KRUHAY
KRUHAY
KRUHAY
and kulintas
(necklace) which
they bartered with
the indigenous Ati.
(13th Century)
This ethnic composition
by Antiqueno musician,
Benny F. Castillon, has
been performed in
some of the biggest
choral competitions
worldwide and often
accompanied by tultog,
a traditional ethnic
bamboo percussion.”
KRUHAY
ARRANGEMENT:
- PLAYFUL RHYTHM
- IT HAS NON PITCH NOTE(PERCUSSIVE
SOUND)
- ETHNIC IN PLACEMENT
KRUHAY
INSTRUMENTS:
- BELLS (KILING-KILING)
- TULTOG (BAMBOO DRUM)
- PUDA-PUDAG (FOOT STOMP)
LYRICS
KRUHAY
SA ISARA KABAY-BAYUN
- IN THIS ONE SOLITARY SHORE-
• https:// • https://
www.youtube.com/ www.youtube.com/
watch? watch?
v=AMUK_1l9MXw v=UiiXw5TLXbE
Tungatong
SOUTHERN PART OF THE PH
• https:// • https://
www.youtube.com/ www.youtube.com/
watch? watch?
v=Czh1oqx0Bpw v=Tv1ZBQt7MB8
Southern Part Nothern Part
-There is an -Bamboo(stomping,
introductory, Main tapping) Creating
instruments will join interlock patern
and the others will -Very Simple, Very
follow. pentatonic(it has few
-Gongs, drums, notes)
kulintang
COLONIAL
• CHRISTIANITY INTRODUCED
• RELIGION PLAYED A SIGNIFICANT ROLE
• CHURCH MUSIC, FORMARTION OF CHOIRS