The Influence of Mediterranean Modernist Movement of Architecture in Lefkoşa: 1st Edition Ph.D. Candidate Salar Salah Muhy Al-Din Department of Architecture Ebook All Chapters PDF
The Influence of Mediterranean Modernist Movement of Architecture in Lefkoşa: 1st Edition Ph.D. Candidate Salar Salah Muhy Al-Din Department of Architecture Ebook All Chapters PDF
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Journal of Contemporary Urban Affairs
2017, Volume 1, Number 1, pages 10– 23
A R T I C L E I N F O: ABSTRACT
Article history: The twentieth century modern architectures in Lefkosia in North Cyprus are
Received 20 October 2016 changing especially in residential building. This change is occurs based on the
Received in revised form 5 client’s orders or because of the dilapidated condition of the buildings.
December 2016 Identify the characteristics of modernist architectural movement will help in
Accepted 25 December 2016
identifying these buildings and recognize the changes applied on them. The
Available online 2 January
2017 paper aims to reach the rationale understanding about the norms of modern
Keywords: architecture in Lefkoşa in the twentieth century. The methodology is based
Modern Architecture; on analyzing the residential buildings designed by local architects and
Mediterranean “Ahmet Vural Bahaeddin” selected as one of the famous modernist architect
modernist architect; in the twentieth century in North Cyprus. Residential buildings from Milan and
Vernacular Rome in Italy, as well as Baecelina in Spain selected for analysis. The paper
architecture; tries to demonstrate the presence of vernacular elements in modern
Cyprus. architecture in Lefkoşa. Two vernacular elements were studied, i) the patio
(outside and inside interrelation), and ii) the façade materials (exposed stone)
as vernacular elements in “Mediterranean modernist architecture”. The paper
This work is licensed under a
Creative Commons Attribution -
delineated the influence of the “Mediterranean modernist movement” on
NonCommercial - NoDerivs 4.0. modern architecture in Lefkoşa in the 20th century. The findings show that there
"CC-BY-NC-ND" is influence by Modernist movement of architecture in other Mediterranean
cities in Italy and Espain on the modern architecture in Lefkoşa. The results
contribute evidence to promote our understanding regarding the modernist
architecture in Lefkoşa.
JOURNAL OF CONTEMPORARY URBAN AFFAIRS (2017) 1(1), 10-23.
https://doi.org/10.25034/1761.1(1)10-23
www.ijcua.com
Copyright © 2017 Journal of Contemporary Urban Affairs. All rights reserved.
2.2.1. Cyprus and ‘Lefkoşa’ fireplace. Kitchen is widely used in the winter,
Cyprus historically had been returns to whereas the terraces and patio or outdoor
approximately 10000 BC. In the Mediterranean spaces prepared to stay during the day in shady
Sea after Sicily and Sardinia, Cyprus is the third areas or to sleep at night (Zoranic’, 2012). The
biggest island. Cyprus is located in a north- use of local materials, mainly earth and stone, is
eastern corner of Mediterranean Sea. Cyprus one of the characters of vernacular
was divided into north part & south part in 1974. architecture and adapted to regional climate,
North Cyprus area is around 3,355 km2, shares a see figure ‘4’. A good U-Value (Heat transfer
maritime border with Syria to the east, and coefficient value) for the building materials
Turkey to the north. ‘Lefkoşa’ or Nicosia was moderate the indoor temperature ‘keep inner
started to be a capital city, since 600 AD. The space cool in the morning and warm in the
walled city in Lefkoşa surrounded by 8-10 meters night’ (Fernandes, et al., 2014).
high stone walls which were built between 1489 Vernacular architecture reflects the spirit of
and 1571 by Venetian to provided safety local people and the real response to local
(Mesda, 2012). Today, Lefkoşa is the environment, their culture and history. It identify
government center and main business center by the regional characteristics. In general
on the island. It is the last divided capital city in vernacular buildings may not meet, in many
the world and this division gave to it a special cases, with today standards of life style or
character comfort, but could give some advises about
strategies to mitigate the use of non-renewable
2.3. Vernacular Architecture in Mediterranean energy.
area
In the countries of Mediterranean area the sun
is desirable in the winter while in the summertime
sun should be blocked and the cooling and
ventilation are necessary. Clustered
agglomeration houses because of the natural
environment of the Mediterranean climate, is a
part of the landscape. Clustered settlements
are defendable and climatic responded
through creating shades and protection from
harsh winds with green plantation cover around
the buildings extended on agricultural land, Figure 3. Mediterranean vernacular house
(Fernandes, et al., 2014). See figure ‘3’. shows local stones in façade and patio.
