After the Rain

For Concert Band, Grade 1

By Matt Neufeld

Instrumentation

1 - Full Score 4 - Bb Trumpet 1

8 - Flute 4 - Bb Trumpet 2
2 - Oboe 4 - F Horn
2 - Bassoon 3 - Trombone 1
5 - Bb Clarinet 1 3 - Trombone 2
5 - Bb Clarinet 2 4 - Euphonium B.C.
2 - Bb Bass Clarinet 2 - Euphonium T.C.
3 - Eb Alto Saxophone 4 - Tuba
2 - Bb Tenor Saxophone
2 - Eb Baritone Saxophone

2 - Bells
2 - Vibraphone (optional)
2 - Timpani
2 - Percussion 1: Bass Drum
2 - Percussion 2: Wind Chimes/Suspende Cymbal
2 - Percussion 3: Crash Cymbals/Triangle

Full Set - $50.00 Extra Conductor Score - $12.00 Extra Part - $4.00

Randall Standridge Music, LLC - 26 County Road 472 - Jonesboro, AR 72404 -

phone: 870-558-5035
www.randallstandridge.com - randallstandridge@yahoo.com
 After the Rain
By Matt Neufeld
To The Director:
I really believe in the value of lyrical pieces as a cornerstone of developing overall musicianship for bands. I also strongly believe in treating
young musicians as able to learn the sensitivity needed to perform a lyrical piece to its full potential. Therefore, please remember these
when rehearsing this piece with your band:

1. Please hold all long notes for their full, written value. Whole notes, for example, should release on beat 1 of the following bar.
2. A good balance is essential to playing this piece correctly. I strongly recommend “The Creative Director” by Ed Lisk as a foundation
to understand good band balance.
3. Always encourage your students to listen for melody, and to bring it out wherever they hear it, and to let it through if they hear it but
are not playing the melody.
4. Good releases are just as important as good attacks.

The bells part was written to give to a reluctant mallet player. It is very repetitive on purpose.

The vibraphone part is optional, and, in the absence of a vibraphone, may be played on bells with medium
vibraphone mallets.

The bass drum, timpani, and suspended cymbal parts do more than any other instrument to build to the big musical moments. Don’t forget
to remind the players how important their parts are, even if they don’t look challenging or intricate.

And above all else, have fun and make music!

-Matt

Program Notes:

This year (2021) had a particularly dry summer where I live. We had no rain for months, but, finally, in mid August, the heavens finally
opened with a week of glorious rain.

After one day of particularly furious thunderstorms, the rain finally broke around 8 p.m. I walked out onto my lawn to survey the aftermath,
and, as I saw rain dripping off of every surface, I saw the clouds rolling back and the sun shining through. The grass, which had been looking
brown all summer, had a tinge of green to it again.

To me, this is also a metaphor for the world starting to become right again after a year of being locked down due to the Covid-19
pandemic. After over a year of trauma and isolation, we begun to emerge from our cocoons and see each other again, and begin the
long process of righting our worlds.

Though the winds blow, and the thunder booms, the rain brings growth and healing in storm’s wake.

About the Composer

A graduate of the University of Manitoba in Winnipeg, Canada, Matt Neufeld (b. 1985)
does his best to
compose, teach, and perform music for as many people as he can convince or coerce.

Matt spends most of his days working with middle and high school band students at
Ecole Van Walleghem and Oak Park High School in
Winnipeg.

In his spare time, Matt enjoys competitive board gaming, playing his wife's favorite songs
on the piano in ways that do NOT endear him to her, and having his three children try to
beat him at Mario Kart.
FULL SCORE
GRADE - 1
DURATION 3:10
After the Rain
MATT NEUFELD
(SOCAN)
Freely (15”) With hope q = 80
b 4
&b 4 ’ ’ ’ ’ ∑ ∑ ∑ ∑
Snap fingers, like rain Snaps fade away to silence

Flute ’ ’ ’ ’
b
& b 44 ’ ’ ’ ’ ∑ ∑ ∑ ∑
Snap fingers, like rain Snaps fade away to silence

Oboe ’ ’ ’ ’

