The Madhouse of Tasha's Kiss

The Madhouse of Tasha’s Kiss
Version 2
Background: Nimgyu
Cartography: Mobral Rox
@mobralrox
Cover Art: Svetoslav Petrov

@SvetoslavPetro9
https://www.deviantart.com/svetoslavpetrov
Editor: Brent Sweany

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Internal Art: Luiz Prado

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Layouts: Jeff C. Stevens

Produced by: Jeff C. Stevens
Special Thanks: Ken Carcas, Drew Derby, and Chad Lensch
Written by: Jeff C. Stevens & Remley Farr
@jcorvinstevens
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2 | The Madhouse of Tasha’s Kiss

Using this Supplement Madness
No specific location is mentioned in this supple- Several rooms in this adventure may cause a PC
ment, making it easy to insert into most campaigns. to roll to avoid short-term or long-term madness.
These tables are found in Chapter 8: Running the
Text in these yellow boxes is to be read to players. Game in the Dungeon Master’s Guide. That chapter
also lists spells which may be effective in suppress-
Text in gray boxes is for the DM only and should ing or ridding a creature of madness.
not be read to players. For this adventure, whenever a creature fails a
Most of the creatures in this adventure are found madness saving throw and suffers either short-term
in the 5th Edition Monster Manual. Page numbers or long-term madness, they also gain one point of
have been included for easy reference but depend- continuing madness until the end of the adventure.
ing on the printing edition of your Monster Manual, Once a creature has accumulated 3 points of con-
they may not match. tinuing madness, that creature then rolls on the
In addition, several new creatures have been cre- Long-Term Madness table, gaining that effect until
ated for this supplement. They are noted in BOLD targeted by the lesser restoration spell or similar
with no Monster Manual reference. You can find magic.
these creature stat blocks at the end of the adven- Once a creature has accumulated 5 points of con-
ture in The Creatures of the Madhouse appendix. tinuing madness, that creature then rolls on the
Unless otherwise noted, all NPCs have the stats of a Indefinite Madness table, gaining that flaw until
commoner. targeted by the remove curse spell.
A Character Madness Tracker is found at the end of

Average Party Level the adventure, which you may hand out and allow
The Average Party Level (APL) can be used to the players to track their own madness.
calculate the appropriate challenge level for your If you find the Madness saving throws are failing
party. To calculate the APL, add the total levels of too often, adjust the DCs down so that the adven-
all characters and divide the sum by the number of turers have a better chance of making the saving
characters (rounding up for .5 or greater). throw.
Skill Checks and Saving Throws Maps
Specific DCs are written for each of the encounters. Unless otherwise noted, for all maps:
You may wish to change these DCs based on the 1 square = 5 feet.
APL of the adventuring party. We suggest the below
range: Rooms
APL Check / Save DC Except for where walls are obvious on the map,
1 thru 3rd
st
11 the rooms in the madhouse have no walls. Instead,
the rooms are surrounded by darkness. A creature
4th thru 6th 13
stepping off the edge of a room falls 20 feet and
7th thru 9th 16 then materializes 10 feet above an unoccupied
10th thru 12th 19 space from where it stepped off, suffering 3d6 blud-
13th thru 15th 22 geoning damage and landing prone, unless it avoids
taking damage from the fall.
In addition, if you feel a skill check or saving throw
DC is too low or too high, feel free to adjust the DC
as you wish.
The Madhouse of Tasha’s Kiss |3

Doors, Portals, and Exits Using NPCs
Once inside the madhouse: Throughout the adventure, the party is introduced
to several NPCs. These NPCs can follow the party
• The brass door used to enter the madhouse throughout the adventure, but they may become
disappears a nuisance. To limit their actions, you may wish to
• The only way to exit the madhouse is by have the NPCs cower in fear as they wait for the
destroying Tasha’s Kiss adventurers to find a way to free them.
• The doors inside the madhouse are portals
which lead to different rooms constructed You Are Empowered
within this pocket dimension
• The portals resemble large clown-like faces As mentioned above, you do not have to run these
with a large, dark opening in the mouth encounters as written. You (as the DM) are em-
powered to make changes as you wish – adjusting
the encounters as the game is played, if you like.
You are part of the collaborative storytelling that
is Dungeons & Dragons and you know best how to
adjust the encounters so that your adventurers get
the most out of the session and story.
1 square = 10 feet

Adventure Primer Adventure Hooks
The oldest and strongest emotion of mankind is There are several ways this adventure can be intro-
fear, and the oldest and strongest kind of fear is duced into your ongoing campaign:
fear of the unknown.
• The party stumbles upon the village cur-
— H.P. Lovecraft rently being visited by Tasha’s Kiss.
• The party is sent to investigate a village
Background •
after merchant shipments have ceased.
Tasha’s Kiss is currently in the home village
Tasha’s Kiss is a well-known jester who travels the of one of the party members.
Realms entertaining kings, lords, cities, villages, and
children. A happy and talented performer, Tasha’s Adventure Breakdown
Kiss is a beautiful human woman with fantastic red The adventure is made up of four parts:
and white face paint and a red and black harle-
quin-style costume. Part 1: The Beginning. Using one of the adventure
hooks, the party finds themselves in an empty
Named after her favorite spell – Tasha’s Hideous town. Searching the town reveals a large, cir-
Laughter – Tasha’s Kiss uses her spells to incite cus-style tent. Inside the tent they find a weeping
laughter and joy into those around her. boy sitting next to a fantastic wagon.
Unfortunately, a demon took a liking to the jest- Part 2: The Madhouse. By using a portal found in
er. Drawn to her by her fame, her look, and her the wagon, the adventures enter a pocket dimen-
charismatic prowess, the fiend possessed her, and sion created by a fiend that possessed the original
now manipulates the famous jester to lure victims owner of the wagon. The fiend’s pocket dimension
into its pocket dimension where it terrorizes and contains several rooms which may cause adventur-
consumes those who enter the dimension it calls ers to go mad.
‘the madhouse’, where it can feed on their bodies
and souls. Part 3: Tasha’s Kiss. The adventurers reach the final
room of the madhouse where they must confront
In addition to using suggestive magic, the demon the fiend if they want to leave the pocket dimen-
uses the jester’s normal, beautiful form to interact sion.
with villagers and to coerce them into her wagon,
which contains an entrance to the pocket dimen- Part 4: Conclusion. The adventurers have success-
sion – the madhouse. Inside the madhouse, the fully defeated the fiend. They may also have to help
demon transforms her body into a grisly form with the hundreds of people they saved from the pocket
spider-like legs. dimension.

pattern, erected on the other side of town. From
Part 1: The Beginning within the tent, the party hears a weeping boy.
Read or summarize the following:
Estimated run-time: 30 minutes
Muffled cries come from the tent, breaking the
This section assumes the adventurers happen upon ghostly silence.
the small village or town while they travel to their
next destination.
When the party enters the tent, read or summarize
When you are ready to begin the adventure, read the following:
or summarize the following:
A young boy, perhaps 9 or 10 years old, sits next
The village resembles a ghost town. The streets to a magnificently constructed wagon which rests
are empty, yet garments hang on clotheslines, in the middle of the tent. The boy quietly weeps
flapping gently with the breeze. Two malnour- while holding a piece of paper in his hands.
ished horses are tied to a hitching post in front of
a tavern.
The Boy
The boy’s name is Gentry Hull. He’s the only per-
The wind picks up, causing shutters to slam son remaining in the village. All others have been
against a small building, breaking the silence. coerced to enter the wagon, which acts as a portal
to the pocket dimension of Tasha’s Kiss… the mad-
house. Gentry holds a Tasha’s Kiss event flyer.
Investigation of the Town
Investigating the town, the characters find it empty. If questioned, Gentry has the following information
Flyers are pinned to building posts and are found in to share:
the tavern that read ‘Come one, Come all! To see
the marvelous Tasha’s Kiss!’ • Everyone in the village went to see Tasha’s
Kiss.
The horses appear to be in the early stages of star-
• His mother, father, and big sister went in.
vation and are severely dehydrated.
• Although she is a pretty clown, he doesn’t
Footprints, wagon tracks, and other prints are like clowns. He says, “Clowns freak me out!”
mostly erased from the road, having been brushed • She wore red and black clothes, had a
away by recent rain and winds. white face, and a floppy hat with bells on it.
• He was outside playing while the other
Who is Tasha’s Kiss villagers watched her perform.
A successful Intelligence (History) check reveals the • He didn’t notice it get quiet, but it did. He
following (Bards have advantage on the check): looked around town for people and saw
them going into this tent. He peeked in and
DC Result (results are cumulative, revealing saw them enter the wagon. The entire town!
all of the information from lower DCs) • He wasn’t going in. No way! No how!
10-11 I’ve heard of a jester called Tasha’s • The door won’t open anyhow.
Kiss. • This happened five days ago.
12-15 She travels to cities and towns, per- • No one has come out since.
forming for the people.
16-19 She wears a red and black checker- Gentry’s a pretty resourceful young lad. He’s been
board outfit and paints her face white. making himself meals, though some of the con-
coctions aren’t very appetizing. Mixing preserved
20+ I saw her perform once. She was
tomatoes and peaches together isn’t as tasty as one
amazing!
would think.
The Weeping Boy He goes home every night, but returns to the wag-
on every morning, hoping for the door to open and
Soon after their arrival (or while investigating the
for his family to walk out.
village) the party sees a large circus-style tent,
decorated in a white, red, and black checkerboard

