Group 2: Physical Education 2
Group 2: Physical Education 2
PHYSICAL EDUCATION 2
MEMBERS
BAYSAC, JUSTINE
BANAGA, ANGEL GRACE
BEHIMINO, SHEANNALYN GRACE
BLANDO, SHELLA MAE
BONGHANOY, RAMON
INTRODUCTION
This video blog’s aim is not only to promote the Lapay dance but to
seek awareness from Filipinos and foreigners that this great-billed
Heron is now critically endangered here in Masbate because of the
destruction of their natural habitats.
Lapay Bantigue – A mimetic dance
from Bantigue, a coastal province of
Masbate, that refers to Lapay or Sea
gulls which is bountiful in Bantigue.
Named after the lapay or Seagulls, the
Lapay Bantigue in Masbate was
invented when the village people began
to mimic the swooping and gliding
movements of the lapay, while waiting
along the shore from the arrival of the
boats carrying the day’s catch.
Exaggerated head and arm movements
are used in mimicking the seagulls.
Who created the dance Lapay Bantigue?
Classification: Festival
Props-3 oil lamp called Tinghoy
(sometimes, candle in glasses are used
instead of oil Lamp.
mood- Jovial
stances- erect
performance- couples
Music
The Rondalla music to which the Pandanggo sa
Ilaw is now commonly danced was composed by
Col. Antonio R. Buenaventura, a National Artist
for Music.
Native waltz
Accented running waltz
Redoba
Sway balance with a point
Basic Gestures
Figure 2. Music A.
Boy's Entrance/pair
B/G: 4M- Native waltz; arm in lateral position
2M-Waltz fwd-backward R and L; swing both arms fwd-bwd
2M- Three step turn R;arms in 2nd (G moves to the back of B)
Facing Partner
Figure 3. Music B
Danced Simultaneously
G;8M- facing center, feet in 4th; both arm in T position, execute slight
elbow jerk once per M
8M-repeat facing away from center
Facing Audience
Figure 5. Music C
Dance Simultaneously
Dance Simultaneously
G;8M- feet in 4th ; swing R fwd-bwd, swing fwd-bwd, swing both fwd-bwd (2x)
B;2M;Three step turn passing at the back of the G, to G's R side; 4M-waltz R and L;
clapping; 2M- three step turn to original place
Figure 7 Music C
2M- B gets the glass on G's head with his R hand and the G's L glass with his L hand
12M- native waltz/ running waltz R and L alternately moving CW, G ahead of B
2M- three step turn; end with B kneeling on L; G in 4th position.
EXAMPLE VIDEO OF
PANDANGGO SA
ILAW