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Burn - Hamilton

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From: “Hamilton: An American Musical”

Burn
from the musical Hamilton

by

LIN-MANUEL MIRANDA

Arranged by LIN-MANUEL MIRANDA and ALEX LACAMOIRE

Published Under License From

Alfred Publishing Co., Inc.

© 2015 5000 BROADWAY MUSIC


All Rights Administered by WB MUSIC CORP.
All Rights Reserved Used by Permission

Authorized for use by Amanda Atlas

NOTICE: Purchasers of this musical file are entitled to use it for their personal enjoyment and musical fulfillment.
However, any duplication, adaptation, arranging and/or transmission of this copyrighted music requires the written

Ǻ
consent of the copyright owner(s) and of Musicnotes.com. Unauthorized uses are infringements of the copyright
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Musicnotes.com
BURN
from the musical Hamilton
Arranged by Words and Music by
Alex Lacamoire and Lin-Manuel Miranda LIN-MANUEL MIRANDA

Moderate 2, icy q. = 66
## 6 N.C. · · · j
Î. Ï :
ELIZA:

G 8 Î
(2nd X only) I

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8

#
5
keep vocal rhythms conversational throughout

G # Ï Ï Ï Ï Ï. Ï Ï. Ï Ï Î
. Î Ï Ï Ï Ï Ï. Ï Ï Ï
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saved ev - ’ry let-ter you wrote me. From the mo - ment I read them I knew you were

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9

G #Ï « Ï. Ï « Ï Ï Ï Ï Ï Ï. ·
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mine. You said you were mine. I thought you were mine.

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© 2015 5000 BROADWAY MUSIC
All Rights Administered by WB MUSIC CORP.
All Rights Reserved Used by Permission

Ǻ Musicnotes.com Authorized for use by: Amanda Atlas


2
F#
#
13 Bm Gmaj7 D(add4) Em7

G #Î Ï Ï Ï . Ï Ï nÏ Ï Ï Ï Ï Ï Ï Ï. Ï Ï. «
Ï Ï
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Do you know what An - gel-i - ca said when we saw your first let-ter ar - rive? She said,

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17

« «
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“Be care-ful with that one, love. He will do what it takes to sur - vive.” You and your

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G # Ï. Ï Ï. Ï Ï Î Ï Ï Ï Ï Ï Ï. Ï Ï Ï « Ï Ï Ï
2

Ï
words flood-ed my sens - es. Your sen-tenc-es left me de - fense-less. You built me

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Bass Drum J simile

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G #Ï Ï Ï Ï Ï Ï ÏÏ Ï
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pal - ac - es out of par-a-graphs, you built ca - the - drals. I’m re -
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Ǻ Musicnotes.com Authorized for use by: Amanda Atlas


3
F #/A #
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29 Bm Gmaj7 D Em7

G # Ï Ï Ï Ï Ï. Ï Ï Ï Ï « Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï.
Ï
read-ing the let-ters you wrote me. I’m search-ing and scan-ning for an - swers in ev - e - ry

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G # Ï « Ï Ï « Ï Ï Ï Ï Ï. Î ÏÏ Ï Ï
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line, for some kind of sign, and when you were mine the world seemed

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F #m F #m/E F #m/D
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37

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Ï Ï Ï. ú. ú. Ï.
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to burn.
_ _ _ _
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Burn. You
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Ǻ Musicnotes.com Authorized for use by: Amanda Atlas


4
F#
# j
45 Bm Gmaj7 D(add4) D(add4)/E

G # Ï Ï Ï Ï Ï. Ï Ï Ï Ï « Ï Ï Ï Ï. Ï Ï Ï Ï Ï Ï Ï Ï Ï.
pub-lished the let-ters she wrote you. You told the whole world how you brought this girl in - to our

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G Ï Ï. Ï Ï. Ï Ï Ï Ï Ï Ï Ï.
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bed. In clear-ing your name, you have ru-ined our lives.

