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    Bartok Romanian Folk Dances: Lecture Recital Presentation

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    Maria Dori
    Bartok wrote Romanian Folk Dances in 1915 for piano, originally titled "Romanian Folk Dances from Hungary". It was later orchestrated in 1917. The work is based on folk dances Bartok collected during fieldwork in Transylvania and Hungary. It consists of six short movements depicting different dance styles, including festive, cheerful, and passionate dances performed solo or in pairs. Bartok dedicated the piano version to his teacher and friend Janos Busitia.

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    Bartok Romanian Folk Dances: Lecture Recital Presentation

    Uploaded by

    Maria Dori
    189 views9 pages
    Bartok wrote Romanian Folk Dances in 1915 for piano, originally titled "Romanian Folk Dances from Hungary". It was later orchestrated in 1917. The work is based on folk dances Bartok collected during fieldwork in Transylvania and Hungary. It consists of six short movements depicting different dance styles, including festive, cheerful, and passionate dances performed solo or in pairs. Bartok dedicated the piano version to his teacher and friend Janos Busitia.

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    Original Title

    BARTOK Lecture Recital

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    Bartok wrote Romanian Folk Dances in 1915 for piano, originally titled "Romanian Folk Dances from Hungary". It was later orchestrated in 1917. The work is based on folk dances Bartok collected during fieldwork in Transylvania and Hungary. It consists of six short movements depicting different dance styles, including festive, cheerful, and passionate dances performed solo or in pairs. Bartok dedicated the piano version to his teacher and friend Janos Busitia.

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Download as pptx, pdf, or txt
    189 views9 pages

    Bartok Romanian Folk Dances: Lecture Recital Presentation

    Uploaded by

    Maria Dori
    Bartok wrote Romanian Folk Dances in 1915 for piano, originally titled "Romanian Folk Dances from Hungary". It was later orchestrated in 1917. The work is based on folk dances Bartok collected during fieldwork in Transylvania and Hungary. It consists of six short movements depicting different dance styles, including festive, cheerful, and passionate dances performed solo or in pairs. Bartok dedicated the piano version to his teacher and friend Janos Busitia.

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Download as pptx, pdf, or txt
    of 9

    BARTOK

    ROMANIAN FOLK
    DANCES
    LECTURE RECITAL PRESENTATION
    ROMANIAN FOLK DANCES

    Why I chose Romanian folk dances – my motivation

    Why this name


    - first name: Romanian folk dances from Hungary
    -changed when Romania occupied Transylvania

    Bartók with wax cylinder


    recording machine
    WHEN & FOR WHOM

    Six short movements written


    by Bartok in 1915 for piano
    The orchestration was made 2
    years later

    premiere of the orchestration:


    February 1918 in Budapest

    Dedicated to his teacher &


    friend Janos Busitia
    • (perform)
    2 famous arrangements: this one by his friend Zoltan zsekely in 1925
    premiere: 25th of October Arhnem Netherlands.
    Orchestra arrangement by Willner
    Recording by Bartok & Joseph Szigeti in 1930
    Bartok was expert of Eastern European folk music.
    FIRST DANCE
    - Festive & energetic
    - Dance for a man includes
    high kicks
    - tempo 80 but they play in
    100
    - there is intro in arr.
    - beg till 20 A dorian, after20
    aeolian
    SECOND DANCE
    - Quick & cheerful
    - Dancers are holding each
    other’s waists
    - Is played in faster tempo
    - F# dorian mode
    - added the high voice (the
    repetition)
    THIRD DANCE
    - Dancers stay in one place
    - Harmonics in the arr
    - Performed faster by Szigeti
    and in tempo by szekely
    - small intervals, augumented
    seconds Arabic infuences in
    general is D aeolian
    FOURTH DANCE
    - Passion & vibrato
    - rhythm: duple meter but in
    the violin in triple
    - in the arr the high passage
    is extra
    - myxolydian and Arabic color
    key center of C (1-18)
    A major in (19 till end)
    FIFTH DANCE AND
    LAST DANCE
    - Fifth: Slower tempo by Sgizeti
    lively Childeen dance
    D lydian mode
    -last: performed in couples
    D major D lydian mode
    second theme c center, c lydian
    with key signature g major
    bar 33 A myxolydian

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