Week 8 Assignment 2
Week 8 Assignment 2
Week 8 Assignment 2
CHINESE LITERATURE
Introduction
China is the only country in the world with the literature written in one language for
more than 3,000 consecutive years. This continuity results largely from the nature of
the written language itself. It is the use of characters, not letters as in Western
languages, that is most important in the Chinese language. The main disadvantage
of written Chinese is the great number of character it contains: even basic reading
and writing require a knowledge of more than 1000 characters. But even with this
disadvantage, Chinese has been a potent factor In shipping and maintaining a
cultural continuity for millions of people.
Literary Figures
China has a very old and rich tradition in literature and the dramatic and visual arts.
Early writings generally derived from philosophical or religious essays such as the
works of Confucius (55-479 BC) and Lao-tzu (probably 4th Century BC).
Literary Movements
After the fall of a dynasty, for example, a grand history of the late dynasty was
commissioned and written by scholars in the next dynasty. China also produced
poetry, novels, and dramatic writings from an early date. Chinese literature has its
own values in tastes, it's own raining cultural tradition and it's own critical system of
theory.
Cultural Influences
Drama is another old and important literary form. Chinese drama usually combines
vernacular language with music and song and does has been popular with the
common people. A variety of popular in standard themes are presented in Peking
opera, One of the local operas, which is probably the best known of several operatic
traditions that developed in China. Chinese opera is a favorite artistic and cultural
medium.
Early Chinese novels offend stressed character development and usually centered
on an adventure or supernatural happening. “Dream of the Red Chamber,” probably
China's most famous novel.
Genres
China’s literary tradition continues to the present, though much 20th century writing
has concentrated on efforts to reform or modernize China.
For 3,500 years, they have woven a variety of genres and forms in compassing
poetry, essays, fiction, and drama.
Conclusion
The enduring strength of Chinese literature lies in its ability to bridge the gap
between ancient traditions and modern realities. From the philosophical essays of
the Zhou Dynasty to the novels of the Qing Dynasty, Chinese writers have
consistently explored themes of human nature, social order, and the search for
meaning. The modern era, marked by Westernization and political upheaval, has
further enriched this literary tradition, prompting writers to grapple with issues of
identity, progress, and the complexities of a rapidly changing world.
Despite the challenges and transformations it has faced, Chinese literature has
maintained its unique voice and cultural significance. Its rich tapestry of genres,
styles, and perspectives continues to offer valuable insights into the human
experience and the enduring power of storytelling. As China continues to evolve, its
literary tradition will undoubtedly continue to shape and reflect the nation’s identity
and aspirations for the future.
References