SPRING 2011

usa.canon.com/eos
 Canon: Digital Magnificence
For a winning combination of technology and performance, there’s nothing quite like the EOS System. No matter the photographer,
no matter the occasion, the EOS System delivers phenomenal still and moving images with ease. Proprietary Canon sensors and
processors work in concert with proven camera and lens designs for incomparable photographic and EOS Full HD Video performance.
A comprehensive collection of printers, projectors and software solutions, plus the line of Canon PowerShot compact cameras, combine
to further complement the EOS System, creating a state-of-the-art technological synergy that not only presents the user with a cohesive
photographic solution, but also simply makes for beautiful images. With powerful imaging systems bolstered by a network of online
support from the Canon Digital Learning Center, great images start with Canon.

EOS SLR CAMERAS EF/EF-S LENSES SPEEDLITES EOS SYSTEM ACCESSORIES POWERSHOT PHOTO PRINTERS REALiS PROJECTORS EOS EDUCATION &
Rugged construction, photographer-
friendly features, and compatibility
A unique blend of hyper-advanced
optical, microelectronics, and
Canon Speedlites are the ideal flash
light source for EOS SLR cameras.
Canon accessories are the best way to
enhance EOS system performance and
Built on some of the same technologies
as EOS digital SLR cameras, PowerShot
From large format to 4" x 6" prints,
Canon’s imagePROGRAF, PIXMA
The REALiS Multimedia Projectors
from Canon feature LCOS (Liquid INSPIRATION
with the entire line of EF lenses and precision manufacturing technologies, They are technologically advanced to get the most out of EOS SLR cameras. cameras offer spectacular quality and and SELPHY photo printers enable Crystal on Silicon) technology and The Canon Digital Learning Center and
EOS accessories make Canon EOS EF/EF-S lenses are perfected in provide perfect exposure and There are solutions for virtually any control in a compact and easy-to-use body. photographers to produce AISYS (Aspectual Illumination Canon Live Learning serve to educate,
SLR benchmarks for performance, Canon’s laboratories and proven in illumination with just about any shooting situation. • PowerShot Lineup ...................... 60 professional-grade photoprints System) Optics, raising the bar for inform and inspire EOS users. Learn
ease of use, and quality. the field. subject. • Battery ....................................... 52 simply—almost anywhere, anytime. quality in presentation. from professionals how to get the
• EOS SLR Technology ................... 4 • EF/EF-S Lens Technology............. 30 • Speedlite Technology ................. 46 • Wireless ..................................... 54 • Photo Printer Technology ............ 62 • Projector Technology .................. 72 maximum out of your EOS camera.
• EOS Digital SLR Cameras ............ 14 • EF/EF-S Lens Lineup.................... 36 • Wireless Flash Photography ........ 48 • Remote Control & Accessories .... 55 • Photo Printer Lineup ................... 66 • Projector Lineup ......................... 73 • Canon Digital Learning Center ..... 74
• EOS SLR Comparison Chart ......... 24 • EF/EF-S Lens Chart...................... 42 • Speedlite Lineup ........................ 49 • Viewfinder Accessories ............... 56 • Printer & Scanner • Canon Live Learning ................... 75
• EOS System Chart....................... 27 • EF/EF-S Lens Accessories ............ 44 • Speedlite Accessories ................. 51 • Peripherals................................. 58 Comparison Chart....................... 68 • Explorers of Light ....................... 76
• Image Format and Capacity Chart .. 28 • Bags & Cases ............................. 59 • Service and Support ................... 77
 EOS SLR CAMERAS

the greatest range of control over focusing High-Speed Shooting

point selection. The focusing point can be EOS SLR cameras have always been
selected automatically by the camera associated with speedy operation.
(based on high-speed microcomputer Certain Canon EOS cameras offer 10
analysis of image content) or manually by frames-per-second continuous shooting,
the user. Select EOS cameras feature up to up to 28 RAW files or 121 full-resolution
39 cross-type AF points that provide both JPEGs. Canon provides other aspects of
vertical and horizontal sensitivity, guaran- camera responsiveness as well: the
teeing the same optimal performance no speediest EOS has a minimum lag time of
matter the camera’s orientation. To main- 40 msec, an 80 msec viewfinder black-
tain focus, advanced Canon focus tracking out time (at speeds of 1/60th and
technology helps to retain the accuracy of above), shutter speeds up to 1/8000
the initial AF setting, no matter how fast the sec., and a flash sync as fast as 1/300
subject is moving. High-speed microcom- sec. when used with EOS Speedlites.
puters use advanced algorithms that Dedicated, quiet low-speed modes and
ensure fast and accurate AF performance under AF Technology — The EOS 7D features an all cross-type self-timers add flexibility to speed.
19-point AF system with AI Servo II AF that precisely tracks
a wide variety of conditions. Focus tracking modes
subject movement for sharp, accurate focus almost every time.
include single point AF, Spot AF (which narrows the Diverse AF Shooting Options
area used by the AF line sensor, helping to reduce it is off-center. AI SERVO AF/AI SERVO II AF mode is Beyond the AF modes supported in each EOS
detection errors that occur from near and far objects excellent for moving subjects. Aided by a highly camera, Canon developed a number of AF options
when aiming at small subjects), and AF point intelligent predictive focusing algorithm, it precisely to further enhance customization and creativity.

EOS SLR TECHNOLOGY

The history of Canon EOS SLR cameras is brimming with examples of technological Autofocus Technology
expansion, where AF points surrounding the one
chosen can assist when the subject becomes unfo-
cused. Canon’s AF systems also detect the type
tracks subject movement across the wide AF
coverage area, automatically shifting the active
focusing point vertically and horizontally as
Certain Canon models can register original AF
points’ “Home Positions” and represent them in
both horizontal and vertical shooting positions,
innovations that have set new industry standards for performance and usability. And ­The best autofocus system is comprised of the of light source and automatically compensate required. AI FOCUS AF mode, in which the camera suitable for shooting in situations where compo-
yet, at Canon, technology is never an end in itself. Every technological advancement ultimate combination of accuracy and speed. And the focus by taking into account artificial lighting automatically decides between ONE-SHOT and AI sitions are retained from shot to shot. For more
must yield tangible benefits to the user. Does a new feature enable the camera to more for that combination, there’s nothing like the AF sources and making appropriate adjustments. SERVO AF modes based on subject movement, is flexibility, the new Canon Zone AF system is
ideal for shooting unpredictable subjects. The new particularly useful when the subject is off-center.
quickly and faithfully respond to the photographer’s will? Does a new material or
AF Modes AI SERVO II AF, found on the EOS-1D Mark IV and One of five distinct focus zones can be chosen
process improve the camera’s long-term reliability? Canon EOS advancements endure
Canon EOS cameras feature a number of dedicated EOS 7D, uses new algorithms for even better pre- and the optimal point can be selected from
because they enhance the photographic experience, whether
autofocus modes designed to enhance reliability dictive focus tracking performance when shooting there. In addition to these modes, certain EOS
you are a seasoned professional or new to SLR shooting. in specific shooting situations. ONE-SHOT AF subjects with unpredictable movement. Even diffi- cameras’ AF systems can be further customized
Put simply, Canon EOS SLR technologies are mode is ideal for static subjects — the camera cult, high-magnification subjects, such as a flower via the Custom Function Menu. Parameters such
impressive because of the quality of the images rapidly selects the optimum focusing point, and in a breeze are captured accurately with a Canon as initial focus point, AF beam control, AF zone
they enable you to create. the subject is instantly brought into focus even if Macro lens using these new tracking algorithms. expansion, AF Stop and more can be selected and
refined to suit the photographer and the situation.

systems found in EOS SLRs. With cutting edge

technical innovations, EOS cameras always feature
the latest in AF performance, raising the bar with
each successive camera introduction. Top EOS
SLR cameras use an extraordinary 45-point 10 fps — This highly responsive AF technology contributes to
the rapid continuous shooting capability of EOS SLR cameras
high-density Area AF system that provides
—a maximum of 10 fps (frames per second) with the EOS-1D
not only a large AF coverage area, but also Mark IV & EOS-1v equipped with Power Drive Booster.

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 EOS SLR CAMERAS

EOS Full Depth-of-field new level. And the range of focal lengths is simply close-ups. This feature is perfect when the cho-

HD Video When shooting a video on an EOS DSLR, it’s

simple to control each shot’s depth-of-field, an
staggering. With over 60 lenses available, includ-
ing the new Canon EF 8-15mm f/4L Fisheye USM,
sen subject is in a crowd, like a specific athlete,
when it’s impossible to get close to the action.

Advantage option previously available only when filming

with expensive professional cinema cameras.
the world’s first real fisheye zoom lens that
functions as a circular fisheye and full-frame
Thanks to the physical size of EOS DSLR CMOS fisheye for a full size CMOS sensor, and as a
sensors, combined with the large maximum full-frame fisheye for APS-C/H sizes, there’s an
apertures achieved by Canon lenses, depth-of- EF or EF-S lens for everyone. No matter the
HD
Full HD field, or lack thereof, can be a creative decision photographer, no matter the situation, Canon’s
Full HD Video – Many EOS reached solely by the photographer. If a large superlative lenses help ensure quality results.
SLR cameras capture Full aperture is chosen, thus creating shallow depth-
HD video at 1920 x 1080
resolution for exquisite of-field, evocative, dramatic moving images with Frame Rates
detail and sharpness. blurred backgrounds can be attained with ease, In select models, EOS Full HD video movies can
something simply not possible with smaller sensors be captured at 1920 x 1080 resolution, for up to
or compact cameras. If everything must be in 4GB per clip. Movies are saved as MOV files and VGA

focus, shooting with a small aperture helps can be viewed in Full HD with HDMI output. Other Recorded as a VGA movie, Movie Crop shots are
ensure phenomenal depth-of-field, for illustrative Resolution­ fps perfect for emailing, posting online, or editing
landscapes, architecture or anything else where into other movie clips.
1920­x­1080­(Full­HD)­ 30P­(29.97),­25P,­24P­(23.976)
all details must be recorded. The drama, beauty
1280­x­720­(HD)­ 60P­(59.94),­50P
and mood achievable by controlling a movie Sound Recording Level Adjustment
640­x­480­(SD)­ 60P­(59.94),­50P
clip’s depth-of-field cannot be overstated — and To ensure the best possible recording of sound,
an EOS DSLR controls it with ease. recording sizes include HD at 1280 x 720 (50/60 a number of EOS DSLRs offer a host of user-
fps) or SD/VGA at 640 x 480 (50/60 fps). No mat- controlled sound recording adjustments. The
Creative Capabilities with EOS lenses ter the end-application, the proper resolution and manual sound recording level can be adjusted to
From fisheye to super-telephoto, the amazing frame rate is easily defined with EOS cameras. one of 64 levels, and an optional wind filter can
Canon EF and EF-S lenses offer a stunning combi- minimize unwanted excess sounds. Whether
nation of sharpness, speed, compactness and Movie Crop shooting through an external microphone (on
Select EOS DSLRs feature 1920 x 1080 Full HD video capture and offer the tivities, it’s simple to control exposure and flexibility — the perfect complement to a user’s The Movie Crop function, on certain EOS models) or through the camera’s
enhanced image quality, smooth frame rates and adaptive exposure compensation depth-of-field, all of which can have a profound creativity. With the ability to create images of great cameras like the EOS 60D and internal mic, this important feature means more
necessary in professional movie-making tools. By shooting video with a digital effect on the mood of a scene. It’s all as easy beauty, with controlled depth-of-field, inter- EOS Rebel T2i, enables zooming at 7x the captured audible voices, less unwanted noise, and better
EOS camera, it’s simple to take advantage of the image quality and characteristics as the press of a button. By controlling depth- changeable lenses bring moviemaking to a whole focal length for distant action and extreme overall sound.
intrinsic to DSLRs, resulting in richer, more detailed and more diverse images. of-field, it’s simple to create gorgeous back-
The large sensor found in EOS DSLRs means more high quality pixels plus the ground blur. Exposure can be determined and
Interchangeable EF/EF-S Lenses – Creative opportunities are at your fingertips thanks to Canon EF/EF-S Lenses.
potential to shoot at higher ISO sensitivities without loss of detail. set even in complex lighting situations, main-
taining the same look and feel throughout an
entire scene, not just the initial shot.
EOS Full HD Video shift and fisheye, providing a wealth of focal
EOS DSLRs increase shooting lengths, depth-of-field and other creative Large CMOS Sensor
flexibility for the videographer in that they allow shooting options once reserved for still photog- With amazing Canon CMOS sensors, video is
for full use of Canon EF and EF-S lenses, includ- raphy. All Live View AF features can also be used easy to shoot, and looks better than ever
ing wide-angle, macro, super-telephoto, tilt- in shooting video, and playback modes are before. Large sensors provide a look and per- Fisheye lenses impart an Tilt-shift lenses allow you to
available in-camera, with sound. spective impossible to achieve with traditional extraordinary perspective and control the area of focus.
angle-of-view far beyond the
Combined with their size, image quality video cameras, and the quality must be seen to limits of human vision.
and flexibility, EOS DSLRs with Full HD be believed. Large sensors also capture more
video capture are superlative all-in-one, light, and can record at high ISO sensitivities
multimedia image-capturing tools. with less digital gain and reduced image Telephoto Lenses
noise. This enables low-light shooting, without Canon’s amazing telephoto lenses
Manual Control loss of detail, in situations previously impossible bring the action closer, emphasiz-
ing the subject at hand.
For complete creative decision-making without artificial light. Although many devices,
on the go, select EOS DSLRs offer flex- even mobile phones, offer HD recording, the
ible manual controls for their movie quality of video captured by an EOS DSLR Macro lenses let you Wide-angle lenses are perfect
modes. Not only can one take advan- and its CMOS sensor is markedly vibrant and get up close for detailed for shooting in tight spaces or
shots of small subjects. to capture large expanses.
Exposure control in the display tage of the DSLR’s range of ISO sensi- truer to life.

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 EOS SLR CAMERAS
Highlight Tone Priority
Loss of highlight
detail is one of the
greatest concerns for
photographers shoot-
ing digitally in brightly Highlight Tone Priority: ON
lit and contrasty situa-
tions. Canon’s Highlight
Tone Priority function
calculates the exposure
to expand the image’s Highlight Tone Priority: OFF
dynamic range so that
more detail is preserved in highlights. This
renders a more continuous tone image without
blown highlights, and helps to save time in
post-processing for highlight retrieval.
High ISO – Whether shooting stills or video, Canon EOS SLR cameras capture silky-smooth low-noise images that are sharp
with a wide dynamic range of color and tone, even at high ISO speeds.
Lens Peripheral Illumination Correction
Another feature available in Canon’s newest EOS
≥ 4 / ≥ III Image Extensive ISO Range* digital cameras is Canon’s Lens Peripheral
Processor EOS SLR cameras feature an extensive ISO range Illumination Correction ­feature. Taking into account
Developed to maximize performance for greater flexibility in diverse photographic the lens in use, this feature automatically brightens
between capturing and recording stages situations. The EOS-1D Mark IV features the the light level at the four corners of the composition
of digital photography, the ≥ 4 and ≥ III where light falloff may have occurred. Peripheral
©Clay Blackmore Image Processors by Canon use advanced signal illumination characteristics and correction data
Canon CMOS Sensor processing technologies to dramatically enhance are detected automatically on a number of Canon
Taking advantage of its own proprietary technolo- image quality and deliver a more intuitive, lenses and can be entered manually through
gies, Canon develops and produces its own CMOS responsive camera. The ≥ 4/III Image Canon’s EOS utility software. This function can
sensors. Unlike CCD sensors, CMOS sensors convert Processors work in concert with Canon CMOS be applied when shooting to JPEG images, and in
and amplify signals before they are transferred to sensors to achieve even higher levels of perform- post-processing with RAW images.
the image processor, enabling them to produce ance, with high-end EOS cameras incorporating
exceptionally clean image data and reduce power Dual Image Processors. Signal processing Auto Lighting Optimizer
consumption by as much as 90%. Data transfer APS-C (1.6x) One of Canon’s newest technologies, the Auto
speeds are increased by using multi-channel signal APS-H (1.3x)
Taken with the EOS-1D Mark IV. Lighting Optimizer, automatically corrects image
paths that dramatically improve the camera’s Full-Frame (1.0x) exposure to help ensure accurate brightness
responsiveness. Canon’s CMOS sensors incorporate EOS-1Ds Mark III Full-Frame CMOS Sensor (actual size) When using the same lens with different cameras, the breathtaking ISO range of ISO 100-12800 and contrast. It can actually brighten areas of
a unique on-chip noise reduction technology to angle-of-view varies depending on the sensor size. (L: 50, H1: 25600, H2: 51200, H3: 102400)!
deal with both fixed pattern and random noise. Even at higher ISO settings where one might
In addition, a multilayer low-pass filter is placed SLR cameras with full-frame sensors, found on highlights to shadows, Canon digital SLR cameras expect to see a higher degree of noise, the
in front of the sensor to isolate false colors that the EOS-1Ds Mark III and EOS 5D Mark II, do not with full-frame sensors produce images that rival algorithms work with the multi-channel signal renowned Canon CMOS sensor and noise
the sensor may detect. Then, Canon’s own ≥ require a focal length conversion factor common those taken with professional medium-format from the sensor and the high-speed DDR-SDRAM reduction system work to ensure superb image
Image Processor processes the image to help to other digital SLR cameras on the market. and large-format film cameras. For maximum buffer to deliver significantly improved camera quality. Accordingly, even the most critical
eliminate those colors while retaining full detail. Instead, they deliver the same angle-of-view as control and dependable performance, the choice response. Power consumption has been further photographers can use EOS SLR cameras with
CMOS sensors can also be fabricated to full-frame 35mm film cameras, so the working distance to is simple—Canon full-frame digital SLR cameras. reduced for even longer battery life. Color repro- confidence, no matter the light.
35mm dimensions, an important consideration the subject, with a given lens, is the same as it duction, noise reduction in low light situations Auto Lighting Optimizer OFF Auto Lighting Optimizer ON

for photographers who wish to use their lenses would be on film. Since you can use EF lenses Effective Light-gathering and reproduction of fine detail are all signifi- Advanced 14-bit A/D Conversion the composition while maintaining highlight
without a conversion factor. Canon’s CMOS on either 35mm film cameras or Canon digital The EOS-1Ds Mark III and 5D Mark II sensors have cantly improved. In addition, the latest Dual EOS digital SLR cameras employ 14-bit converters details and accurate exposure in others, or
sensors deliver outstanding resolution and signal SLR cameras with the same results, the switch 21.1 effective megapixels and the EOS-1D Mark IV ≥4 Image Processors speed up all opera- to process the output of the imaging sensor. darken areas of composition while maintaining
purity, making them ideal for the most critical from film to digital is truly seamless. Full-frame has 16.1 effective megapixels. Individual pixel size tions such that a number of processor intensive Compared to the 12-bit converters used in most brightness and shadow details in others. This
photo or video applications. sensors provide greater control over depth-of- on the EOS-1Ds Mark III’s and 5D Mark II’s sensors features are possible. Canon technologies like digital cameras, the Canon design helps ensure remarkable feature is available as both an
field, which helps to create beautiful background are 6.4µm, and the EOS-1D Mark IV’s sensor is Face Detection Live mode, Full HD and HD movie smoother tonal transitions, more natural grada- automatic feature in Full Auto and Creative Auto
Full-Frame Canon CMOS Sensor blur, perfect for portraits. The large sensor area 5.7µm. By optimizing the gap between the on-chip recording, Lens Peripheral Illumination tions, and superb color fidelity. RAW images are shooting modes, and can be used and fine-tuned
The Canon-manufactured full-frame also helps to enable a marked reduction in microlenses and improving the fill factor (photo- Correction and Auto Lighting Optimizer are all recorded at 14 bits so that processed 16-bit TIFF in other modes. The Canon Auto Lighting
CMOS sensor delivers professional noise levels at all ISO values. When combined diode area divided by total pixel size) of each pixel, possible thanks to the power afforded by the images contain the full range of tonal values Optimizer ensures beautifully exposed images
performance with digital convenience. EOS digital with high resolution and smooth gradation from light-gathering efficiency has been improved. amazing DIGIC Image Processor. captured by the sensor. that require little to no post-production work.
*Standard output sensitivity. Recommended exposure index.
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 EOS SLR CAMERAS
Viewfinder Superlative Exposure Control in the center of the image area, giving the pho- want their EOS digital SLR to operate with ease.
No matter the camera’s specifica- Canon EOS DSLRs incorporate tographer more area-specific control. Spot With the EOS 60D, the Multi-control Dial, featur-
tions, a clear, bright viewfinder is advanced exposure control systems, readings can be taken at the center of the frame ing a dedicated and easily-accessible Quick
the photographer’s first tool for great images. offering the photographer exceptionally area or, with some models, linked to an AF Control button for quick access to the Quick Control
Canon innovates with their viewfinders, espe- precise AE (auto exposure) with a wide range of point. With certain EOS cameras, up to eight screen at any time, enables users to operate
cially with the viewfinders in the EOS-1D Mark IV, metering options. Full-frame Evaluative metering separate Spot meter readings can be recorded menus and enter settings with a simple touch.
EOS-1Ds Mark III and EOS 7D, by offering incorporates the camera’s multi-zone sensor and averaged. For cameras like the EOS 60D, With its in-house capabilities, Canon is able to
approx. 100% viewfinder coverage, and several reading with specific focusing point data. The Canon developed the iFCL (intelligent Focus rapidly develop and manufacture proprietary
EOS SLRs have a larger pentaprism for higher onboard microcomputer compares input from Color Luminance) 63-zone Dual-layer metering ASICs (Application-Specific Integrated Circuits),
viewfinder magnification. These cameras offer all zones and calculates optimum exposure. system to incorporate the color wavelength eliminating dependence on common “off-the-
the best view of any EOS digital camera to date. While Evaluative metering helps to assure excel- surrounding the chosen focus point to help shelf” components, and enabling the fast
All EOS digital SLR cameras offer dioptric correction lent results in even the most challenging light- ensure more natural color rendition. Flash pho- deployment of new, innovative solutions in
and several EOS SLRs have a number of ing situations, advanced photographers can tography with EOS Systems also benefits from digital camera design. Canon EOS DSLR cameras
different viewfinder accessories, including up choose from among several additional metering the extraordinary exposure control technology thus incorporate advanced sensors, processors
to 11 different focus screens available for most options. Center-Weighted metering is available Canon has created. E-TTL (Evaluative Through- and other key components. Combined with
any application. for those who prefer a more traditional pattern. The-Lens) and E-TTL II autoflash systems work standout electromechanical and optical design
Partial metering limits readings to sensor zones in combination with the camera’s multi-zone know-how, Canon digital technologies make
Intelligent Viewfinder metering sensor to help take the guesswork out EOS simply one of the most powerful DSLR
The Intelligent Viewfinder, found on of flash photography. The camera performs systems anyone can own.
the EOS 7D, is a transparent LCD in instantaneous calculations based on readings
the viewfinder that superimposes a variety of from the preflash, ambient lighting conditions Dual Axis Electronic Level Sensor
shooting information at the push of a button. and assessment of subject location to deter- Among the newest and most useful features
Whereas with other EOS cameras’ viewfinders mine the optimum flash output and exposure developed by Canon for the EOS 7D, the bril-
the representation of AF points and metering settings. With E-TTL II, the calculations also liant Dual Axis Electronic Level display aids in
areas are static, with the EOS 7D’s Intelligent incorporate distance information from compati- achieving perfectly oriented shots. Visible in
Viewfinder, they can be displayed, adjusted, or ble EF lenses, enabling the system to better the viewfinder and on the camera’s LCD, in
hidden, in camera, with ease. This means less handle dark, light and highly reflective subjects. both Live View mode or as a standalone, and
distraction and more clarity to view the image in 63-zone Metering System — Canon’s sophisticated 63-zone Resulting images can have a virtually perfect capable of displaying both roll and pitch in 1°
its entirety. The Intelligent Viewfinder includes a Evaluative metering system considers not only the active balance between ambient light and flash increments, the Dual Axis Electronic Level
focusing point, but also a range of metered values from adjacent
Grid Display and in Spot metering mode, the areas to determine correct exposure even in difficult lighting.
illumination, even in complicated lighting Live View Function – With Live View Function, images can be 10x magnified view. Multi-control Dial on EOS 60D Sensor is invaluable for architecture, macro
composed and captured from the camera’s LCD monitor.
specific area metered is shown. situations and compositions. photography, video, or any situation where
critical composition is important.
Intelligent Viewfinder – Change your viewfinder display to match any situation. Live View Function mode, AF can be started by pressing the AE button
Canon’s spectacular Live View for either AF mode. In Face Detection Live mode,
shooting is now available through most of the the largest face near center is detected initially,
EOS digital models. Live View Function, where but the Multi-controller can be used to select
the photographer can compose and shoot directly any face detected.
from the camera’s LCD is an indispensable feature
for creative photography in any number of situa- Superb Ergonomics and Custom
tions. It enables the photographer to zoom in and Functions
navigate the composition 5x or 10x normal size, Refined ergonomics and smooth operability are
while enabling critical focus and allowing more Canon EOS traditions, and even with the
attention to detail. Users can even choose a grid unavoidable complexities involved with digital
AF point automatic selection – The camera auto- Spot metering display – Focus with a central, AF point expansion – Focus with a selected AF point Zone AF – The AF points are divided into five
overlay, perfect for architectural photography. capture, Canon’s EOS interface design puts the Viewfinder display with Intelligent Viewfinder.
matically chooses the correct AF point. circular zone for accurate exposure control. and points surrounding it. Great for moving subjects. focusing zones, useful for off-center shots.
In the studio, Live View Function can be used most frequently used controls where they make
remotely (via a computer) through the camera’s the most sense — in the hands of the photographer.
USB connection, or wirelessly if the optional Operation is enhanced by Custom Functions, a
Wireless File Transmitter is used. concept pioneered by Canon. Custom Functions
enable photographers to tailor features and
Live View Focusing operating functions to suit their own shooting
Canon’s Live View Function includes 3 focusing style, or to optimize camera performance for
modes: Quick mode, Live mode, and Face Detection specific subjects or shooting conditions. Whether
Live mode. In Quick mode, One-Shot AF is set customizing a shutter speed range or specifying
automatically and the AF point is selectable even the parameters of bracketing, photographers lit-
Grid display – Useful for scenes where horizontal Hide all – An unobstructed view lets you get AI Servo AF tracking display – Provides instant Spot AF – Focuses on an even smaller area for
or vertical lines are stressed, such as architecture. close to your subject and capture detail. feedback of AF points tracking a moving subject. precise focus on small subjects. while the Live View image is displayed. In Live erally have hundreds of choices in how they View of rear LCD monitor with Live View.

10 11
 EOS SLR CAMERAS
Peripheral Illumination Correction, Highlight Tone combinations of RAW and JPEG images simulta- EOS Integrated directly, and can connect and upload to FTP (File
Priority and Noise Reduction feature help ensure neously. And models like the EOS 60D can pro- Cleaning System Transfer Protocol) or dedicated WFT Servers.
accurate, nuanced results. cess RAW files in-camera, delivering JPEGs based Canon has designed The WFT-E5A (EOS 7D), WFT-E2 II A (EOS-1D
on the shot’s original parameters, or with changes an Integrated Cleaning System with a Self Mark IV, EOS-1Ds Mark III and EOS-1D Mark III)
Vari-angle LCD as specified by the photographer. This makes it Cleaning Sensor Unit customized to the specifi- and WFT-E4 II A (EOS 5D Mark II) feature
Found on the new EOS easy to experiment with the Canon Creative cations and performance characteristics of each IEEE802.11a/b/g compatibility (Type-A/B/G),
Rebel T3i and EOS 60D, the Filters, simulating grainy black and white photog- EOS digital SLR camera that helps combat stray WPS compatibility, WFT Server Remote Live
brilliant Canon Vari-angle 3.0-inch Clear View LCD raphy, soft focus, toy cameras, even a Miniature dust that can enter the camera when changing a View, a camera linking function and Bluetooth
with 180° vertical rotation sets new standards Effect, with no effect on the original RAW file. lens or when out in the field. The front surface of connectivity. Additionally, the WFT-E5A also
Fig. 21 Adjustable angle
for clarity and flexibility. Designed to flip out from the sensor’s IR-cut/Low-pass filter cleans itself includes a media server function. With select
the back of the camera, the Vari-angle monitor’s Maximum automatically with ultrasonic vibrations every models, in WFT Server mode, up to three
180° rotation means it can be adjusted for low Durability and time the camera is turned on or off. Removed separate computers can access the camera’s
angle or high angle and can even be positioned Performance dust adheres to material around the filter to memory card using a standard web browser
Hold a Canon EOS SLR help it stay off. With from anywhere in the world (Microsoft Internet
in your hands. The look DPP, dust missed by Explorer ®, Apple Safari®, etc.). Images can
and feel of quality and the cleaning unit can be selected from the browser window and
reliability are the result be captured by dragged onto a computer’s desktop or to a
of decades of camera-making experience and Canon’s Dust Delete folder, which copies the full file to a computer.
Landscape – Great for shooting nature scenes and blue skies, this setting enhances the blues and greens typical in landscapes,
and enhances saturation, contrast and sharpening. these translate to real-world performance and Data Detection and Remote firing of the camera over the Internet
durability second to none. The newest EOS-1D can be erased from is also possible. With the EOS 7D, a dedicated
Picture Style Technology photographer to make optimal choices based class professional SLR cameras, for example, the image file. media server can also be created with DLNA
With the myriad of features and simply on the type of shooting. These presets feature bodies made of coated cast magnesium (Digital Living Network Alliance) compliant
Vari-angle LCD adjusttment angle
settings available, even the best can be used in much the same way one would use alloy, which, while light in weight, deliver out- Wireless Transmitter Technology devices, allowing numerous points of access
photographer might occasionally have doubts as different types of film, and more can be created standing strength, rigidity and electromagnetic As quickly as the digital SLR has become ­ to images instantaneously. EOS Utility Mode,
to whether all of the camera settings are optimal using Canon’s included Picture Style Editor shielding. Furthermore, the body is extensively commonplace in the hands of professional or PTP (Point to Point) connectivity allows the
for the shot. Canon’s ingenious Picture Style fea- Software. Individual camera settings—such as gasketed and sealed, making the cameras photographers and enthusiasts alike, so too photographer to connect a single camera to a
ture comes to the rescue, providing a number of sharpening, contrast, color tone, and saturation exceptionally water- and dust-resistant. These has wireless communication between the SLR computer for advanced two-way communication
user-friendly presets, including standard, neutral can be overridden if need be. Forward position are truly cameras built to take on the some of and external components. The EOS series has and professional tethered camera operation.
and landscape, giving the ability to fine-tune the the world’s harshest shooting conditions. a number of dedicated Wireless File Transmitters WFT units can also connect to select GPS units,
images the camera produces. They enable the Shooting Modes that keep the camera connected to the wireless via the USB Host function, and have GPS infor-
Beyond normal shooting modes world, simply, with tremendous speed. Whether mation, altitude and time code added to each
such as Auto, Aperture priority connected through a port on the side of the image’s shooting data. External hard drives
and Shutter priority, select Low-angle position High-angle position camera, or incorporated into a camera-integrated can be attached for direct recording or backup.
EOS cameras offer shooting design — some units serve as an auxiliary hand Plus, select WFT models can be used as remote
features such as Picture Style technology, which forward directly at the subject (when facing the grip — Canon Wireless Transmitters can connect control receivers, allowing for wireless shooting
optimizes camera settings for subjects like land- subject, the displayed image automatically flips, Weatherproof – Select EOS cameras feature dust- and securely to Local Area Networks (LAN) wirelessly and control, from a range of Wi-Fi enabled
scapes and portraits, even monochromes. For showing a right-side-up mirror image, perfect weather-resistant bodies. EOS 7D with BG-E7 shown. (with a range up to approximately 500 feet) or handheld devices including smartphones.
even more creative imaging freedom, Canon for self-portraits). Because the monitor opens
developed Basic+. Basic+ makes it easy to ­ out sideways, it switches between low and high — Wireless and Wireless LAN Functions — — Functions When Connected via USB —
create whatever image effects desired. Basic+ angle shooting without interfering with the use
has two initial option categories: In “Shoot by of auxiliary camera grips or tripods. External Media
Monochrome – This setting emulates the color filters of
silver halide film for bold black and white images and allows ambiance selection,” standard white balance
for red, green and other types of filter work.
and exposure Advanced RAW + JPEG Recording
compensation Best described as “digital negatives,” RAW images
are altered contain pre-processed image data as captured Record or backup images onto external media
according to the by the sensor and, with post-processing, they
chosen ambi- yield the highest image quality possible from a FTP Transfer EOS Utility WFT Server Media Server Linked Shooting
GPS

ence, like vivid, DSLR. While professionals and advanced ama-

Quick Control screen soft, warm, teurs will often prefer to shoot in RAW mode,
intense, cool, brighter, darker and monochrome. JPEG images take up significantly less storage
In “Shoot by lighting or scene type,” white bal- space and are often more immediately pleas-
ance is adjusted according to selections like ing to the eye. With Canon EOS DSLR cameras, Transfer images Use EOS Utility to Use a web browser View images on a Wirelessly trigger
to an FTP server capture, view, and to capture, view, DLNA-compatible shooting by slave Connected by a USB cable Connected via Bluetooth
daylight, cloudy, shade, tungsten, fluorescent you can capture images in a number of RAW or download images and download TV or other devices cameras linked to
Portrait – The perfect setting for photographing people, the remotely images remotely a master camera Add the latitude, longitude, altitude, date and time,
portrait setting adds warmer skin tones with a slight boost
and sunset. These features, complemented by JPEG modes and sRAW options, depending on and other shooting information to images
in contrast and in-camera sharpening. the Canon Auto Lighting Optimizer, Lens the camera’s sensor, as well as record numerous

12 13
 EOS SLR CAMERAS

Superb Image Quality controlled manually on the lens or by pressing the optimizer systems, ensuring all relevant input is
and Performance AF button on the camera while recording. Sound analyzed in the capture of the image. The EOS
The EOS Rebel T3i has can be recorded at 64 levels. Rebel T3i DSLR’s Scene Intelligent Auto feature
a Canon 18.0 Megapixel CMOS (complementary merges a number of very complex measurements
metal oxide semiconductor) sensor that captures Vari-angle 3.0-inch Clear into settings that will ensure photographs of gor-
images with exceptional clarity and tonal range, View LCD Monitor geous tonality, accurate color, sharp focus and
with exceptionally high resolution perfect for poster- The EOS Rebel T3i DSLR’s phenomenal detail. With Picture Style Auto, color
sized enlargements or significant cropping. The brilliant Vari-angle 3.0-inch Clear View LCD monitor adjustments are made based on information from
sensor’s APS-C size creates an effective 1.6x lens sets new standards for clarity and flexibility. The the EOS scene detection analysis.
crop factor, making the EOS Rebel T3i compatible Vari-angle monitor flips out from the back of the Perfect for nature and outdoor
with compact, high-performance Canon EF-S lenses. EOS Rebel T3i and can easily be adjusted over a scenes, Picture Style Auto adds
This outstanding image sensor also makes it possi- wide range of viewing positions. It can even be saturation to selected colors,
ble to capture phenomenal images at ISO sensitivi- aimed forward directly at the subject. (When facing making grass greener, the sky
ties from ISO 100 up to ISO 6400, enabling shoot- the subject, the displayed image automatically bluer and sunsets more intense.
ing in a variety of dimly lit situations without flash. flips, showing a right-side-up mirror image.) The
The Canon ≥4 Image Processor dramatically EOS Rebel T3i monitor opens out sideways, making Picture Style
Auto
speeds up the camera’s operation, making the it easier to switch between low and high angle
camera fast-handling and responsive. The ≥4 shooting. With a 3:2 aspect ratio, this brilliant LCD
Auto Auto Lighting
Image Processor also makes it possible to employ monitor has 1.04 million dots and can be adjusted Exposure Optimizer
a 14-bit converter to process the output of the to seven levels of brightness.
CMOS Image Sensor. 14-bit conversion means
Scene Intelligent Auto
smoother tonal transitions, more natural grada- Auto White
Auto Focus
tions and spectacular color fidelity. Balance

EOS Full HD Video The EOS Rebel T3i also offers Canon’s new Basic+
The EOS Rebel T3i can capture creative imaging feature that makes it easy to cap-
gorgeous 1920 x 1080 resolu- ture the right mood every time. Basic+ enables the
tion Full HD video at 24, 25 or 30 frames per photographer to shoot by Ambience selection or by
second, for up to 4GB per clip. With its 18MP APS-C Lighting or Scene type.
sized sensor and an EF or EF-S lens attached, the Movie Digital Zoom,
EOS Rebel T3i delivers spectacular HD video and Video Snapshot Multi-Aspect Ratios, Creative Filters,
makes it easy to capture more creative images. By The EOS Rebel T3i has a digital In-Camera Features
controlling depth-of-field along with color and zoom feature, making it possible to zoom while The EOS Rebel T3i has a number of in-camera
exposure, video footage of stunning mood and shooting motion video from 3x to 10x, adding a capabilities designed to encourage creativity and
beauty are simple to achieve. A physically large whole new level of drama to video clips. Plus, the provide brilliant results. The photographer can
sensor means larger pixels and more refined images, EOS Rebel T3i has Canon’s new Video Snapshot shoot in a number of aspect ratios – 4:3, 3:2, 16:9,
and the ability to shoot with high ISO sensitivities feature, making filmmaking even more fun. With and even 1:1 for square compositions! The EOS
enables in situations previously impossible without Video snapshot, the camera will capture short Rebel T3i can convert recorded RAW files into JPEG
The REBEL on the Move. artificial light. Motion image capture can be con- video clips (of 2, 4 or 8 seconds) then combine files in-camera, incorporating or changing all shot
Photographers looking for an easy-to-use camera that will help them create their trolled automatically or manually. Focus can be them automatically into one video file as a snap- settings, without making any alterations to the
next masterpiece need look no further than the Canon EOS Rebel T3i. The next in shot or highlights “album.” With no editing needed original image file. It can also save small JPEGs from
a long line of phenomenal compact SLRs, the EOS Rebel T3i continues the Rebel after shooting, the compiled video is perfect for large JPEGs, perfect for creating images for e-mail
tradition of easy operation, compact design and no-compromise performance. sharing online or displaying directly on an HDTV via or wireless distribution when combined with Eye-
Featuring Canon’s newest ≥4 Image Processor and an 18MP CMOS sensor – the camera’s HDMI port. Fi* wireless SD cards.
plus cutting-edge technologies like a Vari-angle 3.0" LCD monitor, Full HD In addition, the EOS
1080p video recording, Live View shooting and Wireless flash photography – Advanced Scene Analysis Rebel T3i has several
the Rebel T3i offers the best of EOS photography in a compact package. for Enhanced Images popular creative
The EOS Scene Detection features like Grainy
System analyzes the chosen scene based on the B+W, Soft Focus, Toy
subject’s brightness, movement, contrast and Camera Effect and
distance. This data is provided to the camera’s Miniature Effect.
” exposure, white balance, picture style and lighting
Creative filter (Toy Camera Effect)

14 * Canon cameras are not guaranteed to support Eye-Fi card functions, including wireless transfer. In case of an issue with the Eye-Fi card, please consult with the card manufacturer. The use of
Eye-Fi cards may not be approved in all regions, or from one region to another, please contact the card manufacturer for status of approval in the country/region of use.
15
 EOS SLR CAMERAS

Ultra-High-Quality
Images
The EOS Rebel T3 has a
12.2 Megapixel CMOS (complementary metal oxide
be chosen manually either with the camera’s cross
keys or with the electronic dial.