? b 4 ∑ ∑ ∑ ∑
Snap fingers, like rain Snaps fade away to silence

Bassoon b 4 ’ ’ ’ ’ ’ ’ ’ ’

44 ’ ’ ’ ’ ∑ ∑
Snap fingers, like rain Snaps fade away to silence

B b Clarinet 1 & ’ ’ ’ ’ ˙ œ œ w
p P
4 ∑ ∑
Snap fingers, like rain Snaps fade away to silence

B b Clarinet 2 & 4 ’ ’ ’ ’ ’ ’ ’ ’ ˙ œ œ w
p P
44 ’ ’ ’ ’ ∑ ∑ ∑ ∑
Snap fingers, like rain Snaps fade away to silence
B b Bass
Clarinet
& ’ ’ ’ ’
# Snap
4
fingers, like rain Snaps fade away to silence
∑ ˙ œ œ ∑
E b Alto
& 4 ’ ’ ’ ’ ’ ’ ’ ’ w
p P
Saxophone

44 ’ ’ ’ ’ ∑ ∑ ∑ ∑
Snap fingers, like rain Snaps fade away to silence
B b Tenor
Saxophone & ’ ’ ’ ’

E b Baritone # Snap
4
fingers, like rain Snaps fade away to silence
∑ ∑ ∑ ∑
Saxophone & 4 ’ ’ ’ ’ ’ ’ ’ ’

44 ’ ’ ’ ’ ∑ ∑ ∑ ∑
Snap fingers, like rain Snaps fade away to silence

B b Trumpet 1 & ’ ’ ’ ’

4 ∑ ∑ ∑ ∑
Snap fingers, like rain Snaps fade away to silence

B b Trumpet 2 & 4 ’ ’ ’ ’ ’ ’ ’ ’

& b 44 ’ ’ ’ ’ ∑ ∑ ∑ ∑
Snap fingers, like rain Snaps fade away to silence

F Horn ’ ’ ’ ’

? b 4 ∑ ∑ ∑ ∑
Snap fingers, like rain Snaps fade away to silence

Trombone 1 b 4 ’ ’ ’ ’ ’ ’ ’ ’

? b b 44 ’ ’ ’ ’ ∑ ∑ ∑ ∑
Snap fingers, like rain Snaps fade away to silence

Trombone 2 ’ ’ ’ ’

? b 4 ∑ ∑ ∑ ∑
Snap fingers, like rain Snaps fade away to silence

Euphonium b 4 ’ ’ ’ ’ ’ ’ ’ ’

? b b 44 ’ ’ ’ ’ ∑ ∑ ∑ ∑
Snap fingers, like rain Snaps fade away to silence

Tuba ’ ’ ’ ’

b 4 œ œ œ œ œ œ œ œ œ œ
Hard acrylic mallets - solo

&b 4
solo

œ œ œ œ œ œ œ œ œ œ
p
Bells
(4)

b
& b 44 Û Û Û Û Û Û Û Û ∑ ∑ ∑ ∑
Snap fingers, like rain Snaps fade away to silence
Vibraphone
(opt.)
Snap fingers, like rain

? b 4 Û
Tune: F, B b
Û Û Û Û Û Û Û ∑ ∑ ∑ ∑
Snaps fade away to silence

Timpani b 4

4 / ∑ ∑ ∑ ∑
Snap fingers, like rain Snaps fade away to silence
Percussion 1
Bass Drum
ã 4 / / / / / / /

44 / ∑ ∑ ∑
œ œ œ ˙
Snap fingers, like rain Snaps fade away to silence Sus. Cymbal - Sticks

