Ghosts of The Abyss
Ghosts of The Abyss
Ghosts of The Abyss
John Bruno
James Cameron
Chuck Comisky
Janace Tashjian
Andrew Wight
Starring
Bill Paxton
James Cameron
Cinematography
Vince Pace
D. J. Roller
Edited by
David C. Cook
Ed W. Marsh
Sven Pape
John Refoua
Music byJoel McNeelyProductioncompanies
Walden Media
Earthship Productions
Golden Village
Telepool
UGC PH
Distributed by
Release dates
million[3]
Ghosts of the Abyss (also known as Titanic 3D: Ghosts of the Abyss[4][5]) is a 2003 American
documentary film produced by Walden Media. It was directed by James Cameron after his 1997 film
Titanic. During August and September 2001, Cameron and a group of scientists staged an
expedition to the wreck of the RMS Titanic and dived in Russian deep-submersibles to obtain more
detailed images than anyone had before. Using two small, purpose-built remotely operated vehicles,
the documentary offers glimpses into the Titanic wreck and, with CGI, superimposes the ship's
The film is narrated by actor Bill Paxton, who joined Cameron on the expedition and previously
played Brock Lovett in the 1997 film. The film premiered for IMAX 3D and was nominated for a
BFCA award for Best Documentary. The submersibles Mir 1 and Mir 2 carried the filming team on
12 dives.[6]
Plot[edit]
Director James Cameron returns to the site of the 1912 wreck of the RMS Titanic, aboard the
Russian research vessel Akademik Mstislav Keldysh with a team of history and marine experts, and
his friend Bill Paxton.[5] Cameron and the crew document the interiors and exteriors of the wreckage
using 3D technology designed for the documentary. While diving on September 11, 2001, the filming
crew hears about the 9/11 attacks on the World Trade Center and the Pentagon. Afterward, they
compare and reflect on the tragedy of 9/11 with the tragedy of the Titanic.
Cast[edit]
Throughout the movie, there are re-enactments of events that are discussed that use CGI
Release[edit]
The film was screened out of competition at the 2003 Cannes Film Festival.[7]
Buena Vista Pictures Distribution handled distribution of the film in the United States and Canada
with sister company Buena Vista International handling UK distribution, both under the Walt Disney
Home media[edit]
The feature film on the DVD is 90 minutes long and is available in a two-disc edition and as the fifth
Walt Disney Studios Home Entertainment released the film on a three-disc Blu-ray 3D, Blu-ray and
Rolling Stone included the documentary in its 2012 list of the best 3D movies.[11]
Reception[edit]
Box office[edit]
The film grossed $17.1 million from a maximum release of 97 theaters in the United States. It also
grossed $11.7 million internationally, for a total worldwide gross of $28.8 million.[3]
Critical response[edit]
This section needs expansion. You can help by adding to it. (March 2021)
Review aggregator Rotten Tomatoes reports that the documentary earned 80% positive reviews
based on 102 reviews and an average score of 7.10/10. The website's critical consensus reads:
"The underwater footage is both beautiful and awe-inspiring."[12] On Metacritic, the film has an
average score of 67 out of 100 from 24 critics, indicating "generally favorable reviews".[13]
Soundtrack[edit]
The official soundtrack's score was composed and conducted by Joel McNeely, and the
orchestrations were conducted by David Brown, Marshall Bowen, and Frank Macchia. The album
was also recorded and mixed by Rich Breen, edited by Craig Pettigrew, and mastered by Pat
Sullivan. The album was ultimately produced by James Cameron, Randy Gerston and Joel McNeely
and released by Disney's Hollywood Records label. Part of the film was filmed in St. John's,
Newfoundland, Canada.
Toad the Wet Sprocket lead singer and songwriter Glen Phillips contributed the opening track,
"Departure". James Cameron loved the band's 1991 track "Nightingale Song" but found Columbia
Records' licensing fee too high (it wanted over $5,000 for the use of the one minute he wanted to
use) so he contacted the band's management hoping they could re-record it for his film, only to find
they had broken up in 1998 and could not. However, during the negotiations Cameron asked if
Phillips would be interested in writing a new track in the spirit of the older song and "Departure" was
created. it was produced, mixed, and all instruments played by Phillips in his garage studio though
References[edit]
^ Poirier, Agnes (25 April 2003). "Ghosts of the Abyss". Screen International. Archived from the
^ "Archived copy" (PDF). Archived from the original (PDF) on 2017-01-12. Retrieved
^ "Titanic director revisits ship's wreck with hi-tech help". New Zealand Herald. March 19, 2005.
^ a b "Titanic 3D: Ghosts Of The Abyss (2003)". Yahoo! Movies. 2012. Archived from the original on
2021-12-15.
^ "Festival de Cannes: Ghosts of the Abyss". festival-cannes.com. Archived from the original on
^ Poirier, Agnes (25 April 2003). "Ghosts of the Abyss". Screen International. Archived from the
^ "James Cameron's Ghosts of the Abyss Blu-ray 3D Release Date and Details (Updated) ?
2016-05-06.
^ "The Best and Worst 3D Movies". Rolling Stone. 23 November 2012. Retrieved 2016-05-06.
^ "Ghosts of the Abyss (2003)". Rotten Tomatoes. Fandango Media. Archived from the original on
^ "Ghosts of the Abyss Reviews". Metacritic. CBS Interactive. Archived from the original on 15
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