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    20th Century

    Uploaded by

    Odimeir Justine Reyes Morada
    The document provides biographical information on several 20th century Filipino composers and their contributions to Filipino music. It discusses prominent composers from the early 20th century romantic era like Francisco Santiago, Nicanor Abelardo, and Antonio Molina. It also profiles composers from the mid-century like Lucio San Pedro, Rosendo Santos, and Ryan Cayabyab. Finally, it introduces several new music composers from the late 20th century including Jose Maceda, Lucrecia Kasilag, Manuel Maramba, and Jonas Baes who incorporated indigenous instruments and avant-garde styles.

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    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd

    20th Century

    Uploaded by

    Odimeir Justine Reyes Morada
    253 views26 pages
    The document provides biographical information on several 20th century Filipino composers and their contributions to Filipino music. It discusses prominent composers from the early 20th century romantic era like Francisco Santiago, Nicanor Abelardo, and Antonio Molina. It also profiles composers from the mid-century like Lucio San Pedro, Rosendo Santos, and Ryan Cayabyab. Finally, it introduces several new music composers from the late 20th century including Jose Maceda, Lucrecia Kasilag, Manuel Maramba, and Jonas Baes who incorporated indigenous instruments and avant-garde styles.

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    Music

    Original Title

    20th-century

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    The document provides biographical information on several 20th century Filipino composers and their contributions to Filipino music. It discusses prominent composers from the early 20th century romantic era like Francisco Santiago, Nicanor Abelardo, and Antonio Molina. It also profiles composers from the mid-century like Lucio San Pedro, Rosendo Santos, and Ryan Cayabyab. Finally, it introduces several new music composers from the late 20th century including Jose Maceda, Lucrecia Kasilag, Manuel Maramba, and Jonas Baes who incorporated indigenous instruments and avant-garde styles.

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Download as pptx, pdf, or txt
    253 views26 pages

    20th Century

    Uploaded by

    Odimeir Justine Reyes Morada
    The document provides biographical information on several 20th century Filipino composers and their contributions to Filipino music. It discusses prominent composers from the early 20th century romantic era like Francisco Santiago, Nicanor Abelardo, and Antonio Molina. It also profiles composers from the mid-century like Lucio San Pedro, Rosendo Santos, and Ryan Cayabyab. Finally, it introduces several new music composers from the late 20th century including Jose Maceda, Lucrecia Kasilag, Manuel Maramba, and Jonas Baes who incorporated indigenous instruments and avant-garde styles.

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Download as pptx, pdf, or txt
    of 26

    ACTIVITY:

    KANTARIRIT
    INSTRUCTIONS: Each
    group will have 1
    representative. Choose
    an animal sound that
    will be used in guessing
    the name of the song.
    Members of the group
    will guess the title of
    the song and the
    20 Century
    Traditional
    Composers
    FRANCISCO B. BUENCAMINO
    SR. (1883 – 1952)

     November 5, 1883 in Bulacan.


     His father was Fortunato
    Buencamino, a church organist
    and band master.
     His mother was Luisa Beltran, a
    noted composition
     He studied music singer. and harmony
    at Liceo de Manila. Unfortunately, he was
    not able to finish his studies
    Buencamino’s compositions include:

     Harana, Pandanggo ni Neneng, Collar de
    Sampaguita, Dulces las Horas, Mayon (Fantasia
    de Concierto),

     He also wrote several zarzuelas and kundimans.

     Hepassed away on October 16, 1952 after


    which a posthumous award honored him with
    the title “Outstanding Composer.”
    Francisco Santiago(1889 –
    1947)
    the “Father of the Kundiman”
    belongs to the “Triumvirate of
    Filipino Composers.”
    Santiago’s music was Romantic in
    style, incorporating Western forms
    and techniques with folk materials.
    He composed several works such as
    kundiman, symphonies, piano
    concertos, another music pieces for
    the piano, violin, and voice.
    Among his famous works
    are:

    Pakiusap, Madaling Araw,


    Sakali Man, Hibik ng
    Pilipinas, Ano Kaya ang
    Kapalaran, and Kundiman
    NICANOR ABELARDO (1893 –
    1934)

     one of the “Triumvirate of Filipin
    o Composers” which includes
    Antonio Molina and Francisco
    Santiago.
     He studied music at the Chicago
    Music College

     developed a style that combined


    European romanticism with
    Although a 20th century modern
    composer in style, he is also
    considered a composer in the
    Romantic style. His best-known
    compositions include Mutyang
    Pasig, Nasaan Ka Irog, Cavatina
    for Violoncello, and Magbalik Ka
    Hirang.
    ANTONIO J. MOLINA (1894 – 1980)

    the first National Artist for Music,

    considered one of the “Triumvirate


    of Filipino Composers”

    which includes Nicanor Abelardo and


    Francisco Santiago.

    soloist at the Manila Grand Opera


    House. He served as Dean of the
    Centro Escolar University
    Molina was a product of both
    the Romantic and Impressionist
    schools of thought.