ã / / / / / / /
Percussion 2

p
Wind Chimes/
Suspended Cymbal

44 / ∑ ∑ ∑ ∑
Snap fingers, like rain Snaps fade away to silence

ã / / / / / / /
Percussion 3 (opt.)
Crash cymbals/
Triangle

1 2 3 4 5 6

Copyright © 2023, by Randall Standridge Music, LLC. All Rights Reserved. Purchase required for public or recorded performance.
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2 After the Rain

b ˙ œ œ œ œ œ œ ˙ œ œ
Fl. &b ∑ ∑ ∑
p
b ˙ œ œ œ œ œ œ ˙ œ œ
Ob. &b ∑ ∑ ∑
p
? b w w ∑ ˙ œ w ˙ œ œ
b œ
p P
Bsn.
p
& œ ∑ œ œ œ ˙ œ œ
B b Cl. 1 ˙ œ w ˙ œ œ œ
p P p
& œ ∑ ˙
B b Cl. 2 ˙ œ w ˙ œ œ œ œ œ œ œ œ
p P p
& w w ∑ ˙ w ˙ œ œ
B. Cl.
œ œ
p P p
# ˙ œ œ ∑ œ ˙ œ
A. Sx. & w ˙ œ œ œ œ œ œ
p P p
˙ œ œ œ œ œ œ ˙ œ œ
T. Sx. & ˙ œ œ w ∑
p P p
# w w
& w ∑ ˙ œ œ ˙ œ œ
p P
B. Sx.
p
∑ ˙
muted (cup if possible)

B b Tpt. 1 & w w ˙ œ œ œ œ œ œ œ œ
p P p
∑ ˙
muted (cup if possible)

B b Tpt. 2 & w w ˙ œ œ œ œ œ œ œ œ
p P p
Hn. &b ˙ œ œ w ∑ ˙ œ œ œ œ œ œ ˙ œ œ
p P p
? b w w ∑ ˙ œ w ˙ œ œ
Tbn. 1 b œ
p P p
? b w w ∑ ˙ œ w ˙ œ œ
b œ
p P
Tbn. 2
p
? b w w ∑ ˙ œ w ˙ œ œ
Euph. b œ
p P p
? b ∑
b w w
w ˙ œ ˙ œ œ
Tuba
p œ
p P
b œ œ œ œ œ œ œ œ œ œ œ œ
Bls. &b œ œ œ œ œ œ œ œ œ œ œ œ
(8)

b
&b ∑
Soft mallets, slow motor (opt.), pedal ad. lib.

ww ˙ œ œ œ œ œ ˙ œ œ
ww œ
Vib.

p P p
? b ∑ ∑ ∑ ∑ ∑ ∑
Timp. b
Soft mallets - like distant thunder

Perc. 1 ã ∑ wæ wæ œ Œ Ó ∑ ∑
π p π
∑ ∑ Œ Ó ∑ ∑
To W.Ch. W.Ch. To Cym.

ã w œ
p
Perc. 2

∑ ∑ ! ∑ ∑ ∑
Triangle
ã
p
Perc. 3

7 8 9 10 11 12
 After the Rain 3
16 19
b w w œ ˙ œ œ w œ œ œ œ w
&b J ‰ Œ Ó
P
Fl.

b w w œ ˙ œ œ w œ œ œ œ w
&b J ‰ Œ Ó
P
Ob.

? b w w œ ‰ Œ Ó ∑ Ó ˙ œ œ œ œ w
Bsn. b J
P F
j
B b Cl. 1 & w w œ ‰ Œ Ó ˙ œ œ w ˙ œ œ w
P
B b Cl. 2 & j‰ Œ Ó
˙ œ œ w œ œ œ œ w
w w œ
P
j
B. Cl. & w w œ ‰ Œ Ó ∑ Ó ˙ œ œ œ œ w
# P F
j
A. Sx. & w w œ ‰ Œ Ó ˙ œ œ w ˙ œ œ ˙ ˙
P
& w w œ ‰ Œ Ó ∑ ∑ ˙ œ œ ˙ ˙
T. Sx.
J
P
# w w œ ‰ Œ ˙ w
B. Sx. & J Ó ∑ Ó œ œ œ œ
P F
j ‰ open
B b Tpt. 1 & w w œ Œ Ó ∑ ∑ ∑ ∑
P open
j
B b Tpt. 2 & w w œ ‰ Œ Ó ∑ ∑ ∑ ∑
P
&b w j‰ Œ Ó ∑ ∑ ∑ ∑
Hn. w œ
P
? b w w œ ‰ Œ Ó ∑
Bsn. cue
˙ œ w
b J Ó œ œ œ
P ∑ ∑ ∑
Tbn. 1
F
? b w w œ ‰ Œ Ó ∑ w
Bsn. cue
˙ œ
b J Ó œ œ œ
∑ ∑ ∑
Tbn. 2
P F
? b w w œ ‰ Œ Ó ∑ w
Bsn. cue
˙ œ
Euph. b J Ó
∑
œ œ
∑
œ
∑
P F
? b j‰ Œ Ó ∑ ∑ ∑ ∑
Tuba b w w œ
P
b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
&b
solo

