Suprematism was an early 20th century art movement founded in Russia that focused on basic geometric shapes abstracted from the real world. Kazimir Malevich founded Suprematism in 1913 and developed the concept of reaching a "zero degree" of painting - the purest, simplest forms. Malevich and others in the Suprematist group produced non-objective paintings using circles, squares, lines and rectangles in limited colors. Malevich also created three-dimensional "architectons" made of geometric blocks that embodied Suprematist principles of abstraction in sculpture and architecture. Suprematism aimed to reveal the essential elements of visual perception through simple shapes and forms.
Suprematism was an early 20th century art movement founded in Russia that focused on basic geometric shapes abstracted from the real world. Kazimir Malevich founded Suprematism in 1913 and developed the concept of reaching a "zero degree" of painting - the purest, simplest forms. Malevich and others in the Suprematist group produced non-objective paintings using circles, squares, lines and rectangles in limited colors. Malevich also created three-dimensional "architectons" made of geometric blocks that embodied Suprematist principles of abstraction in sculpture and architecture. Suprematism aimed to reveal the essential elements of visual perception through simple shapes and forms.
Suprematism was an early 20th century art movement founded in Russia that focused on basic geometric shapes abstracted from the real world. Kazimir Malevich founded Suprematism in 1913 and developed the concept of reaching a "zero degree" of painting - the purest, simplest forms. Malevich and others in the Suprematist group produced non-objective paintings using circles, squares, lines and rectangles in limited colors. Malevich also created three-dimensional "architectons" made of geometric blocks that embodied Suprematist principles of abstraction in sculpture and architecture. Suprematism aimed to reveal the essential elements of visual perception through simple shapes and forms.
Suprematism was an early 20th century art movement founded in Russia that focused on basic geometric shapes abstracted from the real world. Kazimir Malevich founded Suprematism in 1913 and developed the concept of reaching a "zero degree" of painting - the purest, simplest forms. Malevich and others in the Suprematist group produced non-objective paintings using circles, squares, lines and rectangles in limited colors. Malevich also created three-dimensional "architectons" made of geometric blocks that embodied Suprematist principles of abstraction in sculpture and architecture. Suprematism aimed to reveal the essential elements of visual perception through simple shapes and forms.
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SUPREMATISM
CONTENT WHAT IS SUPREMATISM?
WHO STARTED IT?
THE CONCEPT
ZERO DEGREE
ARCHITECTURE WHO PLAYED ROLE IN
SUPERMATISM
TIMELINE
WORK OF KAZIMIR MALEVICH ARCHITEKTON
SOME EXAMPLES WHAT IS SUPREMATISM SUPREMATISM WAS AN ART , FOCUSED ON BASIC GEOMENTRIC FORM,SUCH AS CIRCLES,SQUARES,LINE AND RECTANGLE PAINTED IN A LIMITED RANGE OF COLOURS.
WHO STARTED IT IT WAS FOZIUNDED BY KAZIMIR MALEVICH IN RUSSIA AROUND 1913 THE CONCEPT UNDER SUPREMATISM I UNDERSTAND THE SUPRIMACY OFV PURE FEELING IN CREATIVE ART. TO THE SUPREMATIST THE VISUAL PHENOMENA OF THE OBJECTIVE WORLD ARE IN THEMSELVES MEANINGLESS, THE SIGNIFICANT THING APART FROM THE ENVIRONMENT IN WHICH IT IS CALLED AS FORTH BRIEF HISTORY BEGINNINGS
SUPREMATISM WAS AN ART MOVEMENT
FOUNDED IN RUSSIA DURING THE FIRST WORLD WAR.THE FIRST HINTS OF IT EMERGED IN BACKGROUND AND COSTUME SKETCHES THAT KAZIMIR MALEVICH DESIGNED IN 1913 FOR VICTORY OVER THE SUN, A FUTURIST OPERA PERFORMED IN ST.PETERSBURG
SUPREMATIST GROUP
IN 1915,THE RUSSIAN ARTIST KSENIYA
BOGUSALVSKAYA,IVAN KLYUN,MIKHAIL MENKOV,IVAN PUNVI AND OLGA ROZANOVA JOINED WITH KAZIMIR MALEVICH TO FORM THE SUPREMATIST GROUP. ZERO DEGREE THE SUPREMATISTS INTEREST IN ABSTRACTION WAS FIRED BY A SEARCH OF THE ZERO DEGREE OF PAINTING ,THE POINT BEYOND WHICH THE MEDIUM TO COULD NOT GO WITHOUT CEASING TO BE AN ART.
