Haar Eco Prints 2011 KSU Sustainability
Haar Eco Prints 2011 KSU Sustainability
Haar Eco Prints 2011 KSU Sustainability
Purpose Solid color yarn dyeing information available Explore/document unique color effects on fabric Direct contact between plant & fabric
(Kadolph & Diadick-Casselman, 2004; Flint, 2008)
Alternative, sustainable dye method Methodology Practice-based Experimentation to discover/revise methods with the end result being an artifact (Gray & Malins, 2004)
Cosmos
Weld
Hollyhock
Hibiscus
Coreopsis
Zinnia
Madder
Marigold
Indigo
Tickseed
Pansy
Rudbeckia
Dahlia
Purple Basil
Daylily
Impatiens
Safflower
Gaillardia
Coleus
Woad
Rudbeckia
Chamomile
Dye Extraction
Electric or Gas Monitor temperature & time Solar & Decomposition Natural resource Variables
Container size/amt of fabric/amt of water Outdoor temperature/time Plant hardiness
Single Plant Value Effects Frozen black hollyhock; solar dye; bamboo/ organic cotton/spandex jersey knit; inset is exhaust on silk crepe de chine.
Multi-Plant Variegated
Flowers (cosmos, coleus, coreopsis, day lily, pansy, hollyhock) on hemp/silk faille. Rolled & covered in plastic; solar dye.
Ombre Effect Lemon gem marigold, zinnia, cosmos, & coreopsis layered by color as t-shirt was scrunched in jar; solar dyed one day.
Physical Resist. Flowers were placed by color (cosmos orange, day lily/hibiscus/hollyhock, cosmos yellow, pansy/lobelia) in sections on one-half of damp, mordanted silk crepe de chine. Cover with remaining fabric; twist & secure sections; mist with water; cover; and solar dye.
Tri-fold Print
Accordion pleat and fold mordanted fabric into a stacked triangle while inserting fresh and frozen petals into corners. Wet bundle; place in plastic bag under weights; solar dye.
Flowers: tickseed, hollyhock & cosmos Fabric: cotton/silk satin
Flower & Leaf Imprints New Guinea impatiens on mercerized cotton print cloth. Folded damp fabric over impatiens, covered with plastic and weighed down with wood shelving; solar dye.
Imprinting with Dahlia Placed dahlias on half of damp organic cotton sueded muslin, covered with remaining fabric. Encased in plastic, added weight and solar dyed.
Imprinting Layers Color permeates through fabric layers (stack, fold, roll) creating shadow imprints. Hibiscus on cotton/silk; accordion folded; solar.
coleus
hollyhock
coreopsis
weld
Imprint Samples
Prints by Hammering
Sandwich fresh plants between mordanted fabric; fabric or paper as a base Hammer the fabric using a hammer with a rounded rubber face. (Use scrap fabric under the hammer head to
prevent smudging).
Remove plant, dry, press, hand wash to remove remaining plant pieces and excess color; machine wash.
Selected References
Buchanan, R. (1995). A dyers garden. Interweave. Cardon, D. (2007). Natural dyes. Archetype. Fletcher, K. (2008). Sustainable fashion & textiles. Earthscan. Flint, I. (2008). Eco Colour. Murdoch Books. Gray, C. & Malins, J. (2004). Visualizing research. Ashgate. Bhmer, H. (2002). Koekboya: Natural dyes and textiles. Kadolph, S. J. & Diadick-Casselman, K. (2004). In the bag: Contact natural dyes. Clothing and Textiles Research Journal, 22(1/2), 15-21. Niles, J. N. (1990). The art and craft of natural dyeing. University of Tennessee Press. Richards, L. & Tyrl, R. J. (2005). Dyes from American native plants. Timber Press, Inc. Wipplinger, M. (2005). Natural dye instruction booklet. Seattle, WA: Earthues.