63-Zone Dual-Layer Metering

3fps
semiconductor) Image Sensor that captures images The EOS Rebel T3 features Canon’s
with wide tonal range and superb clarity. It captures proven 63-zone Dual-layer metering frames, shoot continuously,
sensor designed to complement the 9-point AF and the self-timer can be set
system. By taking into account the color and lumi- to shoot any number of shots
nosity surrounding the chosen AF point, this system between 1 and 10, and can be directed to shoot
delivers a after 2 or 10 seconds.
remarkable
level of accu- Simple Operation
racy for more The EOS Rebel T3 is designed for quick and easy
precise expo- operation. Yet its sophisticated features are there
CMOS Image Sensor (Actual size) sure and color the moment they’re needed. The Mode Dial
images perfect for anything from sharing online to rendition even includes a Creative Auto mode, wherein the camera
huge, fine art prints. Its APS-C size sensor creates in complex and difficult lighting. Since the metering operates in full automatic mode, with frequently
an effective 1.6x lens crop factor and enables the sensor has a color measurement function, exposure used customization parameter choices displayed
photographer to choose from the wide range of errors and focus errors caused by differing light at the bottom of the LCD, ready to be experimented
superb, compact Canon EF-S lenses as well as the sources are minimized. This results in stable expo- with or used when the moment is right. The EOS
entire lineup of EF lenses. For fast and intuitive sure from shot to shot in situations where luminos- Rebel T3 includes a dedicated button to access
operation, the EOS Rebel T3 DSLR’s CMOS sensor ity changes can throw off other metering systems. the Quick Control screen, which offers simple
works in tandem with the incomparable Canon The camera balances exposure of the main subject navigation among key camera settings, including
≥4 Image Processor. The camera responds and background, and is not overly influenced by ISO, exposure and flash exposure compensation,
instantly to commands and provides an ISO sensi- bright areas in the composition. The EOS Rebel T3 drive mode, white balance, image quality and
tivity range of 100-6400 for outstanding versatility also features partial metering and Center-Weighted much more.
and more shooting options in more places. The average metering. Partial metering covers about
EOS Rebel T3 even employs advanced 14-bit A/D 10% of the metering area while Center-Weighted Feature Guide
conversion, delivering better color tones and average metering places emphasis on the center of To help photographers more quickly master the
cleaner digital files. the composition. many shooting options, the EOS Rebel T3 has a
built-in Feature Guide. It provides easy-to-under-
9-Point AF HD Video stand descriptions and instructions right on the
The EOS Rebel T3 features a wide area 9-point AF By simply setting the mode dial to movie mode, camera’s LCD screen in real time as various func-
system with an impressive light sensitivity of EV 0 Live View is activated, and the EOS Rebel T3 is tions are selected. Information is displayed for each
to EV 18 (at ISO 100) for accurate focus even in ready to shoot motion video. It’s as simple as shooting mode when using the Mode Dial or select-
dim lighting conditions. For fast, pinpoint focusing pressing a button! Shooting at 1280 x 720 pixels at ing Quick Control screen functions. The Feature
either 30 or 25 fps for NTSC or PAL video systems, Guide tells the photographer exactly what steps to
the EOS Rebel T3 can record with Picture Style set- take to achieve the desired results.
The Beauty of Simplicity. tings intact, meaning it’s easy to control sharpness,
Perfect for photographers ready to make the move to digital SLR photography, saturation and more. The bright and clear 2.7-inch
the new EOS Rebel T3 delivers beautiful photos and video, speed, simplicity LCD monitor provides a brilliant Live View, making
and fun. It features a 12.2 Megapixel CMOS Image Sensor and Canon ≥4 shooting video a breeze.
Image Processor for richly detailed images and quick camera response. It has
Canon’s amazing 63-zone, Dual-layer metering for accurate exposures and 3 fps Shooting
features Canon’s Basic+ function, HD video recording and Live View shooting. Capable of shooting up to 3 frames per
Innovative features, such as an on-screen Feature Guide and Quick Control regardless of the camera’s orientation, the AF system second, the EOS Rebel T3 creates excit-
screen, help the photographer use the camera’s advanced capabilities to features a cross-type center point sensitive to both ing photo opportunities. Capture that fleeting
capture spectacular images. vertical and horizontal lines. Top and bottom AF facial expression, the instant the ball hits the bat
points are vertical sensitive at f/5.6 and the or the optimal position of the bird on the horizon.
remaining points are horizontal sensitive at f/5.6. Faster than its predecessor, the EOS Rebel T3 can
Focusing modes include One-Shot AF, AI Servo AF shoot 2 RAW files per second, and 0.8 RAW+JPEGs Feature Guide (Aperture Priority AE)
” and AI Focus AF, and individual focusing points can per second. Its drive can be set to shoot single

16 17
 EOS SLR CAMERAS

©Clint Clemens

The Flagship EOS. The Next Chapter of EOS.

The EOS-1Ds Mark III has been designed from the ground up to be among Offering a comprehensive combination of speed, accuracy and image quality,
the most powerful, go-anywhere, capture-anything EOS ever made. This the EOS-1D Mark IV is the perfect choice for the professional photographer
professional powerhouse camera features a full-frame 21.1 Megapixel CMOS or videographer. Featuring a new 16.1 Megapixel APS-H sized CMOS sensor,
sensor for high-resolution image capture, Dual “≥ III” Image Processors a completely redesigned 45-point AF system with new AI Servo II AF tracking
for speedy performance and a host of technologies designed to capture algorithm, 10 fps capture, boosted ISO sensitivities with exceptionally low
phenomenal images quickly and without compromise. With strong con- noise, a versatile EOS Full HD video capture mode and much more, the EOS-1D
struction complementing the ultimate combination of power, speed and Mark IV is capable of doing more things, in more places. It’s the flagship of the
resolution, the EOS-1Ds Mark III is suited for your professional needs. Canon EOS line, offering performance that’s nothing short of stunning.

” ”
18 19
 EOS SLR CAMERAS

©Stephen Frink

High Performance for High Expectations. Beyond the Still.

For phenomenal full-frame performance in a compact and easy to use digital SLR, With a host of phenomenal features designed to enhance and speed up every
look no further than the brilliant EOS 5D Mark II. Featuring the ability to capture facet of the photographic and moviemaking process, the cutting-edge EOS 7D
video in Full HD with its large full-frame CMOS sensor, it is an exciting new tool represents the next level of photographic and filmmaking performance. With
not just for photographers, but also for videographers and cinematographers as its 18.0 Megapixel CMOS sensor and Dual ≥4 Image Processors, it shoots
well. It has a 21.1 Megapixel Canon CMOS sensor, a ≥ 4 Image Processor for amazing stills and Full HD video without compromise. It has a bright and
speed, offers an extended ISO range and Live View shooting. Whether in the hands customizable Intelligent Viewfinder with approximately 100% coverage, a
of a wedding photographer, or capturing breathtaking landscapes, on a movie set, newly designed AF system, plus rugged, refined construction for reliable
or anywhere in between, the EOS 5D Mark II helps bring photographic brilliance. pro-level performance anywhere, any time. The EOS 7D, simply put, introduces
the user to the next stage of camera.

” ”
20 21
 EOS SLR CAMERAS

An EOS with Perspective.

For photographers and enthusiasts looking for a camera with the perfect combination
of versatility, performance and ease-of-use, Canon introduces the EOS 60D. Featuring The Evolution Continues.
a brilliant Canon 18.0 Megapixel CMOS sensor, a ≥4 Image Processor, a new
Combining classic Canon technologies with true versatility, the EOS Rebel T2i is
Vari-angle 3.0-inch Clear View LCD monitor with 180° rotation — perfect for self-
an easy to use, lightweight SLR that’s a joy to have, featuring a class-leading
portraits — plus a host of features inspired by Canon professional EOS DSLRs, the
18.0 Megapixel CMOS Sensor and improved EOS Movie mode with manual
EOS 60D is powerful, compact and lightweight, perfect for a day of shooting. It offers
exposure control, expanded recording options and a movie crop function. With
5.3 fps maximum performance, Full HD video, a flash sync of 1/250 sec, and a shutter
increased light sensitivity for low light photography and the speed to capture up
that’s durability tested to 100,000 cycles. It features a horizontal Electronic Level
to 3.7 frames per second, the EOS Rebel T2i is ready to go the minute it’s picked
display, accepts interchangeable focus screens and has a number of exciting
up. Gorgeous photos and Full HD videos are as simple as the press of a button. It’s
in-camera functions. With all this and more, the EOS 60D offers a powerful
simply one of the best Rebel cameras Canon has ever created.
image-capturing perspective.

” ”
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 EOS SLR CAMERAS

EOS SLR Comparison Chart

EOS-1Ds Mark III EOS-1D Mark IV EOS 5D Mark II EOS 7D EOS 60D EOS Rebel T3i EOS Rebel T2i EOS Rebel T3 EOS Rebel T1i EOS Rebel XS
Autofocus System TTL-AREA-SIR CMOS Sensor; TTL-AREA-SIR CMOS Sensor with 39 high-precision cross-type points; TTL-CT-SIR CMOS Sensor (only the center point is cross type); TTL-CT-SIR CMOS Sensor; TTL-CT-SIR AF-dedicated CMOS sensor; TTL-CT-SIR AF CMOS Sensor (only the center point is cross-type); TTL-CT-SIR AF CMOS Sensor;One-Shot and AI Servo AF with TTL-CT-SIR AF CMOS Sensor (only the center point is cross-type); TTL-CT-SIR CMOS Sensor (only the center point is cross type); TTL-CT-SIR CMOS Sensor (only the center point is cross type);
One-Shot and Al Servo AF with Focus Prediction; One-Shot and AI Servo II AF with Focus Prediction; One-Shot and Al Servo AF with Focus Prediction; One-Shot and AI Servo II AF with Focus Prediction; One-Shot and AI Servo AF with Focus Prediction; One-Shot and AI Servo with Focus Prediction; AI Focus AF; Manual Focus Prediction; Manual focusing confirmation possible with EF One-Shot and AI Servo with Focus Prediction; AI Focus AF; Manual One-Shot and Al Servo AF with Focus Prediction; One-Shot and Al Servo AF with Focus Prediction;
Manual focusing confirmation possible with EF lenses; Manual focusing confirmation possible with EF lenses; Manual focusing confirmation possible with EF lenses; Manual focusing confirmation possible With EF lenses; Manual focusing confirmation possible with EF and EF-S Lenses; focusing confirmation possible with EF and EF-S lenses; Automatic and EF-S lenses; Automatic or manual focus point selection focusing confirmation possible with EF and EF-S lenses; Automatic Manual focusing confirmation possible with EF and EF-S lenses; Manual focusing confirmation possible with EF and EF-S lenses;
Automatic or manual focus point selection Automatic or manual focus point selection Automatic or manual focus point selection Automatic or manual focus point selection Automatic or manual focus point selection or manual point selection or manual point selection Automatic or manual focus point selection Automatic or manual focus point selection
Image Processor / Image Sensor Dual “DIGIC III” / 36 x 24mm, Single-plate CMOS Sensor with Auto Sensor Cleaning Dual DIGIC 4 / 27.9 x 18.6mm, single-plate CMOS Sensor with Auto Sensor Cleaning DIGIC 4 / 36.0 x 24.0mm, Single-plate CMOS Sensor with Auto Dual DIGIC 4 / 22.3 x 14.9mm, single-plate CMOS Sensor with Auto DIGIC 4 / 22.3 x 14.9mm single-plate CMOS Sensor with Auto DIGIC 4, 22.3 x 14.9mm single plate CMOS Sensor with Auto DIGIC 4 / 22.3 x 14.9mm, single-plate CMOS Sensor with Auto DIGIC 4, 22.0 x 14.7mm single plate CMOS Sensor DIGIC 4 / 22.3 x 14.9mm, single-plate CMOS Sensor with Auto DIGIC III / 22.2 x 14.8mm, Single-plate CMOS Sensor with Auto
Sensor Cleaning Sensor Cleaning Sensor Cleaning Sensor Cleaning Sensor Cleaning Sensor Cleaning Sensor Cleaning
Crop Factor 1.0x (Full-frame) 1.3x (APS-H) 1.0x (full-frame) 1.6x (APS-C) 1.6x (APS-C) 1.6x (APS-C) 1.6x (APS-C) 1.6x (APS-C) 1.6x (APS-C) 1.6x (APS-C)

Special Features • 21.1 Megapixel CMOS digital SLR camera • N3 remote control socket • 16.1 Megapixel CMOS digital SLR camera • Mirror lock • 21.1 Megapixel CMOS digital • FE lock • 18.0 Megapixel CMOS • FE lock • 18.0 Megapixel CMOS digital • Integrated Speedlite transmitter • 18.0 Megapixel CMOS Sensor • Basic+ • 18.0 Megapixel CMOS digital • FE lock • 12.2 Megapixel CMOS Sensor • Basic+ • 15.1 Megapixel CMOS digital • Depth-of-field preview • 10.1 Megapixel CMOS • Depth-of-field preview
• Built-in 3.0" (approx. 230,000 dots) wide viewing • USB compatible • Built-in 3.0" (approx. 920,000 dots) wide • USB 2.0 Hi-Speed compatible SLR camera • Mirror lock digital SLR camera • Mirror lock SLR camera • Basic+ • Built-in, 3.0" (approx. • Peripheral Illumination Correction SLR camera • Mirror lock • Built-in, 2.7" (approx. 230,000) • Peripheral Illumination SLR camera • FE lock digital SLR camera • FE lock
angle color monitor • Magnesium alloy body viewing angle color monitor • Magnesium alloy body • Built-in 3.0" (approx. 920,000 • N3 remote control socket • Built-in 3.0" (approx.920,000 • Retractable built-in E-TTL • Built-in 3-inch (approx. 1,040,000 • Movie Crop 1,040,000) wide vari-angle • Creative Filters • Built-in 3.0" (Approx. • Retractable built-in E-TTL II color monitor Correction • Built-in 3.0" (approx. • Mirror lock • Built-in 2.5" (approx. • Retractable built-in E-TTL II
dots) wide viewing angle • USB 2.0 Hi-Speed dots) wide viewing angle II flash, with integrated dots) wide Vari-angle color monitor • In-camera RAW processing color monitor
• 57 Custom functions in 4 sets • Picture Style • 62 Custom functions in 4 sets • Picture Style color monitor Speedlite transmitter and • 20 Custom Functions in 4 Groups • Creative filters • EOS Scene Detection 1,040,000 dots) wide viewing flash • 10 custom functions with 32 • Hybrid Single Blade Shutter 920,000 dots) wide viewing • Retractable built-in E-TTL II flash 230,000 dots) wide viewing flash
• Quick Control Dial • Dust reduction feature • Multi-controller • Dust reduction feature color monitor compatible • 27 Custom Functions in 4 manual output control • 11 custom functions with 34 Technology, Scene Intelligent angle color monitor • USB 2.0 Hi-Speed compatible settings • HD Video Shooting angle color monitor • USB 2.0 Hi-Speed compatible angle color monitor • USB 2.0 Hi-Speed compatible
• 25 Custom functions with 71 • Magnesium alloy body • Multi-controller • Star rating system
• Simultaneous RAW and JPEG image capture • Live View Function • Simultaneous RAW and JPEG image capture • Live View Function & Face Detection Groups • USB 2.0 Hi-Speed • Horizontal Level • Aluminum and polycarbonate with settings Auto and Picture Style Auto • 12 Custom functions • Picture Style • Simultaneous RAW + JPEG • Slide Show •13 Custom functions with 39 • Double hybrid stainless steel • 12 Custom functions with 32 • Double hybrid stainless steel
settings • Picture Style • Multi-controller compatible • Simultaneous RAW + JPEG glass fiber chassis • Simultaneous RAW + JPEG • Multiple Aspect Ratios
• Dioptric adjustment • Dioptric adjustment Live mode • Multi-controller • Dust reduction feature • Simultaneous RAW and JPEG • Dust Reduction Feature recording • Ratings settings internal chassis settings internal chassis
• Dual Axis Electronic Level • Magnesium alloy body image capture • USB 2.0 Hi-Speed compatible image capture • Movie Digital Zoom
• Depth-of-field preview • Depth-of-field preview • Full HD Video • Simultaneous RAW and • Live View Function & Face • Simultaneous RAW and JPEG • Picture Style • Dioptric adjustment • Picture Style • USB 2.0 Hi-Speed compatible image capture • Live View Function & Face • USB 2.0 Hi-Speed compatible • Multi-controller • Picture Style • Cross keys for instant control • Picture Style
• Video Snapshot albums
• FE lock • FE lock JPEG image capture Detection Live mode image capture • Dust Reduction Feature • Depth-of-field preview • Dust Reduction Feature • FE Lock • Built-in flash with Speedlite • Dioptric adjustment Detection Live Mode • FE Lock • Simultaneous RAW and JPEG • Dust reduction feature • Simultaneous RAW and • Dust reduction feature
• Mirror lock • Dioptric adjustment • Full HD video • Dioptric adjustment • Live View Function & Face • FE Lock • Live View Function & Face Detection • Mirror Lock transmitter • Depth-of-field preview • Full HD video • Feature Guide image capture • Live View Function JPEG image capture • Live View Function
• Depth-of-field preview • Depth-of-field preview Detection Live mode • Mirror Lock Live mode • Feature Guide • Full HD Video • Dioptric adjustment • Full HD video • Dioptric adjustment
• Intelligent Viewfinder Display • Full HD video • Retractable built-in E-TTL II flash • Full HD video
Video Recording Size – 1920 x 1080 (Full HD): 30p (29.97) / 25p / 24p (23.976), 1280 x 720 (HD): 60p (59.94) / 50p; 1920 x 1080 (Full HD): 30p, 640 x 480 (SD): 30p 1920 x 1080 (Full HD): 30p (29.97), 25p/ 24p (23.976) / 1280 x 720 1920x1080 (Full HD): 30p / 25p / 24p, 1280x720: 60p / 50p, 1920 x 1080 (Full HD): 30p (29.97) / 24p (23.976) / 25p, 1280 x 720 (HD): 1920 x 1080 (Full HD): 30p (29.97) / 24p (23.976) / 25p, 1280 x 720(HD): 60p 1280 x 720: 30p (29.97), 25p 1920 x 1080 (Full HD): 20p, 1280 x 720 (HD): 30p, 640 x 480 –
640 x 480 (SD): 60p (59.94) / 50p. (HD): 60p (59.94) / 50p, 640 x 480 (SD): 60p (59.94) / 50p. 640x480 (Movie Crop): 60p /50p 60p (59.94) / 50p, 640 x 480 (SD): 30p (29.97) / 25p (59.94) / 50p, 640 x 480 (SD and SD Movie Crop Function): 60p (59.94) / 50p (SD): 30p

Number of Focusing Points 45 (Area AF Ellipse) 45 (Area AF Ellipse); All 45 points selectable, 39 cross-type, high-precision AF points (manual), 9 (plus 6 Assist AF points) 19; Each AF point has a cross-type sensor, Center AF point is dual- 9; Each AF point has cross-type sensors — Center AF point also has addi- 9; Center AF point is a high precision cross-type, vertical-line sensitive 9; each AF point has a cross type sensor; cross-type at center 9; Center AF point is cross-type, vertical-line sensitive at f/5.6.) 9; Center AF point is cross-type with added high-precision horizon- 7 Center AF point is cross-type
19 cross-type AF points (plus 26 Assist AF points) 19 (automatic), improved AI Servo II AF Center AF point is cross-type Hybrid high and standard precision diagonal high-precision cross-type sensor with f/2.8. tional, high-precision dual cross-type sensor with f/2.8 or faster lenses at f/2.8.) compatible with sensor with f/2.8 tal sensor (f/2.8 or faster lenses) Hybrid high and standard precision

ISO Range* ISO 100–1600, ISO 50 and 3200 via Menu Selection ISO 100–12800, ISO 25600, 51200, & 102400 via Custom Function ISO 100–6400, ISO 50, 12800 and 25600 via Menu Selection ISO 100-6400, ISO 12800 via Custom Function ISO 100 – 6400 and 12800 via Custom Function 100-6400, ISO 12800 via Custom Function 100-6400, ISO 12800 via Custom Function 100-6400 ISO 100–3200, ISO 6400 and 12800 via Custom Function ISO 100–1600

Recording Media UDMA CF/CF card (Type I or II), SD/SDHC** memory card UDMA CF/CF card (Type I or II), SD/SDHC memory card UDMA CF/CF card (Type I or II) UDMA CF/CF card (Type I or II) SD card, SDHC card or SDXC memory card SD, SDHC, SDXC memory card SD/SDHC/SDXC memory card SD/SDHC/SDXC memory card SD/SDHC memory card SD/SDHC memory card

Frames Per Second Single, 3.0 fps, 5.0 fps Single, 10.0 fps, 3 fps Single, 3.9 fps Single, 8.0 fps, 3 fps Single, 5.3 fps, 3 fps Single and 3.7 fps Single and 3.7 fps Single and 3.0 fps Single and 3.4 fps Single, 3.0 fps

Shutter Speeds 30–1/8000 sec. & Bulb; manually settable in 1/3-, 1/2-, 1-stop increments 30-1/8,000 sec. & Bulb; manually settable in 1/3-, 1/2-, 1-stop increments 30–1/8000 sec. & Bulb; manually settable in 1/3-, 1/2-stop increments 30-1/8,000 sec. & Bulb; manually settable in 1/3- or 1/2-stop increments 30 to 1/8000 sec. & Bulb; manually settable in 1/3- or 1/2-stop increments 30-1/4,000 sec. & Bulb, manually settable in 1/3- or 1/2-stop increments 30-1/4,000 sec. & Bulb, manually settable in 1/3- or 1/2-stop increments 30-1/4,000 sec. & Bulb, manually settable in 1/3- or 1/2-stop increments 30–1/4000 sec. & Bulb; manually settable in 1/3-stop increments 30–1/4000 sec. & Bulb; manually settable in 1/3-stop increments

Autofocus Sensitivity EV -1–18 (at ISO 100) EV -1–18 (at ISO 100 with f/1.4 lens) EV -0.5–18 (at ISO 100) EV -0.5–18 (at ISO 100) EV -0.5 – 18 (at ISO 100) -0.5 – 18 (at ISO 100) EV -0.5–18 (at ISO 100) 0 – 18 (at ISO 100) EV -0.5–18 (at ISO 100) EV 0.5–18 (at ISO 100)

Autofocus Auxiliary Light Built-in – – – Yes (via built-in flash) Yes (via built-in flash) Yes (via built-in flash) Yes (via built-in flash) Yes (via built-in flash) Yes (via built-in flash) Yes (via built-in flash)

Shutter Vertical-travel, focal-plane shutter with soft-touch electromagnetic release, all speeds Vertical-travel, focal-plane shutter with soft-touch electromagnetic release, all speeds electronically Vertical-travel, mechanical, focal-plane shutter with soft-touch Vertical-travel, focal-plane shutter with soft-touch electromagnetic Vertical-travel, mechanical, soft-touch electromagnetic release, focal- Vertical-travel, mechanical, focal-plane shutter with all speeds Vertical-travel, mechanical, focal-plane shutter with all speeds Vertical-travel, mechanical, focal-plane shutter with all speeds Vertical-travel, focal-plane shutter with soft-touch electromagnetic Vertical-travel, focal-plane shutter with soft-touch electromagnetic
electronically controlled controlled electromagnetic release, all speeds electronically controlled release, all speeds electronically controlled plane shutter with all speeds electronically-controlled electronically controlled electronically-controlled electronically-controlled release, all speeds electronically controlled release, all speeds electronically controlled

Maximum Flash Synchronization Speed Up to 1/250 sec.; high-speed sync. available with EX-series Speedlites Up to 1/300 sec.; high-speed sync. Available with EX-series Speedlites Up to 1/200 sec.; high-speed sync. available with EX-series Speedlites Up to 1/250 sec.; high-speed sync. Available with EX-series Speedlites Up to 1/250 sec.; high-speed sync. Available with EX-series Speedlites Up to 1/200 sec.; high-speed sync. available with EX-series Speedlites Up to 1/200 sec., high-speed sync. Available with EX-series Speedlites Up to 1/200 sec.; high-speed sync. available with EX-series Speedlites Up to 1/200 sec.; high-speed sync. available with EX-series Speedlites Up to 1/200 sec.; high-speed sync. available with EX-series Speedlites

Metering System TTL full-aperture metering: TTL full-aperture metering: TTL full-aperture metering: TTL full-aperture metering: TTL full-aperture metering: TTL full-aperture metering: TTL full-aperture metering: TTL full-aperture metering: TTL full-aperture metering: TTL full-aperture metering:
• 63-zone Evaluative metering • Multi-spot metering (up to 8 spot readings) • 63-zone evaluative metering • Multi-spot metering (up to 8 spot readings) • 35-zone Evaluative metering • 63-zone Evaluative metering • 63-zone Evaluative metering • 63-zone Evaluative metering • 63-zone Evaluative metering • 63-zone Evaluative metering • 35-zone Evaluative metering • 35-zone Evaluative metering
• 8.5% Partial metering • Center-Weighted average metering • 13.5% Partial metering • Center-Weighted average metering • 8% Partial metering • 9.4% Partial metering • 6.5% Partial metering • 9% Partial metering • 9% Partial metering • Approx. 10% Partial metering • 9% Partial metering • 10% Partial metering
• 2.4% Center spot metering • Pre-flash metering (E-TTL II) • 3.8% Center spot metering • Pre-flash metering (E-TTL II) • 3.5% Center spot metering • 2.3% Center spot metering • 2.8% Center spot metering • 4% Spot metering • 4% Center spot metering • Center-Weighted average metering • 4% Center spot metering • Center-Weighted average metering
• 2.4% Spot metering (linked to user-selected • 3.8% Spot metering (linked to user-selected • Center-Weighted average metering • Center-Weighted average metering • Center-Weighted average metering • Center-Weighted average metering • Center-Weighted average metering Pre-flash metering (E-TTL II) • Center-Weighted average metering • Pre-flash metering (E-TTL II)
focusing point) focusing point) • Pre-flash metering (E-TTL II) • Pre-flash metering (E-TTL II) • Pre-flash metering (E-TTL II) • Pre-flash metering (E-TTL II) • Pre-flash metering (E-TTL II)

Metering Sensitivity EV 0–20 for all patterns (at ISO 100 with f/1.4 lens) EV 0–20 for all patterns (at ISO 100 with f/1.4 lens) EV 1–20 for all patterns (at ISO 100 with f/1.4 lens) EV 1-20 for all patterns (at ISO 100 with f/1.4 lens) EV 0 – 20 for all patterns (at ISO 100 with f/1.4 lens) EV 1 - 20 (at ISO 100 with f/1.4 lens) EV 1-20 for all patterns (at ISO 100 with f/1.4 lens) EV 0 - 20 (at ISO 100 with f/1.4 lens) EV 1–20 for all patterns (at ISO 100 with f/1.4 lens) EV 1–20 for all patterns (at ISO 100 with f/1.4 lens)

Exposure Compensation ±3 stops in 1/3- or 1/2-stop increments ±3 stops in 1/3- or 1/2-stop increments ±2 stops in 1/3- or 1/2-stop increments ±5 stops in 1/3- or 1/2-stop increments ±5 stops in 1/3- or 1/2-stop increments ±5 stops in 1/3- or 1/2-stop increments ±5 stops in 1/3- or 1/2-stop increments. ±5 stops in 1/3- or 1/2-stop increments ±3 stops in 1/3- or 1/2-stop increments ±3 stops in 1/3- or 1/2-stop increments

Flash Exposure Compensation ±3 stops in 1/3- or 1/2-stop increments ±3 stops in 1/3- or 1/2-stop increments ±2 stops in 1/3- or 1/2-stop increments ±3 stops in 1/3- or 1/2-stop increments ±3 stops in 1/3- or 1/2-stop increments Up to ±2 stops in 1/3- or 1/2-stop increments ±3 stops in 1/3- or 1/2-stop increments Up to ±2 stops in 1/3- or 1/2-stop increments ±2 stops in 1/3- or 1/2-stop increments ±2 stops in 1/3- or 1/2-stop increments

AE Lock Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes

Exposure Modes • Shutter Speed-priority AE • E-TTL II Flash AE • Shutter Speed-priority AE • E-TTL II Flash AE • Program AE (shiftable) • Manual • Program AE (shiftable) • Creative Auto • Program AE (shiftable) • Full Auto • Program AE • Flash Off • Program AE • Manual • Program AE • Flash Off • Program AE (shiftable) • Manual • Program AE (shiftable) • Manual
• Aperture-priority AE • Flash Metered Manual • Aperture-priority AE • Bulb • Shutter Speed-priority AE • E-TTL II Flash AE • Shutter Speed-priority AE • Manual • Shutter-priority AE • Flash Off • Shutter-priority AE • Creative Auto • Shutter Speed-priority AE • E-TTL II autoflash AE • Shutter-priority AE • Creative Auto • Shutter Speed-priority AE • E-TTL II Flash AE • Shutter Speed-priority AE • E-TTL II Flash AE
• Program AE (shiftable) • Bulb • Program AE (shiftable) • Aperture-priority AE • Bulb • Aperture-priority AE • E-TTL II Flash AE • Aperture-priority AE • Creative Auto • Aperture-priority AE • Programmed AE with ambience • Aperture-priority AE • 6 PIC (Programmed Image • Aperture-priority AE • Programmed AE with ambience • Aperture-priority AE • 6 PIC (Programmed Image • Aperture-priority AE • 6 PIC (Programmed Image
• Manual exposure selection • Manual exposure
• Manual • Manual • Creative Auto • Depth-of-field AE • Bulb • Manual exposure • Programmed Image Control modes (5) • Automatic depth-of-field AE • E-TTL II autoflash program AE • Depth-of-Field AE Control) modes • Automatic depth-of-field AE selection • Auto Depth-of-Field AE Control) modes • Auto Depth-of-Field AE Control) modes
• Full Auto • Full Auto • Bulb • E-TTL II Autoflash Program AE • Scene Intelligent Auto • Full Auto • Bulb • Full Auto • E-TTL II autoflash program AE • Full Auto • Full Auto
Viewfinder Fixed eye-level pentaprism Fixed eye-level pentaprism Fixed eye-level pentaprism Fixed eye-level pentaprism Fixed eye-level pentaprism Fixed eye-level pentamirror Fixed eye-level pentamirror Fixed eye-level pentamirror Fixed eye-level pentamirror Fixed eye-level pentamirror

Viewfinder Coverage Approx. 100% horizontal and vertical at 0.75x Approx. 100% horizontal and vertical at 0.76x 98% horizontal/vertical at 0.71x Approx. 100% horizontal/vertical at 1x Approx. 96% vertical/horizontal 95% horizontal/vertical at 0.85x 95% horizontal/vertical at 0.87x 95% horizontal/vertical at 0.8x 95% horizontal and vertical at 0.87x 95% horizontal/vertical at 0.81x

Viewfinder Information Inside the picture area: Area AF Ellipse, illuminated AF points and Spot metering circle. Displayed at the bot- Inside the picture area: Forty-five focusing points, 3.8% Spot metering circle. Displayed at Inside the picture area: Nine focusing points, 3.5% Spot metering Inside the picture area: Nineteen focusing points, 2.3% Spot metering Inside the picture area: Nineteen focusing points, 2.8% Spot metering Inside the picture area: Nine focusing points, 4% Spot metering Inside the picture area: Nine focusing points, 4% Spot metering Inside the picture area: Nine focusing points. Displayed at the Inside the picture area: Nine focusing points, 4% Spot metering Inside the picture area: Seven focusing points. Displayed at the
tom and right side of the viewing area: the bottom of the viewing area: Numeric and textual information with 7-segment LCD circle. Displayed at the bottom of the viewing area: Numeric and circle, Compositional Grid. Displayed at the bottom of the viewing circle, Compositional Grid. Displayed at the bottom of the viewing area: circle. Displayed at the bottom of the viewing area: Numeric and circle. Displayed at the bottom of the viewing area: Numeric and bottom of the viewing area: Numeric and textual information with circle. Displayed at the bottom of the viewing area: Numeric and bottom of the viewing area: Numeric and textual information with
• Shutter speed • Exposure compensation / • Shutter speed • Exposure compensation / textual information with 7-segment LCD area: Numeric and textual information with 7-segment LCD Numeric and textual information with 7-segment LCD textual information with 7-segment LCD textual information with 7-segment LCD 7-segment LCD textual information with 7-segment LCD 7-segment LCD
• Aperture value Flash compensation • Aperture value Flash compensation • Shutter speed • Flash ready/High-speed • Shutter speed • Flash ready /High- • Shutter speed • Highlight Tone Priority • Shutter speed • Flash Ready/High-speed Sync • Shutter speed • Focus confirmation • Shutter speed • Flash Ready/High-speed • Shutter speed • Focus confirmation • Shutter speed • Focus confirmation
• AE Lock • Exposure bracketing • AE Lock • Exposure bracketing • Aperture value sync • Aperture value speed sync • Aperture value • JPEG indicator • Aperture Value • Focus Confirmation • Aperture value • Highlight tone priority • Aperture Value Sync • Aperture value • White Balance +/- • Aperture value • White Balance +/-
• FE Lock • Flash ready / Hi-speed sync • FE Lock • Flash ready / Hi-speed sync • AE Lock • B/W shooting • AE Lock • Focus confirmation • AE Lock • CF card full warning • AE Lock • Highlight Tone Priority (D+) • AE Lock • ISO speed • AE Lock • Focus Confirmation • AE Lock • SD/SDHC memory card • AE Lock • SD/SDHC memory card
• Shots remaining • Focus confirmation • Shots remaining • Focus confirmation • FE Lock • Highlight Tone Priority • FE Lock • Highlight Tone Priority • FE Lock • Electronic level • FE Lock • Red-eye Reduction Light • FE Lock • White balance correction • FE Lock • Highlight Tone Priority (D+) • FE Lock full warning • FE Lock full warning
• Max. burst • White Balance +/- • Max. burst • White Balance +/- • Max. burst • Focus confirmation • Max. burst • JPEG indicator • Max. burst (Horizontal only) • Max. Burst • Max. burst • Red-eye reduction light • Max. Burst • Red-eye Reduction Light • Max. burst • Max. burst
• ISO Speed
• Multi-spot readings • ISO speed • Multi-spot readings • ISO speed • Exposure level • White Balance +/- • Exposure level • CF card full warning • Exposure level • Battery check • Exposure Level • Exposure level • Monochrome Shooting • Exposure Level • ISO Speed • Exposure level • Exposure level
• White Balance Correction
• Metering Pattern • JPEG indicator • Metering Pattern • JPEG indicator • Flash exposure • ISO speed • Flash exposure • Flash exposure compensation • Flash exposure compensation • SD card information • Flash Exposure • White Balance Correction • Flash exposure compensation • Flash exposure compensation
• Flash Exposure Compensation • Monochrome shooting
• Exposure level / • RAW indicator • Exposure level / • RAW indicator compensation • CF card full warning compensation • Exposure bracketing • Exposure bracketing Compensation • Monochrome shooting • Exposure bracketing • Exposure bracketing
• Exposure Warning • SD/SDHC/SDXC memory card
Flash exposure level / • Battery check Flash exposure level / • Battery check • Exposure bracketing • Exposure bracketing • Flash ready /High-speed sync • Flash ready/High-speed sync • Exposure Warning • SD/SDHC/SDXC memory • Flash ready/High-speed sync • Flash ready/High-speed sync
• AF points full warning
Manual Exposure level • Memory card full warning Manual Exposure level • Memory card full warning • Focus confirmation • AF points card full warning
Focusing Screens Laser-matte screen Ec-C IV with area AF Ellipse and fine Spot metering circle provided as the standard Precision laser-matte screen Ec-CIV Precision laser-matte screen Eg-A marked with focusing points Intelligent Viewfinder with adaptable LCD overlay displaying Dual Precision laser-matte screen Ef-A marked with focusing points Precision laser-matte screen marked with focusing points (Non- Precision laser-matte screen marked with focusing points and Spot Precision laser-matte screen marked with focusing points (Non- Precision laser-matte screen marked with focusing points Precision laser-matte screen marked with focusing points
screen (Interchangeable with Ec-series focusing screens, metering correction data can be set with a Interchangeable (Ec series) and Spot metering circle (interchangeable with Eg-series focus- Axis Electronic Level, Compositional Grid, Spot Metering Circle, AF and Spot metering circle (interchangeable with dedicated Ef-series interchangeable) metering circle interchangeable) (Non-interchangeable) (non-interchangeable)
custom function for the Laser-matte screens) ing screens) Selection Modes, and AF Points screens. Metering correction can be set with Custom Function IV-4)

