Cambridge International Examinations

Cambridge International General Certificate of Secondary Education

FIRST LANGUAGE CHINESE 0509/21

Paper 2 Writing May/June 2016
MARK SCHEME
Maximum Mark: 40

Published

This mark scheme is published as an aid to teachers and candidates, to indicate the requirements of the
examination. It shows the basis on which Examiners were instructed to award marks. It does not indicate the
details of the discussions that took place at an Examiners’ meeting before marking began, which would have
considered the acceptability of alternative answers.

Mark schemes should be read in conjunction with the question paper and the Principal Examiner Report for
Teachers.

Cambridge will not enter into discussions about these mark schemes.

Cambridge is publishing the mark schemes for the May/June 2016 series for most Cambridge IGCSE®,
Cambridge International A and AS Level components and some Cambridge O Level components.

® IGCSE is the registered trademark of Cambridge International Examinations.

This document consists of 5 printed pages.

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Candidates will be awarded marks in two categories for the composition that they write:

• the first mark is out of 20 for Style and Accuracy: see Table A;
• the second mark is out of 20 for Content and Structure: see Table B1, B2 or B3 (depending on the
type of composition: Argumentative, Descriptive or Narrative).

TABLE A – STYLE AND ACCURACY

Band 1 18–20 • Fluent; variety of well-made sentences, including sophisticated complex

sentences where appropriate, used to achieve particular effects.
• Wide, consistently effective range of vocabulary with appropriately used
ambitious words.
• Assured use of grammar and punctuation, spelling accurate.

Band 2 15–17 • Mostly fluent; sentences correctly constructed, including a variety of complex
sentences.
• Vocabulary often effective, sometimes complex, mostly varied.
• Grammatically correct; punctuation mostly correct between and within
sentences; very occasional spelling mistakes.

Band 3 12–14 • Occasional fluency; sentences of some variety and complexity, correctly
constructed.
• Appropriate and accurate vocabulary with occasional examples of choice made
to communicate precise meaning or to give interest.
• Simple grammatical constructions correct; sentence separation mostly correct
but other forms of punctuation sometimes inconsistently used; occasional
spelling mistakes – but no error of any sort impedes communication.

Band 4 9–11 • Sentences tend to be simple and patterns repetitive. Where more complicated
structures are attempted there is lack of clarity and inaccuracy.
• Vocabulary communicates general meaning accurately.
• Some errors of punctuation including sentence separation; several spelling and
grammatical errors, rarely serious.

Band 5 6–8 • There may be the occasional grammatically complex sentence but mostly these
are simple and repetitively joined by ‘and’, ‘but’ and ‘so’, with other conjunctions
being used ineffectively, if at all.
• Vocabulary communicates simple details / facts accurately.
• Many errors of punctuation, grammar and spelling, but the overall meaning is
never in doubt.

Band 6 3–5 • Sentences are simple and sometimes faulty and / or rambling sentences
obscure meaning.
• Vocabulary is limited and may be inaccurate.
• Errors of punctuation, grammar and spelling may be serious enough to impede
meaning.

0, 1, 2 • Meaning of the writing is often lost because of poor control of language; errors
of punctuation, grammar and spelling too intrusive to award a mark in Band 6.

© Cambridge International Examinations 2016

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TABLE B1 – ARGUMENTATIVE/DISCURSIVE TASKS

Band 1 18–20 • There is a consistent quality of well developed, logical stages in an overall, at
times complex, argument.
• Each stage is linked to and follows the preceding one. Sentences within
paragraphs are soundly sequenced.

Band 2 15–17 • Each stage of the argument is defined and developed, although the quality of
the explanation may not be consistent.
• The stages follow in a generally cohesive progression. Paragraphs are mostly
well sequenced, although some may finish less strongly than they begin.

Band 3 12–14 • There is a series of relevant points and a clear attempt is made to develop
some of them. These points are relevant, straightforward and logical / coherent.
• Repetition is avoided, but the order of the stages in the overall argument can be
changed without adverse effect. The sequence of the sentences within
paragraphs is satisfactory, although opportunities to link ideas may not be
taken.

Band 4 9–11 • Mainly relevant points are made and they are developed partially with some
effectiveness.
• The overall argument shows signs of structure but may be sounder at the
beginning than at the end. There may be some repetition. It is normally possible
to follow sequences of ideas, but there may be intrusive ideas or misleading
sentences.

