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Vocal Music of Lowland: Luzon

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VOCAL MUSIC

OF LOWLAND
LUZON
VOCAL MUSIC OF LOWLAND
LUZON

A. SACRED SONGS

B. SECULAR MUSIC
B. SECULAR MUSIC
- is non-religious music. Secular
means being separate from religion.
-Social Functions:
Music for Festivities and Recreation, Work
(Planting and Farming), Courtship, Social
Commentary and Patriotism

-Cultural Context (History and Tradition):


Spanish colonization
B. SECULAR MUSIC
What are the Filipino Secular music?
• Harana
• Kumintang
• Pandanggo
• Polka
• Balitaw
• Kundiman
The secular music of the
Lowlands of Luzon reflects the
impact of the Spanish colonization
which lasted for almost three
centuries.
The music bears
influences of Spanish culture
and music and serves as
reflections of that era, as seen in
the messages of the songs.
These songs, mostly about love of a man
for a woman, have a deeper meaning for
the Filipinos at that time. The man’s
longing for the love of a woman is
transformed into the country’s love and
longing for a free Philippines, as
embodied in the woman.
HARANA
- was a traditional form of
courtship in the
Philippines wherein men
introduced themselves
and/or wooed women by
singing underneath her
window at night.
HARANA
- It Talks about love
- It is usually
accompanied by a
guitar.

Example: O, Ilaw (Bituin);


Dungawin Mo Hirang
Kumintang
- It is a traditional Filipino
love song as well. Also,
kumintang is a Visayan
term for the flower known
in English as rosy
periwinkle (Catharantus
roseus). It is known as
tsitsirika in Tagalog.)
Kumintang
- It is a dance-song
performed by pairs
of men and
women, with text
concerning love
and courtship.
Kumintang
- In 1926, when Pasig
became the venue of
carnival performances,
Nicanor Abelardo was
inspired to compose the
“Mutya ng Pasig” in
kumintang tempo.
Kumintang
- In this song, the mutya
expresses her feelings
under the light of the
moon. She is mourning
the loss of her love, which
symbolizes the country’s
loss of freedom.
Pandanggo
- It is a dance form that can be found
in the different islands of Luzon
such as Batanes, Ilocos, Tarlac. A
form of entertainment in the
Tagalog region called
Pandangguhan is formed during
social celebrations.
Pandanggo
- Pandanggo is a courtship dance
but it can also refer to a type of
song to entertain the farmers in
the rice field. The singers of this
folk song are called pandanggeros
and pandanggeras.
Polka
- Originated from a Bohemian dance
that became popular in Europe and
America in the early 19 Century.
th

In the Philippines, it was performed


in elegant evening gatherings at
the height of its popularity during
the Spanish colonial period.
Polka
- There are some Philippine
folksongs that are in polka rhythm
like Pamulinawen (“Stone-
hearted)”, Magtanim Ay ‘Di Biro
(“Planting Rice is Never Fun”) and
Leron Leron Sinta (“Leron The
Beloved”).
Balitaw
- this genre is about a
love debate in song
and dance between
a man and a woman,
but that it is “more
sung than danced.”
Balitaw
- Some of the examples
are: “Sa Libis ng
Nayon,” “Bakya Mo
Neneng,” composed by
Santiago Suarez and
“Arimunding-munding,”
composed by Severino
Reyes.
KUNDIMAN
Came from the words “kung
hindi man.” Through its melody,
lyrics, and expressive singing,
the kundiman conveys a selfless
and spiritual attitude, intense
love, longing, caring, devotion,
and oneness not only with a
romantic partner, but also with
a parent, child, a spiritual figure.
KUNDIMAN
- is a genre of
traditional Filipino
love songs.

- The lyrics of the


Kundiman are
written in Tagalog.
KUNDIMAN
Examples:

- Nasaan Ka Irog
- Pilipinas Kong Mahal
- Sa Sariling Bayan
- Iyo Kailan pa Man
- Jocelynang Baliwag
Assignment:
Cut and paste pictures of
the following instruments
and give a short
description.
1. Piccolo
2. Clarinet
3. Alto Saxophone
4. Tenor Saxophone
5. Flute
6. Trombone
7. Trumpet
8. Euphonium
9. Sousaphone
10. French Horn
11. Cymbals
12. Snare Drum
13. Bass Drum

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