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    Arlene Castillo Rioflorido
    Edith Tiempo was a Filipino writer known for her poetry, fiction writing, and literary criticism. She helped found the influential Silliman National Writers Workshop. Some of her notable works include the poetry collections The Tracks of Babylon and Other Poems and The Charmer's Box and Other Poems. She was awarded the National Artist Award for Literature in 1999 in recognition of her significant contributions to Philippine literature.

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    Arlene Castillo Rioflorido
    170 views38 pages
    Edith Tiempo was a Filipino writer known for her poetry, fiction writing, and literary criticism. She helped found the influential Silliman National Writers Workshop. Some of her notable works include the poetry collections The Tracks of Babylon and Other Poems and The Charmer's Box and Other Poems. She was awarded the National Artist Award for Literature in 1999 in recognition of her significant contributions to Philippine literature.

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    Edith Tiempo was a Filipino writer known for her poetry, fiction writing, and literary criticism. She helped found the influential Silliman National Writers Workshop. Some of her notable works include the poetry collections The Tracks of Babylon and Other Poems and The Charmer's Box and Other Poems. She was awarded the National Artist Award for Literature in 1999 in recognition of her significant contributions to Philippine literature.

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Download as pptx, pdf, or txt
    170 views38 pages

    21 ST

    Uploaded by

    Arlene Castillo Rioflorido
    Edith Tiempo was a Filipino writer known for her poetry, fiction writing, and literary criticism. She helped found the influential Silliman National Writers Workshop. Some of her notable works include the poetry collections The Tracks of Babylon and Other Poems and The Charmer's Box and Other Poems. She was awarded the National Artist Award for Literature in 1999 in recognition of her significant contributions to Philippine literature.

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    of 38

    N.V.

    M
    GONZALES
    • Néstor Vicente Madali González
    (September 8, 1915 – November 28,
    1999) was a Filipino novelist, short story
    writer, essayist and poet. Conferred as
    the National Artist of the Philippines for
    Literature in 1997.
    • He was born on 8 September 1915 in
    Romblon, Philippines.[1] González,
    however, was raised in Mansalay, a
    southern town of the Philippine province
    of Oriental Mindoro. González was a son
    of a school supervisor and a teacher. As
    a teenager, he helped his father by
    delivering meat door-to-door across
    provincial villages and municipalities.
    •González was also a
    musician. He played the
    violin and even made four
    guitars by hand. He earned
    his first peso by playing the
    violin during a Chinese
    funeral in Romblon.
    • González attended Mindoro High
    School (now Jose J. Leido Jr.
    Memorial National High School)
    from 1927 to 1930. González
    attended college at National
    University (Manila) but he was
    unable to finish his undergraduate
    degree.
    • His first published essay appeared in the
    Philippine Graphic and his first poem in
    Poetry in 1934. González made his mark in
    the Philippine writing community as a
    member of the Board of Advisers of
    Likhaan: the University of the Philippines
    Creative Writing Center, founding editor of
    The Diliman Review and as the first
    president of the Philippine Writers'
    Association.
    • N.V.M. González was
    proclaimed National Artist of
    the Philippines in 1997. He died
    on 28 November 1999 at the
    age of 84. As a National Artist,
    Gonzalez was honored with a
    state funeral at the Libingan ng
    mga Bayani.
    WORKS
    Novels
    •The Winds of April (1941)
    •A Season of Grace (1956)
    •The Bamboo Dancers (1988)
    •The Land And The Rain
    • The Happiest Boy in The World
    Short fiction
    • "The Tomato Game".1992
    • A Grammar of Dreams and Other Stories.
    • University of the Philippines Press, 1997
    • The Bread of Salt and Other Stories. Seattle:
    University of Washington Press, 1993;
    University of the Philippines Press, 1993
    Mindoro and Beyond: Twenty-one Stories.
    Quezon City: University of the Philippines
    Press, 1981; New Day, 1989
    • Selected Stories. Denver, Colorado: Alan
    Swallow, 1964
    • Look, Stranger, on this Island Now.
    Manila: Benipayo, 1963
    • Children of the Ash-Covered Loam and
    Other Stories. Manila: Benipayo, 1954;
    Bookmark
    Filipino Literary Classic, 1995
    Seven Hills Away. Denver, Colorado: Alan
    Swallow, 1947
    Essays
    • A Novel of Justice: Selected Essays 1968–1994.
    Manila: National