Bls. œ œ œ œ œ œ œ œ œ œ œ œ œ œ
P (4)
b j
Vib. &b w w œ ‰ Œ Ó ∑ ∑ ∑ ∑
? b Œ Ó ∑ ∑ ∑ ∑
Soft mallets

Timp. b wæ wæ œ
p P
ã wæ wæ wæ œ Œ Ó ∑ ∑ ∑
p
Perc. 1
P p
Sus. Cymbal - soft mallets
w w œ œœ˙
Sticks

Œ Ó ∑ Œ ∑ ∑
To sticks To Mallets

ã æ æ
P
Perc. 2
p p
! ! ∑ ∑ ∑ ∑ ∑
To Crash Cym.
Perc. 3 ã
P
13 14 15 16 17 18 19
4 After the Rain
24 Più mosso q = 88
œ ˙ œ w
Fl. & bb ˙ œ œ œ œ œ œ ∑ ∑

b ˙ œ œ œ œ œ ˙ œ œ w
Ob. &b œ ∑ ∑

? b œ œ ˙ ˙ w ˙ ˙ ˙ ˙
b ˙ œ œ œ œ
P
Bsn.
F
B b Cl. 1 & ˙ œ œ œ œ œ œ ˙ œ œ w ∑ ∑

& œ œ ∑ ∑
B b Cl. 2 ˙ œ œ œ œ ˙ œ œ w
∑ ∑
Tuba cue

& œ œ ˙ ˙ w ˙
˙ œ œ œ œ ˙ ˙ ˙
B. Cl.
P F
# œ œ
Horn Cue

& ˙ œ œ œ œ ˙ œ œ ˙ ˙
œ œ ˙ œ œ œ œ œ
∑ ∑
A. Sx.
F
˙ œ œ œ œ œ ˙ œ œ ˙
& œ ˙ ˙ ˙ ˙ ˙
F
T. Sx.

# œ ˙ ˙ w ∑˙ ∑
œ
Tuba cue
˙
B. Sx. & ˙ œ œ œ œ ˙ ˙
P F

∑ ∑ ∑ ∑ œ œ
open

B b Tpt. 1 & œ œ œ œ œ ˙
F
∑ ∑ ∑ ∑ œ œ
open

B b Tpt. 2 & œ œ œ œ ˙
œ
F
Hn. &b ∑ ∑ ∑ ∑ œ œ ˙ œ œ œ œ œ
F
? b ˙ ˙ w
play
˙ ˙ ˙ ˙
b ˙ œ œ œ œ œ œ
∑ ∑ ∑ ∑
Tbn. 1
P F
? b ˙ ˙ w
play
˙ ˙ ˙ ˙
Tbn. 2 b ˙
∑ œ œ œ œ
∑
œ œ
∑ ∑
P F
? bb œ ˙ ˙ w
play
˙ ˙ ˙ ˙
˙ œ œ œ œ œ
∑ ∑ ∑ ∑
Euph.
P F
? b ∑ ∑ ∑ ∑
b
˙ ˙ ˙
Tuba

F ˙
b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ w
Bls. &b œ œ œ œ œ œ œ œ ∑
b
&b ∑ ∑ ∑ ∑
(8)

Vib. ˙˙ ˙˙ ˙˙ ˙˙
F
? b ∑ ∑ ∑ ∑ ∑ ∑
Timp. b

Perc. 1 ã ∑ ∑ ∑ wæ ˙ ˙ ˙ ˙
p F
Perc. 2 ã ∑ ∑ ∑ ∑ ∑ ∑

∑ ∑ ∑ ∑ ∑
Cr. Cymbals

Perc. 3 ã T
p
20 21 22 23 24 25
 After the Rain 5

>œ >œ >œ >œ >w w

rit.