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G #Î Ï Ï Ï Ï Ï. Ï Ï Ï. Ï. « Ï Ï. «
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Do you know what An - gel-i - ca said when she read what you’d done? She said,
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57

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G(add2) D

G Î Ï Ï Ï Ï ÏÏ ÏÏ Ï Ï Ï Ï. Ï Ï Ï Ï Ï. Ï Ï Ï
“You have mar-ried an lc - a-rus. He has flown too close to the sun.” You and your

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Ǻ Musicnotes.com Authorized for use by: Amanda Atlas


5
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## Bm j j j
61 F 7 G Dsus2

G Ï Ï Ï Ï Ï Ï Ï Ï. Î Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
words, ob - sessed with your leg-a - cy... Your sen-tenc - es bor-der on sense-less, and you are
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F ## Ï j Ï j j Ï Ï Ï Ï
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rall.
F #7
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65

G # Ï Ï Ï. Ï Ï Ï «
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ad lib.

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par - a-noid in ev- ’ry par-a-graph how they per - ceive you. You, you, you... I’m e -

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Slower poco accel.
F #/A #
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Gmaj9(no3) D(add2) Em7(add4)
69

G # Ï Ï Ï Ï. Ï Ï Ï Ï Ï Î Ï Ï Ï Ï Ï Ï Ï. Ï Ï Ï
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ras - ing my - self from the nar-ra-tive. Let fu - ture his - to - ri-ans won-der how E - li - za re -

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A tempo
F #7 Gmaj9(add #4)(no3)
## Bm7
73 G D/G G

G Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï. Î Ï Ï Ï Ï Ï Ï Ï. Ï Ï Ï Ï Ï
act-ed when you broke her heart. You have torn it all a - part, I am watch-ing it

#
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Ǻ Musicnotes.com Authorized for use by: Amanda Atlas


6
# # #
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77

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ad lib.

G Î Ï Ï. Ï. Ï Ï Ï Ï
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burn. Watch-ing it

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burn. The world has no right to my

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B bmaj7 #5
# D Bm7 D/G A7sus
85

G # Ï « Ï Ï Ï Ï Ï Ï Ï. Ï « Ï Ï. Ï Ï Ï Ï Ï Ï. Ï « Ï Ï Ï Ï
heart. The world has no place in our bed. They don’t get to know what I said. I’m burn-ing the

#
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}{ fp
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w/ pedal
bÏ Ï Ï Ï Ï Ï n Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
B bmaj7 #5
# Ï. Ï Ï Ï Ï Ï
89 D Bm7 D/G A7sus

G # Ï ÏÏ
« Ï Ï
Ï
«
Ï Ï. Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
mem-o-ries, burn-ing the let-ters that might have re - deemed you. You for - feit all rights to my

#
G # ÏÏÏ ÏÏ # ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ
}{ fp
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fp
F ## Ï Ï Ï Ï Ï Ï bÏ Ï Ï Ï Ï Ï n Ï Ï Ï Ï Ï Ï
Ï Ï Ï Ï Ï Ï b Ï Ï Ï Ï Ï Ï n Ï Ï Ï Ï Ï Ï ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ

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7
Gm(add2)/B b
# .
D(add2) Bm7(add4)

G #Ï « Ï Ï Ï Ï Ï Ï
93

Ï Ï Ï Ï Ï. Ï « Ï Ï Ï
heart. You for - feit the place in our bed. You sleep in your of - fice in -

#
G # ÏÏÏ Ï ÏÏ_ Ï Ï_Ï Ï Ï ÏÏ_ Ï Ï Ï_Ï b Ï Ï # ÏÏ_ Ï Ï ÏÏ_ Ï Ï ÏÏ_ Ï Ï n ÏÏÏÏ_ Ï Ï ÏÏ_ Ï Ï Ï_Ï Ï Ï ÏÏ_ Ï Ï
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Ï Ï. ÏÏÏ Ï ÏÏ Ï Ï Ï Ï
96

G #Ï «
A9sus D(add2)

Ï Ï Ï.
stead, with on - ly the mem-o-ries of when you were mine.

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rall.
D/F #
99
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I hope that you

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A tempo molto rall.

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102 Bm Gmaj7 D(add4) Em7(add4) Bsus2

G # Î. Ï. ú. ú. ú.
burn.
;
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Ǻ Musicnotes.com Authorized for use by: Amanda Atlas

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