Self-Timer Electronically controlled with 2- or 10-second delay Electronically controlled with 2- or 10-second delay Electronically controlled with 2- or 10-second delay Electronically controlled with 2- or 10-second delay Electronically controlled with 2- or 10-second delay Electronically controlled with 2- or 10-second delay Electronically controlled with 2- or 10-second display Electronically controlled with 2- or 10-second delay Electronically controlled with 2- or 10-second delay Electronically controlled with 2- or 10-second delay

Body Dimensions (W x H x D) 6.1 x 6.3 x 3.1 in. / 156 x 159.6 x 79.9mm 6.1 x 6.2 x 3.1 in. / 156 x 156.6 x 79.9mm 6.0 x 4.5 x 3.0 in. / 152 x 113.5 x 75mm 5.3 x 4.4 x 2.9 in. / 148.2 x 110.7 x 73.5mm Approx. 5.7 x 4.2 x 3.1 in. / 144.5 x 105.8 x 78.6mm Approx. 5.2 x 3.9 x 3.1 in. / 133.1 x 99.5 x 79.7mm 5.1 x 3.8 x 2.4 in / 128.8 x 97.3 x 62.0mm Approx. 5.1 x 3.9 x 3.0 in. / 129.9 x 99.7 x 77.9mm 5.1 x 3.8 x 2.4 in. / 128.8 x 97.5 x 61.9mm 5.0 x 3.8 x 2.4 in. / 126.1 x 97.5 x 61.9mm

Weight (Body Only) 42.5 oz. / 1,205g 41.6 oz. / 1,180g 28.6 oz. / 810g 28.9 oz. / 820g 23.8 oz. / 675g Approx. 18.2 oz. / 515g 18.7 oz. / 530g* Approx. 17.4 oz. / 495g 16.9 oz. / 480g 15.9 oz. / 450g

* Standard output sensitivity. Recommended exposure index. *CIPA standard, includes battery and memory card.
24 ** SDHC compatibility requires firmware update 26
 EOS SLR CAMERAS
EOS System Chart
EOS-1Ds Mark III/EOS-1D Mark IV Only
Interface Cable IFC-500U Interface Cable IFC-200U Mini-HDMI Cable HTC-100*

Battery Pack Battery Charger Eyecup Eg Dioptric Adjustment USB Cable Protector Video Cable VC-100
Stereo AV Cable
AVC-DC400ST*
Wireless Controller
Image Format and Capacity Chart Movie Recording Size and Time
LP-E4 LC-E4 Lenses Eg
LC-5
EOS-1Ds Mark III
Compression Image File Recording Compression Image File Recording Compression Image File Recording Movie Frame Total Recording Time File Size
Image Format Recording Resolution Recording Method Image Format Recording Resolution Recording Method Image Format Recording Resolution Recording Method Compression Image
580EX II Image Format Recording Resolution Recording Method
Compression
Rate Image File Recording
Size (MB) Capacity (shot) Image Format Recording Resolution Recording Method
Compression
Rate Image File Recording
Size (MB) Capacity (shot) Image Format Recording Resolution Recording Method Rate SizeFile
(MB)Recording
Capacity (shot) Movie
Recording Size
Frame
Rate
Total Recording Time
4GB Card 16GB Card
File Size
Rate Size (MB) Capacity (shot) Rate Size (MB) Capacity (shot) Rate Size (MB) Capacity (shot) Recording Size Rate 4GB Card 16GB Card
AC Adaptor Kit Car Battery Cable Wireless File Wireless File Ec-Series Remote Switch
ACK-E4 CB-570 Anti-Fog Eyepiece Eg Angle Finder C Transmitter WFT-E2A Transmitter WFT-E2 II A Focusing Screens RS-80N3
EOS-1Ds Mark III* EOS 7D EOS Rebel T3i EOS-1D Mark IV
EOS-1Ds Mark III* EOS 7D EOS Rebel T3i EOS-1D Mark IV
EOS 5D Mark II Only JPEG Large 5616 x 3744 JPEG Low Compression 6.4 290 JPEG Large/Fine 5184 x 3456 JPEG Low Compression 6.6 593 JPEG Large/Fine 5184 x 3456 JPEG Low Compression 6.4 570 1920x1080 30fps 12 min. 49 min. 330 MB/min.
JPEG Large 5616 x 3744 JPEG Low Compression 6.4 290 JPEG Large/Fine 5184 x 3456 JPEG Low Compression 6.6 593 JPEG Large/Fine 5184 x 3456 JPEG Low Compression 6.4 570 1920x1080 30fps 12 min. 49 min. 330 MB/min.
Mini-HDMI Cable HTC-100 Interface Cable Interface Cable (Approx. 21.00 megapixels) Large/Normal (Approx. 17.90 megapixels) High Compression 3.3 1169 Large/Normal (Approx. 17.9 megapixels) High Compression 3.2 1120 (16:9) Full HD
Stereo Video Cable STV-250N Timer Remote (Approx. 21.00 megapixels) Large/Normal (Approx. 17.90 megapixels) High Compression 3.3 1169 Large/Normal (Approx. 17.9 megapixels) High Compression 3.2 1120 (16:9) Full HD 25fps
EOS-1D Mark IV IFC-200U IFC-500U Medium 1 4992 x 3328 5.2 350 Medium/Fine 3456 x 2304 Low Compression 3.4 25fps
Controller TC-80N3 Medium/Fine 3456 x 2304 Low Compression 3.5 1122 1070
Medium 1 4992 x 3328 5.2 350 Medium/Fine 3456 x 2304 Low Compression 3.5 1122 Medium/Fine 3456 x 2304 Low Compression 3.4 1070 24fps
(Approx. 16.6 megapixels) (Approx. 8.00 megapixels) Medium/Normal (Approx. 8.00 megapixels) High Compression 1.7 2100 24fps
430EX II Battery Pack Battery Magazine Battery Charger Eyepiece Extender EP-EX15 Eyecup Eb Rubber Frame Eb Dioptric Adjustment Lens E (Approx. 16.6 megapixels) Medium/Normal (Approx. 8.00 megapixels) High Compression 1.8 2178 Medium/Normal (Approx. 8.00 megapixels) High Compression 1.7 2100
Battery Grip BG-E6 Medium 2 4080 x 2720 3.9 470 Medium/Normal High Compression 1.8 2178 1280x720 60fps 12 min. 49 min. 330 MB/min.
LP-E6 BGM-E6 LC-E6 Small/Fine 2592 x 1728 Low Compression 2.2 1670 1280x720 60fps 12 min. 49 min. 330 MB/min.
Cable Release Medium 2 4080 x 2720 3.9 470 Small/Fine 2592x 1728 Low Compression 2.2 1739 Small/Fine 2592 x 1728 Low Compression 2.2 1670 (16:9) HD
Adapter T3** (Approx. 11.0 megapixels) Small/Fine 2592x 1728 Low Compression 2.2 1739 (Approx. 4.5 megapixels) (16:9) HD 50fps
(Approx. 11.0 megapixels) Small/Normal (Approx. 4.50megapixels) Low Compression 1.1 3297 Small/Normal (Approx. 4.5 megapixels) High Compression 1.1 3180 50fps
Small/Normal (Approx. 4.50megapixels) Low Compression 1.1 3297 Small/Normal High Compression 1.1 3180
Wireless File Transmitter Wireless File Transmitter Car Battery Cable Car Battery Charger Eg-Series Focusing
Small 1936 x 1288 2.2 840 Small 2 1920 x 1280 1.3 2780 640x480 60fps 24 min. 1 hr. 39 min. 165 MB/min
Small 1936 x 1288 2.2 840 .CR2 5184x 3456 Lossless Compression — 25.1 155 Small 2 1920 x 1280 1.3 2780 640x480 60fps 24 min. 1 hr. 39 min. 165 MB/min
WFT-E4A AC Adapter Kit ACK-E6 WFT-E4 II A CB-570 CBC-E6 Screens Angle Finder C (Approx. 2.5 megapixels) RAW .CR2 5184x 3456 Lossless Compression — 25.1 155 (4:3) SD
EOS 5D Mark II Remote Switch (Approx. 2.5 megapixels) RAW (Approx. 2.5 megapixels) (4:3) SD 50fps
(Approx. 17.90 megapixels) (Approx. 2.5 megapixels) 50fps
Adapter RA-N3 RAW .CR2 5616 x 3744 Lossless Compression — 25.0 75 (Approx. 17.90 megapixels)
EOS 7D Only RAW .CR2 5616 x 3744 Lossless Compression — 25.0 75 Small 3 720 x 480 0.3 10780
(Approx. 21.00 megapixels) Large/Fine — RAW + Separate JPEG File — 25.1 + 6.6 122 Small 3 720 x 480 0.3 10780
320EX (Approx. 21.00 megapixels) RAW
RAW Large/Fine — RAW + Separate JPEG File — 25.1 + 6.6 122 (Approx. 0.35 megapixels) EOS
EOS 5D5D Mark
Mark II II
Large/Normal 25.1 + 3.3 136 (Approx. 0.35 megapixels)
Remote Switch RAW Large — RAW + Separate JPEG File — 25.0 + 6.4 54 + Large/Normal 25.1 + 3.3 136
RAW Large — RAW + Separate JPEG File — 25.0 + 6.4 54 + RAW .CR2 5184 x 3456 Lossless Compression — 24.5 150 1920x1080 30fps 12 min. 49 min. 330 MB/min.
Adapter T3** + Medium 1 25.0 + 5.2 57 Medium/Fine 25.1 + 3.5 135 RAW .CR2 5184 x 3456 Lossless Compression — 24.5 150 1920x1080 30fps 12 min. 49 min. 330 MB/min.
Battery Pack Battery Charger Interface Cable IFC-200U Interface Cable IFC-500U Mini-HDMI Cable HTC-100 Stereo AV Cable AVC-DC400ST + Medium 1 25.0 + 5.2 57 JPEG Medium/Fine 25.1 + 3.5 135 (Approx. 17.9 megapixels) (16:9) Full HD
JPEG (Approx. 17.9 megapixels) (16:9) Full HD
Battery Grip BG-E7
LP-E6 LC-E6 JPEG Medium 2 25.0 + 3.9 60 Medium/Normal 25.1 + 1.8 144
JPEG Medium 2 25.0 + 3.9 60 Medium/Normal 25.1 + 1.8 144 RAW+ Large/Fine — RAW + Separate JPEG File — 24.5+6.4 110
Small 25.0 + 2.2 64 RAW+ Large/Fine — RAW + Separate JPEG File — 24.5+6.4 110 640x480 30fps 24 min. 1 hr. 39 min. 165 MB/min
Small 25.0 + 2.2 64 Small/Fine 25.1 + 2.2 141 640x480 30fps 24 min. 1 hr. 39 min. 165 MB/min
Small/Fine 25.1 + 2.2 141 JPEG (4:3) SD
Extension Cord sRAW .CR2 2784 x 1856 Lossless Compression — 14.5 130 JPEG (4:3) SD
EOS 7D 1000T3** sRAW .CR2 2784 x 1856 Lossless Compression — 14.5 130 Small/Normal 25.1 + 1.1 147
Wireless File Transmitter Battery Magazine Car Battery Cable Car Battery Charger Eyecup Anti-Fog Dioptric Adjustment (Approx. 5.2 megapixels) Small/Normal 25.1 + 1.1 147
270EX II WFT-E5A BGM-E6 AC Adapter Kit ACK-E6 CB-570 CBC-E6 Eg Eyepiece Eg Lenses Eg Angle Finder C (Approx. 5.2 megapixels)
mRAW .CR2
mRAW .CR2
5184 x 3456
5184 x 3456
Lossless Compression
Lossless Compression —
— 17.1
17.1
229
229 EOSRebel
EOS RebelT2i*****
T2i***** EOS
sRAW
sRAW
Large
Large
—
—
sRAW + Separate JPEG File —
sRAW + Separate JPEG File —
14.5 + 6.4 82
14.5 + 6.4 82 (Approx. 10.10 megapixels)
(Approx. 10.10 megapixels) JPEG Large/Fine 5184 x 3456 JPEG Low Compression 6.4 570
EOS 7D7D
EOS 5D Only +
+
Medium 1 14.5 + 5.2 90 JPEG Large/Fine 5184 x 3456 JPEG Low Compression 6.4 570 1920x1080 30fps 12 min. 49 min. 330 MB/min.
Medium 1 14.5 + 5.2 90 — 1920x1080 30fps 12 min. 49 min. 330 MB/min.
Remote Switch JPEG Medium 2 14.5 + 3.9 97 mRAW Large/Fine —
mRAW — 17.1 + 6.6 164 (Approx. 17.90 megapixels)
Large/Normal (Approx. High Compression 3.2 1120
JPEG Medium 2 14.5 + 3.9 97 mRAW Large/Fine mRAW — 17.1 + 6.6 164 Large/Normal 17.90 megapixels) High Compression 3.2 1120 (16:9) Full HD
(16:9) Full HD 25fps
60T3** Large/Normal + 17.1 + 3.3 190 Medium/Fine Low Compression 3.4 1070 25fps
Small 14.5 + 2.2 100 + Large/Normal + 17.1 + 3.3 190 Medium/Fine 3456 x 2304 Low Compression 3.4 1070
Small 14.5 + 2.2 100 + 3456 x 2304
(Approx. 24fps
EOS 5D Battery Pack Battery Charger USB Interface Cable Video Cable Medium/Fine
JPEG Medium/Fine
Separate JPEG File
Separate JPEG File
17.1 + 3.5 189
17.1 + 3.5 189 Medium/Normal (Approx.
Medium/Normal 8.08.0 megapixels)
megapixels) High
High Compression1.71.7
Compression 2100
2100 24fps
Battery Grip BG-E4 BP-511A CB-5L IFC-400PCU VC-100 Ee-Series Focusing Screens Angle Finder C EOS-1D Mark
EOS-1D Mark IV
IV JPEG
1280x720 60fps 12 min. 49 min.
220EX Remote Switch
Medium/Normal
Medium/Normal
17.1 + 1.8 206
17.1 + 1.8 206 Small
Small 2592
2592 x 1728
x 1728
Low
Low Compression2.22.2
Compression 1670
1670 1280x720 60fps 12 min. 49 min. 330330 MB/min.
MB/min.
JPEG Large 4896 xx 3264
3264 JPEG LowCompression
Compression 5.7
5.7 692 (16:9)
RS-60E3**** JPEG Large 4896 JPEG Low 692 Small
Small
17.1+ +2.2
17.1
201
2.2 201 Small/Normal
(Approx.
Small/Normal (Approx. 4.54.5 megapixels)
megapixels) High
High Compression1.11.1
Compression 3180
3180 (16:9) HDHD 50fps
50fps
(Approx. 16
(Approx. 16 megapixels)
megapixels)
RAW .CR2 Lossless Compression
AC Adapter Kit Car Battery Cable Compact Power Adapter Eyepiece Extender Eyecup Rubber Frame Dioptric Adjustment Wireless File Extended Range Medium 11 4320 xx 2880
2880 4.5 874
Small/Normal
Small/Normal 17.1+ +1.1
17.1 213
1.1 213 RAW .CR2 5184
5184 x 3456
x 3456 Lossless Compression —— 24.5
24.5 150150 640x480
640x480 60fps
60fps 24 min.
24 min. 1 hr.139
hr.min.
39 min. 165165 MB/min
MB/min
Medium 4320 4.5 874 (Approx. 17.90 megapixels) (4:3)
ACK-E2 CB-570 CA-570 EP-EX15 Eb Eb Lens E Transmitter WFT-E1A Antenna ERA-E1 (Approx. 12.40
12.40 megapixels)
megapixels) sRAW
.CR2
.CR2 2592x x1728
2592 1728 LosslessCompression
Lossless Compression —— 11.4
11.4 345
345 (Approx. 17.90 megapixels) (4:3) SD SD 50fps
50fps
Extension Cord (Approx. sRAW
ET-1000N3 Medium 22 3552 xx 2368
2368 3.5 1148
(Approx.4.50
(Approx. 4.50megapixels)
megapixels) RAW+ Large/Fine
RAW+ Large/Fine —— RAW
RAW + Separate
+ Separate JPEG
JPEG FileFile— — 24.5+6.4 100100
24.5+6.4
EOS 60D/50D/40D Only Medium 3552 3.5 1148 JPEG
(Approx. 8.40
(Approx. 8.40 megapixels)
megapixels) Large/Fine
Large/Fine —— sRAW
sRAW —— 11.4+ +6.6
11.4 217
6.6 217 JPEG EOS
EOS 60D
60D
EOS 60D 60D sRAW
sRAW
Only Mini-HDMI Cable HTC-100 (EOS 60D/50D only) Small 2448 xx 1632
1632 2.0 1957 Large/Normal ++ 11.4+ +3.3 265
3.3 265 1920x1080 30fps 12 min. 49 min. 330330 MB/min.
Small 2448 2.0 1957 ++
Large/Normal 11.4 EOSRebel
EOS RebelT3*****
T3***** 1920x1080 30fps 12 min. 49 min. MB/min.
Wireless Remote (16:9)
Macro Twin Lite (Approx. 44 megapixels)
(Approx. megapixels) Medium/Fine
Medium/Fine SeparateJPEG
Separate JPEGFile
File 11.4+ +3.5
11.4 262
3.5 262 Large/Fine
JPEG Large/Fine 4272 x 2848 JPEG Low Compression4.44.4 (16:9) FullFull
HDHD 25fps
MT-24EX Battery Magazine Battery Magazine AC Adapter Kit Battery Charger Battery Pack Stereo AV Cable Controller RC-1*** JPEG
JPEG JPEG 4272 x 2848 JPEG Low Compression 830830 25fps
Interface Cable IFC-130U/200U RAW
RAW .CR2
.CR2 4896 xx 3264
4896 3264 Lossless Compression
Lossless Compression —
— 22.2
22.2 175
175 Medium/Normal 11.4+ +1.8 297
1.8 297 (Approx. 12.2 megapixels) 24fps
Battery Grip BG-E9 BGM-E9L BGM-E9A ACK-E6 LC-E6 or LC-E6E LP-E6 AVC-DC400ST Medium/Normal 11.4 Large/Normal
Large/Normal (Approx. 12.2 megapixels) High
High Compression2.22.2
Compression 1600
1600 24fps
(Approx. 16
(Approx. 16 megapixels)
megapixels)
Small/Fine
Small/Fine 11.4+ +2.2
11.4 287
2.2 287 Medium/Fine 3088 x 2056 Low Compression2.62.6 1400 1280x720 60fps 12 min. 49 min.
50D/40D RAW Large — RAW++Separate
SeparateJPEG
JPEGFile —
File — 22.2++5.7
5.7 139
139 Medium/Fine 3088 x 2056 Low Compression 1400 1280x720 60fps 12 min. 49 min. 330330 MB/min.
MB/min.
RAW Large — RAW 22.2 Small/Normal 11.4+ +1.1 311
1.1 311 (Approx.
6.36.3 megapixels) (16:9)
EOS 50D Only External microphone Wireless Remote Small/Normal 11.4 Medium/Normal (Approx.
Medium/Normal megapixels) High
High Compression1.41.4
Compression 2630
2630 (16:9) HDHD 50fps
50fps
Controller RC-5/RC-6*** ++ Medium 11
Medium 22.2++4.5
22.2 4.5 145
145
Small 2256 x 1504 Low Compression1.71.7 2130
Small 2256 x 1504 Low Compression 2130 640x480
Car Battery Cable JPEG
JPEG Medium 22
Medium 22.2++3.5
22.2 3.5 152
152 EOS60D
EOS 60D (Approx. 3.4 megapixels) 640x480 (4:3)(4:3)
SD SD 60fps
60fps 24 min.
24 min. 1 hr.139
hr.min.
39 min. 165165 MB/min
MB/min
Wireless File Transmitter Battery Magazine AC Adapter Kit DC Coupler Battery Charger Battery Pack Small/Normal (Approx. 3.4 megapixels) High Compression0.90.9 4060
CB-570 Interface Cable IFC-500U Small 22.2++2.0
2.0 161
161 Small/Normal High Compression 4060 (Movie
(Movie Crop)
Crop) 50fps
Battery Grip BG-E2N WFT-E3A BGM-E2 ACK-E2 DR-400 CG-580 or CB-5L BP-511A Small 22.2 JPEG Large/Fine 5184x x3456
3456 JPEG LowCompression 6.6
Compression 6.6 490 50fps
JPEG Large/Fine 5184 JPEG Low 490 Small
* EOS 1D Mark IV only mRAW .CR2 3672 xx 2448
2448 Lossless Compression
Compression — 14.8 263 Small 22 1920
1920 x 1280
x 1280 1.21.2 2880
2880
mRAW .CR2 3672 Lossless — 14.8 263 Large/Normal (Approx.17.90
17.90megapixels)
megapixels) HighCompression 3.3
Compression 3.3 990 (Approx.
Macro Ring Lite Large/Normal (Approx. High 990 2.52.5 megapixels)
EOS Rebel
MR-14EX
** Requires RA-N3 with
40D, 30D.
(Approx. 99 megapixels)
(Approx. megapixels)
Medium/Fine 3456x x2304
2304 LowCompression 3.5
Compression 3.5 940
(Approx. megapixels)
EOS Rebel T3iT3i (8GB
(8GB Card)
Card)
EOS 40D mRAW Large — mRAW — 14.8++5.7
5.7 190
190 Medium/Fine 3456 Low 940 Small
Small 33 720
720 x 480
x 480 0.30.3 11280
11280
Video Cable Compact Power Adapter Compact Power Adapter Ef-Series Focusing
*** EOS 5D Mark II, 7D, mRAW Large — mRAW — 14.8 1920x1080
1920x1080 30fps
30fps 22 min. 44 min.
22 min. 44 min. 330330 MB/min.
MB/min.
Eyepiece Extender Eyecup Rubber Frame Dioptric Adjustment Angle Finder C (Approx.8.00
Medium/Normal (Approx. 8.00megapixels)
megapixels) HighCompression 1.8
Compression 1.8 1930 (Approx. 0.35 megapixels)
and 60D only Medium/Normal High 1930 (Approx. 0.35 megapixels)
VC-100 CA-570 CA-PS400 EP-EX15 Eb Eb Lens E Screens
**** EOS 60D only ++ Medium 11
Medium ++ 14.8++4.5
14.8 4.5 202
202 25fps
25fps
JPEG Medium 22 Separate JPEG
JPEGFile
File 14.8++3.5
3.5 214
214 Small1/Fine
Small 1/Fine 2592x x1728
2592 1728 LowCompression
Low 2.2
Compression 2.2 1500
1500 RAW
RAW .CR2
.CR2 4272
4272 x 2848
x 2848 Lossless
Lossless Compression — —
Compression 16.7
16.7 5 5
JPEG Medium Separate 14.8 24fps
Small1/Normal
1/Normal (Approx.4.50
4.50megapixels)
megapixels) LowCompression 1.1
Compression 1.1 3100 (Approx.
(Approx. 12.2
12.2 megapixels)
megapixels) 24fps
Small
Small 14.8++2.0
14.8 2.0 232
232 Small (Approx. Low 3100
EOS Rebel T3i/T2i Only 1280x720 60fps 22 min. 44 min.
S RAW
RAW .CR2
.CR2 2448 xx 1632
1632 Lossless Compression
Compression 9.9 397 Small22
Small 1920x x1280
1920 1280 1.3
1.3 2580
2580 RAW+ Large/Fine
RAW+ Large/Fine —— RAW
RAW + Separate
+ Separate JPEG
JPEG FileFile— — 16.7+4.4 1 1
16.7+4.4 1280x720 60fps 22 min. 44 min. 330330 MB/min.
MB/min.
EOS Rebel T3i S 2448 Lossless 9.9 397
Speedlite Transmitter (Approx. 44 megapixels)
megapixels) JPEG 50fps
ST-E2 (Approx. (Approx.2.50
(Approx. 2.50megapixels)
megapixels) JPEG 50fps
Stereo AV Cable HDMI Cable sRAW
sRAW Large
Large sRAW
sRAW 9.9++5.7
9.9 5.7 251
251 Small33 720x x480
480 0.3 10780 640x480
640x480 30fps
30fps 1 hr.1 32
hr. min.
32 min.
3 hr.34hr. 4 min. 82.582.5
min. MB/min
MB/min
Battery Pack Battery Charger Interface Cable Interface Cable Small 720 0.3 10780 EOSRebel
RebelT1i
T1i****
****
LP-E8 LC-E8 AVC-DC400ST IFC-130U IFC-200U/IFC-500U HTC-100 ++ Medium 11
Medium ++ 9.9++4.5
9.9 4.5 272
272 EOS
Battery Grip BG-E8 (Approx.0.35
(Approx. 0.35megapixels)
megapixels) 25fps
25fps
JPEG Large/Fine
JPEG Large/Fine 4752
4752 x 3168
x 3168 JPEG
JPEG Low
Low Compression5.05.0
Compression 370370
JPEG
JPEG Medium 22
Medium Separate JPEG
Separate JPEGFile
File 9.9++3.5
9.9 3.5 294
294
RAW .CR2
.CR2 5184x3456
5184x 3456 LosslessCompression
Lossless Compression —— 24.5
24.5 130
130 Large/Normal (Approx. 15.10 megapixels) High Compression2.52.5
RAW (Approx. 15.10 megapixels) 740740 EOS Rebel
EOS Rebel T2i
Eyecup Eyepiece Extender Rubber Frame Dioptric Adjustment
Small
Small 9.9++2.0
9.9 2.0 329
329
(Approx.17.90
17.90megapixels)
megapixels)
Large/Normal High Compression
EOS Rebel T2iT2i
(Approx. Medium/Fine
Medium/Fine 3456
3456 x 2304
x 2304 Low
Low Compression3.03.0
Compression 610610
Battery Magazine BGM-E8L AC Adapter Kit ACK-E8 Angle Finder C Ef EP-EX15 II Ef Lens E
(Approx. 1920x1080
1920x1080 30fps
30fps 12 min.
12 min. 49 min.
49 min. 330330 MB/min.
MB/min.
Off-Camera Shoe Cord
EOS 5D Mark II* RAW Large/Fine
Large/Fine —— RAW+ +Separate
RAW SeparateJPEG File ——
JPEGFile 24.5+ +6.4
24.5 122
6.4 122 Medium/Normal (Approx.
Medium/Normal 8.08.0 megapixels)
megapixels) High
High Compression1.61.6
Compression 1190
1190
OC-E3 RAW (16:9)
(16:9) FullFull
HDHD
Small/Fine 2352 x 1568 Low Compression1.71.7 1080 25fps
25fps
EOS Rebel T3 Only JPEG
JPEG Large/Fine
Large/Fine 5616 xx 3744
5616 3744 JPEG
JPEG LowCompression
Low Compression 6.1
6.1 310
310 Large/Normal
Large/Normal 24.5+ +3.2
24.5 136
3.2 136 Small/Fine 2352 x 1568 Low Compression 1080
Remote Switch ++
(Approx. 21.00
(Approx. 21.00 megapixels)
megapixels) Small/Normal
Small/Normal (Approx.
(Approx. 3.73.7 megapixels)
megapixels) High
High Compression0.90.9
Compression 2030
2030 24fps
24fps
RS-60E3 Large/Normal HighCompression
High Compression 3.0
3.0 610
610 JPEG Medium/Fine
Medium/Fine 24.5+ +3.4
24.5 135
3.4 135
HDMI Cable
JPEG
EOS Rebel T3 Interface Cable
Medium/Fine 4080 xx 2720
4080 2720 LowCompression
Low Compression 3.6
3.6 510
510 RAW
RAW .CR2
.CR2 4752
4752 x 3168
x 3168 Lossless
Lossless Compression — —
Compression 20.2
20.2 90 90 1280x720
1280x720 60fps
60fps 12 min.
12 min. 49 min.
49 min. 330330 MB/min.
MB/min.
Battery Pack LP-E10 Battery Charger LC-E10 IFC-200U/IFC-500U HTC-100 Medium/Normal
Medium/Normal 24.5+ +1.7
24.5 144
1.7 144
(Approx. 11.10
(Approx. 11.10 megapixels)
megapixels) (Approx.
(Approx. 15.10
15.10 megapixels)
megapixels) (16:9)
(16:9) HDHD
*** Medium/Normal
Medium/Normal HighCompression
High Compression 1.9
1.9 990
990 Small1/Fine
1/Fine 24.5+ +2.2 141
2.2 141 50fps
50fps
Small 24.5
TTL Hot Shoe Small/Fine 2784 xx 1856
2784 1856 LowCompression
Low Compression 2.1
2.1 910
910 RAW+ Large/Fine
RAW+ Large/Fine —— RAW
RAW + Separate
+ Separate JPEG
JPEG FileFile— — 20.2
20.2 + 5.072 72
+ 5.0
Small1/Normal
Small 1/Normal 24.5+ +1.1
24.5 147
1.1 147 640x480
640x480 60fps
60fps 24 min.
24 min. 1 hr.139
hr.min.
39 min. 165165 MB/min
MB/min
Adapter 3† Eyepiece Extender Rubber Frame Ef E-series Dioptric Wireless Remote (Approx. 5.20
(Approx. 5.20 megapixels)
megapixels) HighCompression
Compression 1.0
1.0 1680 JPEG
JPEG
Small/Normal High 1680 (4:3)
(4:3) SD SD
AC Adapter Kit ACK-E10 Angle Finder C EP-EX15 II Adjustment Lenses Controller RC-1 Small22
Small —— 24.5+ +1.3
24.5 TBA
1.3 TBA 50fps
50fps
RAW .CR2 5616 xx 3744
5616 3744 Lossless Compression
Lossless Compression —— 25.8
25.8 72
72
EOS Rebel T1i (Approx. 21.00
(Approx. 21.00 megapixels)
megapixels) Small33
Small 24.5+ +0.3
24.5 TBA
0.3 TBA EOSRebel
EOS RebelXSi****
XSi**** 640x480
640x480 (4:3)(4:3)
SD SD 60fps
60fps 24 min.
24 min. 1 hr.139
hr.min.
39 min. 165165 MB/min
MB/min
EOS Rebel T1i/Rebel XSi/Rebel XS Only *** .CR2 5184x x3456
3456 LosslessCompression
Compression —— 16.7 190 JPEG Large/Fine
JPEG Large/Fine 4272
4272 x 2848
x 2848 JPEG
JPEG Low
Low Compression4.34.3
Compression 460460 (Movie
(Movie Crop)
Crop)
Connecting Cord RAW Large/Fine —
— RAW++Separate
RAW SeparateJPEG
JPEGFile —
File — 25.8++6.1
25.8 6.1 57
57 mRAW .CR2
mRAW
5184 Lossless 16.7 190 50fps
50fps
60† Large/Normal
Large/Normal (Approx.
(Approx. 12.2
12.2 megapixels)
megapixels) High
High Compression2.22.2
Compression 880880
+ Large/Normal 25.8++3.0
25.8 3.0 64
64 (Approx.10.10
(Approx. 10.10megapixels)
megapixels)
Battery Pack Battery Charger Interface Cable Interface Cable AV Cable AVC-DC400* HDMI Cable HTC-100* Wireless Remote Medium/Fine
Medium/Fine 3088
3088 x 2056
x 2056 Low
Low Compression2.52.5
Compression 770770 EOS
EOS Rebel
Rebel T3T3
JPEG Medium/Fine 25.8++3.6
3.6 62
62 Large/Fine — mRAW 16.7+ +6.4 140
6.4 140
Battery Grip BG-E5 LP-E5 LC-E5 IFC-200U IFC-500U Controller RC-5/RC-6
25.8 mRAW Large/Fine
mRAW
— mRAW 16.7
(Approx.
Medium/Normal (Approx. 6.36.3 megapixels)
megapixels) High Compression1.31.3 1470
EOS Rebel XSi Medium/Normal 25.8++1.9
1.9 67
67 Medium/Normal High Compression 1470
Medium/Normal 25.8 Large/Normal
Large/Normal ++ 16.7+ +3.2
16.7 TBA
3.2 TBA 1280x720
1280x720 30fps
30fps 17 min.
17 min. 1 hr.18hr. 8 min. 222222
min. MB/min.
MB/min.
++ Small/Fine
Small/Fine 2256
2256 x 1504
x 1504 Low
Low Compression1.61.6
Compression 1190
1190
Connecting Cord Small/Fine 25.8++2.1
25.8 2.1 66
66 Medium/Fine
Medium/Fine SeparateJPEG
Separate JPEGFile
File 16.7+ +3.4
16.7 TBA
3.4 TBA 25fps
25fps
300† JPEG
JPEG Small/Normal
Small/Normal (Approx.
(Approx. 3.43.4 megapixels)
megapixels) High
High Compression0.80.8
Compression 2290
2290
Video Cable Eyepiece Extender Eyecup Rubber Frame Dioptric Adjustment Small/Normal 25.8++1.0
25.8 1.0 69
69 Medium/Normal 16.7+ +1.7 TBA
1.7 TBA
AC Adapter Kit ACK-E5 DC Coupler DR-E5 Car Battery Charger CBC-E5 VC-100** Angle Finder C EP-EX15 II/EP-EX15 Ef Ef Lens E Medium/Normal 16.7 RAW
RAW .CR2
.CR2 4272
4272 x 2848
x 2848 Lossless
Lossless Compression — —
Compression 15.3
15.3 120120
sRAW1 .CR2 3861 xx 2574
3861 2574 Lossless Compression
Lossless Compression —
— 14.8
14.8 120
120 EOS
EOS Rebel
Rebel T1iT1i
Small1/Fine
Small 1/Fine —— 16.7+ +2.2
16.7 TBA
2.2 TBA (Approx.
(Approx. 12.2
12.2 megapixels)
megapixels)
(Approx. 10.00
(Approx. 10.00 megapixels)
megapixels)
EOS Rebel XS Small1/Normal
Small 1/Normal 16.7+ +1.1
16.7 TBA
1.1 TBA RAW+ Large/Fine
RAW+ Large/Fine —— RAW
RAW + Separate
+ Separate JPEG
JPEG FileFile— — 15.3
15.3 + 4.399 99
+ 4.3 1920x1080
1920x1080 20fps
20fps 12 min.
12 min. 49 min.
49 min. 330330 MB/min.
MB/min.
EOS Digital Rebel XTi/Digital Rebel XT Only sRAW1 Large/Fine —
— sRAW1
sRAW1 —
— 14.8++6.1
14.8 6.1 89
89
JPEG
JPEG (16:9)
(16:9) FullFull
HDHD
TTL Small22
Small —— 16.7+ +1.3
16.7 TBA
1.3 TBA
USB Interface Cable IFC-400PCU Video Cable VC-100 + Large/Normal ++ 14.8++3.0
14.8 3.0 100
100
Distributor† Small33 16.7+ +0.3 TBA
0.3 TBA
JPEG Medium/Fine Separate JPEG
Separate JPEGFile
File 14.8++3.6
14.8 3.6 100
100 Small 16.7
* EOS Rebel T1i only
** EOS Rebel XSi/XS only Medium/Normal
Medium/Normal 14.8++1.9
14.8 1.9 110
110 .CR2
.CR2 2592x x1728
2592 1728 LosslessCompression
Lossless Compression 11.1
11.1 300
300 EOSRebel
EOS RebelXS**
XS** 1280x720
1280x720 30fps
30fps 18 min.
18 min. 1 hr.113
hr.min.
13 min. 222222 MB/min.
MB/min.
Battery Pack Battery Charger AC Adapter Kit Compact Power Adapter Eyepiece Extender Eyecup Rubber Frame Dioptric Adjustment sRAW
sRAW
EOS Digital Rebel XTi Battery Grip BG-E3 NB-2LH CB-2LW ACK-DC20 CA-PS700 Angle Finder C EP-EX15 II/EP-EX15 Ef Ef Lens E *** Not for EOS Rebel T3 JPEG Large/Fine
JPEG Large/Fine 3888
3888 x 2592
x 2592 JPEG
JPEG Low
Low Compression3.83.8
Compression 514514
Small 14.8++2.1
14.8 2.1 110
110 (Approx.4.50
(Approx. 4.50megapixels)
megapixels) (16:9)
(16:9) HDHD
Large/Normal
Large/Normal (Approx.
(Approx. 10.1
10.1 megapixels)
megapixels) High
High Compression2.02.0
Compression 982982
Off-Camera Small/Normal 14.8
14.8++1.0
1.0 110
110 Large/Fine
Large/Fine —
— sRAW
sRAW 11.1 6.4 180
11.1+ +6.4 180
Shoe Adapter sRAW
sRAW 640x480
640x480 30fps
30fps 24 min.
24 min. 1 hr.139
hr.min.
39 min. 165165
MB/min
MB/min
sRAW2 .CR2 2784
2784 xx 1856
1856 Lossless
Lossless Compression
Compression —
— 10.8
10.8 170
170 Medium/Fine
Medium/Fine 2816 x 1880
2816 x 1880 Low Compression
Low Compression2.32.3 859859
OA-2† Large/Normal
Large/Normal ++ 11.1 3.2 TBA
11.1+ +3.2 TBA (4:3) SD SD
(4:3)
Battery Magazine BM-E2 (Approx.
(Approx. 5.20
5.20 megapixels)
megapixels) ++ Medium/Normal (Approx.
Medium/Normal 5.35.3
(Approx. megapixels)
megapixels) High Compression
High Compression1.21.2 1630
1630
Medium/Fine
Medium/Fine Separate
SeparateJPEG
JPEGFile
File 11.1 3.4 TBA
11.1+ +3.4 TBA
EOS Digital Rebel XT sRAW2 Large/Fine —
— sRAW2
sRAW2 —
— 10.8
10.8++6.1
6.1 110
110 JPEG
JPEG Small/Fine
Small/Fine 1936 x 1288
1936 x 1288 Low Compression
Low Compression1.31.3 1474
1474
† These accessories
Medium/Normal
Medium/Normal 11.1 1.7 TBA
11.1+ +1.7 TBA Small/Normal (Approx. 2.52.5
(Approx. megapixels)
megapixels) High Compression
provide TTL or manual Power Drive Ni-MH Pack Ni-MH Charger Wireless Controller Anti-Fog Eyepiece Extender Eyecup Rubber Frame Dioptric Adjustment + Large/Normal ++ 10.8
10.8++3.0
3.0 130
130 Small/Normal High Compression0.70.7 2816
2816
Angle Finder C Ec-Series Focusing Screens
flash control, but are not Booster PB-E2 NP-E2 NC-E2 LC-5 Eyepiece Ec EP-EX15 Ec-II Ec Lens E Small
Small1/Fine
1/Fine 11.1 2.2 TBA
11.1+ +2.2 TBA
JPEG Medium/Fine Separate
Separate JPEG
JPEGFile
File 10.8
10.8++3.6
3.6 130
130 RAW
RAW .CR2
.CR2 3888 x 2592
3888 x 2592 Lossless Compression
Lossless Compression — — 9.89.8 199199 JPEG file sizes will vary depending on the subjects, shooting mode, and ISO speed. * Based on a 2GB CF card, JPEG
compatible with E-TTL or
E-TTL II; no automatic Medium/Normal 10.8 Small
Small1/Normal
1/Normal 11.1 1.1 TBA
11.1+ +1.1 TBA (Approx. 10.1
(Approx. megapixels)
10.1 megapixels) quality 8, ISO 100, Standard Picture Style and Canon standard testing methods. ** Based on a 1GB CF card, JPEG
Medium/Normal 10.8++1.9
1.9 140
140
flash with EOS digital quality 8, ISO 100, Standard Picture Style and Canon standard testing methods. *** Based on a 512MB CF card and
SLR cameras. Timer Remote Remote Switch Extension Cord Remote Switch Extension Cord Remote Switch Cable Release Remote Switch *Requires RA-N3 Small/Fine 10.8
10.8++2.1
2.1 140
140 Small
Small22 11.1 1.3 TBA
11.1+ +1.3 TBA RAW+
RAW+ Large/Fine
Large/Fine —— RAW + Separate
RAW JPEG
+ Separate FileFile— —
JPEG 9.89.8 + 3.8 143143
+ 3.8
Canon standard testing methods. **** Based on a 2GB SD card and Canon standard testing methods.*****The num-
EOS-1v Battery Pack BP-E1 Controller TC-80N3 RS-80N3 ET-1000N3 Adapter RA-N3 1000T3* 60T3* Adapter T3* Adapter T3* EOS Link Software ES-E1 with EOS-1V Small/Normal 10.8
10.8++1.0
1.0 150
150 Small
Small33 11.1 0.3 TBA
11.1+ +0.3 TBA JPEG
JPEG ber of possible shots and maximum burst apply to a 4GB SDHC card based on Canon’s testing standards.

