Location via proxy:   [ UP ]  
[Report a bug]   [Manage cookies]                
Scribd Logo
Upload

Welcome to Scribd!

  • 26 views

    Koolhaas Ungers

    Uploaded by

    maganeu

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Koolhaas Ungers

    Uploaded by

    maganeu
    26 views102 pages

    Original Title

    Koolhaas_Ungers

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    26 views102 pages

    Koolhaas Ungers

    Uploaded by

    maganeu

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    You are on page 1of 102

    REM KOOLHAAS O. M.

    UNGERS
    Pruitt–Igoe 1954 - 1971
    Minoru Yamasaki - World Trade Center
    Spatial City 1958/ 1959
    Yona Friedman
    Spatial City 1958/ 1959
    Yona Friedman
    Destruction of Future City - 1968
    Arata Isozaki
    Plug-In City - 1964
    Peter Cook - Archigram
    Negative Utopias – 1970 Landscape with figures
    Superstudio
    Oswald Mathias Ungers
    Concurso para casa de estudantes em Enschede - 1964
    Concurso para casa de
    estudantes em
    Enschede - 1964
    O.M. Ungers,
    Roosevelt Island
    Competition, Table of
    the Building Typology
    for the Design,
    Roosevelt Island, New
    York, 1975
    ARCHIPELAGOS: Ungers vs. Rowe
    Cornell University
    Oswald Mathias Ungers - Ludwig Museum,
    Cologne
    - Ungers,
    Morphologie/City
    Metaphors
    ‘Protection’ – plan of an ideal city, Georg Rimpler, 1670 - Ungers, Morphologie/City Metaphors
    ‘Appendages’ – satellite town, Unwin 1928 (Ungers, Morphologie/City Metaphors
    International Building Exhibition Berlin
    INTERBAU – 1957-61
    International Building Exhibition Berlin
    IBA – 1979-87
    International Building Exhibition Berlin
    INTERBAU – 1957-61
    1 – Hans Christian Müller
    2 – Günther Gottwald
    3 – Wassili Luckhardt e Hubert Hoffmann
    4 – Paul Schneider Esleben
    5 – Bezriksamt Tiergarten,
    Amt Für Hochbau
    6 – Willy Kreuer
    7 – Ernst Zinsser e Hansrudolf
    Plarre
    8 – Luciano Baldessari
    9 – Joahannes Hendrik Van Den Broek e Jacob Berend Bakema
    10 – Gustav Hassenpflug
    11 – Raymond Lopez e Eugène
    Beaudouin
    12 – Hans Schwippert
    13 – Werner Düttmann
    14 – Otto H. Senn
    15 – Kay Fisker
    16 – Max Taut
    17 – Franz Schuster
    18 – Egon Eiermann
    19 – Oscar Niemeyer
    oscar niemeyer
    walter gropius
    alvar aalto
    le corbusier
    International Building Exhibition Berlin
    IBA – 1979-1987
    1.Heinrich und Inken Baller
    2.Helge Bofinger
    3.Gottfried Böhm
    4.Mario Botta (Block 234)
    5.Klaus Theo Brenner & Benedict Tonon
    6.Karl und Max Dudler
    7.Peter Eisenman
    8.Dieter Frowein & Gerhard Spangenberg
    9.Giorgio Grassi (Thomas-Dehler-Straße 44)
    0.Antoine Grumbach
    1.Zaha Hadid und Will Alsop (Stresemannstraße)[3]
    2.Hardt-Waltherr Hämer
    3.Georg Heinrichs
    4.John Hejduk Kreuzberg Tower Steglitz-Zehlendorf und Tegel[5]
    5.Hilmer & Sattler
    6.Hans Hollein (Rauchstraße 8)
    7.Arata Isozaki
    8.Josef Paul Kleihues
    9.Kollhoff & Ovaska (Lindenstraße)[6]
    0.Rem Koolhaas/OMA (Koolhaas-Haus am Checkpoint Charlie)[2]
    1.Rob Krier
    2.Charles Willard Moore (Moore, Ruble, Yudell)
    alvaro siza
    peter eisenmann
    hinrich e inken baller
    aldo rossi
    zaha hadid
    mathias ungers
    rem koolhaas
    “O teste para a inteligência é a habilidade de ter em mente, ao mesmo tempo, duas
    ideias completamente oposta e ainda manter a habilidade de pensar.” Francis Scott
    Fitzgerald, in Delirious New York, p. 162.3

