Diocesan Liturgical Commission

GUIDELINES FOR THE USE OF

VISUAL DISPLAY SYSTEMS IN
LITURGICAL CELEBRATIONS

CATHOLIC DIOCESE OF BALLARAT

 CONTENTS

Foreword Bishop Paul Bird CSsR pg 5

Introduction pg 6

General Principles pg 7

Overview pg 8

Preparing Presentations for Liturgical Celebrations pg 9

Using Visual Display Systems in Liturgical Celebrations pg 14

Use of PowerPoint / Video during the Mass pg 16

Vigil / Funeral Liturgy pg 21

Masses with Confirmation and First Communion pg 21

Appendices pg 22

Guidelines for the use of Visual Display Systems in Liturgical Celebrations 3

 FOREWORD
My dear people,
As I visit the local communities around our diocese, it is a joy to join in the
celebration of the liturgy in each place. Whether the church is large or small, the
members of the local congregations join in the Mass in a truly prayerful spirit.
“Do not be afraid of new technologies! These rank “among the
marvellous things” – “inter mirifica” – which God has placed at our In many places, one of the helps to this prayerful celebration is the use of screens
of various kinds. These show the words of hymns for the people to sing or prayers
disposal to discover, to use and to make known the truth, also the
for the people to say. Sometimes there are also images on the screen that help
truth about our dignity and about our destiny as his children, heirs
people’s reflection on life and faith.
of his eternal Kingdom.
I am very pleased to introduce this booklet that contains guidelines for the use
John Paul II ‐ Apostolic Letter “The Rapid Development” (2005) #14
of such displays in liturgical celebrations. Words and images on screens can
be a great help, but they need to be used appropriately. If not used properly,
they might be more of a distraction than a help. So, this booklet provides some
valuable tips about installing such a system and using such a system well.
If your parish is already using a visual display system at Mass, may these guidelines
“Truly, there is no area of human experience, especially given the vast help you to use such a system in a way that really fosters the community’s prayer.
phenomenon of globalization, in which the media have not become If your parish is thinking about using such a system, may these guidelines help
an integral part of interpersonal relations and of social, economic, you make the right decisions according to your local needs.
political and religious development.”
In all our communities, may our celebration of the liturgy truly be the source and
Benedict XVI ‐ Message for the 42nd World Communications Day, summit of our Christian lives.
2008 #1
God bless you all.

+Paul Bird CSsR

Bishop of Ballarat
March 2018

Guidelines for the use of Visual Display Systems in Liturgical Celebrations 5

 INTRODUCTION GENERAL PRINCIPLES
In 1963 the Bishops of the Second Vatican Council acknowledged the wonders To encourage the active participation of the liturgical assembly, parishes typically
of technology in the twentieth century and the role that this can play in the provide some form of participation aid. Such an aid usually includes the words
work of the Gospel in the “Decree on the Means of Social Communication”. They (and music) of the songs and acclamations that are to be sung, as well as texts that
established the Pontifical Council for Social Communications and the annual the assembly may have difficulty recalling from memory. While these aids have
World Communication Day. traditionally been provided in print form, many parishes are now using digital
visual display systems for this purpose.
The Church is part of a global village and therefore it cannot separate the
liturgical, the spiritual and the religious from the technological ways of our world. A key difference between print aids (hymnals, hymn sheets, booklets, etc.) and
The Church cannot stand outside technology – the media culture is the fabric of a visual display system is that print aids are optional by nature, whereas visual
everyday life. display systems are impositional. While users of a print aid can choose to put it
to one side if they do not require it, the nature of visual displays is such that it is
It is a culture that is visually oriented. Words are no longer enough. New extremely difficult to ignore what is displayed, even if it is superfluous to one’s
technologies are developing at an ever-increasing rate and existing technologies needs.
are constantly being developed and improved.
The ‘one size fits all’ nature of visual display must be carefully considered and
The vast majority of churches in our diocese were built well before visual display managed to avoid imposing pictures and words on the assembly, in the remote
systems were developed. Successfully accommodating a visual display system chance they may be helpful to an individual.
in a building that has not been designed with such systems in mind, can be a
challenge.
The role of this document is to assist in the process of installing a visual display
system in the church once the approval of the Diocesan Liturgical Commission
has been sought.