27 28 29
 EF LENSES

Image Stabilization: It Belongs In the Lens

Optical Image Stabilizer Parallel

Movement Principle

Because every lens is different, different lenses

have different Optical Image Stabilizer needs.
• Reduces motion blur by counteracting camera shake during handheld photography
1: No Camera Shake
• With Optical Image Stabilizer in the lens, Canon can equip each Optical Image Stabilizer lens with the
stabilizer it needs
• Found on some telephoto lenses, Optical Image Stabilizer Mode 2 is especially effective when doing
panned shots
• With Canon Optical Image Stabilizer, the effects of the stabilization can be seen in the viewfinder—the
image is steadier, making composition more accurate Camera
Shake

How the Image Stabilizer Works — The Optical Image

Stabilizer shifts a lens group in parallel to the focal plane.
2: Lens Front Shake Downward
When the lens jerks due to camera shake, the light rays
from the subject are bent relative to the optical axis, result-
©Arthur Morris ing in a blurred image. Camera shake is detected by two
gyro sensors (one each for the yaw and pitch). The gyro

EF LENS TECHNOLOGY
sensors detect the angle and speed of the camera shake
caused by handheld shooting. By moving select lens
elements according to how the entire lens is being shaken,
the image passing through the lens can be steady and
Great images start with great lenses and, in many ways, an SLR is defined by the quality, sharp when it hits the imaging sensor. The figure on the
Optical Image Stabilizer Units
breadth and scope of its associated system of lenses. For many, Canon EF series lenses right shows what happens when the lens is jerked down-
Image Stabilizer OFF Image Stabilizer ON ward. The center of the image moves downward on the image shake occurs in both the horizontal and vertical
alone are reason enough to choose the EOS System. A blend of some of the world’s most focal plane. When the Optical Image Stabilizer lens group directions, the Optical Image Stabilizer lens group can shift
3: Image-stabilizing group counteracting
downward camera shake
advanced optical, microelectronic, and precision manufac- canceled, resulting in a sharper image. With Optical shifts downward, the light rays are refracted so that the vertically and horizontally on a plane perpendicular to the
Image Stabilization, it’s like gaining up to four stops. image center returns to the center of the focal plane. Since optical axis to counteract the image shake.
turing technologies, EF lenses are perfected in Canon’s
Canon Optical Image Stabilizer technology is built
laboratories and proven in the field. Whatever you Optical Image Stabilizer in effect, right in the viewfinder.
into many EF or EF-S lenses and outperforms in-
shoot, whatever your budget, there are Canon
camera stabilization technologies found in other
EF lenses perfect for your needs.
cameras by allowing for more movement of the
Optical Image Stabilizer stabilizing lens group. Especially with telephoto
Canon Optical Image Stabilizer technology makes lenses, as the lens focal length increases, the effect
handheld photography more practical at slow of shake and the degree of correction needed to
shutter speeds, accommodating more low-light cancel it increase as well. With the Optical Image
shooting situations than ever before. Camera Stabilizer in the lens, Canon can equip each IS lens
shake typically occurs at shutter speeds less with a stabilization unit optimized for the focal
than 1/ [focal length], resulting in image blur. lengths and optical characteristics unique to that
Canon Optical Image Stabilizer technology uses lens Other systems are limited by how far they can
Close-up — For close-up shots, Low-light — In low light situa- Telephoto — Canon designs
miniature sensors and a high-speed microcom- move an image sensor, and as a result their stabi-
even the tiniest of motions is tions, when you would normally each Optical Image Stabilizer
puter built into the lens. The sensors analyze lization is less effective as telephoto lengths get magnified and spoils a great expect to have to use flash or system to complement the
vibrations and apply correction via a special longer. Also, the result of Optical Image shot! tripod, Canon’s Optical Image lens’ focal length. So even
Stabilizer lenses give you the with telephoto lenses you’ll
stabilizing lens group that shifts the image Stabilization can be seen right in the viewfinder— freedom of up to 4 stops of light. capture the shot!
parallel to the focal plane. Motion blur is impossible with some other stabilizer systems.

31
 EF LENSES
Diffractive Optics with virtually instantaneous stops and starts. Aspherical Elements
Canon’s use of diffractive optics (DO) results in USM lenses also draw minimal power from the Wide-angle lenses and fast normal-focal-length
high-performance lenses that are much smaller and camera, ensuring longer battery life. Canon makes lenses often suffer from spherical aberration.
lighter than traditional designs. Canon’s unique two types of Ultrasonic Motor lenses. Ring-type When the light rays coming through the center
multilayer diffractive elements are constructed USM lenses, found in ­ of the lens do not converge at the same point as
by bonding diffractive coatings to the surfaces of large aperture and super- light rays coming through the lens edge, the
two or more lens elements. These elements are telephoto designs, permit
then combined to form a single multilayer DO manual focusing wit­­­­­­­­hout
element. Conventional glass lens elements disperse first switching out of the
Ring-type USM
incoming light, causing chromatic aberration. auto mode. Micro USM
The DO element’s dispersion characteristics are designs bring the perform-
designed to cancel chromatic aberrations at various ance benefits of Canon’s Spherical aberration Convergence of parallel light
wavelengths when combined with conventional USM technology to a of spherical lens. rays by an Aspherical lens.
glass optics. This technology results in smaller wide assortment of
lenses with no compromise in image quality. affordable EF lenses. Micro USM image appears blurred because there is no sharp
Canon has also developed a new triple-layer type point of focus. Canon’s Aspherical elements use
DO lens that uses an advanced diffractive grating L-series Lenses a varying curved surface to ensure that the entire
to deliver excellent performance, with superb Most highly regarded among professional photog- image plane appears focused. Aspherical optics
control of color fringing. This configuration is ideal raphers, Canon L-series lenses are distinguished also help to correct curvilinear distortion as one
for zoom lens optics and provides significant by a bold red ring around the outer barrel. What might find in ultra wide-angle lenses. Canon
makes them truly distinctive, however, is their designs aspherical elements with extremely
remarkable optical performance — the result of precise variable curvature of one or both sides,
sophisticated Canon technologies, such as Ultra- making possible lighter, more compact lenses.
low Dispersion UD glass, Fluorite and Aspherical
elements and Super Spectra Coating. Subwavelength and Fluorine
Anti-smear Coatings
Fluorite / UD Elements The Subwavelength Coating (SWC) is a new
Reducing color fringing, or chromatic aberration, proprietary lens coating that helps control ghost
has been one of the great challenges in the design and flare to a
of telephoto lenses. L-series telephoto lenses – far greater
EF 400mm f/4 IS DO USM •f/4 • 1/1250 sec.
like the EF 70-200mm f/2.8 IS II USM and EF degree than
Refractive Optical Element
Taken with EF 100-400mm f/4.5-5.6L IS USM
Chromatic aberrations
Refractive Optical Element
300mm f/4L IS USM – employ Canon’s Ultra-low with earlier
and Multi-Layer Diffractive
Optical Element Combined
Dispersion glass to minimize this effect, providing coating tech-
Image formation in the blue, green much improved contrast and sharpness. Even nologies.
and red wavelength order
Optical Image Stabilizer Mode 2 panning of fast-moving subjects. Additionally, more effective at suppressing chromatic aberration Utilizing SWC
Multi-Layer Diffractive Optical Element
and Mode 3 Mode 3 gives the equivalent effect of a shutter Chromatic aberrations reversed from technology on EF 24mm f/1.4L II USM
that of a refractive optical element f/6.3 •13 sec.
The standard settings of the Optical Image speed four stops faster, further positioning a large-curvature
Stabilizer are set so that it is most effective user for action photography. Chromatic aberration canceled out
lens elements that are mainly found
when photographing stationary subjects. However Image formation in the red, green and in wide-angle lenses, will significantly minimize
blue wavelength order Red
when panning with a moving subject is attempted Hybrid Image Stabilizer Red Green Blue
Glass
the occurrence of ghosting and flare caused by
Correction of Chromatic Abberation by the Multi-Layer Anomalous Blue
(tracking of the subject horizontally or vertically), During normal shooting situa- dispersion
reflected light in environments that have posed
Diffractive Optical Element.
the shake-correction of the OIS may inadvertently tions, sudden camera move- problems. SWC is used on the latest Canon wide-
over-compensate and interfere with framing. To ment in rotational camera angle can cause reductions in size. A good example is the Red angle lens, EF 24mm f/1.4L II USM. The Fluorine
Linear Camera Shake
help resolve this, Canon developed Optical significant image blur. During macro or close-up EF 70-300mm f/4.5-5.6 DO IS USM lens, which Blue anti-smear coating keeps soiling, smears and fin-
Image Stabilizer Mode 2. In this mode, if you photography however, the image blur caused by highly sophisticated algorithm that combines is 28 percent shorter than the EF 70-300mm gerprints to a minimum for easy cleaning.
Fluorite
move the lens to follow a subject for a pre- linear camera shake—when the camera moves the feedback of both the acceleration sensor f/4-5.6 IS USM lens.
Comparison of optical characteristics between
determined time, the Optical Image Stabilizer parallel to the subject—is more pronounced. and angular velocity sensor (found in current optical glass and Fluorite Focus Preset
does not correct for the intentional panning Optical Image Stabilizer is optimized to counteract OIS technology) and moves the image stabilizer Ultrasonic Motor Focus Preset enables you to program a focusing
while continuing to correct any camera shake rotational or angular camera shake and works lens elements, effectively compensating for both Canon developed the world’s first lens-based are Fluorite elements, used in high-end super-tele- distance in the camera’s memory. Normal picture
that’s perpendicular to the panning motion. The well for most camera shooting situations. To rotational and linear camera shake. Hybrid IS Ultrasonic Motor (USM) to power the lens autofocus photo L-series lenses. Composed of crystallized taking and focusing are unaffected by preset
result is a virtually smooth viewfinder image as help compensate for linear camera shake, a new dramatically enhances the effects of Optical mechanism. Instead of large noisy drive trains calcium fluoride (CaF2), a single Fluorite element, distances. For example, at a soccer game, you
you follow the moving subject. Optical Image acceleration sensor determines the amount of Image Stabilizer especially during macro shooting, powered by conventional motors, Canon USM although costly, has roughly the corrective power Focus Preset the goal area. Shoot normally
Stabilizer Mode 3 activates IS only when the shift-based camera movement. The new Canon which may be difficult for conventional image lenses employ the minute electronic vibrations of two UD-glass elements, giving these L-series elsewhere on the field, but once the action moves
shutter button is fully pressed, allowing for easy Hybrid Image Stabilizer technology employs a stabilization technologies. created by piezoelectric ceramic elements. The lenses their spectacular performance and relatively toward the goal, the user can instantly return to
focusing action of the lens is fast and quiet, compact design. the preset distance by turning a ring on the lens.

32 33
 EF LENSES
Floating System Dust- and Water-Resistant panoramic landscapes, as well as astronomy limitations, or other design restrictions related
Typical lenses correct for optical aberrations Construction and sports. to mechanical linkage mechanisms. A self-test
only at commonly used focusing distances. Not Most L-Series EF system, using the lens’s built-in microcomputer, can
surprisingly, at other focusing distances, especially telephoto lenses are EF-S Lenses — Designed for the Canon EOS 7D, even warn of malfunctions through the camera’s
close range, aberrations can compromise image highly dust- and EF 24mm f/1.4L II USM •f/2.8 •1/30 sec. EF 8–15mm f/4 Fisheye •f/4 •1024 sec. EOS 60D and all EOS Rebel models with APS-C display. The EF mount makes possible high-speed
TS-E 24mm f/3.5L Floating System
water-resistant thanks sized sensors (with a 1.6x crop factor), Canon’s autofocus, precise aperture control and preview,
Focal plane to rubber seals at the Full-Time Manual Focusing EF-S lenses take advantage of the sensor’s smaller automatic compensation with lens extenders, and
Closest switch panels, exterior Canon EOS cameras with EF lenses deliver impec- size to help deliver optimized performance in both forward and backward compatibility with
shooting
distance seams, drop-in filter cable AF precision. Manual focusing capability, compact, lightweight designs. The EF-S 15–85mm new lens technologies—such as USM and IS—as
compartments and nevertheless, can enhance flexibility. Canon EF f/3.5-5.6 IS USM is a perfect example of this they are developed by Canon.
Floating
lens mounts. Moving lenses with full-time manual focusing enable the technology. With a compact design, a 35mm
parts, such as the focusing ring and switches, photographer to manually tweak focus without equivalent range of 24–136mm, and Optical About Macro Magnification
are also designed to help keep out environmental switching out of AF mode. Since AF action does Image Stabilizer technology, it’s a superlative A life-size macro lens—that is, a
contaminants, providing reliable performance not cause the focusing ring to turn, it can be made walk-around lens… possibly the only lens you’ll 1x magnification—records an
image on film at its actual size. If
under harsh conditions. wider for improved grip and comfort. need to enjoy basic Canon digital SLR photography. you’re photographing fruits, for
EF 8–15mm f/4 Fisheye •f/5.6 •1/200 sec.
example, and it has a diameter of
Floating Effect
(TS-E 24mm f/3.5L) TS-E — TS-E lenses are capable of tilt and shift 1 in., it will occupy 1 in. of your
TS-E Movements actual slide or negative. With a
Tilt Movements alter the angle of the plane of focus between the lens and focal plane, and Shift Movements move the lens’s
Specialty Lenses movements, which bring many of the advantages digital SLR, at 1.0x magnifica- 0.25x
optical axis in parallel. Fisheye — With its unique focal length range, of technical view cameras to the EOS System. Tilt tion, the image projected onto
your camera’s sensor will like-
Astigmatism
the EF 8-15mm f/4L Fisheye USM is the world’s movements alter the angle of the plane of focus wise be the same size at the sen-
quality. Rather than using fixed spacings, Canon’s widest fisheye zoom lens. It delivers 180° between the lens and film plane, making broad sor plane as the actual subject
itself. Other macro lenses have
floating system dynamically varies the gap diagonal angle of view images for all EOS SLR depth-of-field possible even at larger apertures;
lower or higher magnifications.
between key lens elements based on focusing shift movements slide the lens’s optical axis along A lens with 0.5x magnification
The diagram below shows the relationship between each will produce an image on film
distance. Most aberrations are effectively sup- the film/sensor plane, enabling photographers 0.5x
image size and a 180˚ angle of view for each focal length. that is half the size of the
pressed throughout the focusing range, assuring to correct or alter perspective at almost any angle. actual subject. Your 1 in. fruit
Focal Length: 8 mm Approx. 10 mm
high image quality in all shooting situations. then would only occupy 0.5 in.
on film.
Macro — Canon’s EF lens lineup has a number of
Circular Aperture Full size APS-C
options for true close-up and macro photography. In the other direction, a 5x
Canon lenses featuring circular aperture diaphragms Circular fisheye Full-frame fisheye With five macro lenses for precision, and three magnification lens will convert
Reverse tilt and shift greatly reduces the range on which focusing Shift was used to adjust the image to keep the building the 1-in. fruit to a 5-in. diameter
employ curved blades to create a smoothly rounded is possible. perpendicular all the way to the top. Approx. 12 mm Approx. 15 mm screw-on close-up lenses for convenience—in image. Since the entire image 1.0x
opening as the lens is stopped down. As a result, addition to Life-Size Converter EF and two Extension won’t fit in the frame of your
film, you will have an enlarged
most out-of-focus background highlights are Tubes—Canon’s macro lenses and close-up
image of a detail of the fruit.
rendered as natural-looking rounded shapes accessories can uncover detail that is nearly
rather than as distracting polygons. These lenses impossible for the unaided human eye to detect. Magnification is not the same as
APS-H Full size focal length. A 50mm lens and a
deliver smooth, consistent stop-down action Full-frame fisheye Full-frame fisheye
180mm might both be macro
(even at 10 fps), near-silent operation and *The red circle for each forcal length is the size of a 180˚ angle of
view on the image plane. EF Mount lenses with, for example, 1.0x 3.0x
magnification. The advantage of
excellent optical characteristics. In designing the EF lens mount, Canon engineers the longer lens is that it allows
cameras with imaging formats ranging from full- gave photographers a lot more than a way to quick- greater distance from a subject,
while allowing the same magnifi-
Inner and Rear Focusing frame to APS-C, and provides 180° circular fisheye ly attach a lens to a camera body. As the commu-
cation in the final image. The
An inner focusing lens has the focusing lens images for full-frame EOS models. This new Canon nication conduit between camera and lens, this 180mm lens is ideal for shooting
The lens’s tilt mechanism is used to achieve a pan focus effect Without using shift causes the image of the building to lean in at tiny subjects without disturbing
group(s) in front of the diaphragm, while a rear that allows focusing all the way back. the top.
lens has a wide zoom range feature that provides fully electronic mount system has none of the
them; the 50mm is better choice
focusing lens has the focusing lens group(s) behind a truly elevated level of creativity and performance shock, operational noise, abrasion, play, lubrica- for copying flat documents. 5.0x
the diaphragm. Both designs allow for compact Tilt Movements –Using a normal lens, shallow or deep focus is Shift Movements – By keeping the camera level, and for users shooting artistic compositions or tion requirements, slow response, lever operation
controlled by the size of the aperture used to adjust depth-of- using the shift function to raise the lens instead, this per-
optical systems that produce faster AF. And because field. Canon TS-E lenses can help achieve this by the tilting of spective effect can be corrected. With the camera’s focal
the front of the lens does not rotate to focus, filter the lens barrel in relationship to the focal and subject planes. plane set parallel to the building, shifting the lens upward
This allows for the appearance of extremely deep focus even at will obtain a more rectangular-looking building.
FOCAL LENGTH COMPARISON
orientation remains constant. wide open apertures, and shallow focus at smaller apertures.
Depth-of-field with tilt movements
AF Stop Feature Plane of optimum focus

Pressing the AF Stop button (featured on several Film plane 15mm Fisheye 14mm 17mm 20mm 24mm 28mm 35mm 50mm 70mm
EF IS telephoto lenses) momentarily locks the AF 180° 114° 104° 94° 84° 75° 63° 46° 34°

to help prevent the focus from shifting to a passing

obstruction. After the obstruction has cleared, the With a normal lens With a TS-E lens

focus will still be on the subject, and you can quickly

resume shooting. AF Stop buttons are positioned at Using Shift Movements to Focus Tall Building
Using Tilt Movements to Focus an Oblique Subject Plane 85mm 100mm 135mm 200mm 300mm 400mm 500mm 600mm 1200mm
four locations around the lens grip for easy access. 28° 30' 24° 18° 12° 8° 15' 6° 10' 5° 4° 10' 2° 5'

34 35
 EF LENSES

Take In the Wider View. See It. Capture It.

Canon EF fixed-focal-length wide-angle lenses are exceptionally sharp, virtually EF “standard” zooms cover a popular range of focal lengths for most photographers,
distortion-free, and fast – making them great choices for low-light shooting. from wide-angle through telephoto. This versatility makes them great for a wide range
EF ultra-wide zooms deliver stunning perspectives. The added versatility of for EOS Cameras of shooting situations. EF medium telephoto lenses help deliver natural perspective for EOS Cameras
zooming makes them perfect for enthusiasts and professionals alike. with wide maximum apertures that make them ideal for low-light shooting.

Ultra-Wide Zoom Standard Zoom

EF 8-15mm f/4L Fisheye USM EF-S 10-22mm f/3.5-4.5 USM* EF 16-35mm f/2.8L II USM EF 17-40mm f/4L USM EF-S 15-85mm f/3.5-5.6 IS USM* EF-S 17-55mm f/2.8 IS USM* EF-S 17-85mm f/4-5.6 IS USM* EF-S 18-55mm f/3.5-5.6 IS II* EF-S 18-135mm f/3.5-5.6 IS*

Wide-Angle

EF-S 18-200mm f/3.5-5.6 IS* EF 24-70mm f/2.8L USM EF 24-85mm f/3.5-4.5 USM
EF 14mm f/2.8L II USM EF 15mm f/2.8 Fisheye

EF 24-105mm f/4L IS USM •f/10 •1/125 sec.

EF 24-105mm f/4L IS USM EF 28-90mm f/4-5.6 III EF 28-105mm f/3.5-4.5 II USM EF 28-135mm f/3.5-5.6 IS USM EF 28-200mm f/3.5-5.6 USM
EF 20mm f/2.8 USM EF 24mm f/1.4L II USM

EF 24mm f/1.4L II USM •f/2.8 •1/30 sec.

Standard and Medium Telephoto

EF 24mm f/2.8 EF 28mm f/1.8 USM EF 28mm f/2.8 EF 35mm f/1.4L USM EF 35mm f/2 EF 50mm f/1.2L USM EF 50mm f/1.4 USM EF 50mm f/1.8 II EF 85mm f/1.2L II USM EF 85mm f/1.8 USM EF 100mm f/2 USM

Icons: See “EF Lens Technology” section. Diagram:

• Super UD Lens
• UD Lens
• Aspherical Lens Icons: See “EF Lens Technology” section. Diagram:
• Super UD Lens
• UD Lens
• Aspherical Lens

* For EOS 7D, 60D, 50D, 40D, 30D, 20D/20Da, Rebel T3i, T2i, T3, T1i, XSi, XS and all versions of EOS Digital Rebel only. * For EOS 7D, 60D, 50D, 40D, 30D, 20D/20Da, Rebel T3i, T2i, T3, T1i, XSi, XS and all versions of EOS Digital Rebel only.
36 37
 EF LENSES

Focus Your Attention.

Telephoto lenses make it easy to throw backgrounds out of focus, grab detail, or
“get close” to unapproachable subjects… and these EF zoom lenses are superb tools
for the job. EF fixed-focal-length telephotos combine great picture quality with for EOS Cameras for EOS Cameras
fast maximum apertures, making them ideal for handheld shooting in low light.

Telephoto Zoom Telephoto

EF 28-300mm f/3.5-5.6L IS USM EF 55-200mm f/4.5-5.6 II USM

EF 135mm f/2L USM EF 135mm f/2.8 w/Softfocus EF 200mm f/2L IS USM EF 200mm f/2.8L II USM EF 300mm f/2.8L IS II USM

EF-S 55-250mm f/4-5.6 IS* EF 70-200mm f/2.8L IS II USM

EF 300mm f/2.8L IS USM EF 300mm f/4L IS USM

70-300mm f/4-5.6L IS USM •f/5.6 •1/1600 sec.

EF 70-200mm f/2.8L USM EF 70-200mm f/4L IS USM EF 70-200mm f/4L USM EF 70-300mm f/4-5.6L IS USM EF 70-300mm f/4.5-5.6 DO IS USM

300mm f/2.8L IS II USM •f/2.8 •1/160 sec.

Extenders

EF 70-300mm f/4-5.6 IS USM EF 75-300mm f/4-5.6 III USM EF 75-300mm f/4-5.6 III EF 100-300mm f/4.5-5.6 USM EF 100-400mm f/4.5-5.6L IS USM EXTENDER EF 1.4x III EXTENDER EF 1.4x II EXTENDER EF 2x III EXTENDER EF 2x II Extension Tube EF 12 II
Extension Tube EF 25 II

Icons: See “EF Lens Technology” section. Diagram:

• Fluorite Lens
• Super UD Lens
• UD Lens
• DO Lens
• Aspherical Lens Icons: See “EF Lens Technology” section. Diagram:
• Fluorite Lens
• Super UD Lens
• UD Lens
• DO Lens

* For EOS 7D, 60D, 50D, 40D, 30D, 20D/20Da, Rebel T3i, T2i, T3, T1i, XSi, XS and all versions of EOS Digital Rebel only.
38 39
 EF LENSES

Up Close Detail from Afar. Solutions for Specialized Shooting.

Distinguished by their white color and seen at major sporting events around the Canon’s manual focus TS-E (Tilt-Shift) lenses provide tilt capability to alter the
world, the powerful EF super-telephotos are also ideal for nature, scenic and plane of focus and shift capability for perspective correction, offering solutions
even outdoor fashion photography. Canon’s ring-type USM delivers a high level of for EOS Cameras for numerous applications, from architectural to studio photography. Canon for EOS Cameras
focusing performance, and most feature Canon’s superb Image Stabilization. also offers a range of close-up, high-magnification shooting solutions with a
EF tele extenders and extension tubes add even more power and versatility. lineup of exceptional macro lenses and accessories.

Super Telephoto Tilt-Shift

TS-E 17mm f/4L

EF 400mm f/2.8L IS II USM EF 400mm f/2.8L IS USM EF 400mm f/4 DO IS USM EF 400mm f/5.6L USM
TS-E 24mm f/3.5L II •f/5.7 •3.2 sec.

TS-E 24mm f135L II •f/4 •1/800 sec. ©Vincent Laforet

TS-E 24mm f/3.5L II TS-E 45mm f/2.8 TS-E 90mm f/2.8

Macro
EF 500mm f/4L IS II USM EF 500mm f/4L IS USM

EF 50mm f/2.5 Compact Macro EF-S 60mm f/2.8 Macro USM* MP-E 65mm f/2.8 1-5x Macro Photo
400mm f/2.8L IS USM •f/2.8 •1/2500 sec.

