Structure

Structure:
• One of the defining characteristics of Gothic

architecture is the pointed arch. Arches of
this type were used in the Near East in
preIslamic as well as Islamic architecture
before they were structurally employed in
medieval architecture, and are thus thought
to have been the inspiration for their use in
France, as at Autun Cathedral, which is
otherwise stylistically Romanesque.
• There was simultaneously a structural evolution towards the
pointed arch, for the purpose of vaulting spaces of irregular
plan, or to bring transverse vaults to the same height as
diagonal vaults.
• Pointed arches also occur extensively in
Romanesque decorative blind arcading, where
semi-circular arches overlap each other in a
simple decorative pattern, and the points are
accidental to the design.
• The Gothic vault, unlike the semi-circular vault
of Roman and Romanesque buildings, can be
used to roof rectangular and irregularly shaped
plans such as trapezoids.
• The other structural advantage is that the
pointed arch channels the weight onto the
bearing piers or columns at a steep angle. This
enabled architects to raise vaults much higher
than was possible in Romanesque architecture.
• While, structurally, use of the pointed arch gave a
greater flexibility to architectural form, it also
gave Gothic architecture a very different and
more vertical visual character to Romanesque.
• In Gothic Architecture the pointed arch is used in
every location where a vaulted shape is called for,
both structural and decorative. Gothic openings
such as doorways, windows, arcades and galleries
have pointed arches.
• Gothic vaulting above spaces both large and small
is usually supported by richly moulded ribs
• Rows of pointed arches upon delicate shafts form
a typical wall decoration known as blind arcading.
• Niches with pointed arches and containing statuary are a
major external feature. The pointed arch lent itself to
elaborate intersecting shapes which developed within
window spaces into complex Gothic tracery forming the
structural support of the largewindows that are
characteristic of the style.
Height
A characteristic of Gothic church architecture is its
height, both absolute and in proportion to its width, the
verticality suggesting an aspiration to Heaven. A section
of the main body of a Gothic church usually shows the
nave as considerably taller than it is wide. The highest
internal vault is at Beauvais Cathedral at 4 m.
Externally, towers and spires are characteristic of Gothic
churches both great and small, the number and
positioning being one of the greatest variables in Gothic
architecture. The height of the at 160m.
• In Italy, the tower, if present, is almost always detached from
the building, as at Florence Cathedral, and is often from an
earlier structure.
• In France and Spain, two towers on the front is the norm. In

England, Germany and Scandinavia this is often the
arrangement, but an English cathedral may also be
surmounted by an enormous tower at the crossing.
Vertical Emphasis:
• The pointed arch lends itself to a suggestion of
height. This appearance is characteristically
further enhanced by both the architectural
features and the decoration of the building.
• On the exterior, the verticality is emphasized in
a major way by the towers and spires and in a
lesser way by strongly projecting vertical
buttresses, by narrow half-columns called
attached shafts which often pass through several
storeys of the building, by long narrow windows,
vertical moldings around doors and figurative
sculpture which emphasizes the vertical and is
often attenuated.
• The roofline, gable ends, buttresses and other parts of the building
are often terminated by small pinnacles, Milan Cathedral being an
extreme example in the use of this form of decoration.
• On the interior of the building attached shafts often sweep unbroken

from floor to ceiling and meet the ribs of the vault, like a tall tree
spreading into branches.
• The verticals are generally repeated in the treatment of the
windows and wall surfaces. In many Gothic churches,
particularly in France, and in the Perpendicular period of
English Gothic architecture, the treatment of vertical
elements in gallery and window tracery creates a strongly
unifying feature that counteracts the horizontal divisions of
the interior structure.
Light
One of the most distinctive characteristics of Gothic architecture is the
expansive area of the windows are very large size.
The increase in size between windows of the Romanesque and Gothic
periods is related to the use of the ribbed vault, and in particular, the
pointed ribbed vault which channeled the weight to a supporting shaft
with less outward thrust than a semicircular vault. Walls did not need
to be so weighty
Through the Gothic period, due to the versatility of the pointed arch, the
structure of Gothic windows developed from simple openings to
immensely rich and decorative sculptural designs. The windows were very
often filled with stained glass which added a dimension of colour to the
light within the building, as well as providing a medium for figurative and
narrative art.
Majesty (dignity)
: The façade of a large church or cathedral, often
referred to as the West Front, is generally designed
to create a powerful impression on the approaching
worshipper, demonstrating both the might of God,
and the might of the institution that it represents.
The West Front of a French cathedral and many
English, Spanish and German cathedrals generally
has two towers, which, particularly in France,
express an enormous diversity of form and
decoration. However some German cathedrals have
only one tower located in the middle of the façade.

Structure

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Structure:

• One of the defining characteristics of Gothic

• In France and Spain, two towers on the front is the norm. In

• On the interior of the building attached shafts often sweep unbroken

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