under Pandemia .... 161

Karel Stibral Johann Georg Sulzer – A Forgotten Father of Enviornemtal


Aestehtics ............................................................................................. 174

Ryan Mitchell Wittingslow Using Philosophy of Technology to Talk about


Art ........................................................................................................ 190

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Proceedings of the European Society for Aesthetics, vol. 13, 2021


Extended Aesthetics: Art and Artificial Intelligence

Emanuele Arielli 1
IUAV University of Venice

ABSTRACT. In this paper 2, I will argue that developments in machine learning and
artificial intelligence (AI) applied to aesthetics have relevant implications for
philosophical aesthetics, in particular concerning the discussions about the nature of
creativity and authorship. The automatic generation of aesthetic artifacts, as well as
the development of software increasingly supporting the work of artists and
designers, call into question the uniqueness of individual creativity and artistic
imagination in an unprecedented way. Moreover, in a scenario in which formal
properties of artifacts seem to be easily replicable by machines, the debate on the
relationship between aesthetics and the nature of art seems also revitalized. Overall,
diverging positions on this issue oscillate between the view of the machine as an
Other competing with human capabilities, and, on the contrary, an interpretation of
technology as an extension of human potentialities through the externalization of
mental processes. AI and machine learning would be in this sense a direct practical
manifestation of an extended aesthetic mind, in which traditional cognitive limits of
the biological mind can be overcome also in areas related to aesthetic creation.

1. Introduction

Since the beginning of the 21st century, computation, data analysis, and artificial intelligence
have gradually entered the aesthetic realm. We see this first in what we could call consumer
aesthetics, where algorithms are increasingly able to predict what we like and recommend in
accordance with our taste, like in music streaming services such as Spotify, or video platforms

1
Email: arielli@iuav.it.
2
Parts of this contribution anticipate an in-depth investigation of the relationship between computation and
aesthetics with the provisional title Artificial Aesthetics (forthcoming), by Lev Manovich and Emanuele Arielli.

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