Presentation by Marriel Sofhia C.

Garote
QUARTER
ARTS

2
ACTIVITY:
LET’S
WATCH A
VIDEO
Guide Questions:
1. What comes
to your mind
when you hear
the word
painting?
Guide Questions:
2. Does the
artist/painter you
know explains why
they make
paintings? If so,
what were they?
Guide Questions:
3. What did you
find most
surprising or
interesting
about the
painting
ACTIVITY:
GUESS
THE
PAINTING
INSTRUCTIONS:
With the help of present
letters in the picture,
guess what is the title of
the painting.
S P I R M
S P O L I A R I U M
M D N N

O F
T E

S U S
M A D O N N A

O F
T H E

S L U M S
E P Ñ

F P N S
E S P A Ñ A

F I L I P I N A S
T H B L O
C O P C
T H E B L O O D
C O M P A C T
M K N O E

P H I P I G
M A K I N G O F T H E

P H I L I P P I N E F L A G
B U I
K A B U K I
 D B O
P T N G
W O O D B L O C K
P R I N T I N G
L L R Y
C A L L I G R A P H Y
E K N G O R A
P E K I N G O P E R A
R A I
O R I G A M I
PAINTIN
G
Did you know that
painting started from
prehistoric men?
CHINA
PAINTING SUBJECTS OR THEMES

flowers and palaces and

landscapes
birds temples
CHINA
PAINTING SUBJECTS OR THEMES

bamboos and
human figures animals
stones
JAPAN
PAINTING SUBJECTS OR THEMES

narrative scenes
scenes from everyday
crowded with figures
life
and details
SOUTH KOREAN &
NORTH KOREA
PAINTING SUBJECTS OR THEMES
4 gracious
Minhwa plants (plum
landscape
(traditional folk blossoms, orchids,
paintings
painting) chrysanthemums, and
bamboo)
SOUTH KOREAN &
NORTH KOREA
PAINTING SUBJECTS OR THEMES
bamboo portraits
IMPORTANT
ASPECTS IN
EAST ASIAN
PAINTING
LANDSCAPE
PAINTING
• Highest
form of
Chinese
Painting
• YINYANG
(concept of
SILK

• Medium
• Han court
Eunuch, Cai
Lun,
invented
paper
SHUTOUSA

NSUI-ZU-

SESSHU
EAST ASIAN ART
• Confucianism
• Daoism
• Buddhism
 Relationship between nature
and humans
 Landscapes, bamboo, birds,
and flowers, etc.
POET ON MOUNTAIN
 6 PRINCIPLES OF CHINESE
PAINTING by XIE HE
1.Observe rhythm and movements
2.Leave spaces for the eyes to rest
3.Use brush in calligraphy
4.Use colors correctly
5.Live up to tradition by copying the
master’s artwork
6.Copy the correct proportion of the
objects and nature
 KOREAN PAINTING
• Primary influence of
Korean paintings is
Chinese paintings
• Landscapes, facial
features, Buddhist
topics
• Mountains and waters
(site for buildings and
CALLIGRAPH
Y
 CALLIGRAPHY
• Art of beautiful
handwriting
• Involves painting
techniques
• Brush dipped in
pigment
• Calligraphy on
paintings
CALLIGRAPHY &
PAINTINGS CAN
BE MOUNTED
ON DIFFERENT
MEDIA
Vertical Scroll
Lacquerware
Album-leaf
Horizontal Scroll
 CHINESE
CALLIGRAPH
Y
 CHINESE
• CALLIGRAPHY
Chinese
Logographs
(ancient writing
symbols) engraved
in shoulder bones of
large animals and
tortoise shells
 CHINESE
•
CALLIGRAPHY
Cangjie –
inventor of
Chinese writing
• Simple images
from what he
conceived as
representing
different
EAST ASIAN TEMPLES
EAST ASIAN TEMPLES
• Sweeping
roofs –
protection from
elements of
water, wind,
and fire.
• Buddhists
• Called roof
3 Main Types of
Roofs in
traditional
Chinese
Architecture
1. Straight inclined
More
economical
for
common
Chinese
Architectur
2. Multi-inclined
Roofs with
two or more
sections
inclined. Used
for residences
of wealthy
3. Sweeping
• Have curves
that rise at the
corners of the
roofs
• For temples
and palaces
•
WOODBLOCK
PRINTING
 WOODBLOCK
PRINTING
• Technique for
printing text,
images, or
patterns used
widely
throughout East
Asia.
 WOODBLOCK
PRINTING
• Originated in
China as a
method of
printing on
textiles
• Eventually on
paper
 WOODBLOCK
PRINTING
• Adapted in
Japan during
Edo period
(1603 – 1867)
• Oldest and
most highly
developed
 WOODBLOCK
PRINTING
Japan
•Scenes from
everyday
life and
nature.
JAPANESE
UKIYO-E
Ukiyo-e
• “pictures of the
floating world”
• Faces as the
canvas for
painting while
mask painting
is done in
 East Asian countries
have theatrical forms
like Peking Opera of
China and Kabuki of
Japan.
PEKING OPERA or JINGJU
LIANPU
•done with
different colors in
accordance with
the performing
characters and
personality
•Lianpu – called
 MEANING OF
COLORS IN
FACE PAINTING
IN CHINA
1. GUAN JU (RED)
Devotion,
bravery, courage,
uprightness, and
loyalty
2. HUANG PANG
(YELLOW)

