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Electronic music
December 2024
Best music of 2024
Desi rap, deep jungle and truck-stop concrète: five-star albums you may have missed this year
New music for 2025
‘Too many people try to over-intellectualise music’: RIP Magic, London’s buzziest buzz band
Best music of 2024
The 50 best albums of 2024: No 1 – Charli xcx: Brat (and Brat and It’s Completely Different But Also Still Brat)
Best music of 2024
The 50 best albums of 2024
Aphex Twin: Music from the Merch Desk (2016-2023) review – Santa’s sack overspills with AFX bounty
Best music of 2024
The 10 best contemporary albums of 2024
‘Like Depeche Mode, but evil’: the sweaty, sexual music of 80s EBM
Bubble Love: Bubble Love review – Ross From Friends’ high-energy pop-club side project
Best music of 2024
The 10 best global albums of 2024
Club culture
‘Blokes who would normally fight would get off their boxes and dance’: Sanctuary, the club that made Milton Keynes massive
November 2024
‘A road trip like no other’: my epic drive on Kraftwerk’s Autobahn
Poppy: Negative Spaces review – screams and sweetness as metalcore meets loungecore
Actress: Дарен Дж Каннінгем review – elegant mixtape leans into abstraction
‘It’s shocking no-one’s done this before’: the 13-hour gig digging up the African roots of global pop
Club culture
Ekleido review – Floating Points’ brilliant beats propel duo’s dazzling dance
Delicate ballads, bold brass and the thrill of Thriller: 10 of Quincy Jones’s greatest productions
October 2024
Fishing lines, mobile phones and Wirral wind: the oddly harmonious music of Ex-Easter Island Head
The mysterious world of Two Shell: ‘Our pranks don’t mean we’re not sincere’
Underworld: Strawberry Hotel review – sweet bangers and sad laments
Composer Oliver Coates on the cello, chaos and connection: ‘The best music is out there in nature’
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