Gentry’s Family Entering the Wagon
Tabitha – Gentry’s big sister. She’s 15 years old and The door to the wagon isn’t locked. Gentry just
has long red hair. Although, she’s a pain to live with, wasn’t strong enough to pull it open.
he misses her.
The interior of the wagon is just as impressive:
Migal – Gentry’s father. A stout, balding human.
He’s missing an eye, now covered with a black • Plush, red velvet cushions line a bench
patch. He had an accident when he was a child, but along the back of the wagon.
he won’t tell Gentry what the accident was. • A grand wardrobe, its door slightly ajar,
lines one of the walls.
Sandy – Gentry’s mother. A stout woman with • A large mirror stands above an oak makeup
amber hair. She’s always wearing an apron, mainly table.
because she bakes all the time. His mother owns • A basket of rolls and fruit rests next to the
the local bakery and is famous for her sourdough makeup table and, surprisingly, are still fres
bread knots.
Searching the Wagon
If asked about the population of the town, Gentry
A creature searching the wagon and succeeding
explains he’s never counted the number of people
on a DC 14 Wisdom (Perception) or Intelligence
in town, but he guesses there to be 53 people in all.
(Investigation) check finds the following:
Tasha’s Wagon • 3 pots of makeup - one each of red, black,
and white
Tasha’s wagon is an amazing piece of work. Its
• 3 complete disguise kits
exterior is well-constructed and is embellished with
• A leather pouch containing 50 gp
gold foil scroll work. Across each side of the wagon
• A fancy, red satin dress
are the words ‘Tasha’s Kiss.’
A creature succeeding the check by 5 or more finds:
• A ring of feather falling

• A potion of climbing
The Wardrobe
The wardrobe is empty of clothing. Instead, a flight
of stairs leads down and into darkness. The stairs
are not visible from outside the wagon.
The Stairwell
Using the stairwell leads the party to the entrance
to Tasha’s madhouse and to the first room of her
personal dimension – The Sorting Room. The en-
trance is a one-way portal. Once someone enters,
they can’t leave unless they destroy the fiend.
The stairs descend 60 feet, level off for 50 feet

and then ascend for 130 feet, ending at a grand
brass door with the words Tasha’s Madhouse
expertly engraved across the brass.
Developments
After the party passes through the brass door, it
disappears.

Part 2: The Madhouse
This section assumes the adventurers enter the mad-

house using the stairwell found in the wardrobe. The
madhouse is a pocket dimension used by the demon
who now inhabits the body of Tasha’s Kiss.
Area 1: The Sorting Room

The brass door opens to a room where faceless hu-
manoids move about, sorting those who enter the
room into groups and directing them to one of two
portals – one for cooperative clients, the other for
the uncooperative. The faceless humanoids speak
via telepathy.
As the adventurers enter this room, read or sum-

marize:
The door swings inward, quietly opening to a

room with three small tables in the center, a
wooden chair rests on either side of each table.
Two of the tables are currently occupied – a

normal looking human sits across from a faceless
humanoid. The human’s eyes are closed, and an The Dream Weavers do not attack unless pro-
expression of joy fills its face. The hands and fin- voked, in which case they use their mind blast
gers of the faceless creature across from it chaoti- ability and weaver prods to restore balance in the
cally dance, as if the creature is weaving the air. Sorting Room.
The Dream Weavers sitting at the tables use magic

A gnome woman walks up to you, her face an to construct pleasant thoughts and visions with-
empty palette with no features, only skin. She in their clients’ minds. Joy, serenity, peace, love
holds a book and a writing implement. – these are all things the Dream Weaver tries to
build. The cooks in Area 6: Pigs, Pies, and Puddings,
find that happy beings make for better spice, which
Her body gestures as she speaks to you, though
Tasha’s Kiss prefers.
she has no mouth. Her words come to you in your
native tongue as she speaks to your mind. “Good, Weaver Prod
good!” she says. “Please, take a seat!” Weapon, uncommon
Formed from sand struck by the breath of a blue drag-

Josaphine on, the Weaver Prod is a 12-inch long piece of jagged,
Josaphine is the Dream Weaver in charge of the blue glass fastened to a wooden handle. The glass
contains a residual charge from the dragon’s breath
Sorting Room. She and four more faceless human-
weapon.
oids work to sort those who enter the madhouse.
On a hit, the Weaver Prod deals 1 point of piercing
Dream Weavers damage plus 1 point of lightning damage.
Including Josaphine, there are a total of five Dream
Weavers in this room. The fifth Dream Weaver Weaving
stands near Portal B, its weaver prod at the ready, Josaphine directs the adventurers to take a seat at
in the event someone standing at Portal B acts out. one of the tables. When she does, one of the cur-
rent human clients from the village (Bart), who has

a large smile across his face, is moved to Portal A. Portals
He looks at the party, claps his hands together, and There are two exits from this room. Each exit is a
says, “Isn’t this place just marvelous?” as he stands portal designed to resemble the face of a laughing
in front of the portal. clown. Using either of these exits teleports a crea-
ture to the teleportation location marked below:
The other client (Gram), an old human woman with
squinty eyes and a wrinkled face covered in a scowl, Portal A leads to Area 2: The Laughing Man
is moved to Portal B. She looks at the party and
says, “I don’t like this. Not one bit!” The Dream Weavers order the adventures to enter
the portal.
Unless the Dream Weavers are killed, these clients
enter the portals when the adventurers do. Portal B leads to Area 3: The Mirror Room
When a creature sits at the table, the Dream Weav- The portal is false. Instead, the floor the creatures
er begins to weave its magic. Each creature sitting are standing on dissolves. They find themselves
at a table must roll a DC 12 Wisdom saving throw. falling for several minutes and then appear in Area
3: The Mirror Room, landing prone and suffering 1
On a failed save, the creature is overcome by the point of bludgeoning damage.
feelings of joy, love, and happiness. They find their
current situation pleasant and they can’t wait to These portals are one-way. They cannot be used to
experience more of this new, exotic place. They return to Area 1: The Sorting Room.
happily move to Portal A when they are directed.
Bart
On a successful save, the creature is unaffected by
the weaving and may continue as it likes, though it Bart (L/N, commoner) from Gentry’s village. His
is directed to stand at Portal B. weaving was successful and he’s happy to be
here, excited to see what else is in store for them.
Creatures the refuse to sit at the table for a weav-
ing are directed to stand in front of Portal B. If Bart is used as an NPC throughout the adven-
ture, he is consistently happy and curious. His
weaving was very successful, and he sees every-
thing as an interesting, new experience. He won’t
understand why the adventurers are attacking
creatures and he may even fight against the ad-
venturers.
Gram
Gram (N/G, Thug, MM, p 350) from Gentry’s
village. She has sixteen grandchildren who all call
her Gram. She heard the nickname so often that
she decided to use it all the time. She does not
know what is going on in here, but she doesn’t
like it. Not one bit!
If Gram is used as an NPC throughout the adven-

ture, she constantly questions everything the
adventurers come across. If she is with the party
when they encounter the cooks in Area 6, she
picks up a rolling pin (club) and joins the fight
against the cooks.

Developments Deggmir, Winnower of Souls works for his mistress
Depending on their actions and their willpower, the in this chamber. He is skilled in separating souls
party may become divided as they are sorted. If this from physical bodies, bringing a “false death” to his
occurs, the adventure is designed so they regroup clientele. To Deggmir, souls are the source of guilt
quickly. and despair—barometers of morality that guide
thoughts and feelings towards a sense of compas-
Area 1: The Sorting Room, cannot be accessed again sion. Deggmir knows here are those whose lives
using the portals. require this compassion to be ripped and muted.
Deggmir excels in such art.
Area 2: The Laughing Man
Like a leech dredging bad blood, Deggmir has the
The adventurers access this room by: ability to siphon away his client’s guilts and horrors,
1) Being teleported here from the Area 1: The bottling them away so that his clients can go on liv-
Sorting Room ing without that nagging feeling of “I was involved
2) Using the portal from the hallway in something wrong.” With enough coin, Deggmir
can peel away the pain and replace it with apathet-
As the adventurers enter this room, read or sum- ic ambrosia. He is the spiritual surgeon, grafter of
marize: scar tissue on souls.
Humor and hate clash in your head as a stench of But now he works for Tasha’s Kiss and uses a differ-
dry, barren rot fills this stone room. Several crates ent set of skills.
lie stacked in a corner. Glass jars rest on top of
them. A man laughs in the distance—the same No longer a simple trader of outlawed clerical work,
man weeps. Deggmir’s existence is chained to the plane where
Tasha’s Kiss makes her home. He doesn’t hold back
in his skills. He tears entire souls out of bodies, no
The Madhouse of Tasha’s Kiss | 11