Sabatino, 2010). In addition to the diversity of the The houses ostensibly have the elements of
Mediterranean area and its climate character modernist movement in architecture which
and interest for classical and vernacular includes; absence of classical architectural
environment, many other events after the World adornment and elongated or large-pane
War I stimulate to develop this opinion (Vidal, windows. The horizontal surfaces and strong
2008). rectilinear geometry is generally seen in the
Le Corbusier was more than any other modernist modernist houses and architectural elements
interested in the Mediterranean classical and precisely rendered, typically white. Columns,
vernacular environment. Le Corbusier attribute beams and cantilevered parts (roof overhangs,
was reaction for many events. Globally louvers and balconies) often are seen in the
because of the great economic depression in buildings. Steel or reinforced concrete used in
1930s and critique of industrial the construction. Free plan and focuses on
capitalism in, empower the right wing in continuity, transparency of place (Fricker, J. and
Germany etc. in other hand finally the Flicker, D., 2010).
consequences of his loss at the ‘Palais des Figure 5, shows ‘Villa Savoye’ the manifesto of
Nations competition’ in Geneva.His tendency modernist residential houses, which designed by
shifted from an arts and crafts, which was clear ‘Le Corbusier’ and built (1929-1931) in ‘Poissy-sur-
in the first projects in “La Chauxde Fonds” and Seine’, France, (Morrissey, 2010).
his machine oriented Modernism of the
mid1920s (Plan Voisin, 1925) conveyed to a
southern version. The main events were the
great economic crisis and the industrial
capitalism criticism in the 1930s, the rise of
German rightwing parties and the rise of
National Socialism that let Le Corbusier’s in crisis,
which made modernist arguments in the north
difficult. Consequence was his loss at the Palais
des Nations competition in Geneva. These
events coincided with Le Corbusier’s first
meeting with ‘Josep Lluis Sert’ a Spanish
architect in Barcelona and the other journeys to Figure 4. Villa Savoye, Le Corbusier (Morrissey,
Athens as part of the fourth CIAM (International 2010).
Congresses of Modern Architecture) meeting at
which witnessed poor attendance of German Although the concentration on the modernist
architects (Lejeune and Sabatino, 2010). architecture elements could be changed from
The modernity of the North that crystallized in region to other based on climate, culture and
Germany was conceptualized around society. But generally modernist residential
‘Industriekultur’, incorporate art and industry. In buildings consist of the majority of those
Southern Europe like Italy, Spain, Greece, and mentioned characters.
Southern France as the Mediterranean region
include modernity, was shaped less strict in 2.5.1 Mediterranean modernist residents
adherence to technology. In one hand they simulates Patio and Local stone façade
adopted innovation, through Italian Rationalists Patio means "Inner courtyard", that space of
like ‘Luigi Figini and Gino Pollini, and Adalberto house which use for sitting and dining or other
Libera’ as Mediterranean modernists, in other types of outdoor home activities (Anarjani,
hand tended to employ both new materials and 2013). Patio is related with a garden that is
building technologies and traditional ones. depending of the culture, protected from
outside view. The patio creates a comfortable
2.5. Modern Residential Architecture environment if adapted with perfected use of
Residential place is a basic need since the origin water evaporation. It incorporates the external
of humanity. The functions and form of primitive with internal to alleviates the shiny and hot
dwellings changed to new form and functions outside and conveys it to shaded and pleasant
which in modern dwelling. Human always tries to interior. In warmer climates, patios are
improve the quality of his dwelling and update extensions of interiors that can double the living
it according to upgrading life styles standards spaces, and giving to the home penetration in
and according his private needs.
the nature around the house. (Anarjani, 2013). Figini and Pollini were designing their buildings
Despite patio is an vernacular architectural through pure geometric forms and ideal
element, but it demonstrate its functionality in proportions, and applying aesthetic principles of
modern residences, and recall the traditional rationalism. Villa studio for an artist (1933) and
Mediterranean life style which used to spend “Environment with living room and terrace”
part of the day in houses outdoors. Many Italian (1936) are two works of Figini & Pollini during their
architects in the 1930s expressed their interest in partnership. Villa studio for an artist designed by
the Mediterranean patio house, which used to Luigi Figini and Gino Pollini for the Fifth Milan
practice with the typology of patio house Triennale in 1933 was one of modern
according to Mediterranean tradition with new architecture showing a local, Italian declension.
