Online_Sex_Work_of_Women_on_OnlyFans_Oppression_or
Online_Sex_Work_of_Women_on_OnlyFans_Oppression_or
Online_Sex_Work_of_Women_on_OnlyFans_Oppression_or
M. Dilara Cılızoğlu
Abstract Öz
(Online) Sex work is a hot topic in (Çevrimiçi) Seks işi, feminist literatürde
feminist literature which is mainly genellikle iki perspektife dayalı olarak
studied with respect to two perspectives incelenen bir konudur: baskı ve
towards sex work: oppression and güçlenme. Bu çalışma, "OnlyFans
empowerment. This study aims to üzerindeki kadınların çevrimiçi seks işi
understand “How online sex work of nasıl yorumlanabilir ve OnlyFans'ın
women on OnlyFans can be interpreted mağduriyet ve güçlenme perspektifleri
and try to understand if OnlyFans can be aracılığıyla açıklanıp açıklanamayacağını
explained through the perspectives of anlamaya yöneliktir. Bu amaçla, bu
victimization and empowerment. For this makale, literatürdeki iki ana tartışma
purpose, this paper will provide a (baskı ve güçlenme) hakkında teorik bir
theoretical discussion about two main tartışma sunacak ve bunu bir vaka olarak
debates (oppression and empowerment) ele alarak analiz edecektir. Çalışma
in the literature; be analyzed by taking sonuçları, kadınların çevrimiçi seks işi
OnlyFans as a case. Study results show deneyiminin sadece baskı veya güçlenme
that women's online sex work paradigmalarıyla açıklanamayacağını,
experience cannot be explained purely bunun yerine baskı veya güçlenmenin bir
by oppression or empowerment arada var olduğunun göz önüne alınması
paradigms, instead coexistence of gerektiğini göstermektedir. İkinci olarak,
oppression or empowerment should be sadece baskı veya güçlenme
taken into account. Secondly, paradigmasına vurgu yapmak, kadınların
emphasizing only the oppression or çevrimiçi seks işi deneyimlerini
empowerment paradigm underestimates doğrudan etkileyen kadınların
women’s differences that directly affect farklılıklarını küçümsemektedir. Bu
women’s online sex work experiences. nedenle, kadınların OnlyFans
Thus, intersectional analyses that are deneyimlerini anlamak için kadınların
taken into women’s age, race, and gender yaş, ırk ve cinsiyet gibi demografik
considerations are necessary in order to değişkenleri içeren kesişimsel analizlere
understand women’s OnlyFans ihtiyaç vardır. Son olarak, kadınların
experiences. Last but not least, women’s çevrimiçi seks işi deneyimleri kadınların
experiences of online sex work can bu işi hangi motivasyonun ile
change according to the motivation yaptıklarına bağlı olarak değişkenlik
behind being a sex worker in OnlyFans. göstermektedir.
Keywords: OnlyFans, online sex work, Anahtar Kelimelers: OnlyFans, çevrimiçi
M. Dilara Cılızoğlu, Research Assistant, Middle East Technical University, Department of
Sociology, Ankara-Türkiye. E-mail: dilara.cilizoglu@gmail.com. Orcid No: 0000-0003-
3858-8455.
(Bu çalışmanın makaleye dönüşmesini verdiği geri bildirimler, öneriler ve beni
cesaretlendirmesi ile mümkün kılan sevgili hocam Ezgi Pehlivanlı’ya teşekkürü bir borç
bilirim).
Original research article Özgün araştırma makalesi
Article submission date : 2 February 2024 Makale gönderim tarihi: 2 Şubat 2024
Article acceptance date: 8 July 2024 Makale kabul tarihi: 8 Temmuz 2024
1302-9916©2024 emupress
40 Cılızoğlu
women, empowerment, oppression, seks işi, baskı, güçlenme, betimleyici
descriptive literature analysis. literatür analizi.
Introduction
OnlyFans is relatively a new online space and studies concerning this platform
are mushrooming. Launched in 2016, OnlyFans is a subscription-based social
media platform where users can sell and/or purchase original content. When
utilized as an adult site, users will post videos and photos to their accounts,
which are protected by a paywall1. Subscribers to this online platform
increased especially during the Covid-19 pandemic in the world. The content of
this platform is not limited to women's sex work or nudity but if the contents
are reviewed the main way of using this online platform is based on women’s
sex work. Today this online site is an important way for women to earn money
and it seems it will be increasing in the upcoming years (Boseley
2020). According to Litam et al., (2022)’s study which explores the
demographic characteristics of OnlyFans users shows that, although most of the
sexually explicit material users are male, content creators of those materials are
mostly female. Because most of the content creators on Onlyfans are women
and the platform’s content are based on women's bodies and nudity, this paper
focuses on intentionally only women's content creator’s experience.