longer merely dripping them of their toxins, and he the details of his job as though there is nothing
cages them for use in Tasha’s Kiss’ later cavalcades. morally wrong about it. Regarding “why” he sepa-
The experience for the victims is euphoric, causing rates the souls for Tasha’s Kiss, he says it gives him
the victim to laugh in splendor. The soul, however, peace and purpose, and what does anyone want in
shrieks in terror, knowing that whatever heavens the world except for peace and purpose? Deggmir
or hells previously awaited it are no longer avail- is quick to use his soul scent (see Stat Block) on the
able. To come to terms with his actions, Deggmir party, questioning them about their reasons for do-
has pierced himself with his own hooks, chains, ing what they do—trying to pry out a justification.
and blades that allow his own soul to “drip” away,
placating his guilt in tearing asunder his victims. Deggmir has 2d6 jars filled with souls on his table.
Opening them frees the soul.
The Encounter
When the adventurers enter Deggmir’s work- Gift from the Souls
shop, he is in the middle of separating a soul from If the souls are released from the jar, they bestow a
a townsfolk commoner. If the adventurers are gift on the creature that freed them, granting that
stealthy, he won’t be alerted. Even so, he isn’t ag- creature the following blessing:
gressive should he notice them. He’s merely doing Blessing of Weapon Enchantment. One nonmagical
his work. Upon the party seeing Deggmir’s work- weapon in your possession becomes a +1 weapon
shop in its entirety, they notice: whenever you wield it.
A bald man with a neanderthal-like face works
Combat
at a series of chains. He’s covered in hooks and
Should there be a fight, Deggmir attacks with his
spikes, self-inflicted wounds leaking an unnatural,
chains, but he first tries to distract the party by
green miasma that dissipates into the air. The
smashing a jar he keeps pocketed away on his
chains, which are attached to pulleys, are latched
person. The jar contains the residue of his own soul
onto to a ghostly figure. The figure shrieks as it is
(see Scaling Combat, p 13) that he has been siphon-
pulled out of an identical, human equivalent of
ing away, which attacks the party.
itself. The human is laughing maniacally. A few
lifeless bodies lie stacked in a nearby pile. Crates Bodies in the Corner
and tables covered in glass jars and rusty tools lay The bodies are withered and gnarled, as if they had
in the corner. been dried, purged of water, and petrified. Nothing
of value is found on the bodies.
Bart Developments
When Bart sees the above, he becomes excited, The party may attempt to exit the room without de-
raises his hand, and says, “Oh, that looks like fun! feating Deggmir. The portal in the room leads them
I’m next!” to Area 4: The Hallway.
Madness
The Townsfolk Any creature that can see Deggmir and his actions
If the townsfolk’s soul notices the party, it begs must succeed on a DC 12 Wisdom saving throw
them to “not let him take me out!” The laughing, or suffer the effects of short-term madness for
mortal villager argues to “let him keep going!” 1d10 minutes.
Deggmir doesn’t pay the party any mind until he
is done with the separation, which takes 1d4+1 That creature also gains one point of continuing
rounds after the party witnesses the scene. madness.
The Laughing Man

If the soul is separated, the body dies and Deggmir
traps the soul in a jar, which he sets aside. Deggmir
is more than happy to converse with the adventur-
ers about his trade. He speaks with a rattly voice,
but his vocabulary is that of a scholar. He explains

Where did the split happen? How does this new
Scaling Combat iteration of themselves act? More importantly, does
the new PC desire to go back into the mirror and
Make the following adjustments to Deggmir’s Stat allow the real PC back into the world?
Block:
The mirrors are easily smashed. Any rendition of a
APL 3: AC 14, 65 HP, +5 to hit PC within a mirror when it is smashed becomes lost
Deggmir does not release his soul forever.
from the jar.
APL 5: As written
Deggmir releases his soul from the jar
Gram
(Ghast, MM, p 148 without Stench When Gram enters this room, she hops up, brush-
ability) es herself off, and says, “Well, let’s get moving!”
APL 7: AC 17, 120 HP The woman has a strong will and has advantage
Deggmir releases his soul from the jar on all saving throws while in this room.
(Wraith, CR 5, MM, p 302).
APL 10: AC 18, 120 HP, +9 to hit, Deggmir
makes three attacks.
Deggmir releases his soul from the jar Note to the Dungeon Master
(Wraith, CR 5, MM, p 302). This room has the potential to change your PCs
and possibly your whole campaign. Your players
may enjoy this new aspect, or it may devastate
Area 3: Mirror Room them. A PC getting killed is one thing (it happens)
but having their core attitudes changed may
make players unhappy, possibly being upset with
marize:
their new versions. To dodge this, you can have
A winding maze of mirrors along the room creates the PCs revert to normal after a long rest, impose
an uneasy feeling. The reflections looking back a time limit for them to revert to normal (1d20 x
match your movement, but they show different 10 minutes), or make breaking the mirror reverse
lifestyle outcomes. These are the choices you the effect.
didn’t make in life.
Does the rogue see herself smiling with a pregnant

belly? Does the cleric of Torm see herself dressed in
Madness & Fear
jagged vestments of Asmodeus? Maybe the sorcer- Being in this room longer than 10 minutes in-
er sees his own severed hands wrapped around his duces madness and fear. The reflections begin
chained body, a right punishment for “that crime he “reacting” to their respective PC. Fear checks and
almost got caught committing at the academy” two madness checks ensue, starting with DC 10 Wis-
years ago? dom saves, then an additional save every minute
afterwards, increasing the save DC by 1 for each
The goal of this room is to play on your PC’s additional save. Failure means fleeing from the
backgrounds, possibly providing a good roleplay room by any means necessary.
moment. Was there a key moment in a previous
adventure where the PC had to make a choice? The That creature also suffers the effects of short-
other choice may manifest itself in one of these term madness for 1d6 minutes and gains one
mirrors. point of continuing madness.
Anyone touching a mirror with bare skin swaps

places with the reflection. The PC in its current
iteration is the reflection, and whatever version
resided in the mirror now exists in the real world,
controlled by the player. The player decides what
life choices led to this “new version” of themselves.

warlock kill his family at his patron’s de-
Area 4: The Hallway
mands? The Chimaera Chron knows all of
The hallway allows access to Areas 2, 3, and 5. this and shares information accordingly.
2. Familiar Ground. Chimaera Chron reshapes
4A: One Way the room to match a familiar location for
This portal only allows access into Area 3. Creatures one of the PCs. Is it a happy hometown? A
from Area 3 may not exit that area using this portal. grisly battleground? The town itself from
the beginning of this adventure?
4B: Wrong Way 3. Devil’s Bargain. Chimaera Chron allows the
This portal only allows access from Area 3. Crea- party safe passage from here on out as long
tures may not enter Area 3 using this portal. If they as each adventurer offers it one permanent
attempt to do so, the mouth animates and says, memory. The memory must have signif-
“Wrong way, buddy!” icance, like the face of a loved one or a
wedding night promise. This memory could
4C: To the Laughing Man
also be something terrifying. The submit-
This portal allows access to and from Area 2. If Area
ted memories are forgotten by the PCs and
2 has not yet been encountered, read or summarize:
replaced by another memory in Chimaera
From the darkness of the portal comes a myste- Chron’s mental inventory or one of its own
rious sound. A man cries out, “No! Please, no!” creation. The PC believes this memory as
Then the same voice laughs, “Yes! Yes!” though it were true.
Memory Bank
Area 5: Chimaera Chron ● Party of One. In a fight, Chimaera Chron,
stat-wise, is every party member. Choose a
As the adventurers enter this room, read or sum- PC at random—Chimaera Chron’s stats are
marize: a copy of that PC’s character sheet. When
Darkness extends in every direction. The only defeated, Chimaera Chron is “reborn” as a
light source is a beam of light illuminating a different PC. Only when all incarnations of
seated creature in front of you. Imagine a culmi- it are killed is Chimaera Chron defeated.
nation of everyone in your party, as though you Combat
all somehow had a child with a bit of everyone’s During combat, Chimera Chron continues asking for
characteristics. Now imagine that child was an a memory. Once a creature does so, Chimera Chron
adult with all the training, knowledge, and gear breaks off combat with that creature and says, “You
your party has at this moment. Now imagine that shall pass.”
creation sitting in a chair, staring at you. Finally,
imagine there is no way out. The truce is lifted if that creature attacks Chimera
Chron again.
The entry the characters used to enter this room
exists no more. There are no immediate exits. There Madness
is only the creature in front of them that uncannily Any creature that sees itself defeated must
resembles the party as one entity. The creature is succeed on a DC 14 Wisdom saving throw or
armed with their weapons, knows their spells, and suffer the effects of short-term madness for 1d10
is privy to every memory they have. minutes.
It uses all of these tools against them, typically in That creature also gains one point of continuing
the following fashion: madness.
1. Incite Dissention. What secret does the
party’s half-orc sorcerer have about her Developments
past life? Has the party’s tiefling fighter Once Chimera Chron has been dealt with, either by
been stealing gold pieces from the party’s trading memories or by defeat in combat, the party
community chest? Did the party’s halfling is free to use the other portals in this room.