outcomes. Figini and Pollini mixed the modern building
elements and technology with traditional
2.5.1.1. Villa studio for an artist designed by Luigi elements in the patio house, see figure ‘6’. ‘Villa
Figini and Gino Pollini 1933 Studio’ design with one-story, and flat roof,
Luigi Figini is Italian architect he born in 1903 several open air courtyards applied in the
and died in 1984. He was one of the building which give the opportunity to enjoy
considered Italian Rationalist. They were external spaces as extensions of the interiors. The
considered Italian Rationalist. Gino Pollini, design is not symmetrical, the architects gave
(1903–1991) Born in Milan, in 1926 Pollini joined the occupants transparency to outdoor spaces.
Gruppo 7, and from 1929 he worked with his White surfaces on the exterior elevation are
partner Luigi Figini (Blakely, 2011) incorporate with exposed brick, see figure ‘7’,
(Sabatino, 2010).
2. The presence of patio and exposed stone Figure 13. Methodology Framework (Developed
walls in the modernist building design in Cyprus by Author).
in 50s , 60s and beginning of 70s from twentieth
century, as a vernacular elements and one of 3.2. Case Studies
the characteristic of Mediterranean modernist Two case studies selected in Lefkoşa to be
architecture, as elucidated in literature review. analyzed. The case studies selected based on
This was implemented through The Case Study’s several considerations, which are; i) selected
examples are two residential buildings for the buildings are both residential houses, ii) both
north Cypriot modernist architect Ahmet Vural buildings have been design by Architect ‘
Bahaeddin. He was one of pioneers who Ahmet Vural Bahaeddin’, iii) the buildings
adopted modernist architecture in his works in classified as modernist architecture holding the
the North part of Cyprus. He is worth of special characteristic of Modern architecture in the first
attention to focus on his works as one of the half of twentieth century or after that by few
oldest ‘Modernist’ architects. Bahaeddin born in years.
1927, he graduated from Faculty of
Architectural Engineering, Istanbul Technical 3.2.1. Efruz Houses (1962-1976)
University. He started his career between the Efruz Mass Houses or Müdüroğlu Houses are
years 1955-1993. His works were mainly private designed between, 1962-1976 at Kumsal
residences, except few educational buildings Quarther in Lefkosia by Ahmet Vural Behaeddin.
and office buildings, such as building of ‘Turkish These houses are considered one of the
Lyceum’ in Lefkoşa, built in 1962. In his early distinctive mass housing construction in Lefkosia.
professional life, he was a modernist who The construction company was Efruz Company,
focused on importance of function. Later, he one of the famous construction companies in
tended to “Organic Architecture” (Celik and North Cyprus. The houses designed for high
Erturk, 2007). income householders. Typology of the houses is
3. The interview with architect ‘Kashif’ consist the two storey row houses. The total area of one
following question; house is 200 meter square; the plan of the
- Either or not he thinks that his colleague houses consists of two stories. The ground floor
‘Bahaeddin’ was affected by has an entrance, family lounge or living room,
Mediterranean movement in architecture, kitchen, toilet, laundry, garage and back
which arose in south Europe in the beginning courtyard and forecourt. The first floor consists of
of twentieth century? three bedrooms (one of them master bedroom),
Methodology frame work has been developed bathroom with toilet and transition space
by author to reach the answer about the study corridor to other spaces on the first floor
questions assigned in the introduction of the (Esentepe, 2013). See figure ‘15’.
study, as shown in figure ‘14’.
Figure 14. Plan of Ground and first floor Figure 17. Exposed stone facades in Efrus
(Developed by Author). Houses.
There are three different plans for ‘Efruz’ Houses Using the white color to paint the façade and
but all the types have courtyards (forecourt and envelope of the building could be also one of
backyard) of houses. Those backyards and the vernacular characteristic in ‘Bahaeddin’
forecourts can be associated to the patio in designs. Hence the design of these houses holds
vernacular architecture, which is one of the more than one character of the vernacular
main resources to Mediterranean modernist in architecture. It approaches the “Mediterranean
architecture. See figure ‘16’. modernist architecture” in the first half of
twentieth century in south Europe; these
examples could be detected in Spain and Italy
as well as other Mediterranean countries.