Band 5 6–8 • A few relevant points are made and although they are expanded into
paragraphs, development is very simple and not always logical.
• Overall structure lacks a sense of sequencing. Paragraphs used only for
obvious divisions. It is sometimes possible to follow sequencing of sentences
within paragraphs.

Band 6 3–5 • A few points are discernible but any attempt to develop them is very limited.
• Overall argument only progresses here and there and the sequence of
sentences is poor.

0, 1, 2 • Rarely relevant, little material, and presented in a disorderly structure. Not

sufficient to be placed in Band 6.

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TABLE B2 – DESCRIPTIVE TASKS

Band 1 18–20 • There are many well defined, well developed ideas and images, describing
complex atmospheres with a range of details.
• Overall structure is provided through devices such as the movements of the
writer, the creation of a short time span, or the creation of atmosphere or
tension. Focus is description (not storytelling). Repetition is avoided and the
sequence of sentences makes the picture clear to the reader.
Band 2 15–17 • There is a good selection of interesting ideas and images, with a range of
details.
• These are formed into an overall picture of some clarity, largely consistent.
There may be occasional repetition and opportunities for development or the
provision of detail may be missed. Sentences are often well sequenced and the
description is often effective.
Band 3 12–14 • There is a selection of effective ideas and images that are relevant to the topic
and which satisfactorily address the task. An attempt is made to create
atmosphere and to provide some details.
• The description provides a series of points rather than a sense of their being
combined to make an overall picture, but some of the ideas are developed
successfully, albeit straightforwardly. Some sentences are well sequenced.
Band 4 9–11 • Some relevant and effective ideas are provided and occasionally developed a
little, perhaps as a narrative. There is some feeling of atmosphere, but most of
the writing is about events or description of objects or people.
• There is some overall structure, but the writing may lack direction and intent.
There may be interruptions in the sequence of sentences and / or some lack of
clarity.
Band 5 6–8 • Content is relevant but lacking in scope or variety. Opportunities to provide
development and detail are frequently missed.
• Overall structure, though readily discernible, lacks form and dimension. The
reliance on identifying events, objects and / or people sometimes leads to a
sequence of sentences without progression.
Band 6 3–5 • Some relevant facts are identified, but the overall picture is unclear and lacks
development.
• There are examples of sequenced sentences, but there is also repetition and
muddled ordering.
0, 1, 2 • Rarely relevant, little material and presented in a disorderly structure. Not
sufficient to be placed in Band 6.

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TABLE B3 – NARRATIVE TASKS

Band 1 18–20 • The narrative is complex and sophisticated and may contain devices such as
subtexts, flashbacks and time lapses. Cogent details are provided where
necessary or appropriate.
• The different sections of the story are carefully balanced and the climax
carefully managed. Sentence sequences are sometimes arranged to produce
effects such as the building up of tension or providing a sudden turn of events.
Band 2 15–17 • The writing develops some features that are of interest to a reader, although not
consistently so. Expect the use of detail and some build-up of character or
setting.
• The writing is orderly and the beginning and ending (where required) are
satisfactorily managed. The reader is aware of the climax even if it is not
managed completely effectively. The sequencing of sentences provides clarity
and engages the reader in events or atmosphere.
Band 3 12–14 • A straightforward story (or part of story) with satisfactory identification of
features such as character and setting.
• While opportunities for appropriate development of ideas are sometimes
missed, the overall structure is competent, and features of a developed
narrative are evident. Sentences are usually sequenced to narrate events.
Band 4 9–11 • A relevant response to the topic, but largely a series of events with occasional
details of character and setting.
• The overall structure is sound although there are examples where a particular
section is too long or too short. A climax is identified but is not effectively
described or led up to. Sentence sequences narrate events and occasionally
contain intrusive facts or misleading ideas.
Band 5 6–8 • A simple narrative with a beginning, middle and end (where appropriate). It may
consist of simple, everyday happenings or unlikely, un-engaging events.
• Unequal or inappropriate importance is given to the sections of the story.
Dialogue that has no function may be used or over-used. There is no real
climax. Sentence sequences are used only to link simple series of events.
Band 6 3–5 • Stories are very simple and narrate events indiscriminately. Endings are simple
and lack effect.
• The shape of the narrative is unclear; some of the content has no relevance to
the plot. Sequences of sentences are sometimes poor, leading to a lack of
clarity.
0, 1, 2 • Rarely relevant, little material, and presented in a disorderly structure. Not
sufficient to be placed in Band 6.

© Cambridge International Examinations 2016