Chimera Chron’s Memory Bank Table:
1 Your parents want you to come home. They live at the capitol city. One of them is dying.
2 A random party member declared unconditional love to you. Even though you rejected it, that love remains.
3 A former lover/spouse was slain by a demon. One item you carry was that person’s keepsake.
4 You were engaged to marry, but your betrothed sabotaged your nephew’s gate spell, teleporting you to layer 222 of the
Abyss. His parting words, “Share my love with you? I won’t even share this world with you.” (This is one of Affavara’s mem-
ories. She gave it up to keep the illusion that her fiancé still loves her.)
5 You have a son named Gentry Hull. He doesn’t impress you, and you know that makes you a horrible parent. (Gentry Hull’s
father wants to love his son. He gave up this memory so that he could.)
6 That “family heirloom” you hark about was stolen from a corpse. You helped create that corpse.
7 She would still have her sight if you didn’t drop her.
8 It was cold. You were sick. The blizzard covered their cries. Even if you weren’t sick, there was no way you could have
heard them. Maybe? Hopefully. Burying them was a sure waste of a weekend.
9 The bard heard too much. No way was your secretgoing to be part of his next song.
10 Morthania the Hag hexed your fate. A loved one will die in 3d6 months unless you bring Morthania a demon’s backbone.
(not really, but the PC is convinced this is the case)
11 You had an affair. She never found out. The homewrecker you hooked up with died in a raid. But you still know...
12 An angel once wept after hearing your singing. You promised it you would never sing again.
13 The weapon you carry was stolen from a great adventurer who died not long after the theft. Had the adventurer still pos-
sessed the weapon, the adventurer would still be alive.
14 Your desire to be a knight as a child ended up with a friend dying during a playfight. Nobody else knows.
15 You have unfleeting, romantic feelings for someone very close to you.
16 You can barely sleep. Elder Rowan is stalking you. He will find you. He will kill you… one day.
17 You know the secret recipe for the best-tasting coffee to ever reach the Sword Coast—you can be rich! Though one of the
secret ingredients is Halfling tongue.
18 You know the way to a treasure cache, and the desire to go there is extremely tempting.
19 Grysttl’kurd, your black dragon master, tasked you with taking care of his newly spawned hatchling, Hexagrysttl, but you
lost the dragon whelp in the swamp. Grystll’kurd is after you.
20 You have had an imaginary friend named Bellow since you were a child. Bellow is a bullywug, and he constantly urges you
to do terrible things to others.
Note to the Dungeon Master Monk – use Martial Arts Adept (CR 3)
In the event physical character sheets are not avail- Rogue – use Master Thief (CR 5)
able, you may substitute the below to represent Ranger – use Archer (CR 3)
each of the party members. Once one of the below
Bard – use Bard (CR 2)
falls, another of these creatures takes its place
until all PCs have been represented and defeated. Cleric – use Priest (CR 2)
Wizard – use Illusionist (CR 3)
Fighter – use Veteran (CR 3)
Paladin – use Gladiator (CR 5)
Sorcerer – use Transmuter (CR 5)
Druid – use Druid (CR 2)
Warlock – use Enchanter (CR 5)
Barbarian – use Berserker (CR 2)

Area 6: Tentacle Mass Cages
The barred cages are 10-feet-tall with a locked
As the adventurers enter this room, read or sum- hatch at the top of each cage. Each lock can be
marize: picked with a successful DC 15 Dexterity check
using thieves’ tools, or by using the key which dan-
The floors and ceiling writhe. They pulse. They gles from one of Affavara’s tentacles.
gurgle. They breathe. A closer inspection reveals
the floor is a mass of tentacles. Dominating the The cage on the right holds ten villagers who have
center of the room is a tentacled mass sitting be- been touched and transformed by Affavara – each
tween two large cages. The villagers within one of with an appendage that has been replaced by a
the cages scream in terror, while in the other they wriggling tentacle.
mumble incoherently—they are broken shells of
their former selves. A mass of tentacles stoops The cage on the left holds eight villagers who have
over one of the cages. It has just popped the arm yet to be changed by the monstrosity.
off of a screaming woman and shoved one of its NPCs
own dislocated tentacles into the socket where Gentry’s mother, Sandy, is in this room, weeping in
her arm used to be. the right cage. Her left arm has been replaced with
a tentacle.
The tentacle mass is Affavara, the Banished Bou-
quet. She was once an elven noble engaged to Combat
a handsome prince until her sorcerous nephew When Affavara notices the party, she doesn’t see
mis-transcribed the summoning circle to bring her visitors, threats, or intrusions. She sees body parts.
to the wedding. Instead she appeared on the 222nd Whatever victim she’s toying with falls away, and
plane of the Abyss, the domain of Zuggtmoy the the villagers shout for help. The tentacle masses
Demon Queen of Fungi. The wedding dress-clad elf covering the room don’t attack or impede the party
reacted to the planes magic, becoming a shambling aside from providing difficult terrain.
mass (bouquet of plant-like tendrils. Impressed
Though she doesn’t attack, her flailing tentacles
at Affavara’s beauty, Zuggtmoy chose her as the
impose difficult terrain. In addition, if a creature is
bouquet for her wedding to Araumycos then tossed
within 10 feet of Affavara at the start of its turn, it
Affavara back to the planar void where Tasha’s Kiss
must succeed on a DC 15 Dexterity saving throw
caught her in the pocket dimension. She’s lived in
or be hit by one of Affavara’s tentacles, suffering 1
the wagon ever since.
point of bludgeoning damage and hearing of one
Affavara longs to be an elf again, but her new form Affavara’s Echoes (see next page).
affects her mental cognition as well as her physical
state, so she’s tearing at people’s body parts like
a child pulling wings off of flies. Her own wormy
mass has twitching humanoid arms, legs, eyes, and
teeth peppered all over, but after a few days they
fall off and she takes newer ones. She doesn’t leave
the victims to die—she replaces whatever body
part she takes from them with one of her tendrils,
but the villagers control the tendrils in a haphazard
manner as though these new appendages have
minds of their own.
The cage of cross-stitched people is, understand-

ably, a nightmare.

Affavara’s Echoes
When Affavara touches someone’s skin, roll on the
Madness
Affavara’s Echo table on the next page and read Any creature that enters this room and can see
aloud what the PC hears Affavara shout in their head. Affavara must succeed on a DC 12 Wisdom sav-
ing throw or suffer short-term madness for 1d4
Possible Outcomes minutes.
• Deggmir. Removing Affavara’s soul from
her misshapen form can provide her with That creature also gains one point of continuing
peace, especially if the PCs can put her soul madness.
in a jar and take it when they leave.
• The Baking Contraption. Getting Affavara
into the baking machine causes the magic Variant
to reshape her into a shepherd’s pie—
which the contraption has never made Although it is written that Affavara does not
before. She may prefer this form. If fed to attack the adventurers, if you have a party that
someone, her soul takes control of the per- enjoys combat, feel free to have Affavara fight
son’s body. If the party can trick Tasha’s Kiss back.
into eating it, good on them for creating a
proper demise for the penultimate villain.
• Slaying the Beast. Killing Affavara may be
the best outcome. She cannot experience
pain, and her dimwitted mind does not
register the party’s hostility. She thinks they
are “cutting away the bad stuff.” If her mass
of tendrils is destroyed, the adventurers
find a withered, deformed, female elf torso
in the center, curled in a fetal position with
thousands of tendrils and tendril stumps
emanating from her.
• It hurts so good!
• Yes! Yes! Yes!
• Cut it away! Cut it all away!
• Off with the bad, on with the good!
• Oh, I want your head! It’s so pretty!
• Running Rampant. Lying, goading, or con-

vincing Affavara to “run loose” anywhere in
the madhouse can provide a good distrac-
tion for the party. She’ll try to replace piec-
es of herself with body parts from other
creatures she comes in contact with.

Affavara’s Echoes Table:
1 “I just want to be pretty when he sees me again! I just want to go back home!”
2 “That touch… that caress… my fingers rot with every happy memory from home…”
3 “She was magnificent, that Lady of Rot and Decay. If only to be a petal in her hair…”
4 “Are you from the wedding? Did your runes falter, too? I can’t find my shoes…”
5 “I was only 222 steps from home… That was all. But we went deeper, didn’t we?”
6 “I miss my face. My pointed, elven face. Have you seen it? Do you have it!?”
7 “GIVE ME MY BODY BACK AND TAKE ME HOME YOU ABYSSAL DEMON!”
8 “The hands reject me… Will you reject me?”
9 “The fungal queen was nicer than this one. This one is no kiss I desire.”
10 “My nephew was only an apprentice. He misdrew the runes. It’s okay. It’s okay. It’s okay.”
11 “Have you seen what floor 222 does to people? Can you see what it did to me?”
12 “... I am a rose—rotten, forgotten, decayed. There was a garden of elves. It may still be there.”
13 “The Kiss keeps giving me legs, arms, and eyes, but they don’t work THEY DON’T WORK!”
14 “Broken people. Broken faces. I keep piecing them together, but they won’t stop screaming!”
15 “Are they my wedding gifts? They break too easily. The cage keeps them safe. For a while.”
16 “The farm people bring me the ones they don’t want.”
17 “I dare not look into a mirror… What face will stare back?”
18 “Have you ever loved? Have you ever lost your love? Can you spare a heartbeat?”
19 “I didn’t mean to break them. I tried putting them back together.”
20 The affected PC sees flashing images explaining Affavara’s curse. Be as descriptive as you want.