    He was fascinated by the


    dynamics and harmonies of
    Debussy, but retained much of
    the Romantic style in his
    Col. Antonino R. Buenaventura
    (1904-1996)
     
    He joined Francisca Reyes-Aquino
    to conduct research on folksongs
    and dances that led to its
    popularization.

    Buenaventura composed songs,


    compositions, for solo
    instruments as well as symphonic
    and orchestral works based on
    This once sickly boy who played the
    clarinet proficiently has written
    several marches such as the
    “Triumphal March,” “Echoes of the
    Past,” “History Fantasy,” Second
    Symphony in E-flat, “Echoes from the
    Philippines,” “Ode to Freedom.” His
    orchestral music compositions include
    Concert Overture, Prelude and Fugue
    in G Minor, Philippines Triumphant,
    Rodolfo Soldevilla Cornejo (1909-
    1991)
    a composer, pianist and
    conductor, was born on the 15th
    of May, 1909, in Manila. His
    parents are Miguel Cornejo, Sr.
    and Crisanta Soldevilla.

    In 1949, he married Nieves


    Guerrero, a lyric soprano.
    He wrote over 300 compositions.
    These ranged from classical to pop.
    His major works include The Season -
    Song Cycle (1932), A La Juventud
    Filipina (1935), Philippine Symphony
    No. 1 (1939), No.2 (1942), and No. 3
    (1947) all for piano solo; Oriental
    Fantasy (1944) and Philippine Fantasy
    with Marimba Solo (1962). He wrote
    music for the ballets Ibong Adarna
    Lucio San Pedro (1913- 2002)
     a master composer, conductor, and
    teacher whose music evokes the folk
    elements of the Filipino heritage.

     Cousin to “Botong” Francisco, San


    Pedro produced a wide-ranging body
    of works that includes band music,
    concertos for violin and orchestra,
    choral works, cantatas, chamber
    music, music for violin and piano, and
    songs for solo voice.
    His orchestral music include The Devil’s
    Bridge, Malakas at Maganda
    Overture,Prelude and Fugue in D
    minor, Hope and Ambition; choral
    music Easter Cantata, Sa Mahal Kong
    Bayan, Rizal’s Valedictory Poem; vocal
    music Lulay,Sa Ugoy ng Duyan, In the
    Silence of the Night; and band
    music Dance of the Fairies, Triumphal
    March, Lahing
    Kayumanggi, Angononian
    Rosendo E. Santos Jr. (1922-
    1994)

    was born on September 3, 1922.

    He was born and raised in


    Caridad,  Cavite City in the
    Philippines.

    He was the youngest child and


    only son. His father was Rosendo
    Rosendo inherited his music
    from his mother, the former
    Castora Salazar: He took his
    first music lessons when he
    was 10 under Julian Felipe,
    the composer of the
    Philippine National Anthem.
    Cipriano “Ryan” Caybyab
     Mr. C
     Raymundo Cipriano Pujante
    Cayabyab on May 4, 1954 in
    Manila, Philippines.

     Ballads, operas, zarzuelas,


    orchestral arrangements,

     Kay Ganda ng Ating Musika,


    Spolarium
    New Music
    Composers
    JOSE MONTSERRAT
    MACEDA
    January 17, 1917
    Academy of Music in
    Manila
    Sounds of environment
    with ethnic instruments
    The first Filipino avant
    garde composer
    Udlot-Udlot
    LUCRECIA ROCES KASILAG
    August 32, 1918, La
    Union
    Philippine Women’s
    University
    Incorporate Filipino
    instruments into
    orchestral productions
    200 musical works
    Toccata for Percussion
    MANUEL MARAMBA
    July 4, 1936, Pangasinan
    A monk at Our Lady of
    Montserrat Abbey,
    Manila
    Pugad Lawin, The Virgin
    of Naval, Transfiguration
    RAMON P.
    SANTOS
    February 25, 1941,
    Pasig
    Chromaticism, music
    seria, and electronic
    components

    FRANCISCO FELICIANO
    February 19, 1942, Rizal
    Avant-garde composer
    and conductor
    He founded Asian
    Institute for Liturgy and
    Music
    Salimbayan, Umiinog,
    and Walang Tinag
    JONAS BAES
    1961, Laguna
    Utilizes orthodox
    musical instruments
    such as bean-pod,
    rattles, leaves etc.
    Imagined community,
    WALA, DALUY, IBO-
    IBON etc

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