6 Guidelines for the use of Visual Display Systems in Liturgical Celebrations Guidelines for the use of Visual Display Systems in Liturgical Celebrations 7
 OVERVIEW PREPARING PRESENTATIONS
Visual display systems, if used well, can encourage the participation of the FOR LITURGICAL CELEBRATIONS
assembly. Used without due care and consideration, they can be counter
Only what is necessary to support the assembly during the liturgical celebration
productive.
should be included in the presentation that is prepared.
The overuse of visual display systems can create a ritual behaviour over time where
When deciding what should be included in a presentation for use at a liturgical
the assembly will not respond or participate unless prompted on a screen. It also
celebration, the priest leading the celebration should be consulted. Parish priests
has the capacity to draw one’s eyes away from the liturgical action and retain
and school chaplains may wish to provide additional instructions, detailing how
focus on the screen. Thus, while many parishes use these systems to encourage
these guidelines are to be applied in light of local needs and circumstances.
“fully conscious and active participation”, the systems also have the power to
encourage passivity. LITURGICAL CONSIDERATIONS
Silence is an important part of liturgical prayer and, in this technological age, this • Those who prepare presentations for liturgical celebrations need to have an
involves both audio and visual silence. understanding of the liturgy. In particular, they should possess the following
Visual display systems should only be used when necessary, and in a way that skills:
respects the unique nature of liturgical celebrations. - An understanding of the Order of Mass (eg. what happens and when), and
a sense of the reverence that liturgical celebrations demand, to affect the
Visual display systems need to be a secondary, rather than a primary, focus in a full, conscious and active participation of those who take part.
liturgical space. In the church building, our focus must remain on the mysteries
- The ability to manage the visual display system as required (eg. muting
that are celebrated, with any visual display system serving to support us in our
displays when adjustments need to be made or a ritual action is taking
worship when required.
place);
- The ability to operate the system accurately and efficiently, minimising
any possible distractions;
- Basic computer troubleshooting.
• Expect that all who operate data shows are familiar with both the equipment
and its functions. Practice makes perfect and excellence is required.
• Those operating the computer should be properly prepared for the liturgical
celebration and be ready 10 minutes prior to Mass commencing.
• Parishes and schools will need to select and train people to prepare the
presentation files required for liturgical celebrations. Those who put it together
must be an integral part of or guided by the parish Liturgy planning group.
• When deciding what is to be included in the presentation, it must be
remembered that the primary purpose is to aid the participation of the
assembly when necessary.

8 Guidelines for the use of Visual Display Systems in Liturgical Celebrations Guidelines for the use of Visual Display Systems in Liturgical Celebrations 9
 SONGS IMAGES
• The lyrics, preferably with melody line, of songs and the psalm response • During a liturgical celebration, the focus of the assembly should always be
should be included: on the action taking place rather than on static, artificial representations.
- Even when people have not been trained to read music, they can easily
• An image may be displayed before or after the liturgical celebration as a
learn to recognise the movement of melody line, and thus participate in
means of focusing the assembly and encouraging personal reflection and
the song with greater confidence.
prayer. Such images should be related to the particular season, feast day or
celebration.
PRAYER TEXTS
• As “all things set apart for use in divine worship should be truly worthy,
• A number of liturgical prayers are led by a minister or deacon alone (eg. the
becoming, and beautiful,” 2 artistic images must be carefully considered for
Collect Prayer, the Prayer of the Faithful). The assembly’s role is to listen and
their artistic merit:
to add their own silent prayer to the prayers led by the priest, deacon or lay
ministers, rather than ‘reading along’ on a screen. - Images should be soft and sensitive to the “space” as holy ground. Art
should be sensitive to the other areas in the worship space and liturgical
• The scriptures are to be proclaimed during the celebration, and in this way season.
the people hear the Word of God.1 It is better not to display the readings on - Images used should be common to the life experience of the assembly
the screen. Rather than reading the texts, the role of the assembly is to listen but not individually identifiable as this will distract from the liturgical
as the texts are proclaimed. action, eg. images of people praying should include the cultures within
• A specific prayer or response said or sung by the people may be included if the community but not be photos of known individuals. Those images are
there is a concern that it is not well known to the assembly: for other times in the life of the community.
- This may particularly be the case with texts only used once a year, such as - Images must be professionally presented and of sufficient resolution to
parts of the Easter Triduum, or responses relating to sacraments and rites be clearly seen throughout the church. Clip art is not conducive to good
that are only celebrated during Mass on rare occasions; liturgical practice.
- This also may be of particular importance at liturgical celebrations in • Slideshows of images are to be avoided during liturgical celebrations. More
school communities; extensive use of images is possible in liturgical celebrations with children
- Care should be taken in any circumstance, however, that people are (such as those celebrated in primary schools), keeping in mind that their
encouraged to sing or recite known prayer texts from memory. The text purpose is to support the focus, reflection and prayer of the children, and that
of the Lord’s Prayer, for example, is known well enough for it not be such images cannot be a substitute for the liturgical symbols or elements in
displayed at school and parish celebrations. To support those members of the church, regardless of who is participating in the celebration.
the assembly who have difficulty remembering the texts of these prayers,
it is better to provide them with access to print copies, such as pew cards NOTICES
or Mass booklets.
• If parish notices are to be displayed, they should be brief, and only displayed
- As people have now become familiar with the new translations of prayer when such notices are being announced. Alternatively, a notice may be
texts, these should be removed from presentations. displayed before or after the celebration.