Area 7: The Bedroom The Models
The demon has visited several towns in her life-
Tasha’s Kiss doesn’t need to sleep often. When she time, and each town she has visited is represented
does she prefers the touch of soft, satin sheets, and by a model on a table in this room. These towns,
being surrounded by a few of her favorite things. though, aren’t limited to little human outposts. Ta-
sha’s Kiss has visited Elven glades, Dwarven tunnels,
As the adventurers enter this room, read or sum- and even Orc and Goblin camps.
marize:
The model at the foot of the bed is that of the town
A large, round bed made with satin sheets of they arrived in at the beginning of the adventure
black and red checkerboard is in the middle of “under construction”. Perhaps even more harrow-
this room. Resting on tables, a vast collection of ing, there are hundreds of blank tiles set aside for
miniature model towns litter the room. Farms, future conquests.
chapels, rivers, bridges—you find examples of all
such items in this showroom. Their details are The Teacup
carved intricately. One of these models sits on a A porcelain teacup, ivory in color and exquisitely
small platform at the foot of the bed, its pieces detailed with gold filigree, rests on a 5-foot tall
slowing coming together, moving on their own. pedestal. This is one of human jester’s most prized
possessions. While traveling the Sword Coast,
Several items stand out as well - a large, oval she had the pleasure of dining with a magnificent
mirror with scintillating colors behind the glass, a wizard named Perkins. The two had a joyful evening
brass lyre, a shortsword with an emerald encrust- discussing lore and magic. She wanted a keepsake
ed hilt, and a teacup resting on its own pedestal. of the evening, so she purchased the teacup from
the establishment where they dined.
Shadows move behind a transparent blue curtain hang- The teacup has no special qualities. However, if the
ing from the west wall demon Tasha’s Kiss sees someone with the teacup,
she focuses all her attention and attacks on that
The Curtain and the Shadows individual while she screams, “That’s my teacup!”
Behind the curtain is a wall of force which houses a The adventurers may use this against her, coaxing
collection of some of the demon’s favorite crea- the human soul to the surface, encouraging her to
tures, still alive. A human girl with red hair (Gentry’s fight the possession.
sister Tabitha), a Rust Monster (CR ½, MM, p 262),
and a Hook Horror (CR 3, MM, p 189). For one rea- An adventurer succeeding on a DC 13 Intelligence
son or another, the demon found these creatures (Insight) check believes the teacup must hold some
to be of special interest. While behind the wall emotional value. Why else would it be on a pedes-
of force, they are passive, and do not require air, tal in a room filled with treasure?
sleep, food, or water.
The Mirror
A lever along the wall deactivates the wall of force, The mirror, its glass warped and bowed, was one of
allowing the creatures to leave their prison, they Tasha’s favorite items when she was a mere jester.
also revert to their instincts and the monsters at- Acquired from a merchant who saw no use for a
tack the adventurers. defective mirror, she used this often during a per-
formance, inviting someone to stand in front of the
mirror to see their misshapen reflection. Laughter
always seemed to follow.
The demon Tasha’s Kiss thought to make the mirror

a bit more exciting. Now, when a creature gazes
upon its reflection the mirror causes their reflection
to transform into a ghastly sight.

The Brass Lyre
Tasha’s Hideous Mirror The famed lyre used by Tasha while singing and
Wondrous item, very rare
entertaining. Known as Maestro, the lyre is the talk
When this 4-foot tall mirror is viewed indirectly, scintil-
of bards throughout the Realms.
lating, dim lights of green, red, and yellow dance along
the mirror’s glass. The mirror weighs 50 pounds, and it
Maestro
has AC 11, 25 hit points, and vulnerability to bludgeon- Wondrous item (lyre), very rare, (requires attunement by a bard)
ing damage. It shatters and is destroyed when reduced
to 0 hit points. You gain +1 bonus to magical attack rolls made while
using this magic lyre as your spellcasting focus.
Any creature standing within 5 feet of the mirror who
looks directly into it must succeed on a DC 15 Cha- A creature that attempts to play the instrument
risma saving throw. On a failure, the creature sees a without being attuned to it must succeed on a DC 15
horrifying reflection of itself and suffers from short- Wisdom saving throw or take 2d4 psychic damage.
term madness for 1 minute. You may use an action to play the instrument and cast
Examples of horrifying reflections include: one of its spells. Once the instrument has been used
to cast a spell, it can’t be used to cast a spell again
• Bulging, bloodshot eyes until the next dawn. The spells use your spellcasting
ability and spell save DC.
• Large, thick, dangling warts
Spells: alter self, comprehend languages, fly, levitate,
• An open stomach with spilled intestines magic mouth, misty step
• Large, oozing sores When you use the instrument to cast a spell that
causes the target to become charmed on a failed save,
• Profusely bleeding gums and mouth the target has disadvantage on the saving throw. This
• Rearranged appendages effect applies whether you are using the instrument as
the source of the spell or as a spellcasting focus.
On a successful save, the creature’s reflection is dis-
torted but not in a grotesque manner. It may see itself The Bed
as overly rotund or tall. The round bed is covered in exquisite red and black
checkerboard satin sheets. Small waves chaotically
The Shortsword ripple under the sheets.
The jester Tasha used this shortsword often during
performances. Being a standalone act, she found its The sheets are obviously unique and a creature
singing property to be quite useful as a prop. succeeding on a DC 12 Wisdom (Perception) check
believes them to be worth 100 gp. Though they
Though now, the magic of the pocket dimension have a musty smell and it appears that they have
has changed the sword’s properties. not been laundered for some time.
Tasha’s Singing Sword Removing the sheets reveals the strange bed the
Weapon (shortsword), very rare
demon sleeps on. A unique forcefield holds the
You gain +2 bonus to attack and damage rolls using souls of nearly 100 humanoids, which create a slow,
this shortsword. The shortsword deals an additional rippling motion in the mattress as they move about.
1d4 thunder damage on a successful hit.
The field surrounding the souls can be broken, it
While in the possession of a creature, the sword has an AC 10 and 20 hit points. Once freed, the
hums a melody the creature finds soothing or inspir-
souls fly about the room and slowly dissipate as
ing. Only the creature in possession of the weapon
can hear the music. they whisper, “thank you”.
When used in combat, the sword sings loudly, break- Gift from the Souls
ing out into a massive chorus of multiple voices. The The souls bestow a gift on the creature who freed
emeralds in the hilt light up, pulsing with the rhythm them. Until the end of the adventure, that creature
of the song. gains the following blessing:
Blessing of Protection: You gain a +1 bonus to AC

and saving throws.

These NPCs urge the adventurers to eat.
Area 8: Feed Me
• It’s so good!
• The cherry pie is simply amazing!
marize:
• They have blood pudding!
A banquet hall stretches out before you. A nearby
table is strewn with platters of cakes, pies, fruits, Compelled Eaters
and smoked meats. Eight people dressed in fine, Adventurers and NPCs enchanted to take more
aristocratic attire sit with their plates full. They bites are aggressive towards anyone trying to stop
are in the middle of saying race. them. They MUST have this food! Even people
dying around them wouldn’t cause them to stop
Though the diners are dressed like aristocrats, they eating.
are actually commoners from the town. They are Once they are fattened to the point of being unable
enchanted, believing themselves to be rich folk at to move, a chain with a hook lowers down from
a dinner table. Their true identities can be “pried” the ceiling and hoists them up. These hooks move
from the enchantment if the party begins asking along the ceiling like a slaughterhouse, toting the
questions about their pasts. The enchantment fattened victim to the Pies, Pigs, and Pudding room.
merely affects their “present” belief, not their past.
Certain questions that will rouse confusion involve: Food may be taken out of these rooms. However, it
loses its curse effect and tastes funny.
• What is your profession?
• Who are these people around you? NPCs
• How did you get here? Gentry’s father, Migal, is in this room. A creature
• Where do you vacation? succeeding on a DC 10 Wisdom (Perception) check
• Do you have any siblings? notices him eating at the table.
Once the townsfolk realize that something is amiss
they also realize they are being enchanted, and the Madness
spell breaks. Cursed Food: Once a compelled creature stops
eating, it must succeed on a DC 12 Wisdom
Cursed Food saving throw or gain short-term madness for 1d8
The food on the table is cursed. Anyone who eats minutes.
from it must pass a DC 12 Constitution save or
instantly gain 5 lbs. This check occurs after every That creature also gains one point of continuing
bite. In addition, anyone who fails the Constitution madness.
save must make a DC 12 Wisdom save or else feel
compelled to take another bite. Treat these saves as
happening once per round for someone who eats
continuously.
Variant
To extend the adventure, you may wish to add
If targeted by the calm emotions or lessor resto- other ‘feeding rooms’ throughout Tasha’s Kiss’
ration spell, the creature is no longer compelled to wagon. Feel free to diversify your “dining experi-
eat. However, the weight gained is permanent and ence” should the adventurers encounter another
lost through normal means. one with a different menu and attire (villagers
wearing orc attire and eating roasted meat
Village Eaters around a victory campfire, wearing fine elven silks
Several villagers have started eating before the ad- while suspended from a spider web bridge, etc.)
venturers interrupt them. Even if interrupted, some
villagers continue to eat. Use your discrepancy as a
Dungeon Master to determine how many of these
villagers are failing their saves (if you don’t want to
make several rolls) and allow the adventurers DC 12
Wisdom (Perception) checks to notice weight gain
among the NPCs.
Any adventurer who passes a DC 15 Wisdom
Area 9: Pigs, Pies, and Puddings
(Insight) check before the fight starts realizes that
As the adventurers enter this room, read or sum- the humanoid farm animals are shifting their gaze
marize: and intention in unison, and that should a fight
break out, they will assault the same target. Smart
A massive contraption dominates the center of adventurers may not initiate a fight until enemy
this room. Above you, obese people futilely wrig- focus is on the adventurer who can take the largest
gle from hooks as they are hoisted into a chute beating. Smarter adventurers may find ways around
atop the contraption. Humanoid pigs, goats, the fight altogether.
cows, and chickens are preparing sweets around
the machine. Let’s look at some ways right now!
• Deggmir’s Souls. If the PCs arrive with any