Fl. & bb ∑ ∑ ∑ ∑
F
b >œ >œ >œ >œ >w w
Ob. &b ∑ ∑ ∑ ∑
F
? b ˙
b ˙
w œ œ œ
œ œ œ œ ˙ ˙ n >œ œ
>w w
> >
Bsn.

& ∑ ∑ ˙ ˙ ˙ œ œ w w
B b Cl. 1 ˙ > œ œ > >
p F > >
& ∑ ∑ œ
B b Cl. 2
˙ ˙ ˙ œ œ > œ œ œ w w
pplay F > > > >
∑ ∑ œ œ
& w œ œ œ œ ˙ ˙ #œ œ w w
˙ ˙ œ > > >
B. Cl.
F >
# >œ >
œ œ œ
play
œ
& œ ˙ œ œ œ œ œ w ˙ ˙ w w
∑ ∑ > > >
A. Sx.
p F
& ˙ ˙ w œ œ œ œ œ œ ˙ ˙ ˙ w w
œ
> > >
T. Sx.
F
# ∑ w ∑ œ œ œ œ œ œ ˙ # >œ œ >w w
˙
play

& ˙ ˙ œ
> >
B. Sx.
F
& œ œ œ œ ˙ ˙ ˙ ˙ ˙ œ œ œ w w
B b Tpt. 1
œ œ > > œ > >
p F >
B b Tpt. 2 & œ ˙ œ œ œ œ œ w w
œ œ œ œ œ w ˙ œ > > > > >
p F
>
&b œ œ ˙ œ œ œ œ œ w ˙ ˙ œ œ œ œ w w
> > >
Hn.
p F >
? b ˙
b
˙ w œ œ œ
œ œ œ œ ˙ ˙ n >˙ >w w
>
Tbn. 1

? b ˙
b ˙
w œ œ œ
œ œ œ œ ˙ ˙ n >œ œ
>w w
> >
Tbn. 2

? bb ˙ ˙ w œ œ œ œ œ œ œ ˙ ˙ n >œ œ
>w w
> >
Euph.

? b
b w œ œ œ œ œ œ ˙ nœ œ w w
˙ ˙
Tuba
˙ œ > > > >
b
&b ∑ ∑ ∑ ∑
œ œ œ œ w w
> > > >
Bls.
>
F >
b
&b ˙ ˙˙ œ ˙ ˙˙ ˙˙ ˙ ˙ œ œ œ w w
˙ œ ˙ ˙ > >œ > > >
Vib.
>
? b ∑ Œ Ó ∑ ∑
Timp. b wæ œ wæ wæ
p F p>
> > > >
Perc. 1 ã ˙ ˙ w ˙ ˙ ˙ ˙ œ œ œ œ wæ wæ
p
w œ w w
ã ∑ Œ Ó ∑ ∑
Mallets
Perc. 2 æ æ æ
p F p
Perc. 3 ã ∑ ∑ ∑ ∑ ∑ ∑ ∑
26 27 28 29 30 31 32
6 After the Rain
33 A tempo ˙
Fl. &b
b ∑ œ œ œ œ œ œ œ w œ œ œ œ œ œ œ œ œ ˙ œ œ
f
b œ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙ œ œ ˙ œ œ
Ob. &b ∑ w
f
? b w ˙ œ œ ˙ ˙
Bsn. b ˙ œ œ w œ ˙ œ
f
& ∑ ˙
B b Cl. 1
œ œ œ œ œ œ œ w œ œ œ œ œ œ œ œ œ ˙ œ œ
f
& ∑
B b Cl. 2
œ œ œ œ œ œ œ w œ œ œ œ œ œ œ ˙ œ œ ˙ œ œ
f
& ˙ œ œ œ ˙ ˙
˙ œ œ ˙. œ ˙ œ
B. Cl.