- His answer was that “ He cannot aver that design “the Patio and exposed stone facades’,
‘Bahaeddin’ have been influenced by the as shown in table 2.
Mediterranean movement of architecture in
that period, but as architects we were, and Table 2. Shows the vernacular resources in
even ‘Bahaeddin’, respecting the client’s Modern architecture design of ‘Bahaeddin’
opinion which was affecting the decision of buildings in Lefkosia developed by author.
the design deeply”.
4. Discussion
Several samples of modern architecture
(residential buildings) from south Europe
between 1900s-1950s have been showed in the
literature review. Italy and Spain were the main
sources of “Mediterranean modernist
movement” in architecture. Theoretical analysis
applied on four buildings, three of them were in Hence, the case studies as modernist
Italy designed by Italian architects like Figini & architecture in North Cyprus, designed by one
Pollini as well as Adalberto Libera. The fourth of the earliest modernists on the island
building was in Spain designed by Jose Luis Sert demonstrate the similarity to Mediterranean
& Torres Clave’. The analysis focused on the modernist architecture characteristic.
simulation or existence of two main vernacular Moreover, architect ‘Bahaeddin’ represent one
elements ‘Patio and exposed stone façade’ in of the pioneers in the modern architecture
modern design of the buildings which is movement in North Cyprus. Thus, his influence to
concerned in this study. The results Mediterranean modernist movement will
demonstrate that all the projects have the influence other modernist architects to follow
sources of vernacular architecture, three of him. Therefore based on the findings above, the
them combined both elements ‘ Patio & study shows that the modernist architecture in
Exposed stone facades’ and only one of them north Cyprus was influenced by the
has only ‘patio’ elements as vernacular source Mediterranean movement in south Europe. The
in the modern design (See table 1). opinion of ‘Ayar Kashif” who was one of the
modernist architects in that period, clarifies one
Table 1. Vernacular resources in Modern important fact. The fact is that the architects
architecture design in south Europe (Developed were affected by clients opinion, hence that
by author). could be one of the reasons to let architects
follow the needs of the indigenous people on
the island. Indigenous people affected until
today by the vernacular elements in their
houses, which exposed stone facades and
house Patio are part of it. That led us to think the
modernist architects and ‘Ahmet Vural
Bahaeddin’ one of them were influenced by
two main factors. One of them is the
“movement of Mediterranean modernism” in
Mediterranean countries. They were aware
about it, because they studied outside of the
island and had a connection abroad. Another
one is the intendancy of local people who likes
to keep the vernacular elements even in their
The two case studies for the modernist Cypriot modern houses as we see until today. Those
architect ‘Ahmet Vural Bahaeddin’, ‘Efruz results supports hypothesis of the paper, which
House & Somek House’ have been analyzed. Hypothesize that the vernacular elements in the
Both considered as modernist architecture in modern residential buildings designed by
North Cyprus and had been designed later of ‘Ahmet Vural Bahaeddin’ and modernist
the previous bu ildings in South Europe. The architecture generally is somehow affected by
findings demonstrated that both of ‘Bahaeddin’ “Mediterranean modernism movement” in the
houses had the vernacular elements in their first half of last century.
Salar Salah Muhy Al-Din 21
JOURNAL OF CONTEMPORARY URBAN AFFAIRS, 1(1), 10-23 / 2017
5. Conclusion References:
Many buildings have been built in Lefkoşa in the Anarjani O. A. (2013) Personalization at Social
first and early second half of the twentieth Housing District in Sakarya. Master thesis,
century holding the character of modern Eastern Mediterranean University,
architecture, whereas a several vernacular Gazimagusa. North Cyprus: Eastern
elements interfered in. Those buildings confuse Mediterranean University
the expert beholder to give a final judgment
whether or not those buildings are holding pure Blakely, S. (2011) The Responsibilities of the
modernist architecture features. The paper Architect: Mass Production and Modernism in
conducted following questions to investigate the Work of Marco Zanuso 1936-1972. Ph D
that; whether or not, the Cypriot architects were thesis, Columbia University NewYork. USA:
influenced by “Mediterranean modernist Columbia University.
philosophy” in first and early second half of the
last century? Is there other external factors Benton,Tim. (2007) The Villas of Le Corbusier and
affected the shape of the modernism Pierre Jeanneret 1920-1930. Basel; Boston,
movement in the architectural design of USA: Birkhäuser
residential buildings in that period on the Island?