The people being dropped into the contraption are of Deggmir’s jarred souls, the enemies as-
fattened up villagers from the Feed Me Encoun- sume they’ve brought “spice” for the food.
ter. This is where Tasha’s Kiss has them baked into They’ll waft the soul over their recently
treats. The abyssal contraption operates on dark prepped food, then thank the PCs by giving
magic, transforming villagers into pies, cakes, pud- them one of the pies. The pie is not happy
dings, and other sweets that the humanoid animals about this.
decorate and garnish. The noise from the contrap- • RUN! Retreating during any part of the
tion would dominate the room if it weren’t for the fight may work. The animals won’t give
shouting villagers being dragged towards their fate. chase, assuming they’ve triumphed over
the intruders. The PCs can back out into any
The humanoid farm animals working with the
previous room and reassess the situation.
sweets are aggressive towards intruders, they
• Fit in. Druid shapeshifting, altering appear-
take their work very seriously. Armed with knives,
ances, or just outright lying can confuse the
cleavers, rolling pins, and hot torches, the workers
enemies enough and maybe convince them
descend upon the PCs if they feel their work risks
that the PCs are “supposed to be here.” The
being interrupted.
PCs, however, have to prove how well they
The animals are led by a shift manager. Roll 1d8 on can work as short order line cooks for food
the chart below to see who is in charge. made from warped, fattened villagers.
• Dispel Magic. Casting dispel magic or Ta-
In addition to the Shift Manager, there are number sha’s Hideous Laughter eliminates the spell
of these Humanoid Animals for each adventurer that created these monsters, causing them
(see Stat Block). Depending on their shift man- to separate from an animal/humanoid
ager, they may be hostile from the start, or they hybrid form into its separated human and
may allow the adventurers a few turns to explain animal form. The animals behave like regu-
themselves. When fighting, the cooks select one lar animals (most likely panicking), and the
adventurer and gang up on it, making opposed
humanoid forms remember every foul deed
Strength (Athletics) checks to pin the adventurer to
they performed while magically combined
the ground, then attack in melee with advantage.
with the animal to do Tasha’s Kiss’ bidding.
No matter how many of them are slain, they do
not turn their focus from the primary target unless • Sneaky Stealthy Creep Mode. If the PCs
magical means keep them from doing so. can ride one of the hooks and chains up
from the Feed Me encounter, they can hide
behind the girth of a bloated townsfolk.
Variant
The cooks are territorial and may be overly ag- The Machine
gressive with the party. You may use the below Destroying the contraption that’s making food
variation if you wish to make this combat deadly. out of people saves many future townsfolk. It is a
delicate piece of machinery, so any trauma inflict-
Once one adventurer is unconscious, the cooks ed on it (a hard sword whack, shocking grasp, etc)
continue striking that adventurer, forcing it to disables it for 1d6 rounds. The machine has HP 40
automatically fail death saves for each hit. and AC Falling into the chute causes dark magic to

infuse the victim’s soul and life force into one of the
pies, puddings, or pastries baking in the machine’s Scaling Combat
oven. Eating food infused with someone’s soul is an
APL 3: 1 Shift Manager
evil act, but the imbiber receives a potent, psyche-
3 Humanoid Animals per adventurer
delic infusion of the devoured soul’s life, emotions,
APL 5: 1 Shift Manager
and desires. It’s the equivalent of instantly upload-
ing a full character arc from a favorite novel into
APL 7: 2 Shift Managers
your head at once.
The Food Drop Adjust all: AC 12, 65 HP ,+5 to hit
Located near the machine is a 3-foot diameter hole, APL 10: 2 Shift Managers
which is a one-way portal that teleports the food 4 Humanoid Animals per adventurer
to one of the tables in Area 10: The Banquet Bin. Adjust all: AC 13, 90 HP, +6 to hit
A creature using this portal finds itself sitting on a
banquet table and looking at Tasha’s Kiss. The fiend
attacks the intruder.
Madness
The scene of the machine being fed with human-
oids and the bizarre-looking chefs may be too
much for some creatures. Any creature that can
see and enters this room must succeed on a DC
12 Wisdom saving throw or suffer short-term
madness for 1d6 minutes.
That creature also gains one point of continuing

madness.
Shift Manager Table:

d8 Name And Species Description
1 Rodrigo the Rooster (chicken) Dictator, stern, smells like maggot cheese, afraid of birds,
hates the way men sound.
2 Hammiria the Hen (chicken) Skittish, explosive. Smiles too much. Stares too much. Collects
fingers and toes too much.
3 Julianna the Cow (cattle) Obsessive. Wants to slaughter the adventurers, but orders
one to be spared as a “suitable mate.”
4 Cyffillis the Bull (cattle) Lazy, cowardly, dimwitted. Wants to be freed. Turns on co-
workers or adventurers as seems fitting.
5 Kadmir the Billy (goat) Twice as large as the largest adventurer. Has twice that ad-
venturer’s hit points. Moves at half that adventurer’s speed.
6 Inchira the Nanny (goat) Possessed by Stirr, a hypo-demon who is insane. Can cast
hellish rebuke 3/day.
7 Luddvera the Sow (pig) Violates every category on the health code. Eats the adven-
turers’ body parts as it fights them. SHOUTS!
8 Brachin the Boar (pig) Blood drips from eyes. Wears a necklace of 7 eyeballs. Can
squish one each turn to cast blind/deaf.

Part 3: Tasha’s Kiss
The adventurers have made their way to the

Banquet Bin, where the fiend feasts on the food
prepared by the Humanoid Animal chefs.
Area 10: The Banquet Bin

marize:
A red and black tiled floor stretches into darkness.

The tiles are five square feet each. Empty baking
pans, dirty plates, and discarded silverware are
scattered across the floor. An old lady sweeps the their vision extends the reach of any light source—
near infinite mess into a pile, but more debris the red tiles swarm like bugs, trying to get at a light
clatters down from the ceiling every few seconds. filament surrounded by a glass bulb. They make no
A single candle near the old lady lights the floor noise whatsoever.
with bright light in a 20-foot radius, then dim light
for an additional 20 feet. If a character steps into darkness or if the candle is
somehow extinguished, 3,141 red tiles descend upon
the living creatures, bludgeoning them into uncon-
The party is in a gigantic, cylindrical rubbish bin sciousness. If none of its allies remain conscious, all
200 feet in diameter and an infinite amount of creatures bludgeoned by the Red Tiles awaken in
feet deep. The old lady is a member of the town, the feeding room, sitting at the dinner table, com-
spared by Tasha’s Kiss to sweep up dinnerware that pelled to eat. Each creature must succeed on a DC 15
has been used to plate her own neighbors. The Wisdom saving throw. Failure results in the creature
woman’s eyes and mouth are sewn shut, but she eating something from the table.
can hear well enough. A PC using a bladed tool and
making a successful DC 15 Wisdom (Medicine) or Tasha’s Kiss
Dexterity (Sleight of Hand) check can remove the Seated on a circular dais floating 100 feet above
stitching, allowing her to speak and see (her eye- the rubbish bin floor is Tasha’s Kiss herself. The
balls weren’t removed). dais is 100 feet in diameter and rimmed with buf-
fet tables lavished with food. Tasha’s Kiss sits on a
The Wall and the White Tiles gigantic throne that revolves around the dais like
The edges of the circular wall are tiled just like the the hand of a clock. Darkness extends above her
bottom, but with white and black tiles. Touching into cosmic nothingness. Tasha’s Kiss is feasting
the white tiles causes them to extend five feet on the food, tossing the emptied plates into the
from the wall, creating a 5 ft. by 5 ft. block that can rubbish bin below.
extend as far out into the room as needed. Tapping
these tiles in succession can create a blocky set of She is gaunt, her black and red harlequin jester out-
stairs to reach the top. fit hanging loosely from her frail body. In her mouth
are ten rows of teeth, and her lips are in tatters
The Candle and the Red Tiles from her endless feasting. She stands fifteen feet
The candle is ever-burning—it does not go out. The tall, but sits hunched over, face buried in her meals.
old woman has it with her so that anyone peering Her spider-like legs and bony knees splay out to the
into the rubbish bin from above can make sure she side. She always knows where the adventurers are,
is working. It also keeps the 3,141 Red Tiles at bay. and when she speaks, she does so via telepathy.
Hundreds of red tiles are just out of range of the She never stops eating.
candle’s 40-foot total light radius, and any other
sources of light also cause the red tiles to retreat.
Creatures with darkvision can see the red tiles if

Engaging Tasha’s Kiss Allies
Once combat initiative is rolled, PCs immediately If you find the combat too easy, Tasha’s Kiss can
feel the room grow hotter. Tasha’s Kiss has activated summon Red Tiles to assist her. Five of these reds
“the oven.” Each turn, a PC must succeed a DC 10+X tiles may join together to form a larger threat – a
Constitution save where X = the number of times Red Tile Golem.
Tasha’s Kiss has had a turn in combat. Failure means
taking 1d4 fire damage. Tasha’s Kiss can end this Non-Combat Solution
effect willingly. It automatically ends once she dies. There are several ways the party may attempt to re-
lease the jester from the fiend’s possession. If they
Tasha’s Kiss only stops eating to use her Kiss ability, are successful, the monstrosity suffers 40 points of
and she prefers to fight defensively, allowing the PC necrotic damage while it regurgitates the original
affected by her Kiss to distract the rest of the party. jester. The monstrosity continues to fight, but the
In dire moments, she uses her spider climb ability jester is too dazed to be of any help.
to cling to the bottom of the dais.
• Using the Teacup found in the bedroom to
Rebirth persuade the jester to fight control. Both
Each time Tasha’s Kiss takes 30 points of damage, she the party and the jester must succeed on a
vomits up one of the souls she has eaten in the form DC 14 Charisa (Persuasion) check.
of a new NPC that may join the fight. These NPCs • Casting remove curse on the fiend allows
have been imprisoned by Tasha’s Kiss ever since she the persona of the jester to come to the
ate them, trapped in a guttural hellscape crammed surface for 3 rounds. During that time, the
with thousands of other devoured souls. These NPCs party may attempt to persuade the jester to
enter initiative order as soon as possible. They have fight the fiend’s control. Both the party and
no weapons aside from natural ones, though may the jester must succeed on a DC 14 Charis-
wield one given to them by someone else. ma (Persuasion) check.
• If the party comes up with another solu-
Roll 1d20 and consult the Rebirth table on the next tion, use your skills as a Dungeon Master to
page. determine if it is viable and to set the DCs.
1 square = 10 feet

