Music:: Contemporary Philippine New Music Comoposers and Song Composers
Music:: Contemporary Philippine New Music Comoposers and Song Composers
Music:: Contemporary Philippine New Music Comoposers and Song Composers
CONTEMPORARY
PHILIPPINE NEW MUSIC
COMOPOSERS AND
SONG COMPOSERS
Identify the following composers
Answers:
1.Jose Maceda
2.Lucrecia R. Kasilag
3.Francisco F. Feliciano
4.Jonas Baes
5.Levi Celerio
6.Constancio Canseco de Guzman
7.Miguel Guison Velarde jr.
8.Ernani Joson Cuenco
Jose Monterrat Maceda, was born in
Manila on January 17, 1917 he’s musical
style was profoundly influenced when he
encountered the music of the indigenous
tribes of Mindoro in 1953.
He then embarked on his life’s work,
dedicated to the understanding and
preservation of Filipino traditional music.
Maceda combined the sounds of
environment with ethnic instrument.
Udlot-udlot is the eighth composition of Dr.
Jose Maceda which he composed in 1975. It
is music for bamboo instruments and voices
which lasts for up to 40 minutes.
Other works are: Ugma, Ugma,
Agungan, Pagsamba and Ugnayan
Lucrecia R. Kasilag, was born in San
Fernando La Union on August 31, 1918 Her
compositional style demonstrated a fusion of
Eastern and Western styles in using
instruments, melody harmony, and rhythm.
She is particularly known fo
incorporating indigenous Filipino
instruments into orchestral
productions.
Toccata for Percussion and Winds (1959)
which mixes Philippine percussion instruments
such as drums and gongs with Western wind
instruments received the Republic Cultural
Heritage Award in Music in 1960.
Other works are: The Legend of
Sarimanok, Divetissement and
Concertante, Dularawan
Francisco F. Feliciano, avant – garde
composers and conductor for band and chorus,
was born on February 19, 1942 in Morong,
Rizal. He is one of Asia’s leading figures in
liturgical music having composed hundreds of
liturgical pieces, Mass settings, hymns and
songs for worship.
He supervised the publication of a new
Asian “hymnal” containing mostly works
of Asian composers.
Pokpok alimpako this piece is based on a motif
of a maranao (southern Philippines) melody and
the words of a muslim children's chant. It features
virtuostic interlocking rhythmic patterns and a
prestissimo tempo.
Other works are: Sikhay sa Kabila ng
Paalam, Transfiguration, and Missa
Mysterium
Jonas Baes was born in Los Baños, Laguna
in 1961. He enrolled at the College of
Music, University of the Philippines (UP)
1977 where he encountered the works of
Jose Maceda which later became the
inspiration for his compositions.
Baes is known for writing music utilizing
unorthodox musical instrument such as
bean-pod rattles, leaves, iron nail chimes,
various Asian instrument such as bamboo
scrapers and bamboo flutes, and vocal
music using Asian vocal techniques.
WALA [nothingness] for seven or hundreds of
men's voices