THIE INCREDIBLE CORE OR
THE BARE MINIMUM OF PAINTING. ARCHITECTUR E ILJA CHASHNIK
KAZIMIR MALEVICH
THEO VAN DORESBURG
WALTER GROPIUS WORK OF KAZIMIR MALEVICH ARCHITEKTONS
POLISH RUSSIAN ARTIST KASIMIR
MALEVICH IS MOSTLY KNOWN FOR HIS PAINTING THAT ACCOMPAINED THE ARTIST EVOLUTION FROM ABSTRACT ART TO SUPREMATISM
FROM 1923 TO THE EARLY 1930s
MALEVICH ALSO PRODUCED SEVERAL THREE DIMENSIONAL MODELS ASSSEMBALAGES OF ABSTRACT FORMS WHICH APPEAR SIMILAR TO MODELS OF SKYSCRAPERS CALLED ARKHITEKTONS .THE DRAWING ACCOMPAINING THE CONSTRUCTION OF THE MODELS ARE CALLED PLANITS IN A SERIES OF PRIMASTIC,QUASI ARCHITECTURAL SCULPTURES HE CALLED ARCHI TEKTONS SOUGHT TO DEMONSTRATE THE TIMELESS LAW OF ARCHITECTURE UNDERLYING THE EVER CHANGING DEMANDS OF FUNCTION
THE ARCHITEKTONS ARE
MOSTLY WHITE PLASTER MODELS MADE UP BY SEVERAL RECTANGULAR BLOCKS ADDED ONE ANOTHER. USUALLY A CENTRAL BIGGER BLOCK IS THE MAIN COMPOSITION ELEMENT AND SMALLER PARALLELEPIPDS ARE PROGRESSIVELY ADDED TO IT NO FUNCTION IS SHOWN OR TRANSLATED INTO FORM , THE FINAL SHAPE BEING THE PURE RESULT OF AAS3MBLING ABSTRACT MASSES IN VERTICALOR HORIZONTAL .WITH THEIR SPATIALIZATION OF ABSTRACTION AND THEIR FORMAL NON OBJECTIVITY , THE ARCHITECTONS EMBODY MALEVICH EFFORT TO TRANSLATE THE SUPREMATIST PRINCIPLE OF COMPOSITION TO THREE DIMENSIONAL FORMS AND ARCHITECTURE.
SUPREMATISM HAS TWO METHOD OF
REVEALING THE ELEMENTS OF PERCEPTION THE SPATIAL METHOD AND EASEL METHOD. SPACE AND CANVAS ARE THE PLACES WHERE THEY APPEAR .THE PROBLEM OF FORM HAS PLAYED AND STILL PLAYS AN IMMENSE PART IN BUILDINGS LIKE HOENHEIM NORD TERMINUS AND CAR PARK FOR EXAMPLEREMINDS INTUITIVELY OF MALEVICH ART WORKSBUT THE RESEMBLANCE IS EVEN CLEARER IN THE DYNAMIC OF PROJECTS LIKE THE SPITTELAU VIADUCTS HOUSING, THE VITRA FIRE STATION ANDNEW CAMPUS CENTRE
THOSE BUILDINGS ARE PERFECT
ARCHITECTURAL EQUIVALENT OF THE SUPREMATISTS BLANK AESTHETIC USING ABSTRACTION,DISTORTION,FRAGE MENTATION AND ABSENCE OF GRAVITY AS PART OF THE CONCEPTION AND COMPOSITION PROCES.FORMS ARE NOT ASSEMBLED IN AN ADDITIVE LOGIC FORMING PYRAMIDAL STRUCTURE LIKE MALEVITCH WORK THEY ARE RATHER DESIGNED IN A WAY WHERE SHAPES ARE MIXED AND INTERFERE ONE WITH ANOTHER THROUGH INTERPENETRATION.IT ALSO PROCESS THAT GIVES HADID BUILDING
LEANING ROOF OF THE
VITRA FIRE STATION INVERTED PYRAMIDAL STRUCTURE OF THE SPITTELAU VIADUCTS HOUSING PROJECT
ZAHA HADID BUILDING
ALLOWUS TO UNDERSTAND THE RUSSIAN AVANT GRADE MOVEMENT IN ANOTHER WAY BY BRINGING TO THE LIFE OF DEGREE ZERO PRESENTED BY