10 Guidelines for the use of Visual Display Systems in Liturgical Celebrations Guidelines for the use of Visual Display Systems in Liturgical Celebrations 11
 TECHNICAL CONSIDERATIONS • When presenting text such as song lyrics, care must be given to presenting the
texts in phrases, making it easier for the assembly to follow. For example:
• The slide size should be correctly selected to suit the proportions of the
visual display screens, otherwise the presentation will appear distorted when
All people that on earth do dwell
displayed: All people that on earth do dwell
- With most data projectors, the image is projected at a 4:3 ratio; All people that on earth do dwell,
- With most LCD and plasma screens, the image is displayed at a 16:9 or Sing to the Lord with cheerful voice; All people that on earth do dwell,
16:10 (‘widescreen’) ratio; Him serve with love, his praise forth Sing to the Lord with cheerful voice;
- This can usually be adjusted within the software settings. tell, Come we before him, and rejoice. Him serve with love,
his praise forth tell,
• Presentations prepared for liturgical celebrations should always be clear, Come we before him, and rejoice.
simple and professional, reflecting the dignity and sacred nature of the
liturgy. Text: William Kethe Tune: OLD HUNDRETH; Louis Text: William Kethe
Borgeois Tune: OLD HUNDRETH;
• Compile a Style Guide for your parish containing for example: Louis Borgeois

- Details of fonts to be used; Not arranging the texts into phrases makes it Using phrasing helps the assembly
- Use of colours for background and texts; difficult to follow, especially from a distance. and aids participation.
- Criteria for use of images;
- Requirements regarding copyright. - Care must also be taken when the length of a prayer or song verse or
refrain requires it to be split across two or more slides, as poorly-timed
• Text displayed on the screen must be plain, at least 36pt in size or larger and slide changeovers can disrupt the flow of the prayer.
clear enough to be read comfortably from the furthest distance away. Fonts
such as Arial and Tahamo are simple and easy to read. Fonts and size should • Animations and transitions between slides can prove distracting during
be used consistently throughout the presentation: liturgical celebrations and should be omitted.
- Text should be presented in typical sentence case. Text presented in ALL • Between each included element (eg. song, prayer text), a plain, black slide
CAPS is more difficult to read, as the brain uses its knowledge of the shape should be inserted, so that the screen is blank when not in use during the
of words to help with reading. celebration. This enables the presentation to stay in order but does not
• The colour of text and slide backgrounds is also an important consideration: distract from the liturgical action when nothing is required on the screen.
Alternatively, it may be possible to use a colour or image that allows the
- Contrast is important, and care must be taken to ensure that slides can be
screen to blend inconspicuously into the surrounding wall or space.
read in different light conditions within the church;
- The best results are usually achieved with dark (eg. black, dark blue) text • Copyright legislation is to be respected at all times in the use of both music,
on a light (eg. white) plain background or vice versa. Like fonts, the colour lyrics and images (see Appendix 3).
scheme should remain consistent throughout, with imagery at a minimum.