f w
#
A. Sx. & ∑ œ œ œ œ œ œ œ w œ œ œ œ œ œ œ ˙ œ œ ˙ œ œ
f
˙ œ œ w ˙ œ œ ˙ œ œ
T. Sx. & ˙ œ œ w
f
# w ˙. œ ˙ ˙
B. Sx. & ˙ œ œ ˙ œ œ œ ˙ œ
f
& ˙ œ œ ˙ œ œ w ˙ œ œ ˙ œ œ
B b Tpt. 1
w
f
& ˙ œ œ ˙ œ œ w ˙ œ œ ˙ œ œ
B b Tpt. 2
w
f
Hn. &b ˙ œ œ w ˙ œ œ w ˙ œ œ ˙ œ œ
f
? b ˙ œ œ w ˙ œ œ w ˙ ˙ œ œ œ œ
Tbn. 1 b
f
Tbn. 2
? bb ˙ œ œ w ˙ œ œ w ˙ ˙ œ ˙ œ
f
? b w ˙ œ œ ˙ ˙
Euph. b ˙ œ œ w œ ˙ œ
f
? b
b w ˙. œ
˙ œ œ ˙ ˙
Tuba
f˙ œ œ œ ˙ œ
bb
& œ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙ œ œ ˙ œ œ
fw w
Bls.

˙
Vib. &b w
b œ œ œ œ œ œ œ w œ œ œ œ œ œ œ œ œ ˙ œ œ
f
? b ∑ ∑ ∑ ∑
Timp. b œ œ ˙ w
f
Perc. 1 ã w ∑ ∑ ∑ ∑ ∑
f
œ
ã Œ Ó ∑ ∑ ∑ ∑ ∑
f
Perc. 2

ã ∑ ∑ ∑ ∑ ∑
Perc. 3
T
f 33 34 35 36 37 38
 After the Rain 7
Tempo 1 q = 80 43 div.
b > n ww
molto rit.
ww
&b w w œ ‰
J
Œ Ó ∑ ∑
p P
Fl.
Í f
bb >w w œ ‰ Œ Ó ∑ ww
div.
∑ n ww
Ob. & J
Í f p P
? b j
b bw w œ ‰ Œ Ó ∑ w ∑ w
> >
Bsn.

Í f p P
& j‰ Œ Ó ∑ w ∑ #w
B b Cl. 1
w w œ
> f p P
Í
B b Cl. 2 & j‰ Œ Ó ∑ ∑
w
bw ˙ n˙ œ w
> f p P
Í
& j‰ Œ Ó ∑ ∑
bw w w
B. Cl.
> w œ p P
# Í f
j
& w ˙ ˙ œ ‰ Œ Ó ∑ w ∑ w
>
A. Sx.
Í f p P
> ˙
T. Sx. & bw n˙ œ ‰
J
Œ Ó ∑ w ∑ w
Í f p P
# w œ ‰
& nw J Œ Ó ∑ w ∑ w
>
B. Sx.

Í f p P
& j‰ Œ Ó ∑ ∑ #w
B b Tpt. 1
w w œ w
Í
> f p P
& j‰ Œ Ó ∑ ∑
B b Tpt. 2
w w œ w w
Í
> f p P
& b bw j‰ Œ Ó ∑ ∑ w
Hn. ˙ n˙ œ w
>
Í> f> p P
? bb w >w œ ‰ w w
Tbn. 1 J Œ Ó ∑ ∑
Í f p P
? bb j
bw w œ ‰ Œ Ó ∑ w ∑ w
> > >
Tbn. 2

Í f p P
? b j
b bw w œ ‰ Œ Ó ∑ w ∑ w
> > f> P
Euph.
Í p
? bb j‰ Œ Ó ∑ ∑
Tuba
w œ
bw
>
> >f pw w
P
bb ÍŒ >œ
Œ
>˙ Solo œ œ œ œ
œ
Band enters
œ œ œ œ œ
& œ œ œ œ œ
œ œ œ œ œ œ œ œ œ
>>
Bls.