To evaluate the influence of the Calcerano, F., Cecchini, C.(2014)
“Mediterranean movements in architecture” or Mediterranean Buildings Refurbishment:
other factors on the modernist architecture in Thermal Mass and Natural Ventilation
Lefkoşa, the paper proposed two main paths to Simulated Control. Presented to Fifth
study the subject: 1) investigate the effect of the German-Austrian IBPSA Conference RWTH,
vernacular elements on the Mediterranean Aachen University, Bausim, Germany, 136-
Modernist movement in south Europe, basis on 143.
‘theoretical part’ 2) and evaluate the effect of
the same vernacular elements on the modern Celik, D. (2005) Modern architecture in Cyprus:
architecture in Lefkoşa, basis on ‘Case studies & the first Cypriot Turkish architect "Ahmet Vural
Interview’. The residential buildings of Bahaeddin". Mimarca 16 (72), 62-66.
‘Bahaeddin’ as pioneer modernist architect
were selected as case studies to be analyzed. Celik, D. and Erturk, Z. (2007) Analysis of the
The results obtained based on theoretical Modernist Language in Cyprus: A Case Study
assessment and through the interview. The main on a local architect. 5th International
findings obtained are that there is similarity postgraduate research conference in the built
between the “Mediterranean modernist and human environment in conjunction with
architecture” in Mediterranean countries such the 2nd International Built and Human
as Italy or Spain, and the Modernist architecture Environment Research Week. Dept. of Interior
in Lefkoşa. There is hidden effect of indigenous Architecture, Eastern Mediterranean
inhabitant on the Island through applying their University, Famagusta, Cyprus.
opinion on the architects while designing their
houses. The study concluded that there is two Costanzo, F. (2015) Luigi Figini E Gino Pollini.
main factors which influenced the Modernist [Retrieved] on Dec.23rd, 2016 from
architects to introduce vernacular elements in http://www.architettura.unina2.it/docenti/ar
Lefkoşa in first and second half of 20th century. eaprivata/220/documenti/02_2015-
First is the Mediterranean modernism 6%20Lezione%20-Figini%20e%20Pollini.pdf
philosophy, which started in south Europe in the
beginning of twentieth century. Second is the Esentepe, B.M. (2013) Space Transformation and
effect of the authentic dwellers of Lefkoşa or Change in Mass Housing
Cyprus who tend to involve the vernacular In Nicosia, North Cyprus.Ph D thesis,
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After naming all these causes, it must be said that in many cases it is
impossible to find any reason for the occurrence of the hemorrhage
at the particular moment it comes. A person may go to bed in
apparent health, and be found some hours afterward unconscious
and comatose, or unable to stir hand or foot on one side, or to
speak. Gendrin, as quoted by Aitken, states that of 176 cases, 97
were attacked during sleep. The attack may come on when the
patient is making no special muscular effort and under no special
excitement. It is simply the gradual progress of the lesion, which has
reached its limit.
The rapidity with which this condition comes on varies widely, from a
very few minutes, or even seconds, to some hours. It may even
diminish for a time and return. The cases in which unconsciousness
is most rapidly produced are apt to be meningeal and ventricular,
and presumably depend upon the rupture of vessels of considerable
size, although the location among the deeper ganglia, where the
conductors of a large number of nervous impulses are gathered into
a small space, will, of course, make the presence of a smaller clot
more widely felt. Even in these, however, the onset is not absolutely
instantaneous, and the very sudden attack is rather among the
exceptions. Trousseau denies having seen, during fifteen years of
hospital and consulting practice, a single case in which a patient was
suddenly attacked as if knocked down with a hammer, and that since
he had been giving lectures at the Hotel Dieu he had seen but two
men and one woman in whom cerebral hemorrhage presented itself
from the beginning with apoplectiform phenomena. In each of these
the hemorrhage had taken place largely into the ventricles.
The chart W. H. (Fig. 37) is from a man aged fifty who fell in the
street while returning from work at noon, and whose axillary
temperature was taken at 5 P.M. and every two hours thereafter until
death. The hemiplegia was not very marked, but the hemorrhage
was extensive, involving the pons and left crus cerebri, the external
capsule, left crus cerebelli, and medulla, bursting through into the
fourth ventricle.
FIG. 38.
