Embroidery Sampler
Embroidery Sampler
Embroidery Sampler
MAVED HA 603
NEEDLECRAFT
NEEDLECRAFT
EMBROIDERY
SAMPLER
Learning Target:
1. Define Embroidery sampler
2. History of Embroidery Sampler
3. Examples of Embroidery Sampler
4. Materials used in Embroidery Sampler
5. Tutorial on how to make different
stitches
WHAT IS
EMBROIDERY
Samplers are hand embroidery patterns featuring a
SAMPLER?
variety of embroidery stitches or motifs, borders or
letters of the alphabet. Sometimes they're very
traditional, other times they're modern. Some samplers
create an image that incorporates many stitches, while
others are much more freeform.
a piece of embroidery or cross-stitching produced as a
'specimen of achievement', demonstration or a test of
skill in needlework. It often includes the alphabet, figures,
motifs, decorative borders and sometimes the name of
the person who embroidered it and the date.
Historically, samplers date back to hundreds of years, and
they're even collectible.
Samplers were pieces of cloth, oftentimes linen, that
featured hand-embroidered designs using thread made
of silk, wool, or cotton. In the Colonial era, young American
school girls made samplers as a way of learning needlework
skills that would be useful in the repair of household linens.
Patterns stitched into these early samplers were often sewn
as a reminder of a stitch so that the maker could refer to it
later. Today, they're used in a similar way.
HISTORY
Many new hands to embroidery are not aware of the rich history of
embroidery samplers. Samplers are often perceived as nostalgic
decorative pieces associated with interior decoration. In the past they
have been a method of recording information about stitches, a way of
learning stitches and before paper was plentiful a way of recording
patterns. This brief history of Embroidery Samplers touches on the
rich history of embroidery samplers that is hinted at in commercially
produced patterns. Many stitchers enjoy working antique
reproduction samplers, others work some samplers that depict Family
trees, and commemorate events, such as weddings or births.
Alphabet samplers and growth charts are also popular or samplers
that record a life event, a right of passage, or some aspect of lived
history. The function that samplers perform has however changed
over time. One thing that remains constant however is that hand
embroidery samplers have always been a record of stitches.
HISTORY
The word exampler or sampler is derived from the French
exemplaire, meaning a kind of model or pattern to copy or imitate.
The Latin word exemplum, meaning a copy, was, by the 16th century,
spelt saumpler, sampler or exemplar.
Before printed pattern books, embroidery designs were passed from
hand to hand, many travelling through Europe from the Middle East.
The recording of patterns and motifs on fabric for future use was not
only needed to learn the stitches but it was also an essential method
of storing information. This stitched reference resulted in the creation
of a sampler. New patterns and stitches were avidly collected and
exchanged. Early in the history of embroidery samplers patterns were
placed in a haphazard way over the cloth. These samplers are now
referred to as random or spot samplers.
HISTORY
The collection of patterns accelerated in the late fifteenth and early
sixteenth centuries. There are a number of factors that may explain
the sudden explosion of the enthusiasm that associated
with recording patterns at this time. In the late 15th and early 16th
centuries needlework decorated clothing and furnishings. The craft of
embroidery was restricted to the wealthy due to the high cost of
materials and that by the early 16th century needlework had gained
importance as embroidery displayed wealth and status. In the late
fifteenth and early sixteenth centuries there was also a strong revival
of interest in all forms of decoration and a sudden increase in travel
at this time.
Samplers were used to demonstrate proficiency
in needlework. They are particularly remarkable
not only because they often include dates and
the names of the maker, but are some of the only
documents produced by young women from the
nineteenth century.
Samplers were also created for personal
reference, almost like a ‘sample’ of stitches and
patterns that could be recreated later in other
projects.
SAMPLERS IN THE PAST
The sampler is held by the
Textile Museum of Canada and was
stitched by Mary Lacasse at age 12
in Montreal. It is dated May 8, 1818.