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Mancini Sonata Sesta-Fuvola 240316 192420

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Fl.

Sonata sesta
(Concerto d-Moll)

             
Amoroso
        
Francesco Mancini

 
   

                             
   
5

                                        
       
8

                     
           
12

    
                        
  
17

              
            
   
  
23

        
           
          
Allegro
28

              
       
   
   
38

          


    
 
43

                        


 
  
47

                           
   
   
51

     
                             
 
56
         
     
2

              
62

                            
    
68

                     
          
  

74

                    
        
     
79


          
                   

84

    
             
  
88

    
   
            
         

 
92

                                 

 
97

                

     
      

104

            
    
          
 
108

                     
      
 
114

             


      
120
Largo


                               
   
125
                                   
3


  

 
   
130

                                
    
136 Allegro

       
              
 
 
147

   
                      
    
163

                 
           

172

                   
         
181

                 
         
193

                            
  
206

          
                    

217

         
               
225

       


            
232

                 
      
240

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