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Chaitya

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Chaityas are the halls enclosing the stupas.

Ashoka constructed eight rock-cut halls in the Barabar & Nagarjuni hills and the one near Rajgir dedicated to Jaina monks. The Lomas Rishi, the Sudama (both in the Barabar hills) and the Sita Marhi (Nagarjuni hills) caves are fine examples of the Chaityas which resembled the wooden buildings of the period.

Chaitya Griha

Chaitya grihas or halls of worship were built all over the country either of brick or excavated from rocks. Ruins of a large number of structural Buddhist chaitya grihas are found in the eastern districts of Andhra Pradesh, in valleys, near rivers and lakes. Some of the most beautiful rock-cut caves are those at Ajanta, ElIora, Bhaja, Karle, Bagh, Nasik and Kanheri.

Chaitya at Bhaja

The chaitya at Bhaja is a long hall 16.75 metres long and 8 metres broad with an apse at the end. The hall is divided into a central nave and an aisle on either side flanked by two rows of pillars. The roof is vaulted. The rock-cut stupa in the apse is crowned by a wooden harmika. The chaitya has a large arched torana or entrance with an arched portico.

Chaitya at Karle

Chaitya at Karle

Hinayana rock architecture reaches the peak of excellence in the splendid chaitya at Karle. The chaitya has a double storeyed facade and has three doorways in the lower part. It has an upper gallery over which there is the usual arch. The walls of the vestibule to the chaitya hall are decorated with sculptured figures of couples. The pillars separating the central nave from the aisles have a pot base, an octagonal shaft, inverted lotus capital with an abacus. The abacus has exquisitely carved pairs of elephants kneeling down, each with a couple in front and caparisoned horses with riders on them. The stupa at the apse end is tall and cylindrical with two tiers of railings around the drum. It is crowned by the original wooden chhatra. This is the most beautiful of the chaityas.

Chaitya at Karle

The chaityas have a vaulted ceiling with a huge horse-shoe shaped window or chaitya window over the doorway. They are large halls divided into three, parts - the central nave, apse and aisles on either side separated by a row of columns. The side aisles continue behind the apse for circumambulation. At the centre of the apse is a rock stupa with large figure of Buddha, sitting or standing. A remarkable feature of these Chaityas is the imitation of woodwork on rock. Beams and rafters were carved in the rock though they serve no purpose. From the unfinished caves, we get an idea of the method of excavation. Starting from the ceiling, they worked downwards. Solid blocks were left to be carved into pillars. After finishing the verandah, they excavated the interior. Tools used were the pick-axe, chisel and hammer.

Chaitya at Ajanta

Chaitya at Ajanta

The most perfect of this group of chaityagrihas is cave 19. Excavated at the end of the 5th century AD it is similar to the other chaityas in its plan and ribbed vaulted ceiling except for its single doorway and elaborate ornamentation. It has a pillared portico in front leading into a courtyard with the walls on either side heavily sculptured with figures.The interior pillars are well decorated with cushion shaped capitals. The corbel brackets are richly sculptured. The drum of the central stupa is elongated and carved. Projecting from the drum is an arched nasika with the figure of a standing Buddha carved in it. The rounded dome of the stupa ~ is surmounted by a harmika and three tiers of chhatras, diminishing in size and supported by figures on four sides

Chaitya at Ajanta
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On top of the chhatras and touching the ceiling is another small stupa with a miniature harmika. The facade of the cave is exquisitely carved. The chaitya-window has figures of yakshas and richly carved, friezes on either side. Two figures of standing Buddha flank the entrance. The walls of the hall and the ceiling of the aisles is richly painted with figures of Buddha, floral motifs, animals and birds.

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