12 Guidelines for the use of Visual Display Systems in Liturgical Celebrations Guidelines for the use of Visual Display Systems in Liturgical Celebrations 13
 USING VISUAL DISPLAY SYSTEMS • The computer software used must be configured to maximise control and
ease of use for the operator:
IN LITURGICAL CELEBRATIONS - If the software provides a ‘Presenter View’ setting, this should be used
Use of multimedia such as PowerPoint and datashow presentations can be a when running the slide show.
powerful aid to deepen involvement and participation in liturgical celebrations, • Once a data projector is shut down, its fan will continue to operate for some
as can any of the technological resources at our disposal. But they are just that time afterwards to cool the projector down:
‐ aids ‐ and must be used with care, sensitivity, a striving for excellence and
- This is important to ensure the long life of the projector lamp;
always in the service of the liturgy. The following values are fundamental to
good liturgical practice and provide the framework for the use of multi‐media in - Power to the data projector should not be interrupted before this cool-
liturgical celebrations. Respect for the gathered assembly demands that images down process has been completed.
and words used are of high quality and allow all to relate to them rather than be
distanced or alienated.
The visual display system should be used only when it is needed. The screen/
projection area should never repeat what is being said by celebrant, homilist,
leader – if in use it should ‘deepen’ what is being said and done. Text and images
should only be displayed when they are needed. At all other times, the screen
should remain blank and static, so that the attention of the assembly remains
focused on the liturgical action.

LITURGICAL CONSIDERATIONS
• Computer operators need to fulfil their role in a quiet and discreet manner
which prevents the distraction of the assembly.
• Computer operators are also part of the liturgical assembly, and should
actively participate in the celebration.
• As with music ministers, consideration will need to be given to how Holy
Communion will be offered to computer operators, who will not be able to
leave their place during the Communion song.

TECHNICAL CONSIDERATIONS
• Computer operators should be provided with a thorough outline of what
has been included in the presentation. Always print a ‘script’ for persons
presenting the data show so that they know what follows what.

14 Guidelines for the use of Visual Display Systems in Liturgical Celebrations Guidelines for the use of Visual Display Systems in Liturgical Celebrations 15
 USE OF POWERPOINT / VIDEO DURING THE MASS ORDER OF MASS FOCUS VISUAL DISPLAY
THE LITURGY OF THE WORD
How could all this come about in practical terms? Preparation of the PowerPoint
slides can never be done apart from the planning and preparation for the First Reading Reader Blank.
particular liturgy. It must always respect the structure and flow of the celebration The Word of God is spoken and heard and
of the Mass as detailed below. should not be overshadowed by a screen and
imagery. The text of the readings should not
ORDER OF MASS FOCUS VISUAL DISPLAY be reproduced.
Before Mass Personal A single image may be used as a focus or a Responsorial Cantor or The text of the response is displayed, with
preparation, slide may be used to provide information or a Psalm reader melody line if possible
gathering welcome message.
of the Second Reading Reader Blank.
assembly Gospel Procession The text and melody line of the people’s parts
THE INTRODUCTORY RITES Acclamation to ambo may be displayed if they are not familiar with
them.
Entrance Procession The text of the entrance song is displayed,
with melody line if possible. Gospel Deacon or Blank.
priest
Greeting Priest Blank.
Homily Deacon or Blank.
Penitential Act Priest Blank. priest In Masses with children and a few adults,
The people’s parts of the Penitential Act may some images may be used to support
be displayed if the assembly is not familiar their understanding of the homily if this is
with them. considered helpful. There could be a place for
Kyrie eleison Cantor or Blank. homily points or outlines, a homily ‘starter’ or
priest an example to emphasise a point. Images must
The text and melody line may be displayed if
be chosen with great care and sensitivity.
the Kyrie is sung to an unfamiliar tune.
Profession of Priest, It may be helpful to provide the text of the
Gloria Cantor, choir Blank.
Faith (Creed) cantor or Creed on the screen.
or priest The text and melody line may be displayed if choir
the assembly is not familiar with them; if the
music for the Gloria is arranged into verses with Universal Prayer Priest and Blank.
a refrain, then the refrain may be displayed to (Prayer of the deacon or In Masses with children and a few adults,
support the assembly. Faithful) reader some images may be used to support their
understanding of the intentions if this is
Collect Priest Blank.
considered helpful.

