Recreating the harmonies of Samba Em Preludio

° ## 4 Œ ‰ j
2 3 4 5 6 7 8

œ ™ œj œj œ œj ˙™
‰ j j Ó
œ œ™ œ œ œ œ™ œ ˙
Melody & 4 j
œ ˙ œ #œ ˙ œ œ nœ œ œ œ œ œ œ nœ n˙
1. These are the most familiar type of 3-note chord. They are known as ______________________ and ___________________ triads. Some are __________________ chords*.
*Also known as chromatic chords: chords from outside the key

## 4 B‹
2 3 4 5 6 7 8

#w nnw
B‹ C©‹ F© B F E‹ E‹
& 4 w w #w w
w w w
w w
w
Exercise 1
w
w w
w w
w #w
w
w w w w

2. These chords are still triads, but have been changed to include ______________________________________ and _________________________________________ chords.

## 4 B‹
2 3 4 5 6 7 8

#w
B‹ C©‹(b5) F©(#5) B F(b5) E‹ E‹
& 4 w w w
w w
w
w
w
w #w
w ww
nw w
w
w
w
w
w
w w w
Exercise 2

(also C#dim) (also F#aug)

3. These chords have been developed with notes above the triad. They are known as ________________________________________ chords.
These chords are built by placing on top of each other the triad, 7th, 9th, 11th, 13th etc. Consider playing with your left and right hand together.
In reality, however, the convention is to omit some notes (shown in brackets). E‹7
## 4 B‹11
w w w
# w
bw
2 3 4 5 6 7 8

& 4 w w
B‹11
w
C©‹11(b5)
w wF©7(#5) B7 F7(b5) E‹
w
Exercise 3 w
w
w
w
w
w
w
w
w
w
w
w
w #nw
w
w
w nww
w nw
w
w w
w
w

4. These are the chords actually used. Following convention, notes are not only omi ed but also re-ordered, known as _____________________ the chords.

## 4 wB‹11
w w w nE‹
w
2 3 4 5 6 7 8
wB‹11 #w
C©‹11(b5)
& 4 w w F©7(#5)
w w bnw w w
B7 F7(b5) E‹7
w w w w
w ww w w
Exercise 4
#w
w ww

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j œ ™ œ œ #œ œj œ ™ œj jœ™ j j
2 3 4 5 6 7 8
Bass ? ## 4 #œ œJ nœ œ j
note ¢ # œ œ ™ #œ œ™
j
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