EF 600mm f/4L IS II USM EF 600mm f/4L IS USM EF 800mm f/5.6L IS USM

EF 100mm f/2.8L Macro IS USM EF 180mm f/3.5L Macro USM Life-Size Converter EF

MP-E 65mm f/2.8 1-5x Macro Photo •f/11 •1/125 sec. (3.0x)

• • • • • • •


Icons: See “EF Lens Technology” section. Diagram: Fluorite Lens Super UD Lens UD Lens DO Lens Aspherical Lens Icons: See “EF Lens Technology” section. Diagram: UD Lens Aspherical Lens

* For EOS 7D, 60D, 50D, 40D, 30D, 20D/20Da, Rebel T3i, T2i, T3, T1i, XSi, XS and all versions of EOS Digital Rebel only.
40 41
 EF LENSES

EF Lens Chart
Apparent Focal Lens Minimum Filter Closest Focusing Apparent Focal Lens Minimum Filter Closest Focusing
CANON EF LENS length (mm) Angle of View (Diagonal) Construction Aperture
Diameter Distance
Length Weight Lens Hood Lens Cap Soft Case CANON EF LENS length (mm) Angle of View (Diagonal) Construction Aperture
Diameter Distance
Length Weight Lens Hood Lens Cap Soft Case
Focus Drive (Groups/ Focus Drive (Groups/
SPECIFICATIONS APS-C APS-H 35mm APS-C APS-H Elements) (f) (mm) (ft.) (m) (in.) (mm) (oz.) (g) SPECIFICATIONS APS-C APS-H 35mm APS-C APS-H Elements) (f) (mm) (ft.) (m) (in.) (mm) (oz.) (g)

Ultra Wide Zoom Standard & Medium Telephoto

EF 8-15mm f/4L Fisheye USM 12.8–24 1 Ultrasonic 180°0'–175°30' 180° @ approx.10mm 180° @ approx.12mm 14/11 22 Gelatin 0.49 0.15 3.3 83 19.1 540 EW–77 8–15 LP1219 EF 50mm f/1.0L USM † – – Ultrasonic 46° 30°32' 37°21' 9/11 16 – 2.0 0.6 3–3/16 81.5 2.2 lbs. 985 ES–79 E–72U –

• EF-S 10-22mm f/3.5-4.5 USM †† 16–35 N/A Ultrasonic N/A 107°30'–63°30' N/A 10/13 22 77 0.8 0.24 3–1/2 89.8 13.6 385 EW–83E E–77U LP1319 • EF 50mm f/1.2L USM 80 65 Ultrasonic 46° 30°32' 37°21' 6/8 16 72 1.5 0.45 2.58 65.5 18.7 580 ES–78 E–72U LP1214

• EF 16-35mm f/2.8L II USM 26–56 21–45 Ultrasonic 108°10'–63° 80°56'–42°36' 93°08'–51°32' 12/16 22 82 0.92 0.28 4–2/5 111.6 22.4 635 EW–88 E–82U LP1319 EF 50mm f/1.4 USM 80 65 Ultrasonic 46° 30°32' 37°21' 6/7 22 58 1.5 0.45 2 50.5 10.2 290 ES–71II E–58U LP1014
EF 16-35mm f/2.8L USM † 26–56 21–45 Ultrasonic 108°10'–63° 80°56'–42°36' 93°08'–51°32' 10/14 22 77 0.9 0.28 4-1/8 103 1.3 lbs. 600 EW-83E E–77U LP1319 EF 50mm f/1.8 II 80 65 MM 46° 30°32' 37°21' 5/6 22 52 1.5 0.45 1–5/8 41.0 4.6 130 ES–62# E–52 LP1014
EF 17-35mm f/2.8L USM † – – Ultrasonic 104°–63° 78°30'–42°36' 89°39'–51°32' 10/15 22 77 1.38 0.42 3–3/4 95.7 19.1 545 EW–83C E–77U – EF 50mm f/1.8 † 80 65 MM 46° 30°32' 37°21' 5/6 22 52 1.5 0.45 1–5/8 41.0 4.6 130 ES–62# E–52 LP1014

• EF 17-40mm f/4L USM 27–64 22–52 Ultrasonic 104°–57°30' 78°30'–37°41' 89°39'–45°48' 9/12 22 77 0.92 0.28 3–3/4 96.8 1.1 lbs. 475 EW–83E E–77U LP1319 • EF 85mm f/1.2L II USM / USM † 136 111 Ultrasonic 28°30' 18°14' 22°29' 7/8 16 72 3.2 0.95 3–5/16 84.0 2.3 lbs. 1,025 ES–79II E–72U LP1219
EF 20-35mm f/2.8 USM † – – AFD 94°–63° 78°37'–42°36' 80°23'–51°32' 12/15 22 72 1.6 0.5 3–1/2 89.0 1.2 lbs. 540 EW–75 – – • EF 85mm f/1.8 USM 136 111 Ultrasonic 28°30' 18°14' 22°29' 7/9 22 58 2.8 0.85 2–13/16 71.5 15.0 425 ET–65III E–58U LP1014

• EF 20-35mm f/3.5-4.5 USM † 32–56 26–46 Ultrasonic 94°–63° 68°37'–42°36' 80°23'–51°32' 11/12 22-27 77 1.1 0.34 2–3/4 68.9 11.9 340 EW–83II E–77U LP1214 • EF 100mm f/2 USM 160 130 Ultrasonic 24° 15°32' 19°11' 6/8 22 58 3.0 0.9 2–7/8 73.5 1.0 lbs. 460 ET–65III E–58U LP1014

Standard Zoom Telephoto

• EF-S 15-85mm f/3.5-5.6 IS USM †† 124–136 N/A Ultrasonic N/A 84°30'–18°25' N/A 12/17 36 72 1.15 0.35 3–7/16 87.5 20.3 575 EW–78E E-72U LP1116 • EF 135mm f/2L USM 216 175 Ultrasonic 18° 11°32' 14°16' 8/10 32 72 3.0 0.9 4–7/16 112.0 1.6 lbs. 750 ET–78II E–72U LP1219

• EF-S 17-55mm f/2.8 IS USM †† 27–88 N/A Ultrasonic N/A 78°30'–27°50' N/A 12/19 22 77 1.5 0.45 4–2/5 110.6 22.8 645 EW–83J E-77U – EF 135mm f/2.8 w/ Softfocus 216 175 AFD 18° 11°32' 14°16' 6/7 32 52 4.3 1.3 3–7/8 98.4 13.8 390 ET–65III E–52 LP1016

• EF-S 17-85mm f/4-5.6 IS USM †† 27–136 N/A Ultrasonic N/A 78°30'–18°25' N/A 12/17 22 67 1.1 0.35 3–5/8 92.0 1.1 lbs. 475 EW–73B E–67U LP1116 EF 200mm f/1.8L USM † – – Ultrasonic 12° 07°48' 09°39' 10/12 32 48 DI 8.2 2.5 8–3/16 208 6.6 lbs. 3,000 ET–123 E–162 –

• EF-S 18-55mm f/3.5-5.6 IS II † †† 29–88 N/A MM N/A 74°20'–27°50' N/A 9/11 22 58 0.82 0.25 2–3/4 68.5 7.8 200 EW–60C E–58 LP814 • EF 200mm f/2L IS USM 320 260 Ultrasonic 12° 07°48' 09°39' 12/17 32 52 DI 6.2 1.9 8–3/16 208 5.6 lbs. 2,520 ET–120B E–145B –

• EF-S 18-55mm f/3.5-5.6 USM † 29–88 N/A Ultrasonic N/A 74°20'–27°50' N/A 9/11 22–38 58 0.92 0.28 2–5/8 66.2 6.7 190 EW–60C E–58U LP814 • EF 200mm f/2.8L II USM / USM † 320 260 Ultrasonic 12° 07°48' 09°39' 7/9 32 72 4.9 1.5 5–3/8 136.2 1.6 lbs. 765 ET–83BII E–72U LP1222

• EF-S 18-55mm f/3.5-5.6 †† **** 29–88 N/A MM N/A 74°20'–27°50' N/A 9/11 22–38 58 0.92 0.28 2–5/8 66.2 6.7 190 EW–60C E–58U LP814 EF 300mm f/2.8L IS II USM 480 390 Ultrasonic 8°15' 05°12' 06°26' 16/12 32 52 DI 6.6 2.0 9.7 247.5 5.25lbs. 2,400 ET–120WII E–145C 300B

• EF-S 18-135mm f/3.5-5.6 IS †† 29–216 N/A MM N/A 74°20'–11°30' N/A 12/16 36 67 1.5 0.45 4 101 16.0 4555 EW–73B E–67 LP1116 • EF 300mm f/2.8L IS USM † / USM † 480 390 Ultrasonic 8°15' 05°12' 06°26' 13/17 32 52 DI 8.2 2.5 9–7/8 252.0 5.6 lbs. 2,550 ET–120 E–145 –

• EF-S 18-200mm f/3.5-5.6 IS †† 29–320 N/A DC motor N/A 74°20'–07°48' N/A 12/16 22-36 72 1.5 0.45 4 102 21.0 595 EW–78D E–72 LP1116 • EF 300mm f/4L IS USM / USM † 480 390 Ultrasonic 8°15' 05°12' 06°26' 11/15 32 77 4.9 1.5 8–11/16 221.0 2.6 lbs. 1,190 Built-in E–77U LZ1128
EF 22-55mm f/4-5.6 USM † – – Ultrasonic 88°56'–42°52' 63°38'–27°52' 75°03'–34°09' 9/9 22–32 58 – 0.35 – – – 175 – – –
Super Telephoto
• EF 24-70mm f/2.8L USM 38–112 31–91 Ultrasonic 84°–34° 59°15'–22°04' 70°18'–27°08' 13/16 22 77 1.25 0.38 4–7/8 123.5 2.1 lbs. 950 EW–83F E–77U LP1219
EF 400mm f/2.8L IS II USM 640 520 Ultrasonic 6°10' 03°54' 04°50' 16/12 32 52 DI 8.86 2.7 13.5 343 9.25 lbs. 4,200 ET–155WII E–180D 400C
• EF 24-85mm f/3.5-4.5 USM † 38–136 31–111 Ultrasonic 84°–28°30' 59°15'–18°14' 70°18'–22°29' 12/15 22–32 67 1.6 0.5 2–3/4 69.5 13.4 380 EW–73II E–67U LP1014
6°10' 03°54' 04°50' 13/17 32
• EF 400mm f/2.8L IS USM†/ II USM†/ USM† 640 520 Ultrasonic 52 DI 9.8 3.0 13–11/16 349.0 11.7 lbs. 5,300 ET–155 E–180C –
• EF 24-105mm f/4L IS USM 38–168 31–136 Ultrasonic 84°—23°20' 59°15'—14°48' 70°18'—18°17' 13/18 22–27 77 1.5 0.45 3–5/16 83.5 1.5 lbs. 670 EW–83H E–77U LP1219
• EF 400mm f/4 DO IS USM 640 520 Ultrasonic 6°10' 03°54' 04°50' 13/17 32 52 DI 11.48 3.5 9–7/16 232.7 4.3 lbs. 1,940 ET–120 E–145 II –
EF 28-70mm f/2.8 L USM † – – Ultrasonic 75°–34° 51°58'—22°04' 62°13'—27°08' 11/16 22 77 1.6 0.5 4–5/8 117.6 1.9 lbs. 880 EW–83B E–77U –
• EF 400mm f/5.6L USM 640 520 Ultrasonic 6°10' 03°54' 04°50' 6/7 32 77 DI 11.5 3.5 10–1/16 256.5 2.8 lbs. 1,250 Built-in E–77U LZ1132
EF 28-70mm f/3.5-4.5 † – – MM 75°–34° 51°58'—22°04' 62°13'—27°08' 9/10 29 52 – 0.39 – – – 300 – – –
EF 500mm f/4L IS II USM 800 650 Ultrasonic 5° 03°07' 03°52' 16/12 32 52 DI 12.14 3.7 15.1 383 112.5 oz. 3190 ET–138 E–163B 500B
EF 28-80mm f/3.5-5.6 IV USM † / V USM † 45–128 36–104 Ultrasonic 75°–30° 51°58'—19°21' 62°13'—25°51' 10/10 22–38 58 1.25 0.38 2–13/16 71.2 7.8 200 EW–60C E–58 LP814
• EF 500mm f/4L IS USM 800 650 Ultrasonic 5° 03°07' 03°52' 13/17 32 52 DI 14.8 4.5 15–3/16 387.0 8.5 lbs. 3,870 ET–138 E–163 –
EF 28-80mm f/3.5-5.6 III † / II † 45–128 36–104 MM 75°–30° 51°58'—19°21' 62°13'—25°51' 10/10 22–38 58 1.25 0.38 2–13/16 71.2 7.8 200 EW–60C E–58 LP814
EF 500mm f/4.5L USM † – – Ultrasonic 5° 03°07' 03°52' 6/7 32 48 DI 16.4 5.0 15–3/8 390 6.6 lbs. 3,000 ET–123BII E–130 –
EF 28-80mm f/3.5-5.6 † 45–128 36–104 MM 75°–30° 51°58'—19°21' 62°13'—25°51' 10/10 22–38 58 1.25 0.38 2–13/16 71.2 7.8 200 EW–60C E–58 LP814
EF 600mm f/4L IS II USM 960 780 Ultrasonic 4°10' 02°36' 03°13' 16/12 32 52 DI 14.77 4.5 17.6 448 138.3 oz. 3920 ET–160 E–185B 600B
• EF 28-90mm f/4-5.6 III / II USM † 45–144 36–117 MM/Ultrasonic 75°–27° 51°58'—17°14' 62°13'—21°16' 8/10 22–32 58 1.3 0.38 2–13/16 71.0 6.7 190 EW–60C E–58U/E-58 LP814
• EF 600mm f/4L IS USM / USM † 960 780 Ultrasonic 4°10' 02°36' 03°13' 13/17 32 52 DI 18.0 5.5 18 456.0 11.8 lbs. 5,360 ET–160 E–185 –
• EF 28-90mm f/4-5.6 USM † 45–144 36–117 Ultrasonic 75°–27° 51°58'—17°14' 62°13'—21°16' 8/10 22–32 58 1.3 0.38 2–13/16 71.0 6.7 190 EW–60C E–58 LP814
Ultrasonic 3°5' 01°57' 02°25' 14/18
• EF 800mm f/5.6L IS USM 1,280 1,040 32 52 DI 19.69 6.0 18.1 461.0 9.9 lbs. 4,500 ET–155 E–180C –
• EF 28-105mm f/3.5-4.5 II USM / USM † 45–168 36–136 Ultrasonic 75°–23°20' 51°58'—14°48' 62°13'—18°17' 12/15 22–27 58 1.6 0.5 3 75.0 13.1 375 EW-63II E–58U LP814
• EF 1200mm f/5.6L USM † 1,920 1,560 Ultrasonic 2°5' 01°18' 01°36' 10/13 32 48 DI 45.9 14.0 33 836.0 36.4 lbs. 16,50 Built-in Exclusive –
• EF 28-105mm f/4-5.6 USM † 45–168 36–136 Ultrasonic 75°–23°20' 51°58'—14°48' 62°13'—18°17' 9/10 22–32 58 1.57 0.48 2–11/16 68.0 7.4 210 EW–63B E–58U LP814
42–216 36–176 Ultrasonic 75°–18° 51°58'—11°32' 62°13'—14°16' 12/16 22–36 72 1.64 0.5 E–72U LP1116 Macro
• EF 28-135mm f/3.5-5.6 IS USM 3–13/16 96.8 1.2 lbs. 540 EW–78BII
EF 50mm f/2.5 Compact Macro 80 65 AFD 46° 30°32' 37°21' 8/9 32 52 0.8 0.23 2–1/2 63.0 9.9 280 Built-in E–52 LP814
• EF 28-200mm f/3.5-5.6 USM † 45–320 36–260 Ultrasonic 75°–12° 51°58'—07°48' 62°13'—09°39' 12/16 22–36 72 1.5 0.45 3–1/2 89.6 1.1 lbs. 500 EW–78D E–72U LP1116
• EF-S 60mm f/2.8 Macro USM †† 96 N/A Ultrasonic N/A 25° N/A 8/12 32 52 0.65 0.2 2–3/4 69.8 11.8 335 ET–67B E–52U LP1016
• EF 35-80mm f/4-5.6 III † / II / USM † 56–128 46–104 MM 63°–30° 42°36'–19°21' 51°32'—23°51' 8/8 22–32 52 1.3 0.4 2–1/2 63.5 6.2 175 EW–54II E–52 LP814
• MP-E 65mm f/2.8 1-5x Macro Photo * 104 85 Manual 18°40' (at 1x) 11°51' (at 1x) 14°39' (at 1x) 8/10 16 58 0.8 0.24 3–7/8 98.0 1.6 lbs. 730 – E–58 LP1216
• EF 35-135mm f/4-5.6 USM † – – Ultrasonic 63°–18° 42°36'–11°32' 51°32'—14°16' 12/14 22–32 58 2.5 0.75 3–3/8 86.0 15.0 425 EW–62 – –
• EF 100mm f/2.8L Macro IS USM 160 130 Ultrasonic 23.4° 15°7' 19°12' 12/15 32 67 0.97 0.3 4–13/16 123.0 1.4 lbs. 625 ET–73 E–67U LP1219
Telephoto Zoom
• EF 100mm f/2.8 Macro IS USM 160 130 Ultrasonic 24° 15°32' 19°11' 8/12 32 58 1.0 0.31 4–11/16 119.0 1.3 lbs. 600 ET–67 E–58U LZ1324
• EF 28-300mm f/3.5-5.6L IS USM 45–480 36–390 Ultrasonic 75°–8°15' 51°58'–5°12' 62°13'—06°26' 16/22 38 77 2.3 0.7 7–1/4 184.0 3.7 lbs. 1,670 EW–83G E–77U LZ1324
• EF 180mm f/3.5L Macro USM 288 234 Ultrasonic 13°40' 08°40' 10°43' 12/14 32 72 1.6 0.48 7–3/8 186.6 2.4 lbs. 1,090 ET–78II E–72U LZ1324
EF 35-350mm f/3.5-5.6L USM † – – Ultrasonic 63°—07°03' 42°36'—04°28' 51°32'—05°31' 15/21 22–32 72 2.0 0.6 6–9/16 167 3.0 lbs. 1,385 EW–78 E–72U –
Life Size Converter EF *** – – – – – – 3/4 – – 0.8 0.24 1–3/8 34.9 5.6 160 – R–F–3 LP811
EF 55-200mm f/4.5-5.6 II USM / USM † 88–320 72–260 Ultrasonic 72–260 27°–07°48' 34°09'–09°39' 13/13 22–29 52 3.9 1.2 3–13/16 97.3 10.9 310 ET–54 E–52U LP1016
• EF-S 55-250mm f/4-5.6 IS †† 88–400 N/A DC motor N/A 27°5'–6°15' N/A 10/12 22–32 58 3.6 1.1 4.3 108 15.4 390 ET–60 E–58 LP1019 Tilt-Shift

• EF 70-200mm f/2.8L IS II USM 112-320 91-260 Ultrasonic 34°-12° 22°04'–07°48' 27°08'–09°39' 19/23 32 77 3.9 1.2 7.8 199 3.3 lbs 1,490 ET–87 E–77U LZ1326 • TS-E 17mm f/4L* 27 22 Manual 104° 78°30' 89°39' 13/18 22 – 0.82 0.25 4.20 106.7 1.8 lbs. 820 – 17 LP1219

• EF 70-200mm f/2.8L IS USM †/ USM 112–320 91–260 Ultrasonic 34°–12° 22°04'–07°48' 27°08'–09°39' 18/23 32 77 4.6 1.4 7–13/16 197.0 3.2 lbs. 1,470 ET–86 E–77U LZ1324 • TS-E 24mm f/3.5L II * 38 31 Manual 84° 59°15' 70°18' 10/16 22 82 0.69 0.21 4.20 106.9 1.7 lbs. 780 EW–88B E–82 LP1319

• EF 70-200mm f/4L IS USM 112–320 91–260 Ultrasonic 34°–12° 22°04'–07°48' 27°08'–09°39' 15/20 32 67 3.9 1.2 6–7/8 172.0 26.8 760 ET–74 E–67U LP1224 TS-E 24mm f/3.5L † * 38 31 Manual 84° 59°15' 70°18' 9/11 22 72 1.0 0.3 3–7/16 87.0 1.2 lbs. 570 EW–75BII E–72 LP1216

• EF 70-200mm f/4L USM 112–320 91–260 Ultrasonic 34°–12° 22°04'–07°48' 27°08'–09°39' 13/16 32 67 3.9 1.2 6–7/8 172.0 19.2 705 ET–74 E–67U LP1224 TS-E 45mm f/2.8 * 72 59 Manual 51° 33°44' 41°10' 9/10 22 72 1.3 0.4 3–9/16 90.0 1.4 lbs. 645 EW–79BII E–72 LP1216

EF 70-300mm f/4-5.6L IS USM ***** 112–480 91–390 Ultrasonic 34°–8°15' 22°04'–05°12' 27°08'–06°26' 19/14 32 67 3.9 1.2 5.6 143 27.8 788 ET-73B E-67U LP1424 TS-E 90mm f/2.8 * 144 117 Manual 27° 17°14' 21°16' 5/6 32 58 1.6 0.5 3–7/16 88.0 1.2 lbs. 565 ES–65III E–58 LP1016

• EF 70-300mm f/4.5-5.6 DO IS USM 112–480 91–390 Ultrasonic 34°–8°15' 22°04'–05°12' 27°08'–06°26' 12/18 32–38 58 4.6 1.4 3–7/8 99.0 1.6 lbs. 720 ET–65B E–58U LP1116 Extenders
• EF 70-300mm f/4–5.6 IS USM 112–480 91–390 Ultrasonic 34°–8°15' 22°04'–05°12' 27°08'–06°26' 10/15 32–45 58 4.9 1.5 5–7/16 137.2 1.4 lbs. 630 ET–65B E–58U LP1222 Extender EF 1.4x III ** – – – – – – 7/3 – – – – 1–1/16 27.2 7.9 225 – Extender Cap E II LP811
EF 75-300mm f/4–5.6 IS USM † 120–480 98–390 Ultrasonic 32°11'–8°15' 20°37'–05°12' 25°23'–06°26' 10/15 32–45 58 4.9 1.5 5–7/16 137.2 1.4 lbs. 650 ET–64II E–58U LP1022 Extender EF 1.4x II ** – – – – – – 5/4 – – – – 1–1/16 27.2 7.8 220 – Extender CapE II LP811
• EF 75-300mm f/4-5.6 III USM/III/II USM † 120–480 98–390 MM/Ultrasonic 32°11'–8°15' 20°37'–05°12' 25°23'–06°26' 9/13 32–45 58 4.9 1.5 4–13/16 122.0 1.1 lbs. 480 ET–60 E–58U LP1019 Extender EF 2x III ** – – – – – – 9/5 – – – – 2–5/16 52.7 11.5 325 – Extender Cap E II LP811
EF 75-300mm f/4-5.6 USM 120–480 98–390 Ultrasonic 32°11'–8°15' 20°37'–05°12' 25°23'–06°26' 10/15 32–45 58 4.9 1.5 5–7/16 137.2 1.4 lbs. 650 ET–64II E–58U LP1022 Extender EF 2x II ** – – – – – – 7/5 – – – – 2–5/16 103 9.3 265 – Extender CapE II LP811
EF 80-200mm f/2.8L † – – AFD 30°–12° 19°21'–07°48' 25°31'–09°39' 13/16 32 72 5.9 1.8 7–5/16 186 2.9 lbs. 1330 ES–79 – –
† Discontinued. †† Compatible only with EOS 7D, 60D 50D, 40D, 30D, 20D/20Da, Rebel T3i/T2i/T3/T1i/XSi/XS and Digital Rebel XTi/XT only. • Incorporates distance information with E-TTL II. * TS-E AND MP-E lenses are manual focus only, with automatic diagram. ** Extenders EF 1.4x II/III and 2x II/III are for exclusive use with EF 70-200mm f/2.8L
• EF 80-200mm f/4.5-5.6 II †/ USM † 128–320 104–260 MM/Ultrasonic 30°–12° 19°21'–07°48' 25°31'–09°39' 7/10 22–27 52 4.9 1.5 3–1/8 78.5 8.8 250 ET–54 E–52 LP1014 IS II, EF 70-200mm f/2.8L, 70-200mm f/2.8L IS, 70-200mm f/4L, 100-400mm f/4.5-5.6L, 135mm f/2L, 180mm f/3.5L Macro, 200mm f/1.8L, 300mm f/2.8 L, 300mm f/2.8L IS II, 300mm f/4L, 300mm f/4L IS, 400mm f/2.8L IS, 400mm f/2.8L IS II, 400mm f/4 DO, 400mm f/5.6L, 500mm f/4L IS, 600mm f/4L IS, and 1200mm f/5.6L (Manual
EF 100-300mm f/4.5-5.6 USM † 160–480 130–390 Ultrasonic 24°–8°15' 15°32'–05°12' 19°11'–06°26' 10/13 32–38 58 4.9 1.5 4–3/4 121.5 1.2 lbs. 540 ET–65III E–58U LP1019 focus only when EF 1.4x II/III is used with EF 100-400mm f/5.6L, 400mm f/5.6L, 500mm f/4.5L, 1200mm f/5.6L, and with 180mm f/3.5 Macro when focused closer than 2.6 feet; or with Extender EF 2x II/III when used with EF70-200mm f/4L, 100-400mm f/4.5-5.6L, 180mm f/3.5L Macro, 300mm f/4L IS, 300 f/4L, 400mm f/4 DO, 400mm
f/5.6L, 500mm f/4L, 500mm f/4.5L, 600mm f/4L, and 1200mm f/5.6L). *** Life Size Converter EF is for exclusive use with 50mm f/2.5 Compact Macro. **** Available only with the EOS 40D, 30D, 20D and Digital Rebel Kit. # With Adapter Ring. Rear Cap for EF lenses = Lens Dust Cap E. Body Cap for EOS Cameras, Life Size Converter EF =
• EF 100-300mm f/5.6 L † – – AFD 24°–8°15' 15°32'–05°12' 19°11'–06°26' 10/15 32 58 4.6 1.4 6–9/16 167 1.5 lbs. 695 ET–62II – – Camera Cover R-F-3. Specifications subject to change. ***** Not compatible with tele-extenders.

EF 100-400mm f/4.5-5.6L IS USM 160–640 130–520 Ultrasonic 24°–6°10' 15°32'–03°54' 19°11'–04°50' 14/17 32–38 77 5.9 1.8 7–7/16 189.0 3.0 lbs. 1,360 ET–83C E–77U LZ1324

Wide-Angle
• EF 14mm f/2.8L II USM 22 18 Ultrasonic 114° 88°32' 100°43' 11/14 22 Gelatin 0.66 0.2 –3/4 116.0 22.8 645 Built-in Exclusive LP1016
• EF 14mm f/2.8L USM † 22 18 Ultrasonic 114° 88°32' 100°43' 10/14 22 Gelatin 0.8 0.25 3–1/2 89.0 1.2 lbs. 560 Built-in Exclusive LP1016
EF 15mm f/2.8 Fisheye 24 20 AFD 180° 108°15' 137°08' 7/8 22 Gelatin 0.7 0.2 2–7/16 62.2 11.6 330 Built-in E–73 LP814
• EF 20mm f/2.8 USM 32 26 Ultrasonic 94° 68°37' 80°23' 9/11 22 72 0.8 0.25 2–13/16 70.6 14.3 405 EW–75II E–72U LP1214
• EF 24mm f/1.4L II USM 38 31 Ultrasonic 84° 59°15' 70°18' 10/13 22 77 0.8 0.25 3.4 86.9 22.9 650 EW–83K E–77U LP1319
• EF 24mm f/1.4L USM † 38 31 Ultrasonic 84° 59°15' 70°18' 9/11 22 77 0.82 0.25 3 77.4 1.2 lbs. 550 EW–83DII E–77U LP1214
EF 24mm f/2.8 38 31 AFD 84° 59°15' 70°18' 10/10 22 58 0.8 0.25 1–7/8 48.5 9.5 270 EW–60II E–58 LP811
• EF 28mm f/1.8 USM 45 36 Ultrasonic 75° 51°58' 62°13' 9/10 22 58 0.8 0.25 2–3/16 55.6 10.9 310 EW–63II E–58U LP814
EF 28mm f/2.8 45 36 AFD 75° 51°58' 62°13' 5/5 22 52 1.0 0.3 1–11/16 42.5 6.5 185 EW–65II E–52 LP1011
• EF 35mm f/1.4L USM 56 45 Ultrasonic 63° 42°36' 51°32' 9/11 22 72 0.98 0.3 3–2/5 86.0 1.3 lbs. 580 EW–78C E–72U LP1214
EF 35mm f/2 56 45 AFD 63° 42°36' 51°32' 5/7 22 52 0.8 0.25 1–11/16 42.5 7.4 210 EW–65II E–52 LP1011

42 43
 EF LENSES

The Finest Accessories for Your Lenses. Softmat Filters Extension Tubes Gelatin Filter Holders

To enhance the stellar features of the EF Lens system, there are a number of accessories
designed to perform perfectly with your system. Canon offers cases to help protect Close-up Lenses Gelatin Filter
Gelatin Filter Hoods IV Gelatin Filter Holder IV Holder Adapter IV
your lenses, hoods and filters to help control glare, and a number of adapters to
further expand the possibilities of your EF Lenses and your EOS System. EF 25 II EF 12 II

Extension Tube EF 25 II & EF 12 II Gelatin Filter

General Purpose These close-up accessories are placed between
Gelatin Filter Hoods III Gelatin Filter Holder III Holder Adapter III

Without Softmat Filter

the camera body and lens to help enable high- Gelatin Filter Holder System
Haze (UV-1)
magnification photography. Eight electronic contact This convenient holder system allows the use of
points allow communication between the camera commercially available square filters without the
and lens to continue as usual. The magnification need for cutting. The holder attaches to the lens
Haze (UV-1) differs according to the lens, but for standard through an adapter that fits the filter diameter.
Lens Cases The Haze (UV-1) filter absorbs ultraviolet light With Close-up Lens zoom lenses it is about 0.3x to 0.5x for the EF A special hood is available for use with the system.
and is most effective on sunny days for cutting 12 and 0.7x or more for the EF 25. By using both Use with 3-inch square type III and 4-inch square
haze out of the shot. tubes effectively, the choice of magnifications type IV gelatin filters. Gelatin filters can be used
Type Available Sizes 250D 500D 500
can be greatly extended. However, for best with most EF lenses.
Screw-in 67mm, 72mm, 77mm, 82mm
results, manual focusing is recommended. Gelatin Filter Holder III & IV
Type Available Sizes
Close-up Lens 250D/500D/500 Screw-in Holder for 3-inch square (III) or 4-inch (IV) gelatin filters.

Lens Hoods
52mm Drop-in The 250D/500D series incorporates double- Loupes Gelatin Filter Holder Hoods III & IV
Screw Filter Holder 52WII Use a Softmat Filter for a soft effect.
element achromatic design for maximum optical Type Available Sizes
Screw-in Lens shades which attach to holder can be stacked with
performance. These screw-in lenses are used to telephoto lenses.
provide a shorter minimum focusing distance Softmat No. 1 Softmat No. 2
Gelatin Filter Holder Adapter III & IV
Lens Cases and Lens Hoods Drop-in Screw Filter Holder with no loss of light. Each lens is optimized for Loupe 4x Type Available Sizes

These functional, rugged cases are indispensable A holder for screw-type filters, for use with a particular focal length. Manual focus is recom- Screw-in III: 52mm, 58mm, 67mm, 72mm, 77mm.
IV: 58mm, 67mm, 72mm, 77mm.
to help protect lenses. Lens hoods help prevent rear-mounted drop-in filters. mended with these lenses. Softmat No. 1 & No. 2
unwanted glare from affecting your photographs. Type Available Sizes Type Available Sizes Softmat filters mildly soften the focus for flattering Drop-in Gelatin Filter Holder II
Drop-in 48mm, 52mm. Includes clear filter. For super-telephoto Screw-in 500D/500: 52mm, 72mm, 77mm. Optimized for lenses
portraits and dreamy landscapes. These filters Loupe 4x Up to three gelatin filters can be
Available Sizes lenses. Current IS Super-teles—52mm. Previous super-teles 70 thru 300mm.
See EF Lens Specifications. without IS—48mm. 250D: 52mm, 58mm. Optimized for lenses 50 thru 135mm. utilize the effect of diffraction, which occurs Designed for viewing 35mm film frames at high placed in these holders. To use, insert a
between light passing through the transparent magnifications, these loupes use a high-per- cut piece of gelatin film between the
Polarizing Filters part and light passing through the coated part. formance lens system that help to eliminate all holder’s filter frame and pressure 52mm Drop-in
Use Softmat No. 1 filter for a gentle soft focus aberration and distortion. They offer diopter clip, and screw on to the lens. Gelatin Filter Holder 52WII
52mm Drop-in effect, and Softmat No. 2 for a stronger effect. adjustment of -4 to +1 dpt, and include an eyecup,
Screw-in Type Available Sizes
Circular Polarizing
Filter PL-C 52WII Type Available Sizes hood and case. Drop-in 48mm, 52mm. For super-telephoto lenses. Current IS Super-
Screw-in 52mm, 58mm teles—52mm. Previous super-teles without IS—48mm.

Extender EF Specifications with Extender EF 1.4x III attached with Extender EF 2x III attached
Apparent Focal Length (mm) Maximum Apparent Focal Length (mm) Maximum
EF Lens Attachment f-stop (f) AF f-stop (f) AF
Magnification Magnification
Circular Polarizing Filter PL-CB/PL-C EF 135mm f/2L USM
35mm
189
APS-H
246
APS-C
302 2.5–45 0.27
35mm
270
APS-H
351
APS-C
432 4–64 0.38
Polarizing filters enhance picture quality by EF 180mm f/3.5L Macro USM 252 328 403 4.5–45 1.4 *2 360 468 576 6.7–64 2.00
EF 200mm f/2.8L II USM 280 364 448 2.5–32 0.22 400 520 640 5.6–64 0.32
blocking harmful reflected light. Use it to reduce *5
EF 200mm f/2L IS USM 280 364 448 2.8–45 0.18 400 520 640 4–64 0.24
light reflections from glass and water surfaces or EF 300mm f/2.8L IS II USM 420 546 672 4–45 0.15 600 780 960 5.6–64 0.28
to improve color saturation. Simple to use, EF 300mm f/2.8L IS USM 420 546 672 4–45 0.15 600 780 960 5.6–64 0.28
Not using Circular PL Filter Using Circular PL Filter emphasizes the blue of the sky. EF 300mm f/4L IS USM 420 546 672 5.6–45 0.33 600 780 960 8–64 0.47 *3*4
these filters polarize light circularly, rather EF 400mm f/2.8L IS II USM 560 728 896 4–45 0.22 800 1,040 1,280 5.6–64 0.31
than linearly, so they do not interfere with EF 400mm f/2.8L IS USM 560 728 896 4–45 0.22 800 1,040 1,280 5.6–64 0.31
EF 400mm f/4 DO IS USM 560 728 896 5.6–45 0.17 800 1,040 1,280 8–64 0.24 *3*4
autofocus or TTL light metering. EF 400mm f/5.6L USM 560 728 896 8–45 0.18 *3 800 1,040 1,280 11–64 0.27
EF 500mm f/4L IS USM 700 910 1,120 5.6–64 0.17 1,000 1,300 1,600 8–90 0.27 *3*4
EF 500mm f/4L IS II USM 700 910 1,120 5.6–45 0.21 1,000 1,300 1,600 8–64 0.31 *2
DROP-IN — For use with lenses using rear-mounted EF 600mm f/4L IS USM 840 1,092 1,344 5.6–64 0.17 1,200 1,560 1,920 8–90 0.27 *3*4

drop-in filters, this polarizing filter can be rotated EF 600mm f/4L IS II USM 840 1,092 1,344 5.6–45 0.21 1,200 1,560 1,920 8–64 0.30 *2
EF 800mm f/5.6L IS USM 1,120 1,456 1,792 8–45 0.2 *5 1,600 2,080 2,560 11–64 0.28 *5
from the outside without removing the holder EF 1200mm f/5.6L USM 1,680 2,184 2,688 8–45 0.12 2,400 3,120 3,840 11–64 0.27
from the lens, helping enable precise control. EF 70-200mm f/2.8L IS II USM 98–280 127–364 157–448 4–45 0.22 140–400 182–520 224–640 5.6–64 0.44
EF 70-200mm f/2.8L USM 98–280 127–364 157–448 4–45 0.22 140–400 182–520 224–640 5.6–64 0.44
Type Available Sizes EF 70-200mm f/4L IS USM / USM 98–280 127–364 157–448 5.6–45 0.29 140–400 182–520 224–640 8–64 0.42 *3
EF 100-400mm f/4.5-5.6L IS USM 140–560 182–728 224–896 6.7–54 0.28 *3*4 200–800 260–1,120 320–1,280 9.5–76 0.40 *4
Screw-in 52mm, 58mm, 67mm, 72mm, 77mm, 82mm
Drop-in 48mm, 52mm. For super-telephoto lenses. Current IS Super-
teles—52mm. Previous super-teles without IS—48mm. For Best Results with Your Canon EOS Camera Use Original Canon EF Lenses.
Each EOS camera body and each EF Lens has its own built-in microcomputer. These microcomputers store a range of special data to ensure the smooth operation of bodies and EF lenses which support two-way digital *1 If the lens is attached to an EOS camera, having multiple focusing points and an Extender is attached to the lens, only the
Not using Circular PL Filter Using Circular PL Filter suppresses the reflection from the communications between each part to allow exchange of information. Since the EOS System’s market launch in 1987, functions have been added and improved on a continuing basis, such as Optical Image Stabilizer to center focusing point will be useable for AF. *2 The autofocusing range is from 2.6 feet/0.8m to infinity. *3 With the EOS-1Ds
surface of the leaves and the surface of the water. some lenses, speeding up the AF function, increasing the number of focusing points, and the addition of the Eye Controlled Focus™ Function. As the system’s range of functions has evolved, the nature of the basic Mark III, EOS-1Ds Mark II, EOS-1D Mark III, EOS-1D Mark II, EOS-1Ds, EOS-1D, EOS-1v and EOS-3, AF is possible with the
system of communications between lens and body has evolved as well, ensuring that complete compatibility is maintained. This process of evolution will continue in the future with the addition of more new specifications, center focusing point only. *4 The Image Stabilizer does not operate with the following cameras: EOS650, 630, 620, 600, RT,
resulting in still further gains in reliability. Accordingly, in order to realize the maximum performance of the EOS System and thereby achieve among the highest possible photographic 700, 750, 850, EOS-1, A2, A2E, 10s, ELAN, Rebel, Rebel S, Rebel II and Rebel SII. *5 With the EOS-1Ds Mark II, EOS-1Ds,
quality, we recommend that you use Canon EF lenses and Canon brand accessories, since they are designed and manufactured to match the special qualities of your EOS camera. EOS-1D Mark II N, EOS-1D Mark II, EOS-1D, EOS-1v, EOS –1v HS and EOS-3, AF is possible with the center focusing point only.
44 45
 SLR Compatibility
Camera Model
EOS-1Ds Mark III
EOS-1D Mark IV
E-TTL
No
No
E-TTL II
Yes†
Yes†
A-TTL / TTL
Not Possible
Not Possible
SPEEDLITES
EOS 5D Mark II No Yes† Not Possible
EOS 7D No Yes† Not Possible
EOS 60D No Yes† Not Possible
EOS 50D No Yes† Not Possible
EOS 40D No Yes† Not Possible
EOS 30D No Yes† Not Possible
reading of flash and ambient lighting data for up
EOS Rebel T3i / T3 / T2i / T1i / XSi / XS No Yes† Not Possible
EOS Digital Rebel XTi / XT No Yes† Not Possible
to 16 seconds. This provides enough time to not
EOS-1v / EOS-3 Yes No 4-point / 3-zone only recompose the shot, but also alter the ambient
EOS ELAN 7ne Yes Yes 4-point / 3-zone
EOS Rebel T2 / T2 Date No Yes Not Possible light exposure for maximum creative control. FE
EOS Rebel K2 / K2 Date Yes No 4-point / 3-zone
Speedlite Compatibility Lock is extremely useful when you wish to recom-
E-TTL / E-TTL II A-TTL TTL Manual pose after focus lock or to place the main subject
580EX II Yes†† No Yes††† Yes
430EX II Yes†† No No Yes in a part of the frame not covered by one of the
320EX Yes†† No No Yes
270EX II Yes†† No No Yes focusing points. It can also eliminate potential
270EX II Yes†† No No No
220EX Yes†† No Yes††† No exposure errors caused by unwanted reflections
MR-14EX Yes†† No Yes††† Yes
MT-24EX Yes†† No Yes††† Yes from surfaces like windows or mirrors. High-Speed Sync — EF 135mm f/2.0L USM lens •f/2 •1/750 sec.
† Not Linked to AF point. †† Requires EOS body that supports E-TTL and E-TTL
II respectively. ††† Defaults to TTL in all conditions except direct flash in the
camera’s Program mode.
Adjusting Ambient Exposure in FE Lock**—After shots, but it can also be used to compensate for
preflashing the subject with the FE Lock button, extremely bright or dark tones in the subject.
For example, with the EOS-1D Mark IV, the ambient ambient exposure can be adjusted by turning the
light is first measured using the camera’s 63-zone Quick Control Dial. The ambient exposure level is Second-Curtain Sync
metering when the shutter button is pressed. displayed on the exposure level scale in the Instead of firing the instant the shutter opens,
Next, a preflash is fired and the metering sensor viewfinder and on the external LCD panel. Second-Curtain Sync fires the flash at the end of
takes readings. The ambient and preflash readings the exposure, allowing streaks of light to flow
are compared. The metering areas having small FP Mode*** naturally behind a moving subject. This creative
differences are selected as the main flash exposure FP (focal-plane) flash, or High-speed Sync, enables flash mode is most effective with slower shutter
areas. Areas with large discrepancies between E-TTL and E-TTL II compatible cameras equipped with speeds and subjects with light sources, such as
ambient and preflash readings are excluded or an EX-series Speedlite to synchronize flash at shutter the headlights of a moving car.
down-weighted because they are assumed to speeds faster than the camera’s normal maximum
contain a highly reflective subject, or the subject sync speed. Even in bright daylight, for example, Stroboscopic Flash
is not in that part of the frame—an assumption a fast lens can be used at a wide aperture to reduce Stroboscopic flash is a series of flashes fired in
validated by distance information. The algorithm depth-of-field and emphasize the subject. FP flash rapid succession during a single exposure. With
thus helps avoid chronic underexposure problems can be combined with E-TTL, E-TTL II, or FE Lock, stroboscopic flash, multiple images of a moving
in such situations. These readings are weighted, and is available in all AE modes plus Manual. subject appear in the photograph. Using this
averaged, and compared with the ambient light mode, you can analyze a golf swing or record the
reading and the main flash output is then set Flash Exposure Compensation**** shattering of a windowpane. (Available with
and stored in memory. This setting adjusts flash output without changing Speedlite 580EX II, Macro Ring Lite MR-14EX

SPEEDLITE TECHNOLOGY The E-TTL II, in effect, captures the subject as a

“plane” and not as a “point.” As a result, EOS
the shutter speed or aperture. It’s a particularly
effective way to fine-tune the balance between
foreground and background exposure for fill flash
and Macro Twin Lite MT-24EX, the built-in flash
of the EOS 7D).

