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Film Communication Sanjana

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Laapataa Ladies

1. Synopsis

A newly wedded Deepak is returning to his village with his wife Phool as its an auspicious day for wedding.The
train which Deepak and Phool are traveling has lot many other newly married couples with bride in traditional
red wedding attire. Upon reaching his house Deepak and his family realize that his wife has been exchanged
with someone else in the journey. The bride with Deepak claims to be Pushpa Rani hiding her true identity of
Jaya.While Phool is lost at a unknown station where she befriends with Manju Mai and few other waiting with
an hope that Deepak will return someday.While Pushpa Rani has hidden secrets and her arrogant husband is
looking for her.Shyam Manohar a corrupt cop gets suspicious on Pushpa Rani and follows her moves he
believes that Pushpa Rani is part of a gang who rob newly married grooms and runaway with the loot.

2. Banner
3. Producer : Kiran Rao , Aamir Khan, Jyoti Deshpande

4. Director : Kiran Rao

5. Write : Original Story: Biplab Goswami Screenplay and Dialogues: Sneha Desai Additional
Dialogues: Divyanidhi Sharma

6. Editor : Jabeen Merchant

7. Cinematography : Vikash Nowlakha

8. Director of photography : Vikash Nowlakhaa

9. Cast : Nitanshi goel , Sparsh shrivastav , pratibha Ranta ,Ravi kishan ,chhaya kadam

10. Music director composer : Ram sampath

11. Production Designer : Vikram Singh

12. Art Director : Kshitij Jeevan Randhir

13. Costume Design: Darshan Jalan

14. Make up artist : Kamlesh U. Shinde , Sanjay Pardesi

15. Budget : 4 crore

16. Box office collection : 23.29 crore


Kiran Rao is a distinguished Indian filmmaker and producer known for her innovative storytelling and unique
cinematic vision. She began her career as an assistant director on the film “Lagaan” (2001) and later made her
directorial debut with “Dhobi Ghat” (2010), a film that received critical acclaim for its nuanced portrayal of
urban life in Mumbai.

Dhobi Ghat (2010): Rao’s debut film, “Dhobi Ghat,” is a narrative mosaic that interweaves the lives of four
individuals from different social backgrounds in Mumbai. The film was praised for its realistic portrayal of the
city and its inhabitants, showcasing Rao’s talent for capturing the essence of urban life.

Secret Superstar (2017) – Producer: Though not directed by her, as a producer, Rao contributed significantly to
this film, which tells the story of a young girl aspiring to be a singer despite familial obstacles. The film was
both a commercial success and critically acclaimed.

Awards and Recognition:

Best Debut Director: “Dhobi Ghat” earned her several nominations and awards for best debut director.

Critical Acclaim: Her films often receive praise for their depth, character development, and social relevance.

Audience Appreciation: Rao’s work is appreciated for its authenticity and relatability, often resonating deeply
with both urban and rural audiences.

Vision and Style:

Kiran Rao is known for her minimalist yet impactful storytelling, focusing on the intricacies of everyday life
and human emotions. She tends to explore themes such as identity, socio-economic divides, and personal
aspirations. Her direction often features a blend of realism and artistic expression, creating a distinctive
narrative style.

Hits and Flops:

Hits: “Dhobi Ghat” was a critical success, and “Secret Superstar,” which she produced, was both a critical and
commercial hit.

Flops: Rao has had few commercial failures, primarily because her projects are usually well-crafted and
resonate with niche audiences.

Contributions to the Film Industry:


Kiran Rao has been instrumental in bringing fresh perspectives to Indian cinema. Her films often break away
from conventional Bollywood tropes, focusing instead on realistic portrayals and meaningful storytelling. She
has also been an advocate for independent cinema and has supported various initiatives to promote it.
Overall, Kiran Rao continues to be a significant force in Indian filmmaking, known for her dedication to
authentic storytelling and her contributions to elevating the standards of Indian cinema.

Thank you

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