Take Five

Dave Brubeck & Carmen McRae

 = 174
     
 
Swing


Voice

 
                         
             
                  
          
Piano

          

 
       


Bass Guitar

     
Alto Saxophone  
Use brushes

              
    
First 8 bars do something special

    


Drumset

     
    
5


Vo.


Won't youstopand

          
                        

                  
    
              
Pf.

   
   
         

Bass. G

    
A. Sax.  

    
Add a fill between each section

D. Set
         
    
9

      
9


Vo.

        
                  
take alit tle time out with me? Ju st take five. Stop your bu sy

       
 
                     
              
Pf.

   

 
      

Bass. G

         
 

A. Sax.

              
       

D. Set

           
      
  
13


Vo.


        
day and take the time out to see I'm a live Though I'm go ing

                         

 
                     
              
Pf.

   

Bass. G
     

      
A. Sax.     

D. Set     

2
   
               
       
17

      
17


Vo.


out of my way just so I can pass by eachday, not a sin gle word do we say, it's a pan to

         
                
            
                
Pf.

       
   


Bass. G

  
             
 

A. Sax.

              
      

D. Set

 
                     
    
     
20


Vo.

 
mime and not a play, still I know our eyes of ten meet, I feel tin gles down to my feet, when you smile it's

    
      
     
       

        
 
 
 
  
            
Pf.

     
 
  
Bass. G

                
A. Sax.      

D. Set    

3
 
                 

25

       
23

 
Vo.


      
much too dis creet, sends me on my way. Would n't it be bet ter not to be so po

                 

   
         
          
      

 
Pf.

  
   
       


Bass. G

 
       
      


A. Sax.

      
     

D. Set

   
                  
26


Vo.

                

lite? Yo u should off er a light. Start a lit tle con ver sat ionnow, it's al

           

        

                     
            
Pf.

   
      
Bass. G
          

           

All this is optional but sounds good

 
Freely

       
 
A. Sax.

      
D. Set       

4
 
33

     
  
30 Trades, 2x 8, 2x 4


Vo.

        
                
right. Ju st take five. Just take five.

  




                     
          
Pf.

   
      
    
     

Bass. G

        
        
 
Trades, 2x 8, 2x 4


A. Sax.

      
       

D. Set

     



34

Vo.

     
 

                          
                   
Pf.

    
Bass. G
      

     
A. Sax.  

       
D. Set       

5
      
 


39

Vo.

     
 

                          
      
           
Pf.



Bass. G
      

     
A. Sax.  

D. Set      

     
 


44

Vo.

     


                          
      
           
Pf.



Bass. G
      

     
A. Sax.  

D. Set      

6
      
 


49

Vo.

     
 

                          
      
           
Pf.



Bass. G
      

     
A. Sax.  

D. Set      

     
 


54

Vo.

     


                          
      
          
Pf.

 

Bass. G
      

     
A. Sax.  

D. Set      

7
     
     
59


Vo.


Though I'm go ing

 
          
                        


                     
            
Pf.

   

         
    

Bass. G

    
A. Sax.  

             
        

D. Set


               

 
      
63

      
63


Vo.


out of my way just so I can pass by each day, not a sin gle word do we say, it's a pan to

         
                  
          
                
Pf.

   
   
   

Bass. G


  
     
       


A. Sax.

             
I'm sorry for the boring ahh part

   
   

D. Set

8
  
                    
          
66


Vo.

 
mime and not a play, still I know our eyes of tenmeet, I feel tin gles down to my feet, when you smile it's

  

 
 

   
      
      

                 
           
Pf.

       
  
Bass. G

                
A. Sax.      

D. Set    

         
     
      
71

    
69

 
Vo.


      
much too dis creet, sends me on my way. Would n't it be bet ter not to be s o po

                  

   
          
          
    

 
Pf.

  
   
       

 
Bass. G

        
       


 
 
A. Sax.

       
    

D. Set

9
 
                  
   
72


Vo.


        
lite? Yo u could off er a light. Start a lit tle con ver sat ionnow, it's al

                       
  




         
                     
Pf.

   
       
       
    
Bass. G

       
        
Freely


A. Sax.

       
D. Set      

      
    
76


Vo.


         
                      
right. Ju st take five, just take five. Just take

 
 
                     
              
Pf.

   
       
Bass. G
        

              
           
  

A. Sax.

D. Set     

10
       
    
80 rall.

 
Vo.


        
                       
five. Just take five. Just take

   
                 
                     
Pf.

   
          
         
 
Bass. G

               
    
  
A. Sax.

                     
               
 
D. Set

       

84 molto rall. molto rall.


Vo.

                 

 
five

  
.

 
         
            
Pf.

 
  
      


Bass. G

     
A. Sax.  

                 
        

D. Set

11