Rebirth Table:
1 Ragni Tokk, a female orc spear-kin guard. Enraged, spiteful, brash.
2 Sammi Gill, a female human baker commoner. Mad with insanity.
3 Old Baldrick, a male human fisherman commoner who can’t stop crying.
4 Kyn Kole, a male high elf farmer commoner who thinks everyone is a foe.
5 Mayor Redberry, a female halfling noble out to avenge her devoured town.
6 Der Ingot, a male dwarf commoner anxious to “go back in to rescue me wife!”
7 Yert, a female goblin who won’t stop shouting, “We were the pies! We were the pies!”
8 Kade Jonn, a female guard who warned her town that Tasha’s Kiss was evil.
9 Bipsy, a male commoner jester who had an ill-fated one-night stand with Tasha’s Kiss.
10 Gerina Cane, a female commoner child who can’t find her parents.
11 Todd Marcus, a male gladiator sellsword who tried to flee the town he swore to protect.
12 Simona Lorin, a female priest of Chauntea, guilt-ridden for letting Tasha’s Kiss into town.
13 Grodda Fenshield, a female dwarf commoner great-grandmother in hysterics.
14 Lynn Tai, a male courrier commoner sent to warn the neighboring townships.
15 Abbi Yarra, a female human cultist who believes Tasha’s Kiss is a new god.
16 Lorren of Lost, a female bandit captain
17 Hexagrysttl, a black dragon wyrmling who lived with some now-devoured hobgoblins.
18 Polli, a female druid of the Emerald Enclave who had been stalking Tasha’s Kiss.
19 Kani the Stride, a female scout claiming she “did my best, but the demon was better.”
20 Hemp Gladewind, a male elf commoner adolescent paralyzed with fear.

Once the dimension crumbles away, the party and
Part 4: Conclusion any NPCs they have encountered as well as surviv-
ing town citizens appear scattered around the start-
Estimated run-time: 20 minutes ing town. Thousands of displaced citizens of various
The adventurers have either succeeded in defeating races are in a panic. Chances are the party will have
Tasha’s Kiss, killing both the fiend and the jester, to establish some kind of order or risk hundreds
or they have released the jester from the fiend’s dying in the chaos.
possession. The party may choose to leave the people to their
own means, or the PCs can relocate a group of
Aftermath refugees back to their town. You may decide to
Once slain, Tasha’s Kiss’ stomach prolapses out of have the townsfolk establish their own hyper-mixed
her mouth, and the hundreds of people she has economy, forming a thriving city state after a few
devoured are vomited up. As they pile around in di- years of settlement. Either way, once Tasha’s Kiss is
sheveled, panicked masses, the dimension itself be- defeated, cleaning up the mess she has made can
gins to break apart. If Tasha’s Kiss was slain on the give your players plenty of options in the future.
dais, the adventurers must make a DC 12 Strength
If the original Tasha’s Kiss was saved before the
saving throw or be pushed off the edge, taking 70
fiend was killed, she rewards the party with 500
(20d6) falling damage if they hit the ground below.
gp worth of gemstones which she kept in a hidden
Several NPCs fall as well. If you do not wish for the
compartment in her wagon.
adventurers to take such a massive amount of dam-
age, have Tasha’s Kiss’ dimension crumble away
before they make impact. Also, don’t forget that
the red tiles might still be down there.

Available now!
a book of fifteen
short adventures
for levels 1-9 and
beyond
Available now!
140 original stat blocks
plus several lairs with full
color maps and much more!

We hope you enjoyed our mad adventure.
Remley Farr
Jeff C. Stevens
Please leave a rating or review on the Dungeon Masters Guild!

Questions or comments?
Email me from my website: www.jeffstevensgames.com

Creatures of the Madhouse Affavara
Large Monstrosity, neutral evil
Armor Class 15 (natural armor)
Dream Weaver Hit Points 82 (11d10 + 22)
Small humanoid, unaligned Speed 20 ft.
Armor Class 13 STR DEX CON INT WIS CHA
Hit Points 27 (5d8 + 5) 18 (+4) 8 (–1) 15 (+2) 10 (+0) 14 (+2) 10 (+0)
Speed 25 ft.
Skills Perception +6
STR DEX CON INT WIS CHA Senses darkvision 60 ft., passive Perception 16
10 (+0) 16 (+3) 12 (+1) 10 (+0) 10 (+0) 12 (+1) Languages Common, Elvish
Condition Immunities blinded Challenge 5 (1,800 XP)
Senses blindsight 30 ft., passive Perception 10 Grasping Tentacles. Affavara can have up to eight tendrils
Languages telepathy 120 ft. at a time. Each tendril can be attacked (AC 15; 10 hit points;
Challenge 1 (200 XP) immunity to psychic damage). Destroying a tendril deals no
damage to Affavara, who can extrude a replacement tendril on
Actions her next turn. A tendril can also be broken if a creature takes
Multiattack. The Dream Weaver makes two melee attacks with an action and succeeds on a DC 15 Strength check against it.
its weaver prod or uses its mind blast once.
Actions
Weaver Prod. Melee Weapon Attack: +2 to hit, reach 5 ft., one
target. Hit: 3 (1d6) piercing damage plus 1 lightning damage. Multiattack. Affavara makes five attacks with her tentacles,
uses Reel, and makes one attack with her bite.
Mind Blast (Recharge 5-6). The Dream Weaver magically
emits energy in a 30-foot cone. Each creature in that area Bite. Melee Weapon Attack: +7 to hit, reach 5 ft., one target.
must succeed on a DC 12 Intelligence saving throw or take 5 Hit: 12 (2d8 + 4) piercing damage.
(1d8) psychic damage and be stunned for until the end of its Tentacle. Melee Attack: +7 to hit, reach 25 ft., one creature.
next turn. Hit. The target is grappled (escape DC 15). Until the grapple
ends, the target is restrained and has disadvantage on Strength
Weaver Prod checks and Strength saving throws, and Affavara can use the
Weapon, uncommon
same tentacle on another target.
Formed from the breath of a blue dragon, the Weav-
er Prod is a 12-inch-long piece of jagged, blue glass Reel. Affavara pulls each creature grappled by her up to 10 feet
fastened to a wooden handle. The glass contains a straight forward.
residual charge from the dragon’s breath weapon.
On a hit, the Weaver Prod deals 1d6 piercing damage

plus 1 lightning damage.
Red Tile Golem

Each golem consists of five Red Tiles
Medium construct, unaligned
Armor Class 10 Aversion of Fire. If the golem takes fire or radiant damage, it
Hit Points 50 (10d8 + 10) has disadvantage on attack rolls and ability checks until the end
Speed 30 ft. of its next turn.
STR DEX CON INT WIS CHA Magic Resistance. The golem has advantage on saving throws
15 (+2) 13 (+1) 12 (+1) 6 (-2) 10 (+0) 6 (–2) against spells and other magical effects.
Condition Immunities charmed, exhaustion, frightened,
paralyzed, petrified, poisoned. Actions
Damage Vulnerabilities fire, radiant Multiattack: The Red Tile golem makes two slam attacks
Damage Resistances bludgeoning, piercing, and slashing from
nonmagical attacks. Slam. Melee Weapon Attack: +5 to hit, reach 5 ft., one
Senses Truesight 120 ft., passive Perception 10 creature. Hit: 12 (5d4 + 2) bludgeoning damage.
Languages Abyssal
Challenge 3 (450 XP)