    OXÍMORO COINCIDÊNCIA DOS OPOSTOS


    A combinação de palavras contraditórias, A coincidência de antíteses e não a
    permitindo a presença de realidades superação de alguma delas.
    incongruentes - silêncio ensurdecedor; inocente
    culpa; gelo fervente
    Berlin as Green Archipelago – Cities within the City (Summer Academy - Cornell University) 1977
    Berlin as Green Archipelago – Cities within the City (Summer Academy - Cornell University) 1977
    Berlin as Green Archipelago – Cities within the City (Summer Academy - Cornell University) 1977
    Berlin as Green
    Archipelago – Cities
    within the
    City (Summer
    Academy - Cornell
    University) 1977
    Roma - Archipelago Frattale – Stalker - 1995
    Rem Koolhaas
    KOOLHAAS, Rem, 1972 Exodus, or the
    Voluntary Prisoners of Architecture
    KOOLHAAS, Rem, 1972 Exodus, or the
    Voluntary Prisoners of Architecture
    KOOLHAAS, Rem, 1972 Exodus, or the
    Voluntary Prisoners of Architecture
    KOOLHAAS, Rem, 1972 Exodus, or the
    Voluntary Prisoners of Architecture
    KOOLHAAS, Rem, 1972 Exodus, or the
    Voluntary Prisoners of Architecture
    KOOLHAAS, Rem, 1972 Exodus, or the
    Voluntary Prisoners of Architecture
    KOOLHAAS, Rem, 1972 Exodus, or the
    Voluntary Prisoners of Architecture
    KOOLHAAS, Rem, 1972 Exodus, or the
    Voluntary Prisoners of Architecture
    KOOLHAAS, Rem, 1972 Exodus, or the
    Voluntary Prisoners of Architecture
    KOOLHAAS, Rem, 1972 Exodus, or the
    Voluntary Prisoners of Architecture
    KOOLHAAS, Rem, 1972 Exodus, or the
    Voluntary Prisoners of Architecture
    DELIRIOUS NEW
    YOURK - 1977
    The Story of the
    Pool de 1977,
    Madelon
    Vriesendorp, Arrival
    of the Pool, with Rem
    Koolhaas
    The Story of the
    Pool de 1977,
    Madelon
    Vriesendorp, Arrival
    of the Pool, with Rem
    Koolhaas
    The Story of the
    Pool de 1977,
    Madelon
    Vriesendorp, Arrival
    of the Pool, with Rem
    Koolhaas
    SUPERSTUDIO, 1969 “Continious Monument”
    ARCHIZOOM, 1970 “No-stop city”
    City of the Captive Globe: 1978 – Delirious New York – Método Paranoico-Crítico“Um método
    espontâneo de conhecimento IRRACIONAL baseado na crítica e objetividade sistemática de
    associações e interpretações de fenômenos delirantes” Salvador Dalí
    A “Grandeza” já não faz parte de nenhum tecido urbano.
    Existe; quando muito, coexite. Sua legenda é

    FUCK CONTEXT
    Hugh Ferriss - 1929
    Hugh Ferriss - 1929
    Waldorf – Astoria - 1930

    Waldorf – Astoria - 1930


    Seattle Central
    Library - 1999-2004
    Euralille – 1989-94
    Hong Kong

    Abu Dhabi

    You might also like