Studies concerning the platform (Fabiyi 2022; Rodriguez 2022) indicates an
effort to understand and evaluate this platform, where women often earn
money by using their nudity or by doing sex work. This effort mainly divides
literature about this topic into two. The first perspective is conceptualizing sex
work on OnlyFans through the commodification of women's bodies and
emphasizing how women are exploited and are in a victim position (Jones
2005; Prior et al 2013) or sex work as a type of work in that women can earn
money and they can empower through this work (Döring et al 2022; Jones
2005).
This study is aiming to examine the mentioned dominant perspectives of
OnlyFans in the literature to explore the peculiarity of women’s experiences
who produce content on this platform that would be lacking in mentioned main
literature veins. The main question behind this endeavor is to understand “How
online sex work of women on Onlyfans can be interpreted; whether it is
exploitation that women are in a victim position, or it is a kind of work and
platform that can empower women?”. Thereby to further the debates by
offering a new strain of understanding for the platform which interprets
women’s unique experiences, rather than the binary discussion in the
literature, which seems to overlook the possible simultaneity between
oppression and empowerment, although the relative weight may change
depending on the circumstances, and even they may not be an explanation for
certain experiences of women in the process.
Based on these, this paper proceeds with perspectives on the (online) sex
work in the literature (perspectives of oppression and empowerment),
1https://www.complex.com/life/a/joshua-espinoza/what-is-onlyfans-explainer
Accessed on 08.01.2023
Online Sex work of Women on Onlyfans 41
Methods
In this study, I relied on descriptive literature analysis to answer my main
question. This study can be interpreted as the first part because, after this
descriptive analysis, I will plan my interview questions to explore the
experiences of women content creators on OnlyFans by using in-depth
interviews. For this reason, this first step based on descriptive analysis is
important in terms of understanding discussions on literature about OnlyFans
and preparing interview questions accordingly.
To find related scientific material, I utilized resources like jstor.org, Google
Scholar, and libgen focusing on materials published up to May 2023. After
conducting a literature review on this topic, I identified several themes and
formulated my research question. In order to access appropriate literature, I
employed the following keywords: “Women experiences of OnlyFans”,
“interpretation of OnlyFans”, “empowerment of women through OnlyFans”, and
“Exploitation of women through OnlyFans”. Through this process, I realized
that when studying OnlyFans in conjunction with content creators’ experiences,
scholars generally hold two main perspectives. The first perspective revolves
around empowerment, emphasizing the positive effects of OnlyFans and how it
provides women with a possibility for liberation. The second perspective view
OnlyFans through the lens of oppression and exploitation, considering it as a
new version of traditional sex work with similar mechanisms of exploitation
that have not changed fundamentally for women. However, it also
acknowledges the emergence of new challenges and negative aspects unique to
this platform.
Limitations of study
We know from the literature that there are not only women who are sex
workers in OnlyFans but also there are a lot of people from different genders. It
Online Sex work of Women on Onlyfans 45
Results
OnlyFans: “Old job, New Name”: Tracing oppression on the online space
As discussed in the “Perspective Towards the (Online) Sex Work” section,
there is some literature that claims that although this is a new form of sex work
that is technology-mediated, oppression and exploitation is an intrinsic
characteristic of OnlyFans like in all other types of sex work. In fact, because
digitally mediated sex work has some unique characteristics compared to
traditional sex work, there are different kinds of oppression and exploitation
mechanisms that are sociologically important. Doxing and capping, emotional
work and overworking of online sex work which are significant exploitative
characteristics of online sex work on OnlyFans will be discussed in this section.
