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Snare Drum Rudiments

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SnareDrum Rudiments

ByDr. Dave Gerhart 09-20-2018

Improve your technique by increasing your percussion

“vocabulary.”

通过增加你的打击乐“词汇量”来提高你的技巧。

Rudiments are the “vocabulary” of percussionists and

drummers. They teach stick control and help students

develop their technique across all of the percussion

instruments. In that sense, they are similar to scales on

a keyboard instrument.

Rudiments 是打击乐手和鼓手的“词汇”。教授学生控制鼓槌,并帮助他们学习涵
盖了所有打击乐器的技术。从这个意义上说,它们类似于键盘乐器的音阶。

It is generally assumed that by the time a percussionist

gets to college, they already know their rudiments.

Unfortunately, many students don’t know them as well

as they should. This is especially true if the student


starts on a mallet percussion instrument or comes to

percussion from another instrument.

一般认为,当一个打击乐手进入高级的学习阶段时,他已经具备了 rudiments 的知识。

不幸的是,许多学生其实并不了解他们。如果学生从键盘打击乐开始,或者从另一种乐器
转向学习打击乐,那就更为普遍。

A Brief History 简史

Over the years, percussionists have tried to come up

with a standardized list of rudiments. The original

rudiments were developed in Europe hundreds of years

ago and were introduced into the United States during

the American Revolution. In 1933, the National

Association of Rudimental Drummers (NARD) created

the “Thirteen Essential Rudiments” from the 26

Standard American Drum Rudiments.

多年来,打击乐手们一直在试图制定一份 rudiments 标准化的列表。最初的

rudiments 是几百年前在欧洲发展起来的,并在美国大革命期间被引入美国。1933

年,National Association of Rudimental Drummers (NARD)

从 26 Standard American Drum Rudiments 中创造了

“Thirteen Essential Rudiments”。


These thirteen rudiments were adopted and used as a

test for membership in the so-called “Thirteen Club.”

They included the long roll, the 5-stroke and 7-stroke

roll, the flam, the flam accent, the flam paradiddle, the

flamacue, the ruff, the single and double drag, the

double paradiddle, and the single and triple ratamacue.

In the early 1980s, the Percussive Arts Society added

fourteen rudiments, reordered them and published the

40 Standard American Drum Rudiments, broken down

into the following four categories:

这 13 个 rudiments 被采用,并被用于测试 “Thirteen Club”成员的资格。这

些内容包括 the long roll, the 5-stroke and 7-stroke roll, the

flam, the flam accent, the flam paradiddle, the

flamacue, the ruff, the single and double drag, the

double paradiddle, and the single and triple

ratamacue。20 世纪 80 年代初,美国打击乐器艺术协会(the Percussive

Arts Society)增加了 14 条 rudiments,并重新整理,出版了 40

Standard American Drum Rudiments,分为以下四类:

1) Roll Rudiments
2) Diddle Rudiments

3) Flam Rudiments

4) Drag Rudiments

More recently, a number of hybrid rudiments

(combinations of two or more of the original 40

rudiments) have been informally added, and are

common in drumlines and drum corps.

最近,一些 hybrid rudiments(两个或两个以上的原始 40 个 drumlines 的组

合)已经被非正式地添加,并在 drumlines 和 drum corps 中很常见。

Favorites

Here are my two favorite rudimental warm-up

exercises:

1) Flam Accents and Flam Taps:


2) “Paradiddle-Paradiddle”:

Resources 资源

Click here to download the Yamaha Rudiments Poster.

There are also numerous websites where you can

explore snare drum rudiments, including:

Percussive Arts Society Rudiments

Vic Firth 40 Essential Rudiments

Drumeo Rudiment Drumming Game

How do you incorporate rudiments into your practice

routine? What is your favorite rudimental warm-up? If

you are a teacher, how do you incorporate rudiments

into your lessons and assignments? We’d love to hear

from you. Email us at percussion@yamaha.com.


你如何将 rudiments 融入到你的日常练习中?你最喜欢的 rudimental

warm-up 是什么?如果你是一名教师,你如何将 rudiments 融入到你的课程和作


业中?我们很想听听你的意见。给我们发邮件地址:sion@yamaha.com。

ABOUT THE AUTHOR

Dr. Dave Gerhart is the assistant segment marketing

manager of education and is a nationally recognized

performer, composer and educator. Gerhart holds a D.M.A.

from the University of Southern California, an M.M. in

Percussion Performance and Instrumental Conducting, and

a B.M. in Music Education from California State University,

Long Beach. Before joining Yamaha, Gerhart was a Yamaha

Performing Artist. He now travels the country sharing his

passion for music education. In his free time, he teaches at

the CSULB Steel Drum Orchestra and has published works


for percussion and steel drum ensembles.

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