Fierceness,
ambition, and
cool-headedness
3. ZHU WEN (GREEN)
Not only
impulsive and
violent but also
lacks self-
restraint
4. ZHANG FEI (BLACK)
Roughness and
fierceness. Rough
and bold
character or
impartial and
selfless
5. LIAN PO (PURPLE)
Uprightness and
cool-headedness
while a reddish-
purple face
indicates just and
noble character
6. CAO CAO (WHITE)
Suggests
treachery,
suspiciousness,
and craftiness.
Powerful villain on
stage
7.(CLOWN
JIANGor GAN
CHOU)

Has special
makeup patters
called
xiaohualian
(petty painted
face)
8. GOLD AND SILVER
Usually for Gods
and spirits.
 KABUKI
MAKEUP OF
 KABUKI MAKEUP OR
KESHO
•Interpretatio
n of actor’s
own role
though the
medium of
facial
features
2 TYPES OF
KABUKI
MAKEUP
1. Standard Makeup
Applied to
most actors
2. Kumadori Makeup
Applied to villains
and heroes
MEANING OF
COLORS IN
FACE
PAINTING IN
JAPAN
• Dark red – passion or
anger
• Dark blue – depression
or sadness
• Pink – youth
• Light green – calm
• Black – fear
• Purple - nobility
KOREAN
MASKS
 KOREAN MASKS
•Called tal or t’al
•use it in funeral
services to help
banish evil spirits
and theater plays
dating back to
prehistoric age
 KOREAN MASKS
•Used for
Shamanistic rites
•In 12 th
century,
the masks
became part of
elaborate dances
and dramas
ROLES OF
COLORS IN
KOREAN
MASKS
1. Black, red, and
Bright and vibrant
colors that
white masks helps
establish the age
and race of the
figure
2. Half Red & Half
Symbolize the
idea that
White Mask the
wearer has two
fathers, Mr. Red
and Mr. White
3. Dark-faced mask
Indicates that the
character was
born of an
adulterous
mother
Situation:
You are stranded on an island with your
little brother or little sister and the only
things you have saved in your bag are a
plastic envelope with two sheets of bond
paper and
Challenge: a roll of sewing thread.
While waiting for somebody to rescue
you, how can you use the two materials
to cheer up your brother?
PAPER ARTS AND KNOT
TYING OF CHINA,
 PAPER
ARTS OF
CHINA
1. Paper Cut
2. Chinese Knots
3. Paper Folding
4. Paper Kites
 PAPER FOLDING
• Earliest
document
showing paper
folding is a picture
of a small paper
boat in an edition
of Tractatus de
Sphaera Mundi
 CHINA
• Traditional funerals
include burning
yuanbao which is
a folded paper that
looks like gold
nuggets or sycee.
• Ghost Festival
 SYCEE
• Type of silver or
gold ingot currency
used in China until
the 20 century.
th

• “fine silk”
ORIGA
MI
 ORIGAMI
• Came from “ori”
meaning “folding”
and “kami”
meaning paper.

• Art of paper folding

• JAPAN
 ORIGAMI
Goal: transform a
flat sheet of paper
into a finished
sculpture through
folding and
sculpting
techniques without
cutting as much as
 ORIGAMI

Best known
Japanese Origami is
Paper Crane.
CHINES
E PAPER
CUTTIN
GS
 CHINESE PAPER
CUTTINGS
• Symmetrical in
design when
unfolded and
adapt the 12
animals of
Chinese Zodiac as
themes and
motifs and mostly
 CHINESE PAPER
CUTTINGS
• Jianzhi is the first
type of paper
cutting design.
 KITE
MAKING
 KITE MAKING
• is an assembled
or joined aircraft
that was
traditionally made
of silk or paper
with a bowline
and a resilient
bamboo.
 KITE MAKING

Chinese Kites 1. Centipede

may be 2. Hang-winged
differentiated kites
into four main 3. Soft-winged
categories: kites
4. Flat kites
1. Centipede
2. Hang-winged kites
3. Soft-winged kites
4. Flat kites
KNOT
TYING
 KNOT TYING

Known as
maedeup or
called dorae or
double
connection knot,
often called
 KNOT TYING

Zhongguo is
the Chinese
decorative
handicraft art
that began as a
form of Chinese
 KNOT TYING
In Japan, knot
tying is called
hanamusubi
. It
emphasizes
on braids and
focuses on
Presentation by Marriel Sofhia C. Garote
Thank You
So Much!