The first one is the possibility of doxing and capping which are specific types
of online harassment. Doxing is a complex and gendered process where one or
more individuals intentionally seek and widely distribute private or personal
identifying information about another person (subject/target) through online
channels without their consent (Eckert and Metzger‐Riftkin 2020). As it is
46 Cılızoğlu
understood from the definition OnlyFans opens the possibility for doxing when
content creator women share personal information about themselves with
their subscribers. Capping is another form of online harassment. Capping refers
to the unauthorized recording and dissemination of explicit performances by
content creators. While customers are initially restricted to using these
recordings for personal purposes, “capped” videos are frequently uploaded to
adult websites and can be sold without the performer’s consent (Jones 2015).
Taking screenshots of content without permission from the creator can be a
common example of how capping occurs in OnlyFans. The possibility of doxing
and capping destruct the anonymity character of OnlyFans and it create
dangerous results in terms of privacy. Atkinson’s (2022) qualitative study
results show that some content creators worry about blackmailing especially
when their parents and relatives did not know about their OnlyFans account.
Besides doxing and capping which are a specific type of online harassment,
literature shows that (Atkinson 2022; Safee 2021) content creators can get
hateful comments about themselves, their bodies, and appearances which is
also one form of harassment. In other words, OnlyFans create an online
environment where any type of harassment (except physical one) can emerge,
there are not any mechanisms to prevent insulting comments and hateful
attitudes in OnlyFans.
The second one is the emotional labor that OnlyFans required. Emotional
labor is developed by Hochschild (2012) to understand workers' experiences in
service sectors which require face-to-face and voice-to-face contact with the
customer. In the “Managed Heart” (2012) book by Hochschild, the author gives
examples of emotional labor by explaining flight attendance work experience
which is directly related to making customers comfortable and happy. Thus,
even if they felt bad and sad, they should smile, and be respectful and kind all
the time to transfer positive feelings to the customers. This situation is
conceptualized as “acting” (Hochschild 2012, p.38). Hochschild also mentions
most of the time employers expect this kind of emotional labor, especially for
women’s service workers. For those reasons, most of the time emotional labor
is interpreted as an unpaid and unspoken part of women’s service work (Safee
2021). When emotional work is interpreted in OnlyFans context, it can easily be
said that women's content creator work is also emotional. Although they
haven’t got any supervisor that should control and check customer satisfaction,
the number of subscribers and money they can earn is an important element in
their job. For increasing their subscribers, producing content is not enough but
making them comfortable and happy is one side of their work. As Safee (2021)
emphasizes in her master thesis based on in-depth interviews with content
creator sex workers on OnlyFans Subscriber interaction is one of the important
elements of OnlyFans that require emotional work. According to her result
acting as if they were happy is just one part of emotional work but content
creators spent “a lot of effort to make their subscribers feel as if they have a
personal connection to them” (Safee 2021, p.44) This personal connection
requires knowing subscribers’ personal life like their current problem at work
or name of pets. Especially considering that the use of OnlyFans has increased
during the pandemic period, the emotional work of content creator women's
Online Sex work of Women on Onlyfans 47
efforts to make their subscribers feel good and comfortable will be more
visible. Safee’s study results support this argument because the study shows
that the number of subscribers who sought meaningful conversation increased
and this could be attributed to people's desire for solace and support during
difficult circumstances.
The third one is overworking. Although most people assume that being a
content creator on Onlyfans is not a real job or that creating content on
OnlyFans is an easy way of earning money, it requires a lot of labor. First of all,
like every content producer, OnlyFans content producers have to be creative
and increase the number of subscribers by constantly producing new and
interesting content. Secondly, besides being creative, their jobs are directly
related to their body and they invest their body in order to make more
subscribers and sometimes to change their physical appearance to create more
original content. As Cardoso and Scarcelli (2021) ‘s study based on OnlyFans
content creators' body preparation and representation processes shows that
content creators “have specific hairdo routines, or using specific outfits; and by
changing the physical properties of their bodies via exercise or the thought-out
deployment of specific dietary routines” (p.106). Thirdly, their job did not end
when they prepare content but editing the visual or audiovisual material is also
an important part of the post-production process. Although this seems like a
technical part of this job, this technical part which is related to how they frame
and pose their body is related to the question of which narrative they want to
have in their content. As a result of Cardoso and Scarcelli (2021)’s thematic
analysis of in-depth interviews, there are mostly three types of narratives that
OnlyFans creators use while they create content. “Glamourised” is related to the
accepted aesthetic presentation of self which is associated with sexual tropes,
“everyday life” is a standard and normal presentation of the normal and casual
appearance of women's bodies, and “an essentialist embodiment” which
implies their body is their biological inheritance (p.107). As it is understood,
creating content on OnlyFans and earning money on it requires a lot of time
because they are not just providing some nudity content but they create
content that tells stories according to subscribers' preferences.