16 Guidelines for the use of Visual Display Systems in Liturgical Celebrations Guidelines for the use of Visual Display Systems in Liturgical Celebrations 17
 ORDER OF MASS FOCUS VISUAL DISPLAY ORDER OF MASS FOCUS VISUAL DISPLAY
THE LITURGY OF THE EUCHARIST The use of inclusive images as part of a
reflection hymn may be appropriate – but
Preparation of Procession, If a song is to be sung by the assembly, the should be kept very simple. Again, the use of
the Gifts priest text is displayed, with melody line if possible. too many images can be distracting. However,
If instrumental music is to be used then an on special Feast Days when crowds are large
appropriate image – chosen with care - could (and perhaps unfamiliar with the liturgy)
be used. There should only be one ‘still’ image the use of appropriate images during/after
so that the technology does not distract from Communion may assist with maintaining a
the action of this part of the Mass. prayerful environment.
Prayer over the Priest Blank. In Masses with children and a few adults, an
Offerings image may be used as a focus for reflection if
Eucharistic Priest Blank. this is considered helpful.
Prayer The text and melody line of Sanctus (Holy, Prayer After Priest Blank.
Holy), Memorial Acclamation (Mystery of Communion
Faith) and Great Amen may be displayed if
THE CONCLUDING RITES
they are unfamiliar to the assembly, but only
while they are being sung. Announcements Priest, Blank.
The Lord’s Priest Blank. (if necessary) reader It may be appropriate to highlight parish
Prayer notices or announce special events. It is best
to present them as dot points rather than
Rite of Peace Priest, Blank.
wordy paragraphs which take too much time
assembly
to read. Simple graphics could also emphasize
Breaking of the Priest Blank. some notices.
Bread The text and melody line of the Angus Dei Greeting Priest Blank
(Lamb of God) may be displayed if they are
unfamiliar to the assembly. Blessing Priest Blank.
Communion Procession, The text of the Communion song is displayed, Dismissal Priest Blank.
assembly with melody line if possible. If there is a recessional song, the text is
displayed, with melody line if possible.
If there is a song after Communion, the text is
displayed, with melody line if possible. After Mass A single image may be used as a focus, or a
slide may be used to provide information or
a thought-provoking message related to the
Gospel of the day as people depart.

N.B. If a significant proportion of the congregation is from another culture, and

readings and prayers are in English, the text might be in the language of that
group.

18 Guidelines for the use of Visual Display Systems in Liturgical Celebrations Guidelines for the use of Visual Display Systems in Liturgical Celebrations 19
 IN SUMMARY: VIGIL / FUNERAL LITURGY
PARTS OF
MULTIMEDIA USE PowerPoint presentations are frequently requested as part of the Funeral Liturgy
THE MASS
and this can prove a difficult pastoral point. Use of PowerPoint in the Funeral
Pre-Liturgy Welcome and Image (one only) related to: Mass or Service should be restrained, primarily supporting the liturgy. As people
‘setting the ‐ Season of the Church Year, eg. Lent. gather for the Funeral a single image of the person could be screened but should
mood’ ‐ Gospel. not remain during the liturgy in any prominent way. The same or another image
‐ Feast Day. could accompany a time of reflection after Communion and before the Final
‐ Special event, eg. Mother’s Day. Commendation, but should not remain after that.
Words: Only use one or two . The ideal place for a multi‐image presentation around the life of the deceased
Introductory Rites Engendering Words of : is at the Vigil where the images can accompany the sharing of memories, if
participation ‐ Opening Hymn. appropriately and reverently prepared in consultation with the priest. Such
and a sense of ‐ Unfamiliar responses, eg. a presentation can then be located and shown in the gathering which follows
community Sprinkling Rite. the Funeral Service and Burial, providing further sharing and remembering in
a supportive atmosphere. In planning Funerals, families could be encouraged
Images: Use only for a special to prepare a presentation for these times rather than during the Funeral Liturgy
occasion and with care . itself.
Liturgy of the Word Enabling the Image/s: None in order to deepen If a booklet is being prepared for the celebration, texts should be provided there
proclamation the hearing of the Word. instead of in the visual presentation.
and reception of Words:
and response to ‐ Responsorial Psalm Response.
the Word of God ‐ Gospel Acclamation. MASSES WITH CONFIRMATION AND
Liturgy of the Focusing on the Words: Use only (if needed) for the: FIRST COMMUNION
Eucharist action and words Holy, Holy , Memorial Acclamation, Excessive use of data projection to personalise the liturgy for each participating
of the Eucharistic Great Amen. person can result in the sacramental action being diminished or even supplanted
Prayer and Words: Communion Hymn/s. by photographic images.3
reception of Holy
Communion If a booklet is being prepared for the celebration, texts should be provided there
instead of in the visual presentation.
Concluding Rites Looking to the Words: Final Hymn.
week ahead in Option: Use for notices or special
the spirit of the events.
liturgy
Post-Liturgy Time of social Image: Use one pre‐liturgy slide or
inter-action and similar, if this seems appropriate.
sharing