The chart M. M. (Fig. 38), as taken from Bourneville, represents the
course of the temperature in a rapid case: each perpendicular line
denotes an hour.
20 The chart in the original, and as reproduced by Bourneville, is wrongly lettered. The
text says that the left side was the hotter.
FIG. 39.
Much more attention has been paid to the pulse than to the
temperature, but it is less easy to lay down definite rules in regard to
it. It may vary in either direction. When the case is approaching a
fatal termination the pulse is apt to accompany the temperature in a
general way in its rise, though not necessarily following exactly, as is
seen in the chart in Fig. 38.
Paralyses of the third, fourth, and sixth pairs upon one side of the
body are comparatively rare in hemiplegia, and when present are
usually referable to localized lesions in the pons. They are to be
looked upon as something superadded to the ordinary hemiplegia.
These nerves, however, are affected in the peculiar way already
spoken of as conjugate deviation, which phenomenon would seem to
denote that muscles accomplishing combined movements in either
lateral direction of both eyes, rather than all the muscles of each, are
innervated from opposite sides—i.e. that the right rectus externus
and the left rectus internus are innervated from the left motor
centres, and vice versâ. Exactly the same remark will apply to the
muscles of the neck which cause the rotation of the head seen
together with the deviation of the eyes. The muscles controlling
deviation to one side, although situated upon both sides of the
median line, are apparently innervated from the side of the brain
toward which the head is turned in paralysis.
The tongue is usually protruded with its point toward the paralyzed
side; and this is simply for the reason that it is pushed out instead of
pulled, and the stronger muscle thrusts the tongue away from it. The
motor portion of the fifth is, according to Broadbent, affected to a
certain extent, the bite upon the paralyzed side being less strong.
The hand and the foot are the parts most frequently and most
completely affected, but one or the other may be partially or wholly
spared, though the latter is rare. The muscles of the limbs nearer the
trunk may be less affected, so that the patient may make shoulder or
pelvis movements when asked to move hand or foot. In severe
cases even the scapular movements may be paralyzed. The
muscles of the trunk are but slightly affected, though Broadbent
states that a difference in the abdominal muscles on the two sides
may be perceived as the patient rises from a chair. The respiratory
movements are alike on the two sides. A woman in the hospital
service of the writer had a quite complete left hemiplegia at about the
seventh month of pregnancy. There was some return of motion at
the time of her confinement. None of the attendants could perceive
any difference in the action of the abdominal muscles of the two
sides, although, of course, the usual bracing of the hand and foot
upon the left side was wanting. The pains were, however, generally
inefficient, and she was delivered by turning. Muscular weakness
often exists, and in some cases the non-paralyzed side shows a
diminution of power.
Having described this most typical but not most common form of
cerebral hemorrhage—that is, the form in which both lesion and
symptoms are most distinct and can be most clearly connected—we
have a point of departure for conditions less clearly marked and less
easily explained.
On the other hand, we have a set of cases in which all the symptoms
of cerebral hemorrhage may be present without the lesion. Many of
these are of course due to embolism, which will be considered later;
but besides this condition, recognized as softening for many years,
we find described under the head of simple, congestive, serous, and
nervous apoplexy cases where sudden or rapid loss of
consciousness occurs with general muscular relaxation, which, when
fatal, show nothing beyond changes in the circulation—i.e. in the
amount of blood in the cerebral vessels or of serum in the meshes of
the pia or at the base of the brain.
Bull25 describes four cases of his own where retinal hemorrhage was
followed by cerebral hemorrhage, demonstrated or supposed in
three, while in the fourth other symptoms rendered a similar
termination by no means improbable. He quotes others of a similar
character. The total number of cases which were kept under
observation for some years is, unfortunately, not given. In a case
under the observation of the writer a female patient, aged fifty-seven,
who had irregularity of the pulse with some cardiac hypertrophy, was
found to have a retinal hemorrhage two and a half years before an
attack of hemiplegia. The hemorrhage was not accompanied by the
white spots which often accompany retinitis albuminuria.
25 Am. Journ. Med. Sci., July, 1879.
There are few symptoms which are more likely to excite alarm and
apprehension of a stroke of paralysis than vertigo or attacks of
dizziness, but it is too common under a great variety of
circumstances to have much value, and is, as a matter of fact, rarely
a distant precursor of intracranial hemorrhage, although it frequently
appears among the almost initiatory symptoms, especially when the