(Hamilton et al. 2022; Lippmann et al. 2023). When we evaluate the indirect
feature of sex work on OnlyFans along with its anonymous feature, OnlyFans
provides the opportunity to have a second job (additional source of income).
Last but not least, although the content creator’s work on this platform is
conducted individually, there is a community aspect of OnlyFans like in all
other social media platforms. In other words, “OnlyFans offers a community
feeling” (Atkinson 2022, p.82) to both creators and fans. Like in other social
media, content creators can support each other’s OnlyFans account by re-
sharing their posts which increases their popularity and they can earn more
money. Besides the economic aspect, it is a community that enables interaction
(Uttarapong et al. 2022). Content creators can interact with each other and
share their both good and bad experiences regarding OnlyFans and give some
tips.
From now on, I focused on the interpretation of online sex work in
OnlyFans from the oppression or empowerment paradigm. However, I think it
is more productive to focus on the unique experiences of women who produce
content and the content production processes of women on Onlyfans, instead of
fully adopting one of the two views and coming to a conclusion about Onlyfans.
For this reason, the next section will focus on how polymorphous
understanding can be developed for OnlyFans without reducing oppression or
empowerment.
Conclusion
This paper's main aim is to elaborate on why victimization and empowerment
perspectives provide a partial understanding of content creators' experience in
OnlyFans. For this purpose, after explaining dominant perspectives in the
literature towards (online) sex work and explaining OnlyFan's characteristics
as an online platform, I focused on how dominant perspectives toward sex
work can be reflected OnlyFans which are either oppression or empowerment
paradigms. Although most of the scholars did not mention explicitly using
oppression or empowerment conceptualizations, when the studies are
reviewed, there is a dominant tendency that either focus on the negative or the
positive sides of online sex on OnlyFans. Some scholars who mainly mention
negative sides claim that there is no big difference between direct sex work and
online sex work on OnlyFans and they interpret online sex work on Onlyfans as
a sex work that contains all negative and exploitative characteristics of direct
sex work. Another group of scholars who focus on negative and exploitative
sides claim that because it is digitally mediated there are some new negative
aspects different than direct sex work. Those groups of scholars mostly focus
on increasing the possibility of doxing and capping which are types of online
harassment, intense emotional labor that sex work on OnlyFans requires, and
mentioning how being a content creator in OnlyFans requires overworked by
focusing on the content creation process requirements.
Scholars who focus on the positive sides are mostly focusing on OnlyFans’s
empowering characteristics. Those empowering characteristics are most of the
time based on a comparison between direct sex work and online sex work on
OnlyFans. Those characteristics are decreasing physical violence which is
common in direct sex work, not containing any intermediary mechanisms that
exploit women’s earning through sex work, creating opportunities like
52 Cılızoğlu
controlling working schedule compared to other types of gigs works, allowing
space for sexual expression, providing a certain degree of anonymity which
decrease stigmatization, offering communal interaction and solidarity based on
the interaction between content creators.
Although those paradigms can be beneficial to understanding women’s
online sex work experiences on OnlyFans, there is a danger that most of the
time they end up with a deterministic understanding. Thus, this paper suggests
polymorphous understanding due to the fact that all women’s experiences are
unique and most of the time it cannot simply justify either oppression or
empowerment paradigm.
To support this argument, I highlighted three critical points. The first one is
most of the time women's online sex work experience cannot be explained
purely by oppression or empowerment paradigms, instead coexistence of
oppression or empowerment should be taken into account. Secondly,
emphasizing only the oppression or empowerment paradigm underestimate
women’s differences that directly affect women’s online sex work experiences.
Thus, women’s age, race, and gender are significant characteristics that affect
all experiences. In relation to the second one, thirdly, women’s experiences of
online sex work can change according to the motivation behind being a sex
worker in OnlyFans. Thus, it should not be forgotten that celebrity women’s
motivations for being content creators on OnlyFans cannot be interpreted as
same as women’s motivations whose only income source is OnlyFans.
Taking into those three critics and this study's limitation indicated in the
method section consideration, further studies based on intersectionality will be
necessary for the literature to draw a more comprehensive picture of content
creator’s online sex work experiences on OnlyFans.
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