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 APPENDICES APPENDIX 1
DATA PROJECTION IN CHURCHES
A RESPONSE FROM THE NATIONAL LITURGICAL ARCHITECTURE
AND ART BOARD
The National Liturgical Architecture and Art Board has received a number of
requests for advice regarding the use of visual display technologies, and in
particular data projection, in churches. While the competence of the Board
essentially concerns the architectural and aesthetic aspects of including data
1. Data Projection in Churches: pg 23
projection in plans for new churches or introducing such technology into existing
A response from the National Liturgical
churches, the Board is also very aware of liturgical considerations arising from
Architecture and Art Board.
use of these technologies. Accordingly, in responding to requests for advice, the
Board has consulted liturgists and liturgical musicians, has surveyed guidelines
and directives already issued by diocesan liturgical commissions and offices,
and has referenced national guidelines in ‘And when churches are to be built …’:
2. Installing a Visual Display System in a Church pg 26
Preparation, planning and construction of places of worship, which states:
§696 Where a church is designed to include data projection, its presence should
be unobtrusive. Where data projection is added to an existing church, care
3. Copyright pg 28 should be taken that it harmonises with the design of the interior.
§697 Data projection equipment must never overwhelm or detract from the
liturgical setting, the symbolism and function of the sacred furnishings, or
the celebration of the liturgy. Its purpose is to serve the liturgy as an aid
4. Resources pg 30 to participation, never to entertain. It is best employed to display the text
and music line of sung parts of the liturgy. It should not be used to display
the entire Order of Mass and the readings.
§698 Data projection technology develops quickly. New technologies should
be investigated in the process of designing data projection for a church.
To these normative guidelines the Board adds some further observations:
The Church has a long custom of providing published text for use by the
assembly, primarily in missals (Mass books) and hymnals (hymn books).
The use of data projection in churches was a ‘natural’ development from
overhead projectors, the use of which in turn evolved from hymnals.
Overhead projectors were used almost exclusively for projecting hymn
texts to aid assembly singing. In contrast, newer technologies and software
have enabled much broader use of data projection, including text, musical
notation and graphic images, the latter often a digital form of banners.

22 Guidelines for the use of Visual Display Systems in Liturgical Celebrations Guidelines for the use of Visual Display Systems in Liturgical Celebrations 23
 The use of data projection in churches is largely an antipodean phenomenon, To assist Catholic parishes, schools and other worshipping communities to make
found mainly in Catholic churches in Australia and New Zealand. Most well-informed choices regarding data projection, the Board commends the
other countries, with strong local traditions of using hymnals, have not ‘Guidelines for the use of Visual Display Systems in Liturgical Celebrations’ of the
incorporated visual display technology in churches. Where such technology Diocese of Parramatta, at the same time thanking the Diocese for making these
has been installed in churches, it tends to be used sparingly, to project the guidelines more widely available.
words of a hymn that is not found in the hymnal that serves parish liturgy, or
to project images and/or text in support of a particular initiative, campaign
or fundraising program.
As well as enabling the projection of both hymn texts and music lines to
aid assembly singing, data projection has also provided for projection of
parts of the Order of Mass such as the Gloria and the Profession of Faith.
Since the introduction in 2011 of the current translation of the Roman Missal,
data projection has assisted the active participation of the assembly in the
liturgy as people have become familiar with new forms of traditional texts.
In similar vein, data projection of select texts from the Order of Mass has
assisted Catholics whose first language is other than English to become
conversant with the complex vocabulary and grammatical structure of the
current translation.
The use of data projection technology in churches has also led to some
unforeseen outcomes. Excessive use of data projection has meant that some
Catholics no longer learn by heart liturgical prayers and acclamations they
once knew. The use of data projection during the homily has in some instances
reduced the homily from being an act of preaching to a didactic exercise.
Overuse of data projection during funerals has recast these rites from acts of
liturgical prayer for the deceased and the mourners to celebrations of the life
of the deceased.
The use of visual display technologies in the liturgy, and especially of data
projection, has had a considerably greater impact on liturgical celebration
and assembly participation than many might have anticipated. The extent
to which data projection and other visual display technologies are used –
media generally associated with entertainment, education and business
– has begun to change the way Catholics understand the liturgy and the
modes of their participation in it, and has sometimes been detrimental
to authentic liturgical celebration. For example, in the celebration of the
Sacrament of Confirmation, excessive use of data projection to personalise
the liturgy for each participating child can result in the sacramental action
being diminished or even supplanted by photographic images.

