Little Cosmo Studio And I is a document about Sissi Tang and her work with Little Cosmo Studio, a non-profit organization she established in 2013 in Cologne, Germany. It provides biographical details about Sissi Tang, including her education and work experience teaching in rural China. The document also describes Little Cosmo Studio's focus on using art and cultural projects to promote understanding between different regions. It shares information about some of Little Cosmo Studio's art workshops, exhibitions and education programs.
1. The document summarizes research on how social identity and perceived threats can shape people's perceptions of physical and social distance.
2. One study found that students from Dartmouth and Princeton perceived a rivalry football game between their schools differently based on their team affiliation.
3. The researcher presents other work showing how perceptions can be malleable and influenced by factors like social identity and feelings of threat from outgroups.
4. The document discusses the researcher's own work examining how perceptions of physical distance and estimates of immigrant population sizes can be impacted by feelings of threat related to immigration.
This document provides a list and descriptions of several Chinese films that will be screened for a site-specific event. It includes the titles of 5 films from 2009 to 2013, ranging from 7 to 75 minutes in length. The films are from various directors and cover topics like architecture, stories, and cultural representations. The document also lists 3 potential themes for the screening sections.
This document discusses strategies to combat Islamophobia in the US. It describes how Islamophobia is structurally manufactured through groups that promote prejudice against Islam and influence legislation and government training materials. It introduces the "Our Muslim Neighbor" project which aims to change hearts and minds about Muslims through personal contact, knowledge, and new perspectives. The project focuses on fighting negative external violence through rapid response and positioning religious leaders, while constructing positive images of Muslims through education, training, and interaction opportunities. The Nashville branch works on developing a rapid response toolkit, training spokespeople, and arranging interactions between police and the Muslim community.
Jerome Haferd and K Brandt Knapp began collaborating while studying architecture at Yale. They have worked together on projects exploring relationships between landscape/building, nature/environment, and other topics. Both now work as architects in New York City, though in different firms, and continue collaborating on writings, drawings, and other works.
The artist Miao Jiaxin created several conceptual artworks and performances that pushed boundaries and questioned societal norms. One piece involved laundering $19,909 in cash and depositing it with an art school to comment on tuition costs. Another had the artist travel in a suitcase to examine confinement. A live performance piece at an art fair involved selling a TV to critique commercialism in art.
This document contains inspirational quotes and advice on problem solving, change, and writing a novel. It encourages the reader to say yes and and to jump into new experiences two feet at a time. Contact information is provided at the end for the author.
This document discusses reinterpreting Impressionism through contemporary exhibition practices from the 1980s-1990s. Major exhibitions took place in New York City at the Met, Chicago at the Art Institute of Chicago, Paris at the Orsay, and Atlanta at the High Museum. Future exhibitions are planned for Portland and Toledo.
This document outlines a series of graphic design exercises called "Mission: Redefinition" that aims to redefine existing designed objects or formats. It lists 15 completed missions that explored redefining things like chairs, adult coloring books, magazines, and product packaging. The objective is to attract attention by thinking about subjects in unexpected ways through graphic design.
This document discusses two lectures given by Pieter Vanhove from Columbia University on felicitous punctuation and how to do things with theory. The first lecture took place on November 3rd, 2013 at Gesamtkunstwerk 1020. The second lecture was held on December 5th, 2013 at Gallery 456.
This document discusses several topics related to architecture and urbanism in Manhattan including:
1) An interview with architect Oswald Mathias Ungers from 1975 and references to Manhattanism and the culture of congestion.
2) Images and references related to Surrealist artist Salvador Dali including his Paranoid-Critical Method diagram.
3) Early 20th century plans and designs for Manhattan skyscrapers and projects like Rockefeller Center.
4) Contemporary projects like the CCTV building in Beijing and the Seattle Public Library.
This document appears to be notes from creative writing or art projects exploring unconventional perspectives on the human experience and form. It includes descriptions of a person envisioning humans as "long worm monsters" based on their movements through time and space each day. Another section describes a person's mother as a cat and father as a large fish-like creature. The document also references projects related to fashion design and craft techniques.
The document discusses the relationship between art and the spaces in which it is exhibited and experienced. It references Claude Monet's Waterlilies displayed at the Musee de l'Orangerie in Paris and Frank Lloyd Wright's Solomon R. Guggenheim Museum in New York. The document also mentions works by artists Maurizio Cattelan, Daniel Buren, Dan Flavin, and interventions in the Guggenheim by Alyson Shotz, Anish Kapoor, MAD Architects, and JDS Architects.
This document discusses neutron stars and explores them as natural laboratories for studying extremely dense matter. It provides background on stellar evolution and supernovae that form neutron stars. Neutron stars are incredibly small yet dense, with masses of around 1.35-2 times the sun's mass compressed into the size of Manhattan. They also spin incredibly fast due to conservation of angular momentum. The document examines using neutron stars to study how matter behaves under extreme density and discusses challenges in measuring their precise masses and radii from Earth. It outlines the author's research simulating neutron star atmospheres to help answer fundamental physics questions about their properties.
Gesamtkunstwerk is an exhibition taking place from April 22 from 2PM to 5PM at Columbia University in Schermerhorn Room 832. The exhibition is co-curated by Wang Xin and Zhong Nianlai and features works in various mediums including book, sculpture, astrophysics, photography, archive, painting, city, architecture, and museum from 11 artists such as Chen Xi, Wang Xu, Liu Jia, Fan Xiaoyun, Mo Xiaofei, Han Xu, Zhong Nianlai, Wang Xiaopeng, Wang Xin, Weng Xiaoyu. The exhibition titles explore themes around finding cities, wandering in the rain, exploring neutron
The document discusses various archives that serve as productive spaces for documenting and sharing information about contemporary art. It mentions several artist and gallery archives that preserve materials from the 1980s in China and Cantonese art. It also lists events and projects like performances, a mobile library, and online anthologies that facilitate discussion, documentation, and comparisons of performance art practices and contemporary artists in Asia. Examples of specific artworks, artists, and archives mentioned include the Wu Shanzhuan Archive, Geeta Kapur and Vivan Sundaram Archive, Shiraga Kazuo's "Challenging Mud," and Dexter Sinister's project space.
This document summarizes the research of Shuang Lu, a Master's candidate at Columbia University, on "Ant People" in Shanghai. It discusses:
1) Who "Ant People" are - college-educated migrant workers living in cramped conditions in cities due to lack of good jobs.
2) How job-hunting hostels have emerged as living spaces for "Ant People" in cities like Shanghai, gathering them together and supporting their job searches.
3) Examples of cramped living spaces for "Ant People," including a rooftop enclave in Shanghai where over 100 people live in small, windowless rooms.
This document appears to be a poster advertising an event featuring presentations by 10 students on topics within their fields of anthropology, art history, architecture, American history, contemporary art, design, film, curating, dual identities, and opera. The event is taking place on March 10, 2013 from 1-5pm at 300 East 85th Street in the first floor party room. It is co-curated by Xin Wang and Nianlai Zhong under the theme of "Gesamtkunstwerk" with the poster designed by Meng Shui.