Integral to the EOS System, Canon Speedlites stores the flash output required for optimum SLR cameras can help deliver consistent flash LED Light
are the ideal flash source for EOS SLR cameras. exposure of the main subject (as identified by exposures even if the subject contains various In a first for Canon
They are technologically advanced to provide the AF point) and the background. E-TTL requires colors and levels of reflection. The camera also Speedlite flashes, the
perfect exposure and illumination with just the use of EX-series dedicated Speedlites allows the user to select an averaged metering 320EX features a
about any subj­­­­­­ect, yet operation is remarkably such as the 580EX II, 430EX II, 320EX, 270EX II, pattern through custom function settings. bright, built-in LED light
220EX, MT-24EX, or MR-14EX in combination for illumination when
simple. Whether you’re an amateur or an
with a compatible camera. TTL*—TTL (Through-The-Lens) is the standard shooting video or for
expert, Canon Speedlites make it easy to
E-TTL II—Available on Canon’s EOS digital SLR flash exposure control mode used by the built-in use as a modelling light. With fully charged
obtain professional results.
cameras, E-TTL II incorporates distance information flash units that come with some 35mm EOS film AA batteries, the LED light can last for up to
from compatible EF lenses (see page 30 for cameras. Unlike E-TTL or E-TTL II, TTL reads flash four hours of continuous use.
details) for more versatile flash exposure control. illumination reflected from the film during the
Sophisticated Flash Control Modes E-TTL II minimizes underexposure that can occur exposure. When the camera is set to Program AE Flash Release Function
E-TTL—In E-TTL (Evaluative Through-The-Lens) flash with straight reflections by ignoring sensor areas mode, TTL flash sets an aperture based on the Select Speedlite models include a convenient
exposure control mode, meter readings are taken that report abnormally high levels. This feature ambient light level. feature that enables photographers to release
through the lens, but not off the focal plane. Using is useful when shooting a subject with a highly the camera shutter from the remote flash wire-
a preflash fired after the shutter button has been reflective object in the background, or if the Flash Exposure Lock (FE Lock) lessly with a 2-second delay. With EOS DSLR
fully depressed—but before the camera’s reflex subject itself is highly reflective. In addition, FE Lock adds Auto Exposure lock and Spot metering cameras that provide a master function with
mirror goes up—E-TTL uses the camera’s Evaluative because distance information is used in calcu- functions when shooting with EX-series Speedlites remote reception mode, this feature makes it
metering sensor to compare the ambient light lating the flash output level, E-TTL II prevents and E-TTL compatible EOS cameras. The EX-series possible to reposition the flash with complete
values with the light reflected from the subject overexposure when photographers lock focus Speedlite’s preflash fires when the camera’s AE freedom – even out of the camera’s line-of-sight
by the preflash. The camera then calculates and and recompose. Lock button is depressed, storing a Spot meter Taken with MT-24EX and EOS-1v HS and at some distance from the camera.
*ATTL and TTL are not compatible with digital SLR cameras. See lens chart for a listing of lenses that supply distance information. **Ambient exposure cannot be adjusted when the camera is set to Bulb mode or in
low-light situations when the camera is set to Program AE or A-DEP. ***Unlike conventional electronic flash, FP flash output (guide number) decreases as shutter speed increases above normal X-sync speed. ****Flash 47
exposure compensation can be set with most current Speedlites, and it can also be set with all current EOS cameras other than the EOS Rebel series and EOS Digital Rebel.
 SPEEDLITES

Wireless Flash Photography Amazing Flash System

Canon offers a full range of Speedlite flash units compatible with EOS System
cameras for a wide variety of applications and photographers’ needs. They range
from simple, economical flashes to high-power, highly advanced Speedlites for
professional use.

Speedlites

(B)

(B)

Camera
with Master (A)
A:B=1:2

Bounce

Sample Photo Analysis – Three flash units provided illumi-

nation. The light from the master flash unit (A), a Speedlite
580EX II mounted on the camera, was bounced off the wall
to soften its intensity before reaching the two violin makers.
A slave 580EX II (B) was set far enough away on a desk to
Speedlite 580EX II Speedlite 430EX II Speedlite 320EX
be pointed directly at the statue, and another 580EX II (B) • Auto conversion of flash coverage with • Superb build quality, including a metal foot • Built-in LED illuminates nearby subjects in
was used to light up the overall office. Based on the results compatible EOS digital SLR cameras.* for added strength.
displayed on the camera’s LCD monitor, the brightness of
dim light – especially useful for video.
the master flash unit was halved to achieve natural lighting. • Superb evenness of exposure, center to • Approx. 20% faster recycle time, compared to • Versatile vertical and horizontal bounce
Canon’s EX series Speedlites have made multiple-flash photography simple, wireless corner of frame. previous 430EX. capability.
E-TTL/E-TTL II Wireless Autoflash Control • Higher max. Guide No. at 105mm setting (190 • One-touch quick-lock mechanism for easy
and automatic. Using the Speedlite 580EX II, Macro Speedlite MR-14EX, Macro Twin ft./58m at ISO 100). attaching/detaching flash from camera.
• Flash release function allows wireless shutter
Up to three groups (for main, fill and background) release from the flash with a 2-second delay for
Lite MT-24EX, or the Speedlite Transmitter ST-E2 as a master unit, wireless signals • Auto conversion of flash coverage with • Full flash control possible on camera menu, with flash repositioning.
of slave units can be set up for comprehensive
are transmitted to an unlimited number of Speedlites 580EX II or 430EX II, creating compatible EOS digital SLR cameras.* compatible EOS digital SLR cameras. • Wireless Slave function supports three groups
control of flash lighting. The Speedlite slave units
myriad possibilities for lighting, no matter the location. For the ultimate convenience, • White Balance info communicated instantly to • Virtually silent flash recycle. and four channels.
can be assigned to group A, B, or C, with output compatible EOS digital SLR cameras.*
both the EOS 7D and EOS 60D have an Integrated Speedlite Transmitter, which has • Full 180˚ swivel in either direction. • Two flash coverage settings, selectable by
ratio between groups A and B adjustable from • Full swivel, 180˚ in either direction.
the transmitting features of the Speedlite 580EX II, allowing users to wirelessly • Zoom flash head covers range of 24–105mm; extending or retracting flash head.
8:1 to 1:1 or 1:1 to 1:8. The output of the group C • AF-assist beam compatible with all AF points max. Guide No. 141 ft./43m at ISO 100.
control EX series Speedlites and doing away with the need for an external master unit. • Max. Guide No. at Tele setting: 105 ft./32m at
can be adjusted through flash exposure compen- on every EOS SLR. ISO 100.
sation. Superb lighting is simple thanks to the • Dust- and water-resistance to match the • Fast recycle time of approximately 2.0 seconds.
EOS-1Ds Mark III.
E-TTL/E-TTL II autoflash system which controls the
total flash output to ensure consistently correct
exposure. Both the EOS 7D and EOS 60D, with
their Integrated Speedlite Transmitters, can control
and trigger external Speedlites wirelessly through
their built-in pop up flash. The EOS 60D can wire-
lessly control the ratio between A and B groups,
along with the built-in unit's own output, while the
Speedlite 270EX II Speedlite 220EX
EOS 7D can control A, B, and C groups. Both
• Ultra-compact, ultra-lightweight flash unit. • Smallest EOS Speedlite, with full E-TTL
cameras also feature a modeling flash feature for compatibility.
• Vertical bounce capability up to 90 degrees.
previewing the output of your external Speedlites, • Covers lenses as wide as 28mm (full-frame
Bounce • Flash release function allows wireless shutter
(B) available by pressing the depth of field button. Even release from the flash with a 2-second delay for cameras) or 17mm (APS-C size sensors).
with multiple Speedlites, the modeling flash fires flash repositioning. • Hot-shoe lock with a single motion.
Bounce Bounce according to the ratios you have set. E-TTL/E-TTL II • Slave function allows the flash to be triggered • Flash confirmation lamp (after firing).
Bounce Bounce Bounce
wirelessly. • Fast recycle time, and Save Energy (SE)
(A) (A)
wireless autoflash also supports most other
• Flash coverage can be switched between Normal feature.
Camera Camera Camera Speedlite features, such as FE Lock, FP Flash, and Tele settings.
with Master (A) with Master (A) with Master (A)
Flash Exposure Bracketing/Compensation, and • Max. Guide No. at Tele setting: 89 ft./27m at
1. Set up the main flash unit – To 2. Add an auxiliary flash unit – 3. Add another auxiliary flash unit – To ISO 100.
prevent the strong shadows a direct Remaining shadows were weakened by improve gradation and contrast, another
Stroboscopic Flash. Finally, for macro shooting,
flash would produce, the main flash bouncing an auxiliary flash (A) off another auxiliary flash unit (B) was set up behind the Macro Ring Lite MR-14EX and Macro Twin Lite
was bounced off a wall near the wall to hit the subjects from a direction the subjects. Its light was bounced off the
camera to soften the lighting. opposite that of the main flash unit. back wall to accent key details of the image. MT-24EX can be used as master units as well.
* Feature compatible with EOS-1Ds Mark III, 1D Mark IV, 1D Mark III, 1Ds Mark II, 1D Mark II n, 1D Mark II, 5D Mark II, 5D, 7D, 60D, 50D, 40D, 30D, 20D, 20Da,
Rebel T3i, Rebel T2i, Rebel T3, Rebel T1i, Rebel XSi, Rebel XS, Digital Rebel XTi and Digital Rebel XT only (some earlier models require firmware upgrade).

48 49
 SPEEDLITES

Macro Lites Speedlite Transmitter

Speedlite to the Max
Whether adding a battery pack, connecting two or more Speedlite flashes, or creating
a complex wireless lighting solution, Canon has flash accessories for almost any
photographic situation that are perfect complements to your Speedlite.

EF 85mm f/1.2L USM •f/2 •1/30

Macro Ring Lite MR-14EX Speedlite Transmitter ST-E2
• Twin-tube ring lite designed for close-up • Dedicated transmitter to control unlimited
photography with EF Macro lenses; Flash number of slave flashes.
tubes can fire together or independently. • For Speedlites 580EX II, 430EX II, 320EX and
• Compatible with all EOS bodies. 270EX II (also 580EX, 430EX and 420EX).
• Supports E-TTL/E-TTL II Wireless Autoflash • Controls slave units up to 33 ft. outdoors
in conjunction with one or more compatible and 49.5 ft. indoors. Compact Battery Pack CP-E4 Transistor Pack E Ni-Cd Pack TP Battery Magazine TP
EX Speedlites. This dedicated external power pack A high-performance battery pack Additional rechargeable Ni-Cd Pack This magazine holds six commonly
is dust/water-resistant and makes with interchangeable power supplies. TP batteries are available separately. available C-size alkaline batteries.
• Incandescent focusing lamps and two forms
the flash system dust/water-resistant. Available as Transistor Pack E They can also be freely interchanged Included with Transistor Pack E, it
of modeling flash permit preview of lighting
The power pack’s performance is (six alkaline batteries in Battery with Battery Magazine TP. The charger is available separately for instant
effects.
the same as the Compact Battery Magazine TP) or transistor Pack E TP recharges a Ni-Cd Pack TP in battery changes during shooting.
Pack CP-E3. Ni-Cd Set (Ni-Cd Pack TP and charger). approximately 15 hours. Can be used in place of the Ni-Cd
Macro Twin Lite MT-24EX Both versions include Connecting Pack TP. Connecting Cord ET is also
• Attaches to all Canon EF macro lenses Cord ET. available separately.
(EF 180mm f/3.5L requires Macro Lite
Adapter 72C).
Other Speedlite Accessories
• Twin flash heads can be rotated over 80°
angle around lens in 5 degree increments. A B C D E F

• Heads can be swiveled or bounced and can

be removed from mounting ring for added
control. Speedlite
A
• Powerful Guide Number of 78 (feet, at ISO Off-Camera Shoe TTL Hot Shoe Off-Camera Shoe TTL Connecting Connecting
100), full E-TTL control and E-TTL features Cord OC-E3 Adapter 3* Adapter OA-2* Distributor* Cord 60* Cord 300*
including FEL, Hi-speed sync and FEB. Camera All EOS SLR All 35mm and APS SLR cameras C
cameras Speedlite+
Compatibility (Except 630 & RT) (Not compatible with digital SLR cameras or PowerShot digital cameras)
F
Description Dust- and Placed in the EOS For off-camera This connector This 2 ft. / 60cm This 9.8 ft. / 3m
water-resistant camera’s applications of accepts up to 4 coiled cord has straight cord has Speedlite
accessory shoe, Speedlite flash connecting cords. connections on connections on +
2 ft. (0.6m) TTL
C
cord; retains all this adapter units, this adapter both ends for TTL both ends for TTL
EX-series Speedlite Lineup on-camera flash controls up to will accept one Distributor, OA-2, Distributor, OA-2,
functions. Same 4 off-camera Speedlite and a and / or Hot Shoe and / or Hot Shoe
E
quick connect as Speedlites. connecting cord to Adapter 3. Adapter 3.
Speedlite 580EX II Speedlite 430EX II Speedlite 320EX Speedlite 270EX II Speedlite 220EX Macro Twin Lite MT-24EX Macro Ring Lite MR-14EX 580EX II. the camera.
D E Speedlite+ B
Dimensions (W x H x D) 3.0 x 5.4 x 4.6 in. 2.8 x 4.8 x 4.0 in. 2.8 x 4.5 x 3.1 in. 2.6 x 2.6 x 3.0 in. 2.7 x 3.62 x 2.42 in. Control Unit: Control Unit:
76 x 137 x 117mm 72 x 122 x 101mm 70 x 115 x 78.4 mm 65.8 x 65.2 x 77 mm 65 x 92 x 61.3mm 2.9 x 4.9 x 3.8 in. 2.9 x 4.9 x 3.8 in. * These accessories provide TTL or manual flash control, but are not compatible with E-TTL or E-TTL II; no automatic flash with EOS digital SLR cameras.
74 x 125.9 x 97.4mm 74 x 125.9 x 97.4mm
Flash Unit: Flash Unit:
9.3 x 3.5 x 1.9 in. 4.44 x 4.96 x 1.02 in.
235 x 90.4 x 49mm 112.8 x 126 x 25.6mm Recycling Times and Shooting Capacities (580EX II, 430EX II, MR-14EX and MT-24EX) Compatibility Chart
20.64 oz./585g 15.1 oz./428g With the 580EX II With the 430EX II MR-14EX MT-24EX Compact Compact Transistor
Weight (without batteries) 13.2 oz./375g 11.3 oz./330g 9.7 oz./275g 5.5 oz./155g 5.6 oz./160g Battery Battery Pack E†
(combined flash & control units) (combined flash & control units) Recycling Shooting Recycling Shooting Recycling Shooting Recycling Shooting †
Pack CP-E4 Pack CP-E3
Compatibility All EOS SLR cameras All EOS SLR cameras Type-A EOS Cameras Type-A EOS cameras All EOS SLR cameras All EOS SLR cameras All EOS SLR cameras Time Capacity Time Capacity Time Capacity Time Capacity

Max. Guide Number (ISO 100) 190 ft./58m 141 ft./43m 105 ft./32m 89 ft./27m 72.2 ft./22m 79 ft./24m 45.9 ft./14m
(sec.) (No. of Flashes) (sec.) (No. of Flashes) (sec.) (No. of Flashes) (sec.) (No. of Flashes) Speedlite 580EX II • • •
Power Source AA (Alkaline, AA (Alkaline, Four AA-size Two AA-size/LR6 AA (Alkaline, AA (Alkaline, AA (Alkaline,
Compact Battery Speedlite 430EX II • ††
– –
Pack CP-E4 0.1~2.0 350~2,450 0.1~3.0 200~1,400 0.1~3 450~2,800 0.1~3 450~2,800
re-chargeable NiCd,
Lithium-ion, Ni-MH)
re-chargeable NiCd,
Lithium-ion, Ni-MH)
batteries - alkaline,
lithium, or
Alkaline Batteries re-chargeable NiCd,
Lithium-ion, Ni-MH)
re-chargeable NiCd, re-chargeable NiCd, (w / Alkaline Batteries) Speedlite 320EX – – –
Lithium-ion, Ni-MH) Lithium-ion, Ni-MH)
batteries (x4); batteries (x4) rechargeable Ni-MH batteries (x4) batteries (x4); batteries (x4); Compact Battery Speedlite 270EX II – – –
Compact Battery usable
Pack CP-E4;
Compact Battery
Pack CP-E3;
Compact Battery Pack CP-E4 0.1~1.5 400~2,800 N/A N/A 0.1~5 150~1,000 0.1~5 150~1,000 Speedlite 220EX – – –
Pack CP-E3; (w / Ni-MH Batteries)
Transistor Pack E Transistor Pack E Macro Twin Lite
Transistor Pack E
Transistor Pack E† MT-24EX • • •
0.1~5 350~2,200 N/A N/A 0.1~4 400~2,500 0.1~4 400~2,500
(w / Alkaline Batteries)
Macro Ring Lite
MR-14EX • • •
Transistor Pack E† 0.1~3 300~1,800 N/A N/A 0.1~3 330~2,000 0.1~3 330~2,000
Ni-Cd Set Weight 5.5 oz./155g 5.5 oz./155g 29.8 oz./530g
(without batteries)
† Discontinued product, for reference only. †† With alkaline batteries only.

50 51
 EOS SYSTEM ACCESSORIES

Battery
Designed to help you get the most out of your EOS digital SLR, Canon has designed a number of
Batteries, Chargers and Adapters
different accessories, including power supplies and grips to help extend battery life. Other specialized
accessories include the Data Verification kit, CompactFlash (CF) cards, cases and much more. EOS 5D Mark II with Battery Grip BG-E6

Battery Grips
Battery Pack
Battery Pack Battery Pack Battery Pack Battery Pack Battery Pack Battery Pack Battery Pack BP-511A/ BP-512/ Battery Charger Battery Charger
LP-E10 LP-E8 LP-E6 LP-E5 LP-E4 NB-2LH NP-E3 BP-514 LC-E10 LC-E6

Weight 1.6 oz./45g 1.8 oz. / 52g 2.8 oz./80g 1.8 oz./50g 6.3 oz./180g 1.52 oz./43g 11.8 oz./325g 2.5 oz./70g 3.0 oz./85g 4.4 oz./125g
(without cord) (without cord)

EOS Rebel T3 EOS Rebel T3i, EOS 5D Mark II, EOS Rebel T1i, EOS-1Ds EOS Digital EOS-1Ds Mark II, EOS 5D, 50D, EOS Rebel T3 EOS 5D
T2i EOS 7D, Rebel XSi, Mark III, Rebel XTi, 1Ds, 40D, 30D, Mark II,
Compatibility EOS 60D Rebel XS 1D Mark III, Digital Rebel XT 1D Mark II N, 20D,20Da,10D, EOS 7D,
Battery Grip Battery Grip Battery Grip Battery Grip Battery Grip Battery Grip Battery Grip Battery Grip Battery Grip Mark IV 1D Mark II, 1D D60, D30, EOS 60D
BG-E9† BG-E8† BG-E7† BG-E6† BG-E5† BG-E4† BG-E3† BG-E2N† BG-E2† Digital Rebel

10.4 oz./295g 8.1 oz./230g 12.0 oz./340g 11.1 oz./315g 8.1 oz./230g 11.3 oz./320g 8.1 oz./230g 11.5 oz./325g 10.2 oz./290g Lithium-ion It is a large- Lithium-ion bat- Lithium-ion High-capacity Lithium-ion bat- Ni-MH battery High-capacity Dedicated charger Charger that’s
Weight battery with a capacity lithium- tery pack, exclu- battery pack, (2300mAh) tery pack with a with a rated lithium-ion bat- for LP-E10 battery included with
(without batteries) (without batteries) (without batteries) (without batteries) (without batteries) (without batteries) (without batteries) (without batteries) (without batteries)
rated voltage ion battery (7.2 sively for the exclusively for lithium-ion battery 720mAh capacity. voltage of 12V, tery. BP-511A pack is micropro- EOS 5D Mark II.
EOS 60D EOS Rebel T3i, EOS 7D EOS 5D Mark II EOS Rebel T1i, EOS 5D EOS Digital Rebel EOS 50D, 40D EOS 30D, 20D, of 7.4V and a V/1120 mAh) EOS 5D Mark II. the Rebel XSi. At pack is 40% The battery cover a rated capacity has a different cessor-controlled It charges an
Compatibility T2i Rebel XSi, Rebel XTi, Digital Rebel 20Da rated capacity of that provides At 1800 mAh, 1080 mAh, it has less volume and has a little hole of 1,650 mAh. contour and 26% and has built-in LP-E6 battery in
XS XT Description 860mAh, for use slight more it has 1.3x the 1.5x the capacity 46% lighter than whose orientation Water and dust more storage foldaway AC plug. 2.5 hours, and
exclusively with capacity than the capacity of the of the Digital the NP-E3. Exact can be used to resistance. Uses capacity than Universal 100– can be plugged-in
the EOS Rebel T3. LP-E5. Uses the EOS 5D’s battery. XTi’s battery. Battery Info can be remind you the NC-E2 char- BP-512. Note: 240V AC input. nearly anywhere
AE/FE Lock/ Index/ AE/FE Lock/ Index/ Shutter-Release Shutter-Release Shutter-Release Shutter-Release Shutter-Release Shutter-Release Shutter-Release Uses the LC-E10 LC-E8 charger. viewed on cam- whether the ger (recharges EOS D30, D60 Charging time is in the world
Reduce button, Reduce button, button, AE/ button, AE/FE button, AE/FE button, AE/FE button, AE/FE button, AE/FE Lock button, AE/FE Lock or LC-E10E era’s menu. battery has been in about 120 and Battery Grip approximately 2 (100 –240V).
Main Dial, AF point Main Dial, AF point FE Lock/ Index/ Lock/ Index/ Lock/ Index/ Lock button, Lock/ Index/ button, Main Dial, button, Main Dial, charger. recharged or not. minutes). BG-ED3 cannot hours.
selection/ Magnify selection/ Magnify Reduce but- Reduce button, Reduce button, Main Dial, Reduce button, AF frame-select AF frame-select use BP-512.
button, Aperture/ button, Aperture/ ton, Main Dial, Main Dial, Main Dial, AF-frame-select Main Dial, button button
Functions
exposure compen- exposure compen- AF-frame-select AF-frame-select AF-frame-select button AF-frame-select
sation button, sation button, button, Aperture/ button, Aperture/ button, Aperture/ button, Aperture/
Attach/ Detach Attach/ Detach but- Exposure Exposure Exposure Exposure compen-
button, Vertical-grip ton, Vertical-grip compensation compensation compensation sation button
operation switch operation switch button button button
Battery Charger Battery Charger Battery Charger Battery Charger Battery Charger Battery Charger Battery Charger DC Coupler AC Adapter Kit AC Adapter Kit
LP-E6 (x2); LP-E8 (x2); LP-E6 (x2); LP-E6 (x2); LP-E5 (x2); BP-511A/511/512/ NB-2LH (x2); BP-511A/511/512/ BP-511A/511/512/ LC-E8 LC-E6 LC-E5 LC-E4 CG-580 CB-5L CB-2LW DR-400 ACK-E10 ACK-E8
AA-size battery AA-size battery AA-size battery AA-size battery AA-size bat- 514 (x1 or x2), AA-size battery 514 (x1 or x2), 514 (x1or x2), AA- 3.5 oz./110g 3.9 oz./123g 0.6 oz./17.5g (DC Coupler)
Weight 2.9 oz./82g 4.6 oz./130g 2.8 oz./80g 15.2 oz./431g 5.6 oz./160g 2.3 oz./65.2g
(x6), AC Adapter (x6), AC Adapter (x6); or AC Adapter (x6); or AC Adapter tery (x6); or AC AA-size (x6); or AC AA-size batteries size batteries (x6), (including cord) (including cord) 6.5 oz./185g (AC Adapter) 0.7 oz./20g
ACK-E6 ACK-E8 ACK-E6 ACK-E6 Adapter ACK-E5 batteries (x6), Adapter ACK-700 (x6), or AC or AC Adapter Kit EOS Rebel T3i, EOS 5D Mark II, EOS Rebel T1i, EOS-1Ds Mark III, EOS 5D, 50D, 40D, EOS 5D, 50D, 40D, EOS Digital EOS 5D, 50D, 40D, EOS Rebel T3 EOS Rebel T3i,
Power Source AC Adapter Kit Adapter Kit ACK- ACK-E2, or Compatibility T2i 7D, 60D Rebel XSi, 1D Mark III, 30D, 20D, 20Da, 30D, 20D, 20Da, Rebel XTi, 30D, 20D, 20Da, T2i, BG-E8
ACK-E2, E2, or Compact Compact Power Rebel XS Mark IV 10D, D60, D30, 10D, D60, D30, Digital Rebel XT 10D, D60, D30,
Compact Power Power Adapter Adapter Digital Rebel Digital Rebel Digital Rebel
Adapter CA-PS400 CA-PS400 plus CA-PS400 plus Plug-in type Compact, porta- Charger that’s Two battery packs Compact and Compact and Dedicated battery Allows the Enables the EOS Comes with AC
plus DC Coupler DC-Coupler DC-Coupler battery charger ble and charges included with can be attached. light battery light battery charger for camera to draw Rebel T3 to be Adapter, DC
DR-400 DR-400 DR-400 with charge con- from a standard Rebel T1i, Rebel It takes about 120 charger for charger for Battery Pack power directly operated from an Coupler and
† Accepts optional Hand Strap E1. trol system (by electrical outlet XSi and Rebel XS. min. to recharge BP-511A/ BP-511A/ NB-2LH. It has a from an AC AC power source. Power Cord.
microcomputer). (charging time It charges an one battery pack. BP-511/ BP-512/ BP-511/ BP-512/ built-in power power source Kit consists of Assuring constant
Power Drive Booster / Battery Pack Chart Power Drive Booster PB-E2 Accessories Description Charging time is approximately LP-E5 battery in It plugs directly BP-514 as well BP-514 as well plug and can be when connected universal 100– power throughout
is approximately 2 hours). The 2 hours, and can into AC outlets, as BP-522 and as BP-522 and recharge the to the CA-PS400 240V AC adapter a shoot, it’s per-
2 hours. built-in plug be plugged-in and with optional BP-533 for video BP-533 for video battery about 90 Power Adapter (with power cord) fect companion to
folds away. nearly anywhere CB-570 cable, into camcorders. camcorders. minutes. or AC Adapter and DR-E10 DC the EOS Rebel T3i,
in the world a car cigarette ACK-E2. coupler. T2i and BG-E8.
(100 –240V). lighter.

Power Drive Battery Pack Battery Pack Battery Pack

Booster PB-E2 BP-E1* BP-220* BP-50* Battery Magazine
BM-E2 Ni-MH Pack NP-E2 Ni-MH NC-E2 Compact
Weight 17.1 oz./484g 9.8 oz./280g 4.1 oz./115g 5.3 oz./150g
(without batteries) AC Adapter Kit AC Adapter Kit AC Adapter Kit AC Adapter Kit AC Adapter Kit DC Coupler Kit
Power Adapter Car Battery Car Battery
Weight 1.8 oz./50g 10.9 oz./320g 12.5 oz./354g ACK-E6 ACK-E5 ACK-E4 ACK-E2 ACK-DC20 CA-PS400 DCK-E1 Charger CBC-E6 Charger CBC-E5
Compatibility EOS-1v HS, 1v, 1N, EOS-1v HS, 1v, Rebel T2/Ti/K2 ELAN II/IIe (without batteries) 5.3 oz./150g (DC Coupler)
Weight 3.9 oz./110g (DC Coupler) 14.1 oz./399g 3.9 oz./123g 13.6 oz./386g 10.1 oz./287g
1, 3 1N, 1, 3 6.2 oz./175g (AC Adapter) 15.0 oz./425g (AC-E2 unit only) (including cord) 7.2 oz./205g (AC Adapter) 3.7 oz./105g
(excluding AC cord) 4.9 oz./140g
Description Magazine holds Powerful recharge- Charger dedicated
EOS 5D Mark II, EOS Rebel T1i, EOS-1Ds Mark III, EOS 5D, 50D, 40D, EOS Digital Rebel EOS 5D, 50D, 40D, EOS-1Ds Mark II, EOS 5D Mark II, EOS Rebel T1i,
Functions Shutter Release but- Shutter Release Shutter Release eight AA-size able battery pack to the NP-E3
Battery Pack and EOS 7D, 60D EOS Rebel XSi, 1D Mark III, 30D, 20D, 20Da, XTi, Digital Rebel 30D, 20D, 20Da, 1Ds, 1D Mark II N, EOS 7D, EOS 60D EOS Rebel XSi,
ton, AE Lock button, — button, button, alkaline, dedicated to the Compatibility 1D Mark II, 1D EOS Rebel XS
the NP-E2 Pack. EOS Rebel XS Mark IV 10D, D60, D30, XT 10D, D60, D30,
FE Lock/Multi-spot on/off switch on/off switch lithium-ion, PB-E2. The rated Digital Rebel
Two packs can be Digital Rebel
Metering button, Ni-Cd or Ni-MH voltage is 12V. It attached at one
Main Dial, focusing batteries. (Provided can be recharged time. The discharge Allows the camera AC adapter Kit is Allows the cam- Allows the cam- Allows the It charges two Allows the A car battery char- A car battery
point selector with the PB-E2) over 500 times. feature (taking up to connect the DC a perfect com- era to connect the era to draw power camera to draw BP-511A/BP-511/ camera to draw ger, dedicated to charger, dedi-
to 8.5 hrs) cancels cord to the AC panion for the DC cord to the AC directly from an power directly BP-512/BP-514 power directly the EOS 5D Mark cated to the EOS
When fully charged,
the pack’s memory adapter terminal. EOS Rebel XSi. adapter terminal. AC power source. from an AC battery packs. from an AC II and its LP-E6 Rebel XSi and
Power Source Ni-MH Battery Pack 2CR5 lithium-ion AA-size 2CR5 lithium-ion it has enough Kit includes the With constant Kit includes the Kit includes an When connected power source. battery pack its LP-E5 battery
effect. It runs on Description power source. Kit
NP-E2 or Battery battery (x1), (Alkaline, Ni-MH) battery (x1), power for 70 rolls AC adapter, power power, there’s no AC adapter, AC Adapter and includes Compact to the DR-400, it Kit includes a plugged into a pack plugged into
100-240V AC, ideal
Magazine BM-E2 and AA-size (Alkaline, batteries (x4) AA-size batteries (x4) of 36-exposure film for international cord, and DC cou- fear of running power cord, and DC Coupler allows the camera dedicated DC car’s cigarette a car’s cigarette
Power Adapter
8 AA-size Alkaline, rechargeable Ni-Cd, at 68°F/20°C. travel. pler. It prevents out of power in DC coupler. It DR-400. to draw power Coupler and lighter, it charges lighter, it charges
CA-PS700, DC
Lithium-ion, Ni-MH Ni-MH) batteries (x4) accidental the middle of a prevents acciden- directly from an AC Adapter a battery pack in a battery pack in
shoot. tal disconnection. Coupler DR-700 AC power source. PA-V16. about 2.5 hours. about 2 hours.
or Ni-Cd batteries disconnection.
and DR20.
*Not compatible with AA-size lithium-ion batteries.
52 53
 EOS SYSTEM ACCESSORIES

Wireless Remote Control & Accessories

Canon’s Wireless File Transmitters help enable fast, wireless image transfer Canon accessories are the perfect choice to help enhance your EOS
from EOS digital cameras directly to a computer. This amazing productivity System’s performance. Whether through recording data or controlling your
tool eliminates the need to stop and upload image files to the computer, camera remotely, Canon’s own accessories are designed to complement
allowing photographers to concentrate on shooting photographs. your EOS camera.
EOS 7D with Wireless File Transmitter WFT-E5A
EF 100mm f/2.8 Macro •f/4 •1/125 sec.
Wireless File Transmitter
Remote Controllers and Switches

Shown with Extended

Range Antenna ERA-E1

Wireless File Wireless File Wireless File Wireless File Wireless File Wireless File Wireless File
Transmitter WFT-E5A Transmitter WFT-E2 II A Transmitter WFT-E4 II A Transmitter WFT-E4A Transmitter WFT-E3A Transmitter WFT-E2A Transmitter WFT-E1A Wireless Controller Remote Switch Timer Remote Remote Switch Remote Switch Wireless Remote Wireless Remote Wireless Remote
LC-5 RS-80N3 Controller TC-80N3 60T3 RS-60E3 Controller RC-1 Controller RC-6 Controller RC-5
Compatibility EOS 7D EOS-1D Mark IV, EOS 5D Mark II EOS 5D Mark II EOS 50D, 40D EOS-1D Mark IV, EOS-1Ds Mark II,
EOS-1Ds Mark III, EOS-1Ds Mark III, 1D Mark II N, 1D Mark II, Compatibility All EOS digital SLR All EOS digital SLR All EOS digital SLR N3-compatible EOS 60D, Rebel T3i, EOS 5D Mark II, EOS 5D Mark II, EOS EOS 5D Mark II, EOS
EOS-1D Mark III EOS-1D Mark III 5D, 30D, 20D and 20Da* cameras except EOS cameras except EOS cameras except EOS cameras**, with T3, T1i, Rebel XSi, EOS 7D, EOS 60D, 7D, EOS 60D, Rebel 7D, EOS 60D, Rebel
60D and Digital 60D and Digital 60D and Digital adapter 1n RS, 1n, Digital Rebel XTi/XT, Rebel T1i, Rebel XSi, T3i, T2i, T1i, Rebel T1i, Rebel XSi, Digital
This wireless transmitter Canon’s Wireless File This wireless transmitter This wireless transmit- This wireless transmit- Canon’s Wireless File The WFT-E1A offers Digital Rebel, ELAN Digital Rebel XTi/XT, Rebel XTi/XT, Digital
Rebel series, Rebel series, Rebel series, 1, A2/A2e, RT,* XSi, Digital Rebel XTi/
Description Transmitter WFT-E2 II A is dedicated to the ter dedicated to the ter dedicated to the Transmitter WFT-E2A several different ways 7 series, ELAN II/IIe, Digital Rebel, ELAN 7 Rebel, ELAN 7 series,
is dedicated to the 1v Hs, 1v, 3 1v Hs, 1v, 3 1v Hs, 1v, 3 630*, 620*, 650* series, II/IIe, ELAN, XT, Digital Rebel,
II/IIe, ELAN, Rebel
allows photographers Rebel T2, Ti, 2000,
EOS 7D. The transmit- is designed for the EOS-5D Mark II with EOS 5D Mark II. The EOS 50D and 40D of transmitting image
Rebel T2 Date, Ti ELAN 7 series, II/IIe, T2 Date, Ti Date, K2
EOS-1D Mark IV, firmware upgrade. The transmitter is compati- camera. Completely transmit images from data: it can communi- G, X, XS, XSN, IX
ter is compatible with Date, K2 Date, 10S ELAN Rebel T2 Date, Ti Date, IX, 10S
(EOS-1Ds Mark III and transmitter is compatible ble with Wi-Fi Protected integrated design for cameras directly to a cate directly with a
Wi-Fi Protected Setup computer over a wired Date, K2 Date, IX, 10S
to connect easily to a EOS-1D Mark III with with Wi-Fi Protected Setup to connect easily outstanding handling; local computer outfit-
or wireless local area
wireless LAN access firmware upgrade). It Setup to connect to a to a wireless LAN includes vertical con- ted with a wireless Description • An extended- • Remote switch to • Remote switch • Electromagnetic • Compact remote • Miniature infrared • Compact design. • Compact design.
network (LAN), incor-
point and automatically allows photographers to wireless LAN access point access point and it trols. Wireless trans-
porates a number of
LAN computer, or with range Wireless prevent camera with self-timer, cable release with switch replicating transmitter. • Operates approxi- • Operates as far as
leads to the security transmit images from and automatically leads automatically leads to mission (802.11b or significant features a direct Ethernet con- Controller system shake for super- interval timer, a 3-pin terminal. all the functions of • Set for either mately 16.4 ft/5 m 16 ft./5m from the
setting for secure cameras to a computer to the security setting the security setting for g) to Mac or Windows into a robust, camera- nection. It can also designed for EOS telephoto or long-exposure • Allows indepen- a shutter release instant shutter from the camera. camera.
image transfer. Images via wired or wireless for secure image trans- secure image transfer. computers. Three powered system to connect to a remote cameras with N3 macro shots and timer, and expo- dent control of button. release or • Set for either
remote control bulb exposures. sure-count setting • Cord length: 2 ft./ 2-sec. delay.
can be stored in selected local area networks fer. Images can be stored Sending a batch of separate wireless make wireless transfer server through a wire- light metering and instant shutter
(LAN) and incorporates in selected folders and photos wirelessly is methods, including up to 492 ft. (150m)* less access point con- sockets. • Works like a feature. 60cm. • Activate mirror
folders and the entire shutter release. release or
a number of significant the entire folder can be easy with the WFT-E4A. wireless remote faster, simpler and nection. Built to with- • Provides remote Shutter button, • Timer set from 1 lock and bulb
folder can be trans- shutter release enabling halfway sec. to 99 hrs., 59 • Cord length: 2 ft./ 2-sec. delay.
shutter functions.
ferred. Added features features into a robust, transferred. Added Images can be stored control of camera less cumbersome than stand the rigors of
capability. or complete min., 59 sec. 60cm. • Operates as far as • Activate mirror
include IEEE802.11a/b/g camera powered system functions include in selected folders and from computer. WFT-E1A. The WFT- professional shooting, lock and bulb
E2A is smaller and • Max. transmitter pressing. • Easy operations 16.4 ft./5m.
compatibility (Type- to make wireless trans- IEEE802.11a/b/g com- the entire folder can be Transmits up to 492 ft. the WFT-E1A is the shutter functions.
attaches to the side of to receiver dis- • Shutter release with new dial.
A/B/G), WPS compati- fer up to 492 ft. Added patibility (Type-A/B/G), transferred at once. It (150m)*, depending perfect complement to tance of 300 lock. • Illuminated LCD
functions include WPS compatibility, retains the same fea- on environment and the camera. an EOS System.
bility, WFT server ft./91.5m • Connects to N3- panel.
Remote Live View, IEEE802.11a/b/g com- camera linking function, tures as the WFT-E3A computer set-up; *Some earlier models type socket. • N3-type connector.
patibility (Type-A/B/G), Bluetooth function, media including great han- wired Ethernet con- require firmware upgrade
media server function, • Cord length: 2.6 • Cord length: 2.6
camera linking function WPS compatibility, cam- server function and WFT dling for vertical shoot- nection up to 1,000 ft. ft./80cm. ft./80cm.
and Bluetooth function. era linking function, server Remote Live View. ing and wireless trans- (330m). Its USB port
It allows wireless trans- Bluetooth function, It allows wireless trans- mission (802.11b or g) allows an external
mission (802.11a, b or media server function mission (802.11a, b or g) to Mac or Windows hard drive to be
g) to Mac or Windows and WFT server Remote to Mac or Windows computers up to 492 ft. directly connected to Remote Control Accessories
computers up to 492 ft. Live View. computers up to 492 ft. (150m)* away. the camera.