Humanoid Animal Deggmir, Winnower of Souls
Medium humanoid, chaotic neutral Medium human, neutral evil
Armor Class 11 (leather armor / apron) Armor Class 16 (natural armor)
Hit Points 32 (5d8 + 10) Hit Points 85 (10d8 + 40)
Speed 30 ft. Speed 30 ft.
STR DEX CON INT WIS CHA STR DEX CON INT WIS CHA
15 (+2) 11 (+0) 14 (+2) 10 (+0) 10 (+0) 11 (+0) 18 (+4) 15 (+2) 18 (+4) 11 (+0) 12 (+1) 10 (+0)
Senses passive Perception 10 Saving Throws Con +7, Wis +4, Cha +3
Languages Common, Abyssal Condition Immunities poisoned
Challenge 1/2 (100 XP) Senses passive Perception 11
Languages Abyssal, Common, Infernal
Pack Tactics. The hybrid humanoid has advantage on an attack Challenge 6 (2,300 XP)
roll against a creature if at least one of its allies is within 5 feet
of the creature and the ally isn’t incapacitated. Actions
Actions Multiattack. Deggmir makes two attacks with his chains.
Multiattack: The hybrid humanoid makes two attacks, one with Chain. Melee Weapon Attack: +8 to hit, reach 10 ft., one target.
its cleaver and one with its special attack Hit: 11 (2d6 + 4) slashing damage. The target is grappled
(escape DC 14) if Deggmir isn’t already grappling a creature.
Cleaver. Melee Weapon Attack: +4 to hit, reach 5 ft., one Until this grapple ends, the target is restrained and takes 7
creature. Hit: 4 (1d4 + 2) slashing damage. (2d6) piercing damage at the start of each of its turns.
Depending on the hybrid, the humanoid has the following Animate Chains. (Recharges after a Short or Long Rest). Up to
special attack. three chains Deggmir can see within 60 feet of him magically
sprout razor-edged barbs and animate under his control,
Pig – Belly Bump. Melee Weapon Attack. +4 to hit, reach 5 ft.,
provided that the chains aren’t being worn or carried.
one creature. Hit: 4 (1d4 + 2) bludgeoning damage. On a hit,
Each animated chain is an object with AC 15, 20 hit points,
the target must succeed on a DC 10 Strength saving throw or
resistance to piercing damage, and immunity to psychic and
be pushed back 5 feet.
thunder damage. When Deggmir uses Multiattack on his turn,
Chicken – Beak. Melee Weapon Attack. +4 to hit, reach 5 ft., he can use each animated chain to make on additional attack.
one creature. Hit: 4 (1d4 + 2) piercing damage. An animated chain can grapple one creature of its own but
can’t make attacks while grappling. An animated chain reverts
Cow – Kick. Melee Weapon Attack. +4 to hit, reach 5 ft., one to its inanimate state if reduced to 0 hit points or if Deggmir is
creature. Hit: 4 (1d4 + 2) piercing damage. incapacitated or dies.
Goat – Head Butt. Melee Weapon Attack. +4 to hit, reach 5 ft., Reactions
one creature. Hit: 4 (1d4 + 2) piercing damage. On a hit, the
Soul Scent. When a creature that Deggmir can smell starts
target must succeed on a DC 10 Strength saving throw or be
its turn within 30 feet of him, Deggmir can know the
knocked prone.
creature’s “purpose” in life. If that creature is a PC, then
Deggmir knows that PC’s ideals and bonds as listed on the
Red Tile player’s character sheet.
Medium construct, unaligned
Armor Class 10
Hit Points 11 (2d8 + 2)
Speed 30 ft.
STR DEX CON INT WIS CHA
12 (+1) 13 (+1) 12 (+1) 6 (–2) 10 (+0) 6 (–2)
Senses Truesight 120 ft., passive Perception 10
Languages Abyssal
Challenge 1/4 (50 XP)
Actions
Slam. Melee Weapon Attack: +3 to hit, reach 5 ft., one
creature. Hit: 3 (1d4 + 1) bludgeoning damage.

Tasha’s Kiss (Demon) Variants
Large fiend (demon), chaotic evil
APL 3:
Armor Class 15 (natural armor) Challenge Rating 3
Hit Points 120 (14d10 + 36) AC 13
Speed 30 ft., climb 30 ft. 101 Hit Points
STR DEX CON INT WIS CHA Claw attack: +5 to hit
16 (+3) 15 (+2) 16 (+3) 12 (+1) 12 (+1) 17 (+3) Kiss attack: +5 to hit, save DC 13
Saving Throws Dex +6, Cha +7 Horrific Appearance DC 13
Skills Deception +7, Perception +5, Perform +7, Sleight of Hand +7
Condition Immunities fear, poisoned APL 5:
Damage Immunities psychic Challenge Rating 5
Senses blindsight 30 ft., darkvision 120 ft., passive Perception AC 14
15 115 Hit Points
Languages Common, Abyssal, telepathy 120 ft.
Claw attack: +6 to hit
Challenge 7 (2,900 XP)
Kiss attack: +6 to hit, save DC 14
Magic Resistance. Tasha’s Kiss has advantage on saving throws Horrific Appearance DC 14
against spells and other magical effects.
APL 10:
Spider Climb. Tasha’s Kiss can climb difficult surfaces, including
Challenge Rating 10
upside down on ceilings, without needing to make an ability
AC 17
check.
215 Hit Points
Actions Claw attack: +10 to hit
Kiss attack: +10 to hit, save DC 16
Multiattack. Tasha’s Kiss makes two claw attacks, or one claw
attack and one kiss attack. Horrific Appearance DC 16
Multiattack: increase to three attacks.
Claw. Melee Weapon Attack: +7 to hit, reach 15 ft., one
creature. Hit: 10 (2d6 + 3) slashing damage and the target is Spells
grappled (escape DC 15). Until the grapple ends, the target is
restrained and has disadvantage on Strength checks and saving You may wish to consider giving Tasha’s Kiss the
throws, and Tasha’s Kiss can’t use the same claw on another below innate spellcasting abilities (spell save DC
target. Tasha’s Kiss can have a total of two targets grappled at 14, +6 to hit with spell attacks):
one time.
Cantrips: friends, mage hand, vicious mockery
Horrific Appearance. As an action, the demon can change 1st level (2/day): charm person, Tasha’s Hideous
her features into something gruesome and horrific. Each Laughter
non-undead creature within 60 feet of Tasha’s Kiss that can 2nd level (2/day): suggestion
see it must succeed on a DC 15 Wisdom saving throw or 3rd level (1/day): hypnotic pattern
be frightened for 1 minute. A frightened target can repeat
the saving throw at the end of each of its turns, ending the
Legendary Actions (added to APL 5 or higher)
frightened condition on itself on a success. If a target succeeds
on the saving throw or the effect ends on it, the target is Tasha can take 2 legendary actions, choosing from
immune to Tasha’s Kiss’ Horrifying Visage for the next 24 hours. the options below. Only one legendary action
option can be used at a time and only at the end
Kiss (Recharge 5-6). Melee Weapon Attack: +7 to hit, reach 5
ft., one creature. Hit: 7 (2d6) necrotic damage and the target
of another creature’s turn. Tasha regains spent
must succeed on a DC 15 Wisdom saving throw or be magically legendary actions at the start of her turn.
charmed for 1d6 rounds. The charmed target obeys Tasha’s
Kiss’ verbal or telepathic commands. If the target suffers any Move. Tasha’s Kiss moves up to her speed with-
harm or receives a suicidal command, it can repeat the saving out provoking an opportunity attack.
throw, ending the effect on a success. If the target successfully
Claw. Tasha’s Kiss makes a claw attack.
saves against the effect, or if the effect ends, the target is
immune to the kiss charm effect for the next 24 hours. Tasha’s Horrific Appearance (Costs 2 Actions). Tasha’s
Kiss can have only one target charmed at a time. If she charms Kiss uses her horrific appearance ability.
another creature, the effect on the previous creature ends.

Character Madness Tracker
Character Name: _____________________________

(Put a check below whenever you fail a Madness Save)
o Failed Madness Save

Result _________________________________________

Result _________________________________________
o Failed Madness Save (Roll on Long-Term Madness Table)

Result _________________________________________

Result _________________________________________
o Failed Madness Save (Roll on Indefinite Madness Table)

Result _________________________________________

Result _________________________________________

Result _________________________________________

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The Madhouse of Tasha’s Kiss

Cover Art: Svetoslav Petrov

Editor: Brent Sweany

Internal Art: Luiz Prado

Layouts: Jeff C. Stevens

2 | The Madhouse of Tasha’s Kiss

A Character Madness Tracker is found at the end of

The Madhouse of Tasha’s Kiss |3

The Madhouse of Tasha’s Kiss |5

6 | The Madhouse of Tasha’s Kiss

The Madhouse of Tasha’s Kiss |7

• A ring of feather falling

The stairs descend 60 feet, level off for 50 feet

8 | The Madhouse of Tasha’s Kiss

This section assumes the adventurers enter the mad-

Area 1: The Sorting Room

As the adventurers enter this room, read or sum-

The door swings inward, quietly opening to a

Two of the tables are currently occupied – a

The Dream Weavers sitting at the tables use magic

Formed from sand struck by the breath of a blue drag-

The Madhouse of Tasha’s Kiss |9

If Gram is used as an NPC throughout the adven-

10 | The Madhouse of Tasha’s Kiss

The Madhouse of Tasha’s Kiss | 11

The Laughing Man

12 | The Madhouse of Tasha’s Kiss

Does the rogue see herself smiling with a pregnant

Anyone touching a mirror with bare skin swaps

The Madhouse of Tasha’s Kiss | 13

14 | The Madhouse of Tasha’s Kiss

The Madhouse of Tasha’s Kiss | 15

The cage of cross-stitched people is, understand-

16 | The Madhouse of Tasha’s Kiss

• Running Rampant. Lying, goading, or con-

The Madhouse of Tasha’s Kiss | 17

18 | The Madhouse of Tasha’s Kiss

The demon Tasha’s Kiss thought to make the mirror

The Madhouse of Tasha’s Kiss | 19

Blessing of Protection: You gain a +1 bonus to AC

20 | The Madhouse of Tasha’s Kiss

• Deggmir’s Souls. If the PCs arrive with any

22 | The Madhouse of Tasha’s Kiss

That creature also gains one point of continuing

Shift Manager Table:

The Madhouse of Tasha’s Kiss | 23

The adventurers have made their way to the

Area 10: The Banquet Bin

A red and black tiled floor stretches into darkness.

24 | The Madhouse of Tasha’s Kiss

The Madhouse of Tasha’s Kiss | 25

26 | The Madhouse of Tasha’s Kiss

The Madhouse of Tasha’s Kiss | 27

28 | The Madhouse of Tasha’s Kiss

Please leave a rating or review on the Dungeon Masters Guild!

The Madhouse of Tasha’s Kiss | 29

On a hit, the Weaver Prod deals 1d6 piercing damage

Red Tile Golem

30 | The Madhouse of Tasha’s Kiss

The Madhouse of Tasha’s Kiss | 31