24 Guidelines for the use of Visual Display Systems in Liturgical Celebrations Guidelines for the use of Visual Display Systems in Liturgical Celebrations 25
 APPENDIX 2 - The amount of ambient natural light in the church during the day, and
artificial lighting at night, have implications for the type of system installed,
INSTALLING A VISUAL DISPLAY SYSTEM IN A CHURCH its configuration and technical specifications.

At present, the two most common forms of visual display used in churches are • When introducing data shows into the church, look for the spaces that can
data projection (where a computer’s visual output is projected onto a screen or provide the most accessible viewing. This might be the installation of a
surface) and LCD or plasma screens (where a computer’s visual output is displayed screen or the use of an existing blank wall.
on a television or similar). • Screen sizes should be chosen to achieve the best possible balance between
When planning for the installation of a visual display system, technical advice ease of visibility and ensuring that screens do not visually dominate the
should be sought from suitably qualified technicians to ensure an effective and liturgical space:
professional installation that gives careful consideration to these and architectural - When a data projector is used, consideration should be given to a screen
guidelines. that can be retracted (either electronically or manually) when the system
is not in use.
Parishes wishing to install a new visual display system in an existing church should
consult, and seek approval from, the Diocesan Liturgical Commission (DLC), so • If more than one screen is required as part of the visual display system, the
that liturgical advice and support can be provided. If a visual display system is screens should be connected to a synchronised system that is controlled
to be included in a new church building, its installation should be considered in from a central point:
the design phase, and details included in the plans submitted to the Bishop for - Additional screens should be used only when they are required.
approval.
• Consideration should be given to how the display equipment will be accessed
Professional fees need to be considered when preparing the budget for the for maintenance purposes (eg. repairing or replacing faulty or obsolete
installation project. equipment, cleaning filters, replacing projector lamps).

LITURGICAL CONSIDERATIONS • A dedicated computer should be acquired for the purpose of operating the
system, with software installed for operating presentations during Mass:
Whenever possible, the use of a single screen to which the attention of the entire - The software will need to be familiar to those who prepare presentations
assembly is directed is preferred, as this will foster the unity of those gathered for celebrations, and those who operate the computer during celebrations;
to worship. Placement of visual display screens should be close to, but not - The software used will also need to be available on any computer used by
obstructing or dominating, the assembly’s line of sight of the liturgical focus (eg. people who prepare the presentation files for liturgical celebrations;
the sanctuary), so that the potential for causing a distraction for the assembly
- The computer should have a USB port (to connect with portable storage
is minimised. In some churches, it may be possible to project directly onto an
devices, presentation remote controls, etc.) and an external monitor
existing wall.
output (to connect with the display system).
TECHNICAL CONSIDERATIONS • A dedicated space will need to be provided within the church for the
• As each church building is different, the installation of a visual display system connection and operation of the computer, preferably where the operator
must be carefully planned to ensure the system works effectively within the can both see the sanctuary clearly and communicate with music ministers.
architecture of the church: • Consideration should be given to integrating the sound output of the
- This will have implications for the most suitable type of display system, computer into the church’s sound reinforcement system, particularly for
the number of screens required, etc.; those occasions when video footage is used (eg. a pastoral message from
the Bishop).

26 Guidelines for the use of Visual Display Systems in Liturgical Celebrations Guidelines for the use of Visual Display Systems in Liturgical Celebrations 27
 APPENDIX 3 FULL SCORE MUSIC
The Full Score Music License is no longer available. For those schools and
COPYRIGHT parishes who still wish to use the pieces your choir, keyboard players or other
Catholic parish and school communities have both a moral and legal obligation instrumentalists are familiar with, you will need to purchase physical or electronic
to observe copyright legislation for music, lyrics and images. versions from your local retailer or directly from the publisher.