    • Commission for Culture and the Arts and Anvil (popular


    edition), 1996

    • Work on the Mountain (Includes The Father and the


    Maid, Essays on Filipino Life and

    • Letters and Kalutang: A Filipino in the World), University of the


    Philippines Press, 1996
    Levi Celerio
    • Levi Celerio (April 30, 1910 – April
    2, 2002) was a Filipino composer
    and lyricist who is credited to
    writing not less than 4,000
    songs. Celerio was recognized as
    a National Artist of the
    Philippines for Music and
    Literature in 1997.
    • He is also known for using the leaf as
    a musical instrument which led to
    being recognized as the "only man
    who could play music using a leaf"
    by the Guinness Book of
    Records[citation needed]. This led to
    him making guest appearance in
    television shows recorded outside
    the Philippines.
    • Aside from being a musician,
    Celerio is also poet. He was also a
    film actor who appeared in various
    Philippine films of the 1950s and
    1960s.Aside from being a musician,
    Celerio is also poet. He was also a
    film actor who appeared in various
    Philippine films of the 1950s and
    1960s.
    •Levi Celerio is credited for
    writing more than 4,000
    songs, many of which are
    dedicated to his wife and
    children.[6] He wrote Filipino
    folk, Christmas, and love
    songs and some of his songs
    were used in feature films.[5]
    • Among Original Pilipino Music (OPM)
    songs he composed are "Ikaw",
    "Kahit Konting Pagtingin", "Saan Ka
    Man Naroroon?". He wrote the lyrics
    of the famous Filipino lullabye Sa
    Ugoy ng Duyan . He also composed
    folk songs including "Ako ay May
    Singsing", "Ang Pipit", "Dungawin
    Mo Hirang", "Itik-Itik", "Pitong
    Gatang",
    • and "Waray-Waray"[6][6] "Sa
    Ugoy ng Duyan", in particular
    was a collaboration with Lucio
    San Pedro, a fellow National
    Artist. The song is a carrier song
    in Aiza Seguerra's gold album,
    Pinakamamahal.[3]
    • "Ang Pasko ay Sumapit",
    officially title "Maligayang
    Pasko at Manigong Bagong
    Taon" is an example of a well
    known Christmas song
    composition by Celerio
    • In the 1950s and the 1960s, Celerio was
    involved in various Philippine film as a
    character actor. He portrayed a variety of
    roles which ranged from a beggar, a rapist,
    a liquor thief and pickpocket, and a palm-
    reader.[2] His Guinness recognition led to
    his guest appearance in The Ed Sullivan
    Show[3] He also guested in The Merv
    Griffin Show[8] and That's Incredible!
    (1970s[2])
    •
    •
    • Celerio died in the afternoon of April 2, 2002 at
    the Delgado Clinic in Kamuning, Quezon City
    due to multiple organ dysfunction. He also had
    a prior episode of stroke.[3] He was buried
    with full military honors at the Heroes'
    Cemetery (Libingan ng mga Bayani).[9]
    •
    • On his 108th Birth Anniversary on April 30,
    2018, Google Philippines featured Celerio in a
    Google Doodle.[4][6]
    • The famous Filipino folk song “Ang Pipit”
    has a sad story. If we will try to interpret
    the lyrics literally, it talks about a bird who
    was hit by a stone. The poor creature was
    unable to fly because of the pain and the
    severity of the injury so it fell from the
    tree. But before it hit the ground, it
    expressed its worry that another bird will
    be sad by the former’s demise and that the
    man was too cruel for taking an innocent
    living being's life.
    •
    • Read more on Brainly.ph -
    https://brainly.ph/question/1735898#readmore
    EDITH L.
    TIEMPO
    • Edith L. Tiempo(April 22, 1919 –
    August 21, 2011),[1] poet, fiction
    writer, teacher and literary critic
    was a Filipino writer in the English
    language.
    •
    •Tiempo was born in Quezon City,
    but later became a resident of
    Kawit, Cavite.
    • She is an influential tradition in Philippine
    Literature in English. Together with her late
    husband, writer and critic Edilberto K.
    Tiempo, they founded (in 1962) and directed
    the Silliman National Writers Workshop in
    Dumaguete City, which has produced some
    of the Philippines' best writers.
    •
    • She was conferred the National Artist Award
    for Literature in 1999.
    WORKS
    Novels
    • A Blade of Fern (1978)
    • His Native Coast (1979)
    • The Alien Corn (1992)
    • One, Tilting Leaves (1995)
    • The Builder (2004)
    • The Jumong (2006)
    Short story collections
    • Abide, Joshua, and Other Stories (1964)
    •Poetry collection
    • The Tracks of Babylon and Other Poems
    (1966)
    • The Charmer's Box and Other Poet (1993)
    • Marginal Annotations and Other Poems
    AWARDS
    • The poem entitled “Bonsai” written by Edith
    Tiempo talks about love in terms of a plant
    “Bonsai”. Bonsai is a perennial woody plant
    that has the features of a tree. In the poem, it
    describes how a Bonsai could be related to
    love. Many say that love is a huge
    monumental feeling that is found in every
    little aspects of life. This award-winning poet
    describes how love could be scaled down
    into a “cupped hand size”.
    • However, we are limiting ourselves, which in
    return, makes our hearts smaller than it could
    really be. Another literary image shown in the
    poem is the metaphor “Till seashells are
    broken pieces from God’s own bright teeth”.
    Seashells are said to be nature, which are
    slowly being destroyed by man. Man would
    then pay the price and man would later be
    judged by God. This goes to show that
    everything needs to come to an end and that
    nothing lasts forever.
    The title “Bonsai” would at first seem
    as an inappropriate title for the poem,
    but as you read the poem over and
    over again, you would come to realize
    that the poem speaks for a Bonsai
    plant. Bonsai is a special type of plant
    wherein you would have to limit it
    growth by constantly cutting or
    trimming its artistic shape.
    Similarly, love could not be perceived to
    be something very general or large
    because too much of something would
    not do any good. It is essential to keep
    everything to limit it to a smaller size in
    order to maintain all its features.
    Furthermore, any bonsai plant will not live
    forever. There would come a time wherein
    it would die or fade away.
    Likewise, love does not always last
    forever. It would always be there but
    it would never be the same.
    Sometimes, it may fade away if it is
    left unattained or it would just die
    down once it loses control. Thus,
    bonsai and love should be properly
    cultivated and respected for it to
    attain its deepest purpose.

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