Superior Wireless Capabilities Protected Setup) makes it easy to make secure LAN connections. PTP protocol, provides two-way communication between
The newest generation of Canon WFT units •Remote Live View – When used in the new WFT Server Mode, camera and computer, enabling not only file transfer but also
(WFT-E5A, WFT-E2 II A, WFT-E4 II A) provide a the Remote Live View function takes on added power. The unit remote live view and extensive camera control capabilities.
Remote Switch Remote Switch Cable Release Extension Cord Extension Cord
wide range of networking functions that then serves as a wireless server, transmitting images and •USB Host Capability with GPS Support – Photographers can
Adapter RA-N3 Adapter T3 Adapter T3 ET-1000N3 1000T3
expand the photographer’s shooting versatility enabling camera control over a LAN connection using an Internet take full advantage of the WFT unit’s USB host capability by
and efficiency. Whether attached to the side of browser, or any browser-enabled device such as a smartphone connecting a compatible GPS device via USB cable or optional
Compatibility All EOS digital SLR N3-compatible N3-compatible All EOS digital SLR N3-compatible
the camera, or integrated to the body as an or a notebook computer. A handheld device, for example, can be Bluetooth dongle. This makes it possible to add GPS coordi- cameras**, EOS 1n
cameras except EOS cameras**, EOS 1n cameras except EOS cameras**, EOS 1n
ergonomic grip, Canon’s newest Wireless used as a remote live image viewer and a remote camera nates, altitude and UTC time code to embedded shooting data RS, 1n, 1, A2/A2e,
60D and Digital Rebel RS, 1n, 1, A2/A2e, 60D and Digital Rebel RS, 1n, 1, A2/A2e,
Transmitters include many advanced features control, enabling the photographer to both view the image within image files. Compatible GPS units include several in RT*, 630*, 620*,
series, 1v Hs, 1v, 3 RT*, 630*, 620*, series, 1v Hs, 1v, 3 RT*, 630*, 620*,
and capabilities that make them required and release the shutter from a remote distance. WFT Server Garmin’s GPSMAP series and in the Magellan eXplorist series 650* 650* 650*
accessories for many working professionals. Mode also makes it possible for up to three separate computers (using NMEA 0183 v.2.0.1 output data standard or “Garmin
•Weather-Resistant Design – Like the EOS-1D Mark IV, the to view the camera’s memory card contents over the protocol”). USB Host capability also allows connectivity to • Enables use of
Description • Enables old-model, • Allows conventional • Connects compati-ble • Used with any other
WFT-E2 II A features a magnesium alloy body, making it Internet, providing simple drag-and-drop file transfer capa- some external hard drives for added storage options. T3 terminal- remote control mechanical cable EOS cameras with T3-compatible
rugged and lightweight. Moreover, its fully sealed design bility from anywhere in the world. equipped devices with release to be used Timer Remote accessories for
•Linked Multi-Camera Shooting – Using multiple WFT units on
ensures that the highly weather-resistant design of the •Multiple File Transfer Options – The new WFT units enable compatible EOS digital cameras, up to ten Slave/Remote cam- accessories to be standard 2-pin sub- with T3-type remote Controller TC-80N3 extension.
camera is not compromised. wired or wireless file transfer using a wide range of standard pro- connected to miniature jacks with control sockets. or Remote Switch • Cord length:
eras can be linked wirelessly to a Master camera. Connections
tocols. With the FTP mode, the computer becomes an FTP server, cameras with the T3-compatible EOS RS-80N3. 33 ft./10m.
•Extensive Wired and Wireless LAN Functions – These new are made simply and conveniently via wireless LAN. Remote
enabling files to be transferred to a folder on the computer’s N3-type socket. cameras. • Cord length:
WFT units support IEEE802.11 a/b/g wireless LAN environ- camera shutters are automatically tripped when the Master 33 ft./10m.
ments. For wired connections, the adapter supports high- hard drive. camera shutter is released. With such a setup, a photographer
speed 100Base-TX communication. Built-in WPS (Wi-Fi •Computer Connectivity and Control – EOS Utility mode, using can, for example, shoot simultaneously from various angles.

* With no obstructions between the transmitting and receiving antennas, and no radio interference. With a large, high-performance antenna attached to the wireless LAN access point. * EOS RT, 650, 630 and 620 require Grip GR20 with built-in T3 remote socket.
** T3 accessories require Remote Switch Adapter RA-N3 with N3-series cameras.
54 55
 EOS SYSTEM ACCESSORIES

Viewfinder Accessories Focusing Screens Ec Series

For more customization, many of Canon’s EOS cameras are compatible

with a vast choice of eyecups, diopter lenses and more for greater Ec-D: Laser-Matte Ec-H: Laser-Matte
EF 180mm f/3.5L Macro USM •f/4.5 •1/200 sec. Ec-A: Microprism Ec-B: New Split Ec-C III: Laser-Matte Ec-C IV: Laser-Matte with Sections with Scale
versatility in a number of shooting situations.
Compatibility All models of EOS-1Ds and EOS-1D, EOS D2000, EOS-1v, 1N, 1N RS, EOS-1 and EOS-3

Eyecups, Rubber Frames and Dioptric Adjustment Lenses This matte field screen This matte field screen with Standard on the EOS-1D This Laser Matte Ec-C IV This is a matte field screen A matte field screen with
with microprism focusing split-image focusing spot series, EOS-1v HS/EOS-1v, uses a shaping method with sections. Grid lines vertical and horizontal scales
spot in the center is used in the center is good for and compatible with all EF improved over the Ec-C III. assist in determining marked in millimeters, this
for general photography general photography with lenses, this screen includes It achieves easier focusing accurate picture composition. screen is effective for
with all lenses.It achieves all lenses. an Area AF ellipse and and good background blur. It is especially well suited close-up photography and
best results when using a spot metering circle. Manual brighter, less grainy, and for close-up photography photo-micrography. Useful
Description lens of f/5.6 or faster. focus can be checked better balanced. or for copy work using EF in determining magnification
Dioptric Dioptric Dioptric
anywhere on the screen. macro lenses, it can also ratios and composition, this
Anti-Fog Anti-Fog Adjustment Adjustment Adjustment Eyepiece Extender Eyepiece Extender be used for general photog- screen can be used with all
Eyepiece Ec Eyepiece Ed Lens E Lens Ed Lens Eg EP-EX15 II EP-EX15 Angle Finder C Eyecup Ed-E raphy with all lenses. lenses.

Compatibility 1Ds Mark II, EOS-3, All EOS SLR EOS-3, EOS-1D Mark IV, 5D Mark II, All EOS SLR All EOS SLR EOS-3, A2/A2e,
1Ds, 1D Mark A2/A2e, cameras except: A2/A2e, 1Ds Mark III, 60D, 50D, 40D, cameras except: cameras (Includes ELAN 7 series,
II N, 1D Mark ELAN 7 series, EOS Mark III ELAN 7 series, 1D Mark III, EOS Rebel T3i, T2i, 1Ds Mark III, 1D Adapter Ec-C and ELAN II/IIe
II, 1D, D2000, ELAN II/IIe series, EOS-3, ELAN II/IIe T3, T1i, Rebel XSi, Mark III, 5D Mark II, Ed-C to fit any EOS
EOS 7D 60D, 50D, 40D,
1v HS, 1v, 1N A2/A2e, ELAN Rebel XS camera.)
RS, 1N, 1 7 series, ELAN EOS-3, A2/A2e, ELAN
7 series, ELAN II/IIe,
II/IIe, IX, IX Lite
IX, IX Lite

Description These eyecups use specially These Dioptric Adjustment lenses provide Extends the eyepiece 5/8" (15mm) from the Angle Finder C lets This large eyecup Ec-l: Laser-Matte with Ec-S: Super Precision
treated advanced-process glass, near- and far-sighted users a clear viewfinder image camera body and reduces viewfinder users adjust the keeps out most Double Cross-Hair Reticle Ec-L: Cross-Split Image Ec-N: New Laser-Matte Ec-R: New Laser-Matte Matte†
which helps to prevent conden- without the use of eyeglasses. Available in versions magnification by 30%. Useful for eyeglass viewing angle while sunlight and other
sation, or fogging. The eyecups from +3 to -4 dpt to match many types of eyesight, wearers and others to keep the tip of the providing a 2.5x external light, Compatibility All models of EOS-1Ds and EOS-1D, EOS D2000, EOS-1v, 1N, 1N RS, EOS-1 and EOS-3
are useful in warm, humid and each Dioptric Adjustment Lens fits into the eyepiece nose from touching the camera body. magnification for substantially
cold weather, when fogging is holders of the appropriate EOS model for conve- critical focusing, or enhancing viewfinder This is a matte field screen This matte field screen has This is the standard screen This is the standard screen An all-matte focus screen
most likely to occur. nient use and a comfortable fit. a full-screen image visibility. It is espe- with a clear center spot a cross-split image in the for the EOS-3. The outer provided with the EOS-1N for the EOS-1D Mark II N
Note: EOS-1Ds Mark III, EOS-1D Mark III and Note: EOS-1Ds Mark III and EOS-1D Mark III require Dioptric (1.25x) that includes cially helpful for containing a double cross- center, which divides the oval-shape the 45 AF points; RS. It compensates for with finer microlens
EOS 7D use Anti-fog Eyepiece Eg only. Adjustment Lens Eg only. exposure data. eyeglass wearers hair reticule. Focusing is subject in half both vertically the inner circle is for spot decreased viewfinder structure than the standard
Provided with built-in when photographing possible using the floating and horizontally for accurate and FEL metering. When brightness due to the low screens. Out-of-focus areas
dioptric adjustment outdoors. The mount image of the central cross manual focusing. Used for shooting, the focusing points reflection factor of the show more vividly than with
for variations in can be rotated for Description hair. This screen is particu- general photography with will be indicated in red LCD pellicle mirror. It is about the other Ec type screens.
eyesight. vertical shots. larly useful for photomi- all lenses, best results are markings. Along with the 1/2-stop brighter but Ideal for fast lenses (f/1.8
crography and astrophotog- obtained when using a lens Ec-R screen, it is otherwise similar to through f/2.8 max aperture).
raphy. Surrounding matte of f/5.6 or faster. approximately 1/2 stop Focusing Screen Ec-CII.
field can be used with all brighter than the Laser- It can be used in all EOS-1
lenses. Matte series screens. series cameras, as well as
the EOS-3.

Eyecup Eb Eyecup Ec-II Eyecup Ed Eyecup Ef Eyecup Eg Rubber Frame Eb* Rubber Frame Ec* Rubber Frame Ef*
Focusing Screen Sets for 4x5 and Square Formats Focusing Screens Ee Series
Compatibility EOS ELAN, Rebel EOS-1D Mark III, EOS-3, A2/A2e, EOS Rebel T2i,T3, EOS-1D Mark IV, EOS 10S, ELAN, 5D EOS-1Ds Mark II, EOS Rebel T3i, T2i,
series**, 700, 750, 1Ds Mark II, 1Ds, 1D ELAN 7 series, T1i, Rebel XSi/XS, EOS-1Ds Mark III, 1D Mark II, 5D, 60D, 1Ds, 1D Mark II N, T3, T1i, Rebel XSi,
850, 5D Mark II, 5D, Mark II N,1D Mark II, ELAN II/IIe Digital Rebel XTi/XT, Mark III, 50D, 40D, 30D, 1D Mark II, 1D, XS, Digital Rebel,
60D, 50D, 40D, 30D, 1D, D2000, 1v HS, EOS Digital Rebel, EOS 7D 20D, 20Da, 10D, D2000, 1v HS, 1v, Rebel T2, Ti, K2,
20D, 20Da, 10D, 1v, 1N RS, 1N, 1 Rebel T2, Ti, K2 D60, D30, Rebel 1N RS, 1N, 1 Required for use of
D60, D30 series** Dioptric Adjustment
Lens E Ec-1Ds/Ec-1D/Ee: Ec-1Ds/Ec-1D/Ee: Ee-D: Precision Matte Ee-S: Super-Precision
* Used with Dioptric Adjustment Lens E. ** Except Digital Rebel, Rebel T2, Ti and Rebel K2 Ee-A: Precision Matte
Crop Lines Black Mask with Grid Lines Matte

Focusing Screens Eg Series Focusing Screens Ef Series Compatibility EOS-1D Mark IV, EOS-1Ds/1D Mark III, 1Ds/1D Mark II, 1Ds/1D Compatibility EOS 5D

Ideal for the portrait and wedding photographer, the set “Crop Replacement standard Similar to standard Ee-A An all-matte focus screen
Lines” includes two focus screens—one with 4x5 (or 8x10) crop focus screen exclusively for screen for EOS 5D, but for the EOS 5D with finer
lines etched on the screen, and a second screen with lines for the EOS 5D. Matte surface with horizontal and vertical microlens structure than the
square composition. All exposure metering can be performed with nine AF points etched lines for precise subject standard screens.
normally in camera, and red focus point illumination remains fully on screen. For general placement or alignment. Out-of-focus areas show
active. The other sets “Black Mask” have and opaque black mask photography with all lenses. Overall matte surface gives more vividly than with
outside the picture area. One screen of the set shows the area for viewing and focusing very Ee-A and Ee-D screens.
Eg-A: Eg-D: Eg-S: Ef-A: Ef-D: Ef-S: 4x5 (or 8x10) cropping, the other shows the area for square similar to standard Ee-A It works best with lenses
Description cropping. Partial or Spot metering is recommended for these Description screen. EOS 5D must be set from f/1.8 to f/2.8 max
Compatibility EOS 5D Mark II Compatibility EOS 60D, 50D, 40D EOS 60D, 50D, 40D EOS 60D, 50D, 40D screens. E-TTL II flash exposure will definitely require significant to Custom Function 00-1 for aperture, especially for
compensation. FEL (Flash Exposure Lock) in conjunction with accurate exposure metering. manual focusing. EOS 5D
Standard focus screen Similar to standard An all-matte focus The standard focus Precision Matte Exclusively for the EOS
either partial or spot metering is recommended. 3 types are must be set to Custom
exclusively for the EOS Eg-A screen for EOS 5D screen for the EOS 5D screen for EOS 40D. surface, with etched 40D, this focus screen is available for both sets respectively, according to the size of the Function 00-2 for accurate
5D Mark II. Matte Mark II, but with Mark II with finer Standard Precision grid lines to assist optimized for wide-aperture CMOS sensor and viewfinder optics: for full frame 1Ds series*, exposure metering.
surface with nine AF horizontal and vertical microlens structure than Matte surface, ideal with composition. The EOS lenses from f/1.8 to f/2.8. 1D series and for 5D.
points etched on screen. lines for precise the standard screens. most lenses including 40D’s AF points remain Areas that are slightly out *Can also be attached to 35mm EOS-1 series and EOS-3
For general photography subject placement or Out-of-focus areas show zooms f/3.5 thru f/5.6. fully visible. Focus of focus appear more out cameras.
Description Description
with all lenses. alignment. EOS 5D more vividly than with All matte surface. characteristics suited to of focus, making it easier
must be set to Custom EG-A and EG-D screens.
Includes a special tool most lenses. to tell when focus is right- Note: All focusing screens include a special tool for removing original screen and installing new screen. EOS-1Ds, EOS-1D Mark II, EOS-1D, EOS-1v HS and EOS-1v—If using New Laser Matte
Function IV-5-1 for EOS 5D Mark II must be
to remove existing on. Ideal for users who fre- Focus Screens Ec-N or Ec-R, be sure to set camera’s Custom Function C.Fn-0 to “0”. EOS-3—If using Laser Matte Ec-A, Ec-B, Ec-C II, Ec-C III, Ec-D, Ec-I or Ec-L focus screens, be sure to set camera’s
accurate exposure set to Custom Function
screen. quently manually-focus in Custom Function C.Fn-0 to “1”. Exposure compensation is required when combining the focusing screen Ec-R with the EOS-1 or EOS-1N, and when combining the focusing screens Ec-A, B, Cll, D,
metering. IV-5-2 for accurate H, I and L with the EOS-1 N RS. Refer to each focusing screen’s instructions for detailed information. † EOS-1Ds Mark III, 1D Mark III and 1D Mark II N must be set to appropriate Custom Function
exposure metering. dim light with fast lenses.
for accurate exposure metering when this screen is installed. Manual exposure is required for use with other EOS-1 series cameras.

56 57
 EOS SYSTEM ACCESSORIES

Peripherals Bags & Cases

To add more power, ergonomics and speed to your EOS SLR body, consider one of Canon’s professional quality power Canon offers a comprehensive line of accessories for the photographer on the go.
boosters and grips. Check out the chart below to find the best match for your EOS SLR. Canon’s camera cases are built specially to help protect EOS models, and the bags
can accommodate a number of different camera configurations. These are all built
Interface & Video Cables Memory Cards
to the highest standards, and are the perfect complement to the EOS System.

Interface Cable Interface Cable USB Interface Bag Includes Custom

Interface Cable IFC-200D6/ IFC-450D6**/ Cable Media Case 10DG
IFC-200U*/ IFC-200D4***/ IFC-450D4/ IFC-400PCU****/ Mini-HDMI cable AV Cable Video Cable Stereo Video CompactFlash (CF)
IFC-500U IFC-200D44 IFC-450D44 IFC-200PCU HTC-100 AVC-DC400TS† VC-100**** cable STV-250N and SD Cards

Length 6.9 ft. (1.9m)/ 6.6 ft. (2m) 14.8 ft. (4.5m) 3.3 ft./1m 9.5 ft./2.9m 4.9 ft./1.5m 4.9 ft./1.5m —
15.4 ft. (4.7m) 4.8 ft./1.45m
USB cable for D6: EOS-1Ds, 1D / 400 cable: EOS- 1D Mark IV, 1D Mark IV, All EOS digital EOS 5D Mark II, 4GB/1GB SDHC Digital Gadget Bag 100DG Digital Gadget Bag 200DG Professional Gadget Bag 1EG Deluxe Gadget Bag 10EG
EOS-1Ds Mark III, D4: EOS-1Ds Mark II, 1Ds, 1Ds, Mark II, 1D EOS 5D Mark II, EOS 7D, SLR cameras cards: All EOS SLR
1D Mark III, Mark IV, 1D Mark II N, 1D Mark II, 1D / Mark II N, 1D EOS 7D, EOS 60D except original cameras except
Storage 1
EOS 60D, D44: EOS-1Ds Mark II, Mark II, 5D, 30D, EOS 60D EOS Rebel T3i, EOS-1D, EOS-1Ds EOS-1Ds, 1D, D2000,
Capacity
1~ 2 2 ~ 3 1~ 2 2 ~ 3 2 7 ~ 10 2 5 ~ 8
EOS Rebel T3i, 1D Mark II N, 1D Mark II 20D, 20Da, 10D, EOS 50D, EOS Rebel T2i and EOS Rebel T1i 5D Mark II, 7D, 5D,
EOS Rebel T2i, IEEE 1394 (FireWire®) interface cables Digital Rebel XTi, EOS Rebel T3i 50D, 40D, 30D,
EOS Rebel T3 used to connect the EOS to a MAC or Rebel XT, Digital EOS Rebel T2i 20D/10D, D60/D30, Dimensions Inside: 13" x 9.5" x 6.25" (W x H x D) Inside: 10.5" x 7.5" x 7" (W x H x D) Inside: 14.2" x 8.7" x 8.3" (W x H x D) Inside: 10.5" x 8.0" x 7.5" (W x H x D)
Compatibility EOS Rebel T1i, Windows. Rebel 200 cable: EOS Rebel T3 Digital Rebel XTi/XT
Description To hold cameras, lenses, accessories and a This bag has a roomy main compartment for Waterproof, urethane-coated material Made with rugged, waterproof material with
EOS Rebel XSi, EOS-1Ds Mark II, EOS Rebel T1i and Digital Rebel. laptop computer. It features a durable, water- camera body and extra lenses. Front and side provides this bag with superlative weather all the features of the Professional Gadget
and EOS Rebel XS 1D Mark II, 20D, 4GB CF cards: All
repellent nylon extender, pockets and padded pocket hold extra batteries, storage media protection and the weather flapped top cover. Bag 1EG. Plus a built-in waist belt that tucks
10D, Digital EOS SLR cameras
dividers. Also Custom Media Case 10DG* to and others. This functional bag is with non- Fully padded pockets and zippered pouches away behind the rear pouch.
Rebel 200 cable: except: EOS 60D
EOS D60, D30 Digital Rebel T2i, and organize memory cards and CDs is included. slip shoulder strap and water-resistant nylon provide storage spaces with fast access
T1i/XSi/XS covering to keep your gear safe and sound. to equipment.
D6: 6-pin/6-pin, USB interface Cable to connect the Enables direct Enables direct Cable to connect SimpleTech® CF,
D4: 4-pin/6-pin, cables used to Camera’s mini- image display image display the EOS 5D Mark II’s SD and SDHC
D44: 4-pin/4-pin connect the EOS HDMI OUT from the EOS to from the EOS to 3.5mm dia. cards are available
Description Mark ll series cameras have 4-pin to a MAC or terminal to the TV’s an HD television a television or a 4-pole mini jack through Canon.
FireWire connector. Windows. HDMI port. or a similar similar display to the TV or other Bag
display device. device. appliance’s AV jack
(video and audio L/R).

* Comes standard with the EOS-1Ds Mark III, 1D Mark IV, 1D Mark III, 5D Mark II, 7D, 60D, 50D, 40D, Rebel T2i, Rebel T1i, Rebel XSi, Rebel XS ** Comes standard with the EOS-1Ds
*** Comes standard with the EOS-1D Mark II **** Comes standard with the EOS-1Ds Mark III, 1D Mark IV, 1D Mark III, 1Ds Mark II,1D Mark II N, 1D Mark II, 5D Mark II, 7D, 5D,50D,
40D, 30D, 20D, 10D and all Digital Rebel † Comes standard with the EOS 1D Mark IV, 7D, 60D, Rebel T3i, T2i
Gadget Bag 2400 Deluxe Back Pack 200EG Custom Gadget Bag 100EG Zoom Pack 1000
Grips
Storage
Tripod & Capacity 1 1 ~ 2 1~2 3 ~ 4 1~2 3 ~ 4 1 1
Monopod
Dimensions Size: 9.5" x 7.0" x 6.0" (W x H x D) Inside: 10" x 14.75" x 5" (W x H x D) Inside: 9" x 7" x 5.5" (W x H x D) Inside: 6.5" x 8.7" x 4.72" (W x H x D)
Level Included
Description A lightweight and versatile camera bag Perfect for the active photographer. The front zippered pouch features 3 Specially designed to comfortably transport
designed to hold your important gear. Durable Constructed of rugged water-repellant accessory pockets. The rear flat-pouch one camera with a standard zoom lens. It
water-repellant nylon sell and padded interior nylon, well arranged dividers and multiple is perfect for storing things such as plane features waterproof material, a belt strap and
Deluxe keep all equipment secure. Front and side pockets and pouches mean there is plenty tickets. There is also a zippered full-length front pouch for small items such as films,
Quick Release
Tripod 300 Photo Platform Monopod 500 pockets add storage space and easy access of room for just about anything. mesh pouch inside the tip cover. memory cards or accessories.
for smaller items.
Length 62" extended/23" folded 64.5" extended/21.9" folded
Weight 2.65 lbs. 1.1 lbs.
Grip GR100TP Grip GR-80TP Description This lightweight tripod is designed for easy A lightweight, high-quality monopod featuring
portability and maximum stability. It features a a deluxe 4-section compact tubular leg with
Weight 9.5 oz./271g 10.5 oz./300g 3-way pan head for precise control. The 3-section quickside-lever leg locks and rubber tipped foot Case
tubular leg construction allows for amazing for added stability. The Monopod 100 has a
Compatibility Rebel 2000 Rebel G, X, XS, XSN stability. The tripod also features a built-in water foam-covered handgrip, wrist strap and also a ball
level and a quick release shoe. socket head. Semi-Hard Case Semi-Hard Case Semi-Hard Case Semi-Hard Case Semi-Hard Case
Description Incorporates a mini tripod, excellent for use with EH19-L EH18-L EH17-L EH14-L EH15-L
self-timer, low-angle or night photography. The tripod can
Professional Neck Strap 1 Compatibility† EOS Rebel T3i, T3, T1i, XSi EOS Digital Rebel XTi, Digital Rebel XT EOS 30D, 20D, EOS 20Da EOS ELAN 7 series EOS Rebel T2, Ti, K2
easily be adjusted vertically and horizontally, and when
Rugged, high quality neck strap designed for the most demanding pho-
folded up, it is integrated with the body. Combined use with the
tographers. Features durable non-slip backing, quick-release clips and
hand strap to help ensure a secure grip on the camera.
Canon Straps anti-twist hardware to make carrying and shooting easy.

Rain Cover Wide Neck Strap Wide Strap Wide Strap

The rain cover can be used with
any EOS DSLR and select EOS film EW-EOS 5D Mark II EW-EOS 7D EW-EOS 60D
cameras by replacing the eyecup.
Comes in small, medium and large Hand Hand
to fit a wide range of lenses. Wide Strap EW-100DB III Neck Strap L4 Neck Strap L3 Strap E1 Strap E2

*Also available separately. †For compatibility with specific lenses see your Canon Authorized Dealer or visit usa.canon.com/eos.
58 59
 POWERSHOT

The Perfect Complement to Your EOS System

With shared EOS technologies like Genuine Canon optics, Optical Image
Stabilizer, DIGIC Image Processor, and a familiar user interface, it’s easy to
transition seamlessly between an EOS SLR and a PowerShot compact camera. Creative Control in Sleek Design.
They’re the perfect complement to each other. Packed with powerful technologies, the pocket-sized PowerShot S95 delivers
phenomenal results. Its HS SYSTEM (a combination of a 10.0 Megapixel sensor
and ≥4 Image Processor), f/2.0 3.8x Optical Zoom lens, and wide ISO
range (up to 12800) help ensure photos will come out steady and crisp in low
light. Working in unison with Optical Image Stabilizer, the S95 provides even
more stabilization with Hybrid IS to help prevent the blurring effect of pitch and
yaw common during macro photography with handheld cameras. Recording
720p HD Video, the large 3.0-inch PureColor System LCD has true to life repro-
duction so your stills and video show up brilliantly. Lastly, the customizable
control ring allows for easy access to shooting settings and its RAW + JPEG
shooting modes make the S95 a tool for creative control.

lenses (f/2.8 on the G12 and graphic process. With the G12’s
f/2.0 on the S95), wide-angle Vari-angle PureColor System LCD,
zooms, (28 – 140mm on the G12 it’s simple to compose and shoot
and 28 – 105mm on the S95) with the camera in almost any
and the lens-based Optical Image position, enhancing composition
Stabilizer (OIS), images are choices and making shooting Front Dial

guaranteed to be sharp and crisp. possible in more situations. With the G12’s front dial
Now, Canon takes it even further and the S95’s control ring dial, parameters like
with Hybrid IS to work in unison exposure, aperture, white balance, zoom and more
with OIS to greatly reduce pitch can be accessed and set with a simple twist.
and yaw during macro photog-
HS SYSTEM raphy to produce impressive results no matter the RAW Image Capture
The superb performance of the PowerShot G12 and subject. Both the
S95 is in no small part thanks to the HS SYSTEM PowerShot G12
from Canon. The combination of a powerful 10.0 ≥4 and S95 offer
Megapixel CCD sensor and the brilliant ≥4 The Canon ≥4 Image RAW image
Image Processor, along with the fast lenses Processor iSAPS technology recording in addi-
(f/2.8 on the G12 and f/2.0 on the S95) and the helps to ensure that image tion to JPEG.
capture is completed quickly Perfect for images RAW development with Digital Photo
and easily, and that every that the photogra- Professional
image captured is as clear and sharp as can be. pher wishes to work with in post-production, RAW

The Flagship of Brilliant More powerful processing makes the recording of

large, high resolution images faster and easier than
files are the equivalent of digital negatives, in that
only the image data is recorded. With RAW image
Performance. ever before, while iSAPS technology enables high- files, the photographer can alter aspects like color
The PowerShot G12 offers the power of EOS technology in speed AF and high-precision exposure and color balance, sharpness, saturation and more, infinite
compact design. The Canon HS SYTEM – a combination of a processing, all in the blink on an eye. times in post-production practically without image
10.0 Megapixel sensor and ≥4 Image Processor – and fast f/2.8 Canon Optical Image Stabilizer, ensure enhanced degradation.
5x Optical Zoom lens, delivers stunning quality in unfavorable lighting. The performance. It delivers lower noise images even Enhanced Camera Operation
G12 can also preserve footage in amazing 720p HD video with stereo sound and at higher ISOs, an increase in dynamic range, less Features, like the HD Video
view all recorded material on the convenient PureColor System 2.8-inch Vari-angle blurring, less use of flash and more confidence 2.8-inch Vari-angle The PowerShot G12 and S95 don’t just take amazing
LCD. And to enhance the creative control even further, a Front Dial brings easy
to shoot in dimly lit situations. PureColor System LCD, photos, they’re also exemplary versatile photo-
access to customizable camera parameters (aperture, exposure and white balance)
found on the graphic tools that can shoot stunning stereo sound
at a turn, and RAW + JPEG shooting modes that make this camera an incredibly
Bright Lenses with OIS PowerShot G12, and and video in 720p HD. Preserve almost any subject
flexible and versatile tool.
The PowerShot G12 and S95 the control ring found 2.8-inch Vari-angle PureColor in stunning realism and then easily watch all
System LCD
come equipped with some of on the PowerShot S95, recorded footage on an HDTV with the convenient
the most celebrated optics bring a new level of customization to the photo- HDMI output connector.
offered by Canon. With maximum apertures, fast
60 61
 PHOTO PRINTERS

imagePROGRAF Printer Technology

Photographers seeking to produce their own
gallery-grade inkjet prints have had limited
choices until now. Understanding the demands of
professional photographers — especially those who
shoot with the EOS System — Canon has responded
with the imagePROGRAF series Photo Printers.
Both feature impressive new technologies that
bring superb quality and performance to large
format photo printing. It’s never been simpler or
more cost-effective to produce gallery-grade
prints at home or in the studio. LUCIA 12-Color Pigment Ink Set

Incomparable 12-Color Automatic Color Stability replaceable, and can be replaced with mini-
LUCIA EX Ink Set Control System mal downtime and without service calls, saving
With increasing consumer All imagePROGRAF printers offer a sophisticated, time and money and increasing productivity.
demand for professional and high quality print automatic color stability control system for simple,
output, high-end graphic and photographic studios predictable color. With a high-performance 16-Bit Printing Support
continue to seek the capability to accurately multi-sensor installed in the printer, calibration While conventional inkjet printers support 8 bits
produce vivid output of their most demanding is done easily and quickly (approximately 10 per-channel and require a conversion from 16 bits
projects. The all-new 12-Color LUCIA EX pigment minutes) with a simple setup from the printer’s somewhere during t­he workflow, the imagePROGRAF
ink set from Canon, incorporated into the 44-inch operation panel. When calibrated, photographers printers provide advanced support for high-bit
imagePROGRAF iPF8300, 24-inch imagePROGRAF will find amazing consistency among all calibrated depth files. Software Plug-ins enable high-bit
iPF6350 and the iPF6300 printers, increases the printers they might use. Canon’s imagePROGRAF depth images to be printed directly from Digital
achievable color gamut by approximately 20 per- color calibration will help ensure that the col- Photo Professional. Also included is an export
cent to produce rich, expressive imagery. The ors photographers saw when they captured their
©Nick Vedros
introduction of the new LUCIA EX ink set provides images, and on their calibrated computer

PHOTO PRINTER TECHNOLOGY

Built upon a foundation of leading-edge technologies, the EOS System puts photographers in touch with their mind’s eye, enabling
photographers with the ability to precisely
achieve their desired results by producing more
expressive and crisp blacks, smooth color
screens will be preserved in print.­

Photolithographic User-Replaceable
them to capture images of beauty and clarity that had once existed only in their imaginations. Canon’s commitment to photographic gradations, and the capability Print Heads
excellence, however, does not end with image capture. Combining to faithfully reproduce the Canon’s FINE (Full-photolithography Inkjet Nozzle
Canon’s superb expertise in photography, photocopying and printing finest details in the shadowed Engineering) print heads help ensure accu-
technologies, Canon imagePROGRAF and areas of photographs. Even rate and detailed ink delivery, no matter the module for printing 16-bit files directly from
very delicate shading is medium being used for printing. This new, Adobe® Photoshop®. These features provide the
PIXMA photo printers are redefining output quality,
reproduced smoothly to give advanced head design uses two print heads — photographer with the first true wide-dynamic-
performance and convenience. They are the
images exquisite depth. each with 15,360 range workflow option from capture to output.
perfect complement to your EOS System with
The new pigment inks are Canon RC Photogloss L=50 nozzles — yielding Images are reproduced with smoother tonal
results that are nothing short of stunning! also designed with an innovative polymer structure over 30,000 noz- gradations for greater photorealism. Dynamic-
that results in greater scratch resistance and zles, which release range-related problems, such as posterizati­­­­­on
protection from color fading, while also reducing microscopic ink and banding, are significantly reduced.
Multi-nozzle Dual Print Heads
bronzing and metamerism, ensuring durable, droplets quickly
Exclusive Canon L-COA Image Processor
stable output. Additionally, LUCIA EX pigment and precisely. This not only makes extremely high
inks exhibit excellent short-term color drift (“dry- output resolution simple, but also provides for High Performance
down”) behavior, which is critically important for faster, more reliable printing. Photographers no & Integration
imagePROGRAF iPF5100 Integrated System
color-managed workflows and in proofing longer need to compromise on print speed to & Engine Control

