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Mercadero
DINAGYANG
FESTIVAL
D
I
N • religious and cultural festival in Iloilo
A • held on the 4th Sunday of January, or right after the
G Sinulog In Cebu and the Ati-Atihan in Aklan. It is held
Y both to honor the Santo Niño and to celebrate the
A arrival on Panay of Malay settlers and the subsequent
N selling of the island to them by the Atis.
G • an Hiligaynon word which means “merrymaking”.
• the main events of the festival is the “kasadyahan”.
F • voted as the Best Tourism event three times in a
E row among any other festivals in the Philippines. It is
S also the most awarded festival in the country because
T of its legacy, popularity, and innovation
I • World Class Festival and dubbed as the "Queen of
V all festivals" in the Philippines.
A
L
HISTORY
•1967- Dinagyang started when an Augustinian priest from
Cebu gave a replica image of the Santo Niño as a birthday
gift to a fellow Augustinian priest in Iloilo. Since then, a
novena mass was held every Friday at the San Jose Parish
Church.
•1969- a competition was organized similar to the popular
Ati-Atihan Festival of Kalibo town in Aklan province. That
time, the Dinagyang was known as “Iloilo Ati-Atihan.”
•Dinagyang Festival performances are anchored on a
folkloric story about the Barter of Panay. The story revolves
around how 10 Bornean datus and their families fled a
tyrannical ruler in Borneo early in the 13th century and
sailed towards the island of Panay. When they arrived, the
Borneans bargained with the native Atis to occupy the
lowlands. To celebrate the barter, the Borneans painted
their bodies with soot and danced with the Atis. Because of
the remarkable celebration, Dinagyang Festival has been
famous not just in the Philippines, but across the world.
INSTRUMENT USED:
• Indigenous-style instruments
such a drums, and aligned
pipes of various hypnotic
melodies and are in perfect
rhythm ending the
presentation with shouts of
“Viva Señor Sto. Niño”. The
dancing style is heavily
influenced by modern
theatrical movements that
focus on the hands..
DAGOY