This article examines the relationship between the performing arts and Amerindian peoples, specifically the Araweté, Juruna/Yudjá and Kamayurá peoples, which belong to the Tupi branch, whom I met as part of postdoctoral research carried out from February 2018 to January 2019, at the University of São Paulo (USP). It analyses the conjuncture of the fight of Amerindian and riparian peoples before the destruction of the forest and rivers of the Amazon, based on case studies of two theatre performances: Altamira 2042, a scenic ritual instauration triggered by listening to the testimony of the Xingu river about the Belo Monte dam, and Os Um e Os Outros (The One and the Others), loosely based on The Horatians and the Curiatians by Bertolt Brecht.

中文翻译：

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戏剧与原住民：学会想象末世的新世界

本文探讨了表演艺术与美洲印第安人之间的关系，特别是属于 Tupi 分支的 Araweté、Juruna/Yudjá 和 Kamayurá 人，我在 2018 年 2 月至 2019 年 1 月进行的博士后研究中遇到了他们，在圣保罗大学（USP）。它基于对两个戏剧表演的案例研究，分析了在亚马逊森林和河流被破坏之前美洲印第安人和河岸人民的战斗情况：阿尔塔米拉 2042，通过聆听新谷河关于贝洛蒙特大坝的证词触发的风景仪式恢复，以及Os Um e Os Outros（The One and the Others），松散地基于霍拉提亚人和库里亚人贝托尔特布莱希特。