Abdur Rahman Chughtai - Wikipedia
Abdur Rahman Chughtai - Wikipedia
Abdur Rahman Chughtai - Wikipedia
Abdur Rahman Chughtai (21 September 1894 – 17 January 1975) was a painter, artist, and
intellectual from Pakistan, who created his own unique, distinctive painting style influenced by
Mughal art, miniature painting, Art Nouveau and Islamic art traditions. He is considered to be 'the first
significant modern Muslim artist from Pakistan',[2] and the national artist of Pakistan.[1]
He was given the title of Khan Bahadur by the British Empire in British India in 1934, awarded
Pakistan's Hilal-i-Imtiaz (Crescent of Excellence) Award in 1960, and the Pride of Performance Award
in 1958 by the President of Pakistan.[3]
Chughtai was born on 21 September 1897 in Lahore, now in Pakistan.[1][4] He was the second son of
Karim Bukhsh, who belonged to a prominent Punjabi Muslim family of artists descending from
generations of craftsmen, architects, and decorators.[5][6] Chughtai briefly learned naqqashi from his
uncle Baba Miran Shah Naqqash at a local mosque.[4] After completing his education at the Railway
Technical School, Lahore, in 1911, Chughtai joined the Mayo School of Arts, Lahore (now called
National College of Arts, Lahore), where Samarendranath Gupta, a pupil of Abanindranath Tagore was
Vice-Principal. After leaving the school, he made a living for a while as a photographer and drawing
teacher. He eventually became the head instructor in chromo-lithography at the Mayo School.[7][6][8]
In 1916, Chughtai's first painting in a revivalist 'oriental' style appeared in the Modern Review
magazine. He had his first exhibition in 1920 at the Punjab Fine Art Society.[4] He also exhibited with
the Indian School of Oriental Art during the 1920s,
Abdur Rahman Chughtai
by which time he had become quite renowned. His
work contributed greatly to Lahore's burgeoning عبد الرحمن چغتائی
PP HI
modern art scene. While he predominantly worked
with watercolors, Chughtai was also a print-maker,
perfecting his etching skills in London during visits
in the mid-1930s.[9] His sketches were used in
many books in Punjabi poetry by Bhai Vir Singh for
illustrating his famous poems like "Kambadi Kalai"
and including his famous epic "Rana Surat Singh".
Chughtai offered his gratitude to Bhai Vir Singh for
becoming part of these illustrations as a young
artist in his letter to him on 11.04.1929[10]
admirers.
Chughtai's closest associate was his younger brother Abdullah Chughtai, a scholar and researcher of
Islamic art.[2] Chughtai married twice, and had two children, a son and daughter. He died in Lahore on
17 January 1975.[4][1]
Art
Chughtai's early watercolours take off from the revivalism of the Bengal School of Art[6] – his
Jahanara and the Taj, for instance, shows the influence of Abanindranath's The Last Moments of
Shah Jahan.[7] By the 1940s, he had created his own style, strongly influenced by Islamic art
traditions, but retaining a feel of Art Nouveau. His subject matter was drawn from the legends,
folklore and history of the Indo-Islamic world, as well as Punjab, Persia and the world of the
Mughals.[1]
Abdur Rahman Chughtai also designed the logo for the Pakistan Television Corporation (PTV) at the
behest of its first general manager, Ubaidur Rahman. The logo has been tweaked and modified over
the years since its inception but remains fundamentally the same. On Pakistan's independence day in
1951, he produced a set of 9 stamps, better known as 'Chughtai Art set'. At that time, this set was
considered as the most beautiful stamps of the world.[8]
Artist and gallery owner Salima Hashmi deems Chughtai one of South Asia's foremost painters. "He
was part of the movement that started in the early part of the 20th century to establish an identity
indigenous to the subcontinent", she said. "He rejected the hegemony of the British Colonial
aesthetic".
Painting exhibits
Chughtai's works are owned by the British Museum, the Victoria and Albert Museum, the National
Gallery of Modern Art (New Delhi), the Peace Palace (in The Hague), United Nations Headquarters,
New York, the Kennedy Memorial in Boston, the US State Department (in Washington, D.C.),
President's House Bonn, AP State Archaeology Museum,[13]
Queen Juliana's Palace in the Netherlands, Emperor's Palace Bangkok, President House Islamabad,
Governors' Houses in Lahore and Karachi, and the National Art Gallery, Islamabad. Many of his works
are at the Chughtai Museum Trust in Lahore, Pakistan.
Works
Other works
Among Chughtai's popularly known works are Hashim Shahbaz and Radio Pakistan and his painting
of Anarkali for the cover of a 1992 drama. Additionally, one of the most successful UNICEF cards
features a Chughtai piece. He was also known for his designs of postage stamps.[14] United Nations
Organization art correspondent Jacob-Baal Teshuva wrote that Chughtai's paintings are the largest
set released in 1948.[15]
Awards and recognition
Gallery
See also
Anarkali
References
2. Iftikhar Dadi (2010). Modernism and the art of Muslim South Asia (https://books.google.com/bo
oks?id=dvlIAQAAIAAJ) . University of North Carolina Press. ISBN 978-0-8078-3358-2.