Keats accepts that joy and pain are inseparable, and one must fully experience sadness to experience joy fully. The poem has three stanzas with a progression: the first urges not escaping pain through suicide, the second tells us to embrace transient beauty in nature and people that contain both pleasure and death, and the third makes clear that experiencing joy requires experiencing the sorrow that beauty and joy do not last. Keats' philosophy is that beauty, joy, and pleasure are temporary, but suffering is necessary for true happiness. Only those who understand that joy and sorrow are inextricably linked can taste real happiness.
Keats accepts that joy and pain are inseparable, and one must fully experience sadness to experience joy fully. The poem has three stanzas with a progression: the first urges not escaping pain through suicide, the second tells us to embrace transient beauty in nature and people that contain both pleasure and death, and the third makes clear that experiencing joy requires experiencing the sorrow that beauty and joy do not last. Keats' philosophy is that beauty, joy, and pleasure are temporary, but suffering is necessary for true happiness. Only those who understand that joy and sorrow are inextricably linked can taste real happiness.
Keats accepts that joy and pain are inseparable, and one must fully experience sadness to experience joy fully. The poem has three stanzas with a progression: the first urges not escaping pain through suicide, the second tells us to embrace transient beauty in nature and people that contain both pleasure and death, and the third makes clear that experiencing joy requires experiencing the sorrow that beauty and joy do not last. Keats' philosophy is that beauty, joy, and pleasure are temporary, but suffering is necessary for true happiness. Only those who understand that joy and sorrow are inextricably linked can taste real happiness.
Keats accepts that joy and pain are inseparable, and one must fully experience sadness to experience joy fully. The poem has three stanzas with a progression: the first urges not escaping pain through suicide, the second tells us to embrace transient beauty in nature and people that contain both pleasure and death, and the third makes clear that experiencing joy requires experiencing the sorrow that beauty and joy do not last. Keats' philosophy is that beauty, joy, and pleasure are temporary, but suffering is necessary for true happiness. Only those who understand that joy and sorrow are inextricably linked can taste real happiness.
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ODE ON MELANCHOLY
John Keats
ABOUT THE POEM
In "Ode on Melancholy" Keats accepts the
truth he sees: joy and pain are inseparable and to experience joy fully we must experience sadness or melancholy fully. It differs significantly from "Ode to a Nightingale" and "Ode on a Grecian Urn," in which the poet-dreamer attempts to escape from reality into the ideal and unchanging world of the nightingale and the urn.
This poem has a logical structure or progression.
Stanza I urges us not try to escape pain. Stanza II tells us what to do instead--embrace the transient beauty and joy both of nature and of human experience, which contain pain and death. Stanza III makes clear that in order to experience joy we must experience the sorrow that beauty dies, joy evaporates.
STANZA 1
No, no, go not to Lethe, neither twist
Wolf's-bane, tight-rooted, for its poisonous wine; Nor suffer thy pale forehead to be kiss'd By nightshade, ruby grape of Proserpine; He is urging people not to consider suicide when depressed as an escape. Lethe: in Gk myth soul drank from the river to forget their past lives. Wolfs bane & nightshade: poisonous plants that contain sedative Prosperine: queen of Underworld , daughter of Demeter.
Make not your rosary of yew-berries,
Nor let the beetle, nor the death-moth be Your mournful Psyche, He stops from contemplating on images of death. Rosary: string of beads Yew-berries: symbol of mourning Beetle: image of death; the sacred scarab worshipped by the Egyptians as a symbol of resurrection of soul
and placed in coffins with the dead. Seals and
stamps were created in the shape of scarab. Death-moth: it carried pattern resembling skull on its body in classical myth soul was symbolized as the butterfly. Psyche: goddess of beauty loved by Cupid; in Gk the word means soul or breath of life Cupid: in Gk means desire; god of love
nor the downy owl
A partner in your sorrow's mysteries; For shade to shade will come too drowsily, And drown the wakeful anguish of the soul. Downy owl: ranks with rats & spiders as most celebrated of Halloween creatures. Poet says that Melancholy will drown all
STANZA 2
But when the melancholy fit shall fall
Sudden from heaven like a weeping cloud, That fosters the droop-headed flowers all, And hides the green hill in an April shroud; Melancholy will come as sudden as cloud and nourish your soul like unexpected rain revives flowers. Cloud and April are personified.
Then glut thy sorrow on a morning rose,
Or on the rainbow of the salt sand-wave, Or on the wealth of globed peonies; Glut: to your fullest Morning rose: lasts a short time i.e. the melancholic experience is transitory Sand-wave: the rainbow produced by the wave too is shortlived. Globed: description of the round shape of the flowers.
Or if thy mistress some rich anger
shows, Emprison her soft hand, and let her rave, And feed deep, deep upon her peerless eyes. Poet turns from nature to people. Peerless eyes: beautiful Melancholy becomes part of and nourishes
STANZA 3
She dwells with BeautyBeauty that must
die; And Joy, whose hand is ever at his lips Bidding adieu; and aching Pleasure nigh, Turning to poison while the bee-mouth sips: Keats philosophy that Beauty, Joy & Pleasure are temporary but adds that suffering is necessary for happiness. She: refers to Melancholy
STANZA 3
Aching pleasure: keatsian oxymoron,
pleasure is painful Bee-mouth sips: as the bee sips nectar, the nectar turns to poison. Keats tries to show the mixed nature of life: how happiness and sorrow are inextricably linked.
Ay, in the very temple of Delight
Veil'd Melancholy has her sovran shrine, Delight & Melancholy are personified; Melancholy lives in the temple of Delight Veild Melancholy: Melancholy is veiled as it is hidden from us during Pleasure.
Though seen of none save him whose
strenuous tongue Can burst Joy's grape against his palate fine; His soul shalt taste the sadness of her might, And be among her cloudy trophies hung. Only those who understand that the two are inseparable can taste real happiness. Describes the physical act of eating of grapes with the spiritual joy of soul.
THEMES
Joy and sorrow and connected.
Those who embrace melancholy will always be happy.
ROMANTICISM
Reaction to changes in society, to
urbanization & industrialization. Reaction to enlightenment or so-called intellectualism Reaction against rigid social structures: American & French revolutions Reaction against materialism of age
ROMANTICISM
Defined new role for poet, distinguished by intensity of
perception & imagination Emphasis on emotion rather than reason mystery rather than clarity individual rather than society rebellion rather than acceptance Role of nature in transformation of character
ROMANTIC POETS
Wordsworth: Nature for mans intellectual
and spiritual growth Coleridge: supernatural aspect of Nature & role of poets imagination (imagery) Shelley: Nature as inspiration for change and reforms (poet is the author of revolutions in opinion) Keats: Nature as a means to escape from this world, his negative capability.