A Ele a Glória

Versão Matheus Rizzo & Coral

adaptação Elieltton Calonga

 = 70       
Soprano 

Contralto          

         



Tenor

           
B♭ C4 C Dm Dm7 B♭ C4 C Dm

        

Piano

 
Sop.     
Porque dele

                   
8


 

                         

  
C.

   
                     



 

Ten.

        
Dm7 B♭ C4 C Dm Dm7

     

Pno
 13 
2

Sop.         
                    

 

                
          
 
C.


  
                           
 


Ten.

      
B♭ C4 C Dm Dm7 B♭

     

Pno

18 
Sop.     
                         


             
                 


C.

  
                            
 


Ten.

       
C4 C Dm Dm7 B♭ C4 C

     

Pno
 23
3

Sop.  
         
       
a ele a gloria

 
 
 
           
       
 
C.


             
   
    

Ten.


  
      
Dm Dm7 B♭ C4 C F C/E Dm

      

Pno

29  
  
Sop.        
       

  
C.              

     
            



Ten.

         
B♭ C4 C Dm Dm7 B♭ C4 C

      

Pno
 35   
4

Sop.          
       

 
         
 
   
C.

         
 


 
Ten.

         
F C/E Dm B♭ C4 C Dm Dm7

      

Pno

41 
Sop.      
quão profundas

                   

     
                   
           
 
C.

       




Ten.

         
Dm Dm7 B♭ C4 C Dm Dm7

      

Pno

47  
Sop.                 
           
  
       
                    
               
   
  
C.


 B♭ 


Ten.

   
  
C4 C Dm Dm7 B♭

     

Pno
 52 
5

Sop.     
                 

     
              


                
 
C.

 


Ten.

       
C4 C Dm Dm7 B♭ C4 C

     

Pno

57
Sop.  
     
        
    
      
           
 
  
C.

              

 
  

Ten.


          
Dm Dm7 B♭ C4 C F C/E Dm

       

Pno

63 
Sop.         
        
 
    
     

 
C.

   
            



Ten.

  
      
B♭ C4 C Dm Dm7 B♭ C4 C

      

Pno
 69 
6

Sop.       
 
          


     
      
       
C.

         
    
  
Ten.


         
F C/E Dm B♭ C4 C Dm Dm7

       

Pno