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Discovering Diverse Content Through
Random Scribd Documents
THE HOUSE WREN
Neltje Blanchan
When you are sound asleep some April morning, a tiny brown
bird, just returned from a long visit south, will probably alight on the
perch in front of one of your boxes, peep in the doorhole, enter—
although his pert little cocked-up tail has to be lowered to let him
through—look about with approval, go out, spring to the roof and
pour out of his wee throat a gushing torrent of music. The song
seems to bubble up faster than he can sing. After the wren’s happy
discovery of a place to live, his song will go off in a series of musical
explosions all day long, now from the roof, now from the clothes
posts, the fence, the barn, or the woodpile. There never was a more
tireless, spirited, brilliant singer. From the intensity of his feelings, he
sometimes droops that expressive little tail of his, which is usually so
erect and saucy.
With characteristic energy, he frequently begins to carry twigs into
the house before he finds a mate. The day little Jenny Wren appears
on the scene, how he does sing! Dashing off for more twigs, but
stopping to sing to her every other minute, he helps furnish the
cottage quickly, but, of course, he overdoes—he carries in more
twigs and hay and feathers than the little house can hold, then pulls
half of them out again. Jenny gathers, too, for she is a bustling
housewife and arranges matters with neatness and despatch.
Neither vermin nor dust will she tolerate within her well-kept home.
Everything she does to suit herself pleases her ardent little lover. He
applauds her with song; he flies about after her with a nervous
desire to protect; he seems beside himself with happiness. Let any
one pass too near his best beloved, and he begins to chatter
excitedly: “Chit-chit-chit-chit,” as much as to say, “Oh, do go away;
go quickly! Can’t you see how nervous and fidgety you make me?”
If you fancy that Jenny Wren, who is patiently sitting on the little
pinkish, chocolate spotted eggs in the centre of her feather bed, is a
demure, angelic creature, you have never seen her attack the
sparrow, nearly twice her size, that dares put his impudent head
inside her door. Oh! how she flies at him! How she chatters and
scolds! What a plucky little shrew she is, after all! Her piercing,
chattering, scolding notes are fairly hissed into his ears until he is
thankful enough to escape.
Fiona MacLeod
It was the last month of the last year of the seven years’ silence
and peace. When would that be, you ask?
Surely what other would it be than the seven holy years when
Jesus the Christ was a little lad.
It was a still day. The little white flowers that were called Breaths
of Hope and that we now call Stars of Bethlehem were so hushed in
quiet that the shadows of the moths lay on them like the dark
motionless violet in the hearts of pansies. In the long swords of
tender grass the multitude of the daisies were white as milk faintly
stained with flusht dews fallen from roses. On the meadows of white
poppies were long shadows blue as the blue lagoons of the sky
among drifting snow white moors of cloud. Three white aspens on
the pastures were in a still sleep; their tremulous leaves made no
rustle; ewes and lambs were sleeping and yearling kids opened and
closed their eyes among the garths of white clover.
It was Sabbath and Jesus walked alone. When He came to a little
rise in the grass He turned and looked back at the house where His
parents dwelled. Suddenly He heard a noise as of many birds and
turned and looked beyond the low upland where He stood. A pool of
pure water lay in the hollow, fed by a ceaseless wellspring and round
it and over it circled birds whose breasts were grey as pearl and
whose necks shone purple and grass green and rose. The noise was
of their wings, for though the birds were beautiful they were
voiceless and dumb as flowers.
At the edge of the pool stood two figures like angels, but the child
did not know them. One He saw was beautiful as Night, and one
beautiful as Morning.
He drew near.
“I have lived seven years,” He said, “and I wish to send peace to
the far ends of the world.”
“Tell your secret to the birds,” said one.
“Tell your secret to the birds,” said the other.
So Jesus called the birds.
“Come,” He cried, and they came.
Seven came flying from the left, from the side of the angel
beautiful as Night. Seven came flying from the right, from the side of
the angel beautiful as Morning.
To the first He said: “Look into my heart.”
But they wheeled about Him, and with new found voices mocked,
crying, “How could we see into your heart that is hidden ...” and
mocked and derided, crying, “What is Peace! ... leave us alone.
Leave us alone.”
So Christ said to them: “I know you for the birds of Evil.
Henceforth ye shall be black as night, and be children of the winds.”
To the seven other birds which circled about Him, voiceless, and
brushing their wings against His arms, He cried:
“Look into my heart.”
And they swerved and hung before Him in a maze of wings, and
looked into His pure heart: and, as they looked, a soft murmurous
sound came from them—drowsy, sweet, full of peace—and as they
hung there like a breath in frost they became white as snow.
“Ye are the Doves of the Spirit,” said Christ, “and to you I will
commit that which ye have seen. Henceforth shall your plumage be
white and your voices be the voices of peace.”
The young Christ turned, for He heard Mary calling to the sheep
and goats, and knew that dayset was come and that in the valleys
the gloaming was already rising like smoke from the urns of the
twilight. When he looked back he saw that seven white doves were
in the cedar beyond the pool, cooing in low ecstasy of peace and
awaiting through sleep and dreams the rose-red pathways of the
dawn. Down the long grey reaches of the ebbing day He saw seven
birds rising and falling on the wind black as black water in caves,
black as the darkness of night in old pathless woods.
And that is how the first doves became white, and how the first
crows became black and were called by a name that means the clan
of darkness, the children of wind.
IN MEADOW AND POND
A SPRING LILT
Unknown.
HOW BUTTERFLIES CAME
Hans Christian Andersen
One day the flowers begged the fairies to let them leave their
stalks and fly away into the air.
“We have to sit here in the same place from morning till night,
fairies! Do let us go!”
“Go then, dear flowers,” said the fairies. “But you must promise
that you will return to your stalks before the sun goes down.”
“We promise,” called out the flowers as they flew away, red,
yellow, and white, over the grass, out of the garden to the great
wide meadow beyond. The fairies’ garden seemed, suddenly, to have
taken wings.
As the sun began to set the flowers flew quietly back to their
stalks, and when the fairies came, they found each flower again in
its place.
“Well done, well done!” exclaimed the fairies. “To-morrow you may
fly away again to the meadows.”
As the sun rose the next morning there was a flutter of red and
yellow and white as, from every stalk, a pair of coloured wings rose
and flapped, then took flight once more over the meadows and
fields. And by and by a day came when the petals of the flowers
became wings—real wings, for the flowers themselves had become
beautiful butterflies—red, yellow and white.
WHITE BUTTERFLIES
Algernon Charles Swinburne