PIXMA Pro9500 Mark II applications. The new LUCIA EX inks are also attain high image quality because Canon’s
resistant to damage from atmospheric ozone, a superb print head technologies deliver both. High Speed High Fine
Engine Control Image Process
particular concern in urban environments in The large number of nozzles also substantially
High Accuracy & High Speed Control Integrated System
situations where prints might be displayed increases print head life, so the printer requires less of High Density Head & Engine Control

unframed and exposed to ambient indoor air. frequent maintenance. The print heads are user

54
62 PIXMA Pro9000 Mark II 63
 PHOTO PRINTERS
The ChromaLife100 connectivity enables photographers to print
PIXMA Printer Technology System directly from their cameras with the exact color
Canon’s PIXMA photo printers The PIXMA Pro9000 Mark II is outfitted with an tones and saturation they specify, without
bring life to images taken with 8-color dye-based ink system. With the addition connecting to a computer.
EOS digital SLR cameras. With of Red and Green inks, red saturation is increased
the introduction of the PIXMA by approximately 60% and green saturation is Easy-PhotoPrint Pro Software
Pro9500 Mark II and Pro9000 Mark II, Canon increased by Canon’s Easy-PhotoPrint Pro
has entered the realm of fine art printing while approximately (EPP Pro) software plug-in for
remaining true to the Canon quality and speed 30%. The PIXMA Digital Photo Professional
photographers everywhere know and trust. Pro9000 Mark II (Ver. 2.1 or higher), Adobe®
uses ChromaLife100 ChromaLife100 Ink System Photoshop® and Adobe®
FINE Print Head Total 6,144 nozzles
ink for improved image longevity. Photos have a Photoshop® Elements® 6
Technology 100-year print life when kept in albums, and provide an intuitive photo
Pattern Print
Canon’s high- when these inks are combined with Canon’s printing experience. EPP Pro
precision FINE (Full- genuine photo media, prints will withstand 30- has layout options such as pattern prints, con-
photo-lithography 2 pl
FINE
2 pl (conceptual diagram) year light fastness and 10-year gas fastness*. tact prints and prints with shooting information.
Inkjet Nozzle PIXMA Pro9000 Mark II
This advantage is achieved without compromising It also allows for color adjustments, including
Engineering) print print quality or speed. ICC Profile, Linear Tone, Photo Color, monotone
heads each have thousands of printing and grayscale printing, and all settings
nozzles designed to release micro- Advanced Paper Handling can be saved. The PIXMA Pro9500 Mark II and
scopic ink droplets as small as The PIXMA Pro9500 Mark II/Pro9000 Mark II Pro9000 Mark II printers incorporate the
2-picoliters (PIXMA Pro9000 Mark II only) in a single feature two paper paths: a standard top loader Ambient Light Correction functionality that helps
©Eric Meola pass, resulting in fast, high-resolution printing. and a manual front loader for increased versatility to ensure the quality of a print image when
Capable of plotting thousands of ink droplets each and convenience. The front loader can accept viewed in different lighting conditions.
Automated Black Ink Cartridge paper, with additional paper and media types second, the high-density nozzle pitch produces thick, fine art media, creating a straight paper
4-way Media Feed (iPF5100 only)
Switching in the works. Moreover, the supplied Media sharper detail and less grain. Canon’s print heads path that prevents the media from bending PictBridge
The ink set includes both black and matte black Configuration Tool enables the user to easily are engineered using a photo-lithographic pro- while printing. Shoot digital, print direct. It’s a fast and easy
cartridges to allow printing on glossy photo update paper configurations in the driver, using a cess that produces incredibly high-precision out- way to print pictures on the spot without a com-
paper and matte paper respectively without periodically published database, to accommo- put and equally incredible prints. Improved Camera to Printer Connectivity puter. Just connect any PictBridge-compatible
switching cartridges and needlessly wasting ink. date new Canon media as they become available. When shooting with selected EOS digital SLR printer to a digital camera and print.
Other printers require the user to perform an * iPF6200, iPF6100 and iPF5100 handles: 0.08 to 1.5 10-Color Pigment Ink cameras and printing with the PIXMA Pro9500 1. Connect – Connect your EOS digital camera
millimeters
inconvenient and wasteful manual operation to Cassette System Mark II/Pro9000 Mark II, photographers can directly to a PictBridge-compatible photo printer.
flush unused ink and switch cartridges. However, The PIXMA Pro9500 Mark II’s 10-color pigment take advantage of improved advanced camera 2. Select – Choose the image, print size and
with the Canon imagePROGRAF Printers, both black Automatic Head Clog Detection ink set produces professional quality, archival direct print capabilities. Photographers can use style from the camera’s LCD menu screen.
ink cartridges are loaded and live at all times, Canon’s sophisticated nozzle clog detection prints. The Gray, Black and Matte Black ink print effects to finely tune images and can 3. Print – Press the print function from the
so switching between media types is performed system automatically senses non-firing nozzles produce monochrome photographs of superb arrange images in a variety of useful layouts—all menu and you’ll have photo lab-quality prints
efficiently with a simple push of a button. and executes a print head cleaning cycle as quality on fine art and glossy paper. Gray ink on their cameras. Ultimately, this level of in minutes.
required. Should a clogged nozzle fail to recover reduces grain, banding and metamerism and
Vast Output Media Selection after cleaning, the system automatically compen- Manual from the top
virtually eliminates color shifts. Unlike black ink
EOS Digital Cameras
USB Cable
PictBridge
The imagePROGRAF Printers support a wide range sates by substituting other functioning nozzles. that increases contrast, Matte Black ink increases (with Direct Print) Interface Cable Compatible
IFC-300PCU/IFC-400PCU (5D, Digital Rebel XTi/XT), Printers
of paper and specialty output media, such as resin This minimizes print-head-related output fail- black density on fine art paper while maintaining IFC-500U/IFC200U (EOS-1Ds Mark III, 1D Mark IV, 5D Mark II, 7D, 60D, 50D, 40D,
(with Direct Print)
Rebel T2i/ T1i/ XSi/ XS)
coated photo paper, canvas and fine art paper. ures, reduces paper waste and improves print detail in shadows. With 10 individual ink tanks, Computers

head reliability, saving photographers both users can replace a single color, reducing waste EOS-1Ds Mark III EOS-1D Mark IV

time and money. and saving money. Since the Pro9500 Mark II’s PC Card Adapter
Inkjet
ink is less sensitive to light and environmental EOS 5D Mark II EOS 7D
PC Compatible Photo Printer
Computer
Advanced factors, prints have incredibly smooth grada- CF/SD Card Reader
Manual from the front
Connectivity tions and are archival. EOS 60D EOS 50D
The imagePROGRAF CF/SD Cards
Macintosh USB Cable Compact
printers are equipped with Consistent Ink Ejection System Computer Photo Printer
EOS 40D EOS Rebel T3i USB Cable
Roll Paper USB 2.0 Hi-Speed and Ethernet interfaces. An To enable smooth prints, all of the ink below the
4-way media feeding (iPF5100 only), including a IEEE 1394 Firewire interface is also an available cartridge’s heater is expelled by the generated Scanner
EOS Rebel T2i EOS Rebel T3
roll feed, enables the printer to handle media option. The printers also feature excellent multi- bubble, eliminating the need to break the ink away.
thicknesses from 0.08 to 0.8 millimeters. Besides platform support, helping to enable seamless The ejection volume is therefore not affected by
Medium format negatives or
media available from other manufacturers, Canon integration with a wide variety of hardware and Roll (optional) differences in ink temperature, so ink droplets of EOS Rebel XS EOS Rebel T1i
35mm Slide 35mm Film transparencies up to 4"x 5"
CanoScan

offers more than 35 different types of compatible workflow configurations. a prescribed volume are ejected consistently.
* Based on accelerated dark storage testing by Canon under controlled temperature, humidity and gas conditions, simulating storage in an album with plastic sleeves. Canon cannot guarantee
64 the longevity of the print; results may vary depending on printed image, drying time, display/storage conditions and environmental factors. See www.cusa.canon.com/chromalife100 for 65
additional details.
 PHOTO PRINTERS

Photo Printing Redefined

Canon photo printers deliver professional, lab-quality prints of images taken by EOS
digital cameras with convenience and speed. Augmented by new ink sets and tech-
nology that improve the quality of color and black-and-white prints, Canon’s new
imagePROGRAF and PIXMA photo printers have redefined professional photo output.

/
LUCIA EX 12-Color Pigment Ink Set for Professional Quality Photos for Big Ideas.
Professional Color Reproduction. Capable of quickly printing lab-quality prints up to 13" x 19", Canon PIXMA Pro9000 Mark II
The Canon imagePROGRAF iPF6350/iPF6300 is a 24-inch large format printer designed for raises the bar thanks to its combination of speed and versatility. Its FINE print head generates
professional image-makers seeking the highest standards for quality-control and image a maximum resolution of 4800 x 2400 dpi and ChromaLife100 dye-based inks create long
reproduction. With 30,720 nozzles for exacting detail, a vast color spectrum is produced by lasting, beautiful photos. Canon’s Easy-PhotoPrint Pro software, including plug-ins for
the re-formulated 12-color LUCIA EX pigment ink set, creating expressive, crisp blacks, Adobe® Photoshop®, Digital Photo Professional, and newly included Adobe® Photoshop®
smooth color gradations and the capability to reproduce the finest details in the shadow Elements® 6 provides an excellent photo printing experience.
©Michele Celentano
areas of photographs. Two print output options, one for photos and one for text, give users
the ability to create exquisite prints with exceptional detail.
©Eddie Tapp

Superb Color Reproduction with Ultimate Wireless* Photo All-In-One Featuring the
Canon’s LUCIA 12-Color Pigment Ink Set. Intelligent Touch System, Gray Ink and a 3.5" LCD.
With Canon’s imagePROGRAF iPF5100, no-compromise large-format, fine art printing is incredibly Exceptional quality and ease-of-use, combined with high-speed, is what makes the PIXMA
easy. Canon’s exclusive LUCIA 12-color pigment ink set yields a tremendous range of colors MG8120 the ultimate Wireless Photo All-In-One. The all-new Intelligent Touch System allows
and grays. For smooth, detailed color and black and white images, no matter the media. Canon’s you to effortlessly operate your machine with gorgeous touch-sensitive controls so only the
FINE photo-lithographic heads help to ensure accurate plotting of even the fine details thanks to function buttons you need will light up. Enjoy built-in wireless capability that lets you print and
©Stephen Eastwood over 30,000 nozzles. Matte Black ink and Black ink cartridges are both loaded in the printer at scan wirelessly from anywhere around the house as well.
the same time, enabling automatic switching without wasting time or ink.

LUCIA 10-Color Pigment Ink Set Creates High Quality and Portable.
Rich Color Photos. Up to 9600 x 2400 color dpi with microscopic droplets as small as 1 picoliter, print a 4" x 6"
photo in as fast as 50 seconds, and your photo can be enhanced with Auto Image Fix. The
For fabulous quality color and black and white photographs, up to 13" x 19", one needs to
PIXMA iP100 Mobile Printer is also capable of printing wirelessly via optional IrDA or Bluetooth.
look no further than the PIXMA Pro9500 Mark II. With the LUCIA 10-color pigment ink system,
few other printers out there that can print both stunning color and smooth black-and-white
photographs like the Pro9500 Mark II. The inclusion of gray, matte and photo black pigment
©Michel Tcherevkoff
tanks, combined with 3 pl droplets helps to ensure very smooth gradations and the results
are prints that will astound.

*Wireless printing requires a working Ethernet network with wireless 802.11b/g or n capability. Wireless performance may vary based on terrain and distance between the printer and wireless network clients.

66 67
 PHOTO
PHOTO PRINTERS
PRINTERS
Printer and Scanner Comparison Chart
Pro Series Photo All-In-Ones Photo Printers

PIXMA Pro9500 Mark II PIXMA Pro9000 Mark II PIXMA MG8120 PIXMA MG6120 PIXMA MG5220 PIXMA MP495 PIXMA MP280 PIXMA iP4820 PIXMA iP3600 PIXMA iP2702 PIXMA iP100
Inkjet Photo Printer Inkjet Photo Printer Inkjet Photo All-In-One Inkjet Photo All-In-One Inkjet Photo All-In-One Inkjet Photo All-In-One Inkjet Photo All-In-One Inkjet Photo Printer Inkjet Photo Printer Inkjet Photo Printer Mobile Photo Printer

Ink System ChromaLife100+5 ChromaLife100+5 ChromaLife100+5 ChromaLife100+5 ChromaLife100+5

Ink System LUCIA Pigments ChromaLife1005 ChromaLife100+5 ChromaLife100+5
Ink System ChromaLife100+5 ChromaLife1005
Ink Type 6 Individual Ink Tanks 6 Individual Ink Tanks 5 Individual Ink Tanks Cartridge Cartridge
Ink Type 10 Individual Ink Tanks 8 Individual Ink Tanks
5 Individual 5 Individual
Print Resolution1 9600 x 2400 9600 x 2400 9600 x 2400 4800 x 1200 4800 x 1200 Ink Type Cartridge Cartridge
Ink Tanks Ink Tanks
Print Resolution1 4800 x 2400 4800 x 2400 Number of Nozzles 6,144 Nozzles 6,144 Nozzles 4,608 Nozzles 1,472 Nozzles 1,472 Nozzles
Print Resolution1 9600 x 2400 9600 x 2400 4800 x 1200 9600 x 2400
Print Speed 2
4" x 6" Borderless in 20 sec. 4" x 6" Borderless in 20 sec. 4" x 6" Borderless in 20 sec. 4" x 6" Borderless in 41 sec. 4" x 6" Borderless in 43 sec.

Number of Nozzles 7,680 Nozzles 6,144 Nozzles Display 3.5" LCD 3.0" LCD 2.4" LCD 7 segment LED 7 segment LED Number of Nozzles 4,608 Nozzles 2,368 Nozzles 1,472 Nozzles 1,856 Nozzles
Borderless Print Sizes
4" x 6" Borderless 4" x 6" Borderless 4" x 6" Borderless 4" x 6" Borderless
4" x 6" Borderless 4" x 6" Borderless Print Speed2
Print Speed2 8.5" x 11" • • • • • in 20 sec. in 41 sec. in 55 sec. in 50 sec.
in 65 sec. in 25 sec.
8" x 10" • • • • •
Borderless Print Sizes
Borderless Print Sizes
5" x 7" • • • • •
13" x 19" • • 4" x 6" • • • • • 8.5" x 11" • • • •

8.5" x 11" • • Features

8" x 10" • • • •
4 in 1 / 2 in 1 • • • — —
8" x 10" • •
Auto Duplex • • • — — 5" x 7" • • • •
5" x 7" • • 6 6 6 6
Auto Scan Mode • • • • •
4" x 6" • • 4" x 6" • • • •
Auto Sheet Feeder • • • • •
Features Auto Photo Fix II • • • • •
Features
Bluetooth (optional)3 • • • — —
Auto Duplex — —
Dual Paper Path • • • — — Auto Duplex • — — —

Auto Sheet Feeder • • Easy-PhotoPrint EX • • • • •

Auto Sheet Feeder • • • •
Easy-PhotoPrint Pro • • — — —
Bluetooth3 — —
Scroll Wheel • • • — — Auto Photo Fix II • — • —

Ethernet • • — — —
Dual Paper Path • •
Bluetooth3 — — — •
Film Scan/Copy • — — — —

FINE Technology • • • • • •
Easy-PhotoPrint EX — — Dual Paper Path • — —
Gutter Shadow Correction • • • • •
Intelligent Touch System • • — — — Easy-PhotoPrint EX • • • •
Easy-PhotoPrint Pro • •
IrDA4 • • — — —
Easy-PhotoPrint Pro — — — —
Memory Cards7 • • • — —
FINE Technology • •
PictBridge • • • — — FINE Technology • • • •
IrDA4 — — Quick Start • • • • •
IrDA4 — — — •
Reduction/Enlargement • • • • •
PictBridge • •
Scanning Resolution 4800 x 9600 4800 x 9600 2400 x 4800 1200 x 2400 1200 x 2400 PictBridge • • — •
Hi-Speed USB • • • • •
Hi-Speed USB • • High-Speed USB • • • •
Wi-Fi 8
• • • • —

1. Resolution may vary based on printer driver setting. Color ink droplets can be placed with a horizontal pitch of 1/4800 inch or 1/9600 inch at minimum. 6. For Network users, Auto Scan Mode is only available when scanning at a computer using MP Navigator EX software and selecting the 1-click feature then “Scan to PC.”
2. Print speed measured as soon as first page begins to feed into printer. Copy speed is measured after the first page is ejected. Output speed will vary depending upon a number of factors. See www.usa.canon.com/printspeed for additional information. 7. See printer packaging for details.
3. Requires mobile device (or other device) equipped with Bluetooth v2.0 technology and optional Canon Bluetooth Unit BU-30. Bluetooth operation depends on the device and software version used. Operating distance is approx. 10 8. Wireless printing requires a working Ethernet network with wireless 802.11b/g or n capability. Wireless performance may vary based on terrain and distance between the printer and wireless network clients.
meters but may vary due to obstacles, radio signals, locations where radio interference occurs, magnetic fields from microwave ovens, device sensitivity and/or antenna performance. 9. Measured from the start of the yellow printing pass to final output.
4. Requires mobile device (or other device) with IrDA port and phone positioned no more than 7.9 inches from the printer. 10. Optical resolution is a measure of maximum hardware sampling resolution, based on ISO 14473 standard.
68 5. Based on accelerated dark storage testing by Canon under controlled temperature, humidity and gas conditions, simulating storage in an album with plastic sleeves. Canon cannot guarantee the longevity of the prints; results may vary
depending on printed image, drying time, display/storage conditions and environmental factors. See www.usa.canon.com/ChromaLife100 or www.usa.canon.com/ChromaLife100plus for additional details.
11. The time required for the light source to reach sufficient operating temperature. Film scanning excluded.
12. For document types other than films, the maximum resolution is 4800 x 4800 dpi.
69
 PHOTO
PHOTO PRINTERS
PRINTERS

Compact Photo Printers Inkjet Business Printer Office All-In-Ones Color Image Scanners

SELPHY CP800 PIXMA iX6520 PIXMA MX882 PIXMA MX420 CanoScan 9000F CanoScan 5600F CanoScan LiDE 700F CanoScan LiDE 210 CanoScan LiDE 110
Compact Photo Printer Inkjet Business Printer Inkjet Office All-In-One Inkjet Office All-In-One Color Image Scanner Color Image Scanner Color Image Scanner Color Image Scanner Color Image Scanner

Ink System Dye-Sub Ink System ChromaLife 100+ Ink System ChromaLife100+5 ChromaLife100+5

Ink Type 5 Individual Ink Tanks Ink Type 5 Individual Ink Tanks Cartridge Scanning Charged-Coupled Device Charged-Coupled Device Contact Image Contact Image Contact Image
Element (CCD) (CCD) Scanner (CIS) Scanner (CIS) Scanner (CIS)
Ink Type Paper & Ribbon
Print Resolution1 9600x2400 Print Resolution1 9600 x 2400 4800 x 1200

Number of Nozzles 4,608 Nozzles Number of Nozzles 4,608 Nozzles 1,472 Nozzles
Print Resolution 300 x 300 Resolution10 9600 x 9600 (film)11 4800 x 9600 9600 x 9600 (film)11 4800 x 4800 2400 x 4800
Print Speed2 4" x 6" Borderless in 36 sec. Print Speed2 4" x 6" borderless in 20 sec. 4" x 6" Borderless in 42 sec.

Display — Display 3.0" LCD 2.5" LCD

Scanning 48-bit internal/ 48-bit internal/ 48-bit internal/ 48-bit internal/ 48-bit internal/
4" x 6" Borderless
Print Speed9 Borderless Print Sizes Mode (Color) external external external external external
in 47 sec. Borderless Print Sizes

8.5" x 11" • 8.5" x 11" • •

Display 2.5" Tilt-up LCD. Light Source White LED White LED/CCF Lamp Three-color (RGB) LED Three-color (RGB) LED Three-color (RGB) LED
8" x 10" • 8" x 10" • •
Borderless Print Sizes
5" x 7" • 5" x 7" • •
PDF, Copy, PDF x 4, Copy, Scan, Copy, Scan, PDF, Copy, Scan, PDF, Copy, Scan, PDF,
4" x 6" • 4" x 6" • • EZ Buttons
Photo/Film, E-Mail E-Mail E-Mail E-Mail E-Mail
4" x 6" •
Features
Card Size (2.13"x Features
3.39")
•
4 in 1 / 2 in 1 • •
Auto Document Feeder — Features
Features Auto Document Feeder • •
Auto Duplex —
Auto Duplex • — Advanced
Bluetooth3 • Auto Scan Mode —
Z-lid™
— — — • •
Auto Scan Mode • •
Auto Sheet Feeder •
Built-in A/C Adapter — Auto Sheet Feeder • •
Auto Photo Fix II • Auto Scan
Bluetooth3 • • Mode
• • • • •
Voice Command — Full HD Movie Print •
Dual Paper Path • —
Bluetooth3 —
Carrying Handle — Easy-PhotoPrint EX • • FARE
• — — — —
Easy-PhotoPrint EX • Level 3
Full HD Movie Print • •
Creative Print — Easy-PhotoPrint Pro —
Dual Function Panel • —
Scroll Wheel — Film Scanning • • • — —
Ethernet • •
DIGIC Ethernet —
—
Technology Fax • •
Fax — Gutter
Film Scan/Copy — — Shadow • • — • •
Large Format Printing Up to 13" x 19" Correction
Scroll Wheel — FINE Technology • •
Film Scan/Copy —
Gutter Shadow Correction • • One Cable for
IrDA4 — — — • • •
FINE Technology • IrDA4 — —
Data & Power

Memory Cards7 • IrDA4 —

Memory Cards 7
• •
Memory Cards7 — PictBridge • • Hi-Speed USB • • • • •
PictBridge •
PictBridge — Quick Start • •
Quick Start — Reduction/Enlargement • • Vertical
Portrait Image
• Scanning
— • • —
Optimize Reduction/Enlargement — —
Scanning Resolution 2400 x 4800 1200 x 2400

Hi-Speed USB — Hi-Speed USB • •

USB • Wi-Fi8 — Wi-Fi8 • •
1. Resolution may vary based on printer driver setting. Color ink droplets can be placed with a horizontal pitch of 1/4800 inch or 1/9600 inch at minimum. 6. For Network users, Auto Scan Mode is only available when scanning at a computer using MP Navigator EX software and selecting the 1-click feature then “Scan to PC.”
2. Print speed measured as soon as first page begins to feed into printer. Copy speed is measured after the first page is ejected. Output speed will vary depending upon a number of factors. See www.usa.canon.com/printspeed for additional information. 7. See printer packaging for details.
3. Requires mobile device (or other device) equipped with Bluetooth v2.0 technology and optional Canon Bluetooth Unit BU-30. Bluetooth operation depends on the device and software version used. Operating distance is approx. 10 8. Wireless printing requires a working Ethernet network with wireless 802.11b/g or n capability. Wireless performance may vary based on terrain and distance between the printer and wireless network clients.
meters but may vary due to obstacles, radio signals, locations where radio interference occurs, magnetic fields from microwave ovens, device sensitivity and/or antenna performance. 9. Measured from the start of the yellow printing pass to final output.
4. Requires mobile device (or other device) with IrDA port and phone positioned no more than 7.9 inches from the printer. 10. Optical resolution is a measure of maximum hardware sampling resolution, based on ISO 14473 standard.
70 5. Based on accelerated dark storage testing by Canon under controlled temperature, humidity and gas conditions, simulating storage in an album with plastic sleeves. Canon cannot guarantee the longevity of the prints; results may vary
depending on printed image, drying time, display/storage conditions and environmental factors. See www.usa.canon.com/ChromaLife100 or www.usa.canon.com/ChromaLife100plus for additional details.
11. For document types other than films, the maximum resolution is 4800 x 4800 dpi. 71
 REALiS PROJECTORS

Digital Photo and Video Projection

High-resolution Canon REALiS projectors use LCOS technology to display all
the detail and texture captured by your digital camera – projecting sharp,
seamless images with film-like quality. Equipped with advanced color
management settings, REALiS projectors have everything needed to display
photos and videos with exceptional color and accuracy in a compact unit.

for “Aspectual Illumination System,” efficiently

utilizes and equalizes light from the projector
lamp, boosting the projectors’ brightness and
contrast while maintaining a lightweight and
compact size.
High Resolution and Exceptional High Definition and
Accurate Color Reproduction Detail for Large Venues Optical Excellence
All REALiS Projectors feature Canon's high-accu- The REALiS WUX4000 is a high-performance WUXGA (1920 x 1200) With cutting-edge WUXGA high-definition resolution (1920 x 1200), the
racy Color Management System (CMS). The resolution installation projector featuring Canon AISYS-enhanced LCOS wide-screen REALiS WUX10 Mark II adds impact to any presentation.
Canon CMS ensures accurate color reproduction technology and interchangeable Genuine Canon lenses to deliver spectac- Canon’s proprietary AISYS-enhanced LCOS technology, a high-performance
©Adam Jones
over an extended color space and compensates ularly clear and rich images. Providing 4000 lumens brightness, stream- 1.5x optical zoom lens and full 10-bit processing ensure outstanding color
for color variances due to lighting differences. lined installation and maintenance, and powered vertical/horizontal lens reproduction and razor-sharp projected images. It offers versatile connec-

REALiS PROJECTOR BENEFITS

Canon created the REALiS line of multimedia projectors to meet the high demands of
The advantage: true HD-quality color and grada-
tion even in the toughest conditions.
shift, the REALiS WUX4000 is an ideal large-venue projector. A full set of
input and output terminals assure flexible connectivity.
tivity, including an HDMI port (version 1.3 deep color), a DVI-I input and a
built-in RJ-45 network connection for remote management.

imaging professionals. REALiS projectors feature Canon’s patented Aspectual 6-Axis Color Adjustments
REALiS Projectors also
Illumination System (AISYS) and LCOS (Liquid Crystal on Silicon) technology.
offer a 6-Axis Color
Incorporating sophisticated Canon optics and a high-accuracy color management
Adjustment function
system, REALiS projectors display even the subtlest hues and gradations, reproducing which allows both hue
still and moving images with amazing color and clarity. For razor-sharp, brilliant images and saturation adjust-
and the confidence of Canon-to-Canon, there’s no substitute for REALiS projectors. ments independent of RGB and CMYK color axis.
This feature is ideal for professionals with very
Display Stunning High Resolution The LCOS Advantage demanding color requirements.
Images and Video The advantages of Canon LCOS (Liquid Crystal on
Flexible Image Modes
Thank to their
native high
Silicon) technology are easy to see: lattice-free,
seamless images with exceptional color, intricate REALiS projectors offer flexibility by allowing
High Brightness and Astounding Amazing Versatility and
resolutions, detail, crisp text and HD images that leap off the users to select the image mode that best suits Color Reproduction Performance
REALiS screen. New optical elements incorporated into the characteristics of their content. For example The Canon REALiS SX7 Mark II projects true-to-life, razor-sharp images Delivering 3000 lumens brightness, the Canon REALiS SX80 Mark II features
Projectors the LCOS system enhance the uniformity of light, the "Adobe RGB" or "sRGB" modes are ideal with exceptional color reproduction. This powerful projector features a SXGA+ (1400 x 1050) resolution, Canon AISYS-enhanced LCOS technology
have the abil- raising the bar in image presentation. Photos when color fidelity is essential. bright 4000 lumens, SXGA+ (1400 x 1050) high resolution, and an and 1.5x optical zoom lens, producing exceptionally accurate images. A
ity to display and videos are rich with color, high contrast and Adobe RGB Color Match System, making it ideal for photo studios and built-in USB port enables “PC Free” presentations. Other features include
wide screen sharp resolution. Convenient. Connectable. Compatible. art museums/galleries. Brilliant color and contrast plus outstanding PictBridge camera compatibility, an HDMI terminal (version 1.3 deep color)
content. The REALiS WUX10 Mark II and Canon's line of REALiS Multimedia Projectors image detail are assured by the projector’s superb 1.7x optical zoom for projection of high-quality digital images and 1080p video, and a built-
REALiS WUX4000 both offer native WUXGA The AISYS Optical Engine offer convenient interfaces with multiple inputs/ lens and Canon AISYS-enhanced LCOS technology. in RJ-45 network connection for remote management.
(1920x1200) resolution, perfect for displaying The driving force behind Canon's LCOS outputs, enabling the connection of a variety of
high resolution photographs and high-definition technology is our proprietary AISYS devices, including laptop/desktop computers,
1080p video – with zero compression. Optical Engine. AISYS, which stands digital cameras and camcorders.

72 usa.canon.com/projectors 73
 EOS EDUCATION & INSPIRATION

Canon Digital Learning Center

Canon’s collaborative effort with professional imagemakers, the Canon Digital
Canon Live Learning
Canon Live Learning (CLL) presents exclusive on-site educational experiences
Learning Center (CDLC) is an on-line educational resource designed to help offered around the country delivering dynamic learning opportunities for
users evolve and advance their skills. From information on a variety of Canon enthusiasts and professionals through workshops and high quality hands-on
imaging equipment to tips on composition, lighting, video and printing classes. Led by industry experts and professional photographers, including
techniques, the CDLC informs and inspires at every step to help give your Canon’s Explorers of Light, you will gain both technical and creative expertise
projects a sleek, professional-looking polish. Simply visit usa.canon.com/dlc through these exciting programs.
and get started today!

For current course

offerings and behind
the scenes videos of
our workshops, visit:
usa.canon.com/
canonlivelearning

Events Calendar Galleries

Articles & Tips EOS Product Page

Home Page

Expand Your Knowledge Learn from the Pros

The CDLC is free and open to the public. For Start with the Shooter’s Insight page: Each For Professionals For Enthusiasts other industry professionals lead workshops
the pros and by the pros, yet a valuable Shooter’s Insight is a case study of how For professionals, CLL offers high-level and seminars, teaching enthusiasts the keys
resource for all skill levels, the CDLC covers leading image-makers use Canon products in On-Camera instruction based on achieving results. to maximizing their personal vision through
Tutorial page
a gamut of cameras, video, printers and the field. Via these practical examples, the and Tutoral Canon provides professional imagemakers field proven techniques and creative insights.
accessories. Continuously updated, the CDLC instructs how to select and use the right Video window with the educational resources needed Overviews on HD Video and Canon Speedlites
CDLC contains an ever-growing collection of equipment and accessories to achieve a The Tips and Techniques section, written by to stay in touch with industry demands. lay the groundwork for a broad range of tech-
practical information and informative tips signature look in your images and video. professionals, instructs on how to make the most With instruction from industry pros, nical and creative skills aligned to your per-
in the form of downloadable cheat-sheets, The Canon Explorer’s of Light program also of your Canon professional equipment, from discover new creative and technical sonal style.
Shooter’s Insights, video tutorials and has its home on the CDLC. Here, browse DSLRs and HD video cameras to large-format opportunities made possible by EOS For the adventuresome enthusiast, Canon
Canon product information. Moreover, the through over 60 galleries of the nation’s printers, to create a spectacular end-product. HD-capable DSLRs. Our hands-on intensive combines some of the most beautiful and
CDLC means to inspire as well, via galleries, greatest EOS imagemakers, and be inspired For those who want to go beyond online workshops are designed for video and film exciting locations in the USA with our elite
interviews, contests, and much more. by some of the industry’s most eye-catching learning, the CDLC also hosts a Sponsored professionals who want to master the Explorers of Light instructors for the EOS
and history-making photos. Events Calendar. Users can browse through cinematographic capabilities of the EOS Destination Workshops. These intimate
Learn about professional EOS cameras, a comprehensive selection of workshops, HD DSLR, as well as still photographers two-day workshops take the CLL experi-
Canon Live Learning: Workshops and Classes page
pro printing and pro video equipment in the seminars, lectures and trade shows throughout looking to expand their professional ence into the field. Past workshop locations
Product Pages. This section is organized the country. All combined, the CDLC is offerings to the moving image. New Canon brings enthusiasts to a new level of have included Arches and Yosemite National
by category to quickly and helpfully guide excellent resource for pure inspiration and professional offerings are always in experience with single-day and weekend Parks, surfing competitions in California,
Shooter's you to what Canon product is best suited to technical mastery of your Canon professional development for our range of still, print immersion events to optimize creativity. and thoroughbreds in the historic racetracks
Insight page your needs. imaging products. and moving imagemakers. Canon’s inspirational Explorers of Light and of Kentucky.

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EOS EDUCATION & INSPIRATION

Explorers of Light
Canon Explorers of Light (EOL), comprising over 60 of the most influential
photographers and cinematographers in the world, serves as an outreach for
imagemaking education and inspiration. With their work found in numerous
museums, publications and the Canon Web site's Explorers of Light Gallery,
the Explorers share their passions and expertise, online and in person, using
professional Canon equipment. COMMITTED TO SERVICE & SUPPORT EXCELLENCE
Explorers of Light Go Beyond the Still and Revolutionize Their Fields
Dedicated to the pursuit of the finest images no matter the medium, Canon expanded the Explorers of Light program to include
A true industry leader understands that reputations
are earned one customer at a time, which is why
Customer Contact Center
some of the motion picture industry’s most innovative cinematographers and videographers. Canon U.S.A. maintains a 100% U.S.-based call center staffed
Canon has at its foundation an uncompromising
with over 500 Canon employees. Whether by telephone, e-mail
dedication to product reliability, service and or the Web, highly trained specialists stand ready to assist
support. From cutting-edge technology to industry- Canon customers at every level of expertise. Committed to quick
leading response times, Canon U.S.A. takes pride in and easy resolution of all support issues, our specialists deliver
industry-leading response times
delivering complete customer satisfaction.
and quality support. Canon is
further committed to continual
service improvement and
investment in customer support
technologies.

Shane Hurlbut, ASC

A member of the American Society of
Rodney Charters, ASC, CSC
As the director of photography for the award-
Russell Carpenter, ASC
With credits including Titanic, True Lies and Professional Service
Cinematographers, Hurlbut has shot a total winning series 24, Charters used Canon EOS Monster-in-Law, plus numerous indie films,
Canon Professional Services (CPS)
of 14 films, including the blockbuster HD video cameras for several scenes. Off-set, Oscar award-winning Carpenter is a house- provides significant membership
Terminator: Salvation. He uses the “game-
changer” Canon EOS 5D Mark II to capture
the American Society of Cinematographers
member is behind the lens on small features
hold name in cinematography. Carpenter is a
proud and long-standing member of the National Service Network benefits to individual full-time work-
ing professionals who use qualifying Canon equipment. In addi-
the endless possibilities of cinematography. and television movies. American Society of Cinematographers. The Marketing Engineering Technology Center (METC) provides tion to 24x7 international and domestic telephone support, CPS
true factory-level service right here in the United States. Staffed offers to qualified members (depending on membership level)
by Canon factory-trained technicians, our service operations expedited and discounted repair service, service loaners,
achieve industry-leading turnaround times and quality of repair. equipment evaluation loans, free “clean
Our state-of-the-art facilities include a precision lens center and and check” coupons, on-site support at
a climate- and particulate-controlled clean environment for the shows and events, discounts on Canon
handling of sensitive equipment. Our service operation extends Live Learning workshops and more.
its reach through the Canon Regional Factory Service Centers and
the National Authorized Service Network located from coast to
coast. Canon supports a number of environmental and recycling Recognition for Excellence
initiatives including a Zero PCMag.com Readers’ Choice Award for
Landfill Product Recycling Policy. Service & Reliability 7 Years in a Row!
PCMag.com logos are trademarks of Ziff Davis, Inc.
Alex Buono Gale Tattersall Used under license. Reprinted with permission.
©2010 Ziff Davis, Inc. All rights reserved.
For the past 11 seasons, Buono has been the Having over 500 commercials to his name,
director of photography for Saturday Night Tattersall learned his trade on feature films
Live, recently using EOS HD video cameras such as Full Metal Jacket and The Addams
for the opening. Buono is a member of the
Writer's Guild of America, International
Family. Today, his credits include director of
photography for the award-winning TV series 1-800-OK-CANON
usa.canon.com/satisfaction
Cinematographer's Guild and International House, M.D., which he films using the Canon
Documentary Association. EOS 5D Mark II.

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