F> >œ > > f p P

b > >œ >œ >œ ˙
&b Œ œ Œ ∑ ∑
w
∑
n ww
pw
Vib.
F f P
? b
Timp. b ∑
wæ œ
Œ Ó ∑ wæ wæ wæ
p f p P
ã w wæ wæ wæ wæ wæ wæ
>
Perc. 1
p f p P
Mallets
w œ w œ œ œ œ œ w
∑ Œ Ó ∑
To sticks Sticks

ã æ
p f P
Perc. 2
p
ã ∑ ∑ ∑ ∑
Perc. 3
T T T
f p
39 40 41 42 43 44 45
8 After the Rain
Keep instruments in playing

U U
rit.
b œ Aœ
position until conductor releases.

˙ w ˙ œ ‰ 2 4 w
&b ∑ œ 4 ˙ w ∑
unis.

J 4
p
Fl.
f
b ˙ œ Aœ 2 4 w U U
&b ∑ w ˙ œ ‰ œ 4 ˙ w ∑
unis.

J 4
p
Ob.
f
? bb w ˙ œ ‰ U U
∑ ˙ œ œ
J Œ 42 ∑ 44 ˙ ˙ w ∑
p
Bsn.
f
2 4 U U
& ∑ ˙ œ Nœ j‰ 4 4 ∑
B b Cl. 1
w ˙ œ œ ˙ w w
f p
U U
B b Cl. 2 & ∑ j‰ 42 44 ∑
˙ œ œ w ˙ œ œ ˙ w w
f p
j 2 4 U U
& ∑ ˙ œ œ w ˙ œ ‰ Œ 4 ∑ 4 ˙ ∑
b˙ w
B. Cl.

f p
# j 2 4 U U
& ∑ ˙ œ œ w ˙ œ ‰ œ 4 ˙ 4 w w ∑
p
A. Sx.
f
j U U
& ∑ ˙ œ œ w ˙ œ ‰ Œ 42 ∑ 44 b ˙ ˙ w ∑
p
T. Sx.
f
# w ˙ œ ‰ 2 4 ˙ U U
B. Sx. & ∑ ˙ œ œ J Œ 4 ∑ 4 ˙ w ∑
f p
2 4 U U
& ∑ ˙ œ Nœ j‰ 4 4 ∑
B b Tpt. 1
w ˙ œ œ ˙ w w
f p
2 4 U U
B b Tpt. 2 & ∑ j‰ 4 ˙ 4 w ∑
˙ œ œ w ˙ œ œ w
f p
U U
&b ∑
˙ œ œ
j‰ Œ 42 ∑ 44
b˙ ˙
∑
w ˙ œ w
Hn.

f p
? b w ˙ œ ‰ 2 4 ˙ U U
b ∑ ˙ œ œ J Œ 4 ∑ 4 ˙ w ∑
p
Tbn. 1
f
? b w ˙ œ ‰ 2 4 ˙ U U
b ∑ ˙ œ œ Œ 4 ∑ 4 ˙ w ∑
J
p
Tbn. 2
f
? b w ˙ œ ‰ 2 4 ˙ U U
b ∑ ˙ œ œ Œ 4 ∑ 4 ˙ w ∑
J
p
Euph.
f
? b 2 4 U U
b ∑ j‰ Œ 4 ∑ 4 ∑
Tuba
˙ œ œ w ˙ œ ˙ w
b˙ p
f
b >œ >œ >˙ U U
&b œ œ w œ œ Ó 42 ∑ 44 Œ œ w ∑
œ œ > > œ œ p
Bls.
f
b 2 4 U U
&b ∑
˙ œ œ j‰ 4 4 ∑ w ∑
w ˙ œ œ ˙ pw
Vib.

f U U
? b b wæ ˙æ œ œ Œ Ó 42 ∑ 44 Ó ∑
Timp.
wæ œ ˙ w
Í f P p
U U U
Perc. 1 ã wæ ˙æ œ œ wæ œ Œ Ó 42 ∑ 44
˙ ˙ wæ ˙æ œ Œ
Í f p niente

U U
42 44
œ œœ œœ œ w w œ
To mallets Mallets

Œ Ó ∑ ∑ ∑
To W.Ch. W.Ch.
ã æ w
f
Perc. 2
p
U U
ã ∑ ∑ ∑ 42 ∑ 44 ∑ ∑ ∑
fT
Perc. 3

46 47 48 49 50 51 52 53