MUSIC AND LYRICS COPYRIGHT LINE

Effective July 1, 2017 all Word of Life International customers became a part Words: John Doe, © 1988 ABC Music Co.;
of ONE LICENSE. As a result of this merger, there have been some changes to Music: Jane Doe, © 1990 XYZ Publications.
copyright requirements for parishes who will continue to report music usage All rights reserved. Reprinted under ONE LICENSE #A-xxxxxxx.
with ONE LICENSE.
If words and music are by the same composer, you may combine these lines. This
USAGE REPORTING information must be typed into your worship aid/bulletin/slide show/etc., but the
location (after each song, beginning, end, etc.) is up to you and your formatting.
All usage reporting for ONE LICENSE is online. A ONE LICENSE holder is required
to report 100% of the music reprinted under the license. You must include your ONE LICENSE license number with your reprint or projection.

It is the responsibility of the parish and ALL who use or play music in your parish IMAGES
to keep track of what is played. It is up to you how this is done but it may be Consideration must also be given to the fact that copyright exists on the vast
a good idea to have some kind of form to be filled out each time music is used. majority of images that are found on the internet. Any images in presentations
Music copyright needs to be adhered to whether in Sunday Mass or a small prayer must be purchased, belong in the public domain or be used with permission.
group on a Wednesday morning. Appropriate copyright information and acknowledgement of artist should always
Parishes who still use hymn books, and only hymn books, do need a copyright appear on the screen.
licence to report the songs which have been used or music played at church and
at church events. FREQUENTLY ASKED QUESTIONS
The ONE LICENSE website has a section for frequently asked questions that may
Requirements of licenses or permissions need to be completed prior to visually be helpful https://www.onelicense.net/faqs.
reproducing a song or text. It is a matter of justice to ensure that what appears
on screen is with the appropriate permissions.
MASS SETTINGS
“Both the music and the text for parts of the Mass are under copyright. If you use an
entire musical setting of a Mass or any part of a Mass setting, you must report the
usage every time. If your community uses one or two particular settings, and you
sing the entire setting, you can report by whole setting with one report entry, or if you
use only sections of one of more Mass setting you can report the individual title, such
as the ‘Lamb of God’ or ‘Amen’.” (Taken from the ONE LICENSE website, “Reporting
Mass Settings”).

28 Guidelines for the use of Visual Display Systems in Liturgical Celebrations Guidelines for the use of Visual Display Systems in Liturgical Celebrations 29
 APPENDIX 4
RESOURCES
FOR FURTHER ASSISTANCE / INFORMATION:
Diocesan Liturgical Commission
5 Lyons Street South
PO Box 576
Ballarat Vic 3353
Phone: (03) 5337 7159
Email: liturgy@ballarat.catholic.org.au

READING LIST
Second Vatican Council. “Inter Mirifica” Decree on the Media and Social
Communications: 1963.
John Paul II. Apostolic Letter “The Rapid Development”. 2005.
Benedict XVI. Message for World Communications Day. 2008
Crowley, Eileen D. “Liturgical Art for a Media Culture”. Collegeville: Order of St
Benedict, 2007.
Schultze, Quentin J. “High Tech Worship”. Grand Rapids: Baker Books, 2004.
Stratford, Tim. “Liturgy and Technology”. Cambridge: Grove Books, 1999.
White, Susan J. “Christian Worship and Technological Change”. Nashville:
Abington, 1994.

REFERENCE
Text from the Catholic Diocese of Parramatta, “Guidelines for the Use of Visual
Display Systems in Liturgical Celebrations” 2013. Used with permission.

FOOTNOTES
1. Second Vatican Council, Constitution on the Sacred Liturgy Sacrosanctum
Concilium, 24.
2. Second Vatican Council, Constitution on the Sacred Liturgy Sacrosanctum
Concilium, 122.
3. Data Projection in Churches: A response from the National Liturgical Architecture
and Art Board, p2.

30 Guidelines for the use of Visual Display Systems in Liturgical Celebrations

 GUIDELINES FOR THE USE OF VISUAL DISPLAY
SYSTEMS IN LITURGICAL CELEBRATIONS

Diocesan Liturgical Commission

PO Box 576 Ballarat Vic 3353
Ph. 03 5337 7159
email: liturgy@ballarat.catholic.org.au
www.ballarat.catholic.org.au

32 Guidelines for the use